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Lawsuit Challenges Copy-protected CDs

Posted by CmdrTaco on Mon Jun 17, 2002 11:33 AM
from the truth-in-advertising dept.
acer123 writes "An article states that 'The five major record companies have been hit with a class-action lawsuit charging that new CDs designed to thwart Napster-style piracy are defective and should either be barred from sale or carry warning labels.'"
+ -
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  • NOT digital quality (Score:5, Interesting)

    by Alizarin Erythrosin (457981) on Monday June 17 2002, @11:35AM (#3715861)
    They should be required to remove that little CD-quality logo from packaging and say that it is a copy-protected CD. That way, people will know the quality may suck, and they can't listen to it in a computer.

    Also, wasn't something like this reported a few days ago?

  • How to join? (Score:5, Interesting)

    by InterruptDescriptorT (531083) on Monday June 17 2002, @11:36AM (#3715869) Homepage
    I purchased a CD for my mother for Mother's day that was one of the widely-reported copy-protected albums (Celine Dion, BTW). It wouldn't play on my parents' computer, which is the only player they have in the house. Is there any information on whom to contact to become part of the class action? Does one just contact the legal firm suing the record companies and inquire there? Thanks.

    ---
    I'm tired of waltzing for pancakes. - Gwen Mezzrow
    • have you tried the Marker pen tool [wired.com]? Hmm, damn, guess I can be sued now?!
    • I ask, since some news stories have asserted that the protected version of Celine Dion's "A New Day Has Come" have NOT been released in the U.S.... It would be nice to have a data point on this. Also, did the disk bear any warning... AND (this could be significant) did it, or did it not bear the CD logo--the little gizmo that says "Compact Disc Digital Audio" on it? Supposedly Philips has insisted that since copy-protected disks do not comply with the CD standard they are not allowed to use the CD logo on it.
    • Re:How to join? (Score:5, Informative)

      by thesolo (131008) <slap@fighttheriaa.org> on Monday June 17 2002, @12:30PM (#3716251) Homepage
      Is there any information on whom to contact to become part of the class action? Does one just contact the legal firm suing the record companies and inquire there? Thanks.

      Well, I'm not sure about this lawsuit in particular, but I do know that other firms are planning class action suits as well.

      If you would like to join an upcoming class-action, here is some useful information for you (from Check Heffner).

      "Larry Feldman of the law firm Feldman & Rifkin (www.leflaw.net [leflaw.net]) is in the process of filing a class-action lawsuit against the major 5 record labels - Sony, BMG, Universal, EMI and Warner Brothers. Please write Larry directly at leflaw@leflaw.com .

      Larry is looking for the problems you have had with a suspected corrupt CD. Please include this information if you write him:

      1. Your name and contact e-mail address

      2. Your city and state

      3. The CD artist and album name

      4. Where you bought the CD (store name, city and state)

      5. Your CD experience. Were you able to copy your CD to MP3 or another CD? What software did you use? The more details you can share about your corrupt CD, the better.

      Larry will contact you about your report."
  • by Marx_Mrvelous (532372) on Monday June 17 2002, @11:38AM (#3715876) Homepage
    I suppose that putting pressure on companies to not copy protect CDs is a Very Good thing. If the warning label is actually a warning label (no truth-ish "This CD comes equipped with Super Happy Fun Consumer Protection Technology!!!"), then sles will naturally be lower, and hopefully they'll stop.

    The pessimist in me though, says this is only a delay tactic. LEt's hope it's not economically feasible for them to make this a new standard.
  • by MarvinMouse (323641) on Monday June 17 2002, @11:38AM (#3715880) Journal
    I know that they are going to say that they do mark the CDs (the really small print on the back) which are copyprotected, but I am getting really annoyed with having to look through a pile of CDs' small prints just to find the one that will work on my only CD player, my laptop.

    Here's hoping that at the very least it'll become obvious which CDs are copy protected (maybe a sticker like the "Warning: Mature Content") sticker. Then I will be able to at least be guaranteed a functioning product that does what it claims to do.
  • by L. VeGas (580015) on Monday June 17 2002, @11:39AM (#3715885) Homepage Journal
    The record companies will be required to distribute rebate coupons for free Sharpies.
  • Big Hairy Deal (Score:4, Insightful)

    by hyphz (179185) on Monday June 17 2002, @11:41AM (#3715897)
    In the best case: they spin out the suit, cost the people in the class action a load of money, then put a dinky little label on the back of the CD case in one corner. Joe Average, who owns a regular CD player, doesn't care or even notice, so the money keeps coming in. Fair Use is still dead on the format.

    A better one was the business that they were getting sued for Trade Descriptions for describing the product as an audio CD when it did not follow Audio CD formatting rules - anyone know what happened with that? (That could have some interesting consequences for PC CD games with mangled volume tables)
  • the CD manufacturers are afrade that people will not but the CDs if they know they are fscked with. the only way this works without a large scale backlash is if people dont know whats going on untill its too late(or they cant eject their coaster) when was the last time you checked your CDs for their logo? this method capitolizes on the ingnorance and apathy of the average Us consumer.
  • my own way around it (Score:3, Interesting)

    by Jacer (574383) on Monday June 17 2002, @11:44AM (#3715919) Homepage
    i put the copy protected cd in a regular cd player, i have my headphone jack outputing into my computers microphone jack, save as *.wav or whatever, then encode into Mp3.....it works very well but that's besides the point....it's obvious that a person who buys the cd isn't a pirate, they're just burning bridges with the people left who are willing to buy cds, and that's no small number, piracy does cost them a fair amount of money, but a bunch of pissed off customers will cost them even more!
    • Jacer writes:it's obvious that a person who buys the cd isn't a pirate, they're just burning bridges with the people left who are willing to buy cds, and that's no small number, piracy does cost them a fair amount of money, but a bunch of pissed off customers will cost them even more!

      Quite true. Why would a company treat a paying customer like a thief? Besides, the second that they come up with a new protection scheme, it'll be broke by someone, then back to the drawing board (where your music buying money is spent) with more useless protection schemes that will most likey make playing music more of a hassle than it's worth. ad infinitum

      I dunno, maybe it'll get to the point where the RIAA will find some way to make possesion of mp3s illegal with a jail term and fines. Film at 11.

      OTOH, this might be a good thing for the smaller indy labels that just want their artists music heard.
      • MP3 is not EXACT digital copy! You agree to lose quality when you use MP3!!!

        16 bits stereo PCM (often refered as WAV but that's inaccurate) is a digital copy! You can add "exact copy" if the ECC on the disk worked well.

        Now, ripping from your stereo's CD may be a good idea if you can get the fiber output and plug it into your soundcard (many soundcards have fiber output, some must have fiber input too). If you copy from the jack output then you'll have a SNR of ~60-70dB (check the noise level with Soundforge!) whereas CD players give >90dB!!
        (Difference will be noticeable at high volume, maybe not that important for your car or for a portable player)

        Ripping from FM radio is a very BAD idea: the sampling rate is limited to 19kHz (the carrier that separates the Right+Left and the Right-Left (that's 'plus' and 'minus') channels is located 19kHz above the tuning frequency IIRC)
        (You can add a crappy SNR on top of that)

        Same idea for TV, don't do it

  • insulting (Score:5, Insightful)

    by SirSlud (67381) on Monday June 17 2002, @11:44AM (#3715924) Homepage
    This is insulting to a musician like me. To hear what constitutes 'right to protect my property' (nevermind it should only be mine for 14 years, not 70 years after the death of me .. oh wait, forgot I had to sell that copyright to a company in order to get it heard, anyways!) from the mouth of suits is just plain insulting.

    Interesting note: It was pre-copyright times in which publishers owned the works. Now, with the big 5, you have to sign your copyright to them for them to publish. And the copyright law is now 70 years after the death of me. Its kind of ironic .. the biggest battle in the history of copyrights, and really, they are arguing in favour of nothing other than technologically enforcing pre-copyright law, where publishers held the copyrights, ad infinitum (well, 70 years past my death, same thing.)

    I really wish people understood how 'copyrights' that labels are arguing they must be able to protect are not copyrights at all, but more akin to the Licensing act of 1722 where publishers held a monopoly in the distribution of cultural works. (Also worth noting that the Licencing Act was also the first law that allowed government, and subsequently printing houses to censor works deemed against the Church or State.)

    At any rate, I sure dont need to screw up your CDROM to make a living ... although I wont argue that N'Sync and Nickleback or whatever already-well-off artist you love will make more money in the short term because of it!

    • This is insulting to a musician like me. To hear what constitutes 'right to protect my property' (nevermind it should only be mine for 14 years, not 70 years after the death of me .. oh wait, forgot I had to sell that copyright to a company in order to get it heard, anyways!) from the mouth of suits is just plain insulting.

      Umm, you didn't have to do anything. You wanted to do it. I tried to explain this concept to my ex-girlfriend many, many times, but she never really understood that she wanted a diamond ring, not that she needed a diamond ring.

      If you want your music to be heard, you have many options at your disposal. I have no sympathy for people too stupid to look at their options before singing the first contract thrust in front of them.

      That'd be like me complaining about how it was necessary for me to sign up with AT&T's worst long distance plan, because it was the only way to use my telephone.
  • The real truth (Score:5, Insightful)

    by Wrexen (151642) on Monday June 17 2002, @11:45AM (#3715934) Homepage
    CDs designed to thwart Napster-style piracy...

    These CD's aren't about stopping Napster/Morpheus/Kazaa/etc, they're about taking away our right to time shift and give the record companies the ability to charge us over and over again for the same music.
  • by InnereNacht (529021) <paulp@lappensecurity.com> on Monday June 17 2002, @11:47AM (#3715944)
    "Music creators have the right to protect their property from theft, just like owners of any other property," Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    Uhm. Hello? Is this thing on?

    DVD movies and PC games don't crash other platforms when you put them in last I checked. DVD movies work on DVD PLAYERS. PC games work on PC's. Music CD's should work on ALL CD PLAYERS.

    What do they expect? If I pop'd a music CD in my PC and it locked my box I'd be awfully pissed off too.
  • From the article, quoting Cary Sherman:

    Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful.

    I suppose that's why every single real copy protection for software has been abandoned, right? Anyway, the Jargon File defines copy protection as:

    copy protection n.

    A class of methods for preventing incompetent pirates from stealing software and legitimate customers from using it. Considered silly.

    I think Sherman's claim is pretty specious.
  • by st0rmshad0w (412661) on Monday June 17 2002, @11:48AM (#3715951)
    and "protected CD's" become more common, will they be giving up the recording media tax? The original assumption behind it was that blank media would be used to copy copyrighted works, but if the works in question are "protected" from copying, then they no longer have a case for the media tax, correct?

    I wanna see how this plays out and I hope someone finds an angry grandmother type who doesn't take any guff to be the posterchild for this.
  • by Thag (8436) on Monday June 17 2002, @11:51AM (#3715965) Homepage
    Granted, the record companies have the big bucks if you want a cash settlement, but if you want to stamp this kind of thing out, I'd think you'd be better off putting the Macrovision-level companies out of business instead.

    Once a few of those companies have been sued into smoking holes in the ground, their surviving ilk should be hesitant to repeat the same mistake.

    Jon Acheson
    • the only problem with that logic is that these componies have done nothing wrong. They created a product that can be used fairly, but is used by the record componies illegally. It's not like congress will make a law saying a product that can be used illegally is illegal...

      Something tells me what i said above is too subtle for most of slashdot :/
  • by pogle (71293) on Monday June 17 2002, @11:51AM (#3715967) Homepage
    From article:
    "...software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    This is just wrong on so many levels. One, as anyone in Usenet knows, there are a lot of trolls out there who claim its wrong, not that we listen to them.

    But seriously, how many CD copy protections prevent the CD from being used on a majority of players?? I know of one game thats been almost endemic in its lack of functionality, and thats MS' Dungeon Siege. I've got 3 cd drives (32x, DVD-ROM, and CD-RW) and dungeon siege only worked with my CDRW. Thats the worst case instance I can think of for software lack of functionality due to media changes (MS has some lovely copy protection nonsense on the CDs). And there are legitimate complaints all over the place about that problem.

    The majority of software is protected via regkeys and other software based methods, *not* by scratching the CD so only some players can read it. Someone want to come with me to smack this guy with an EUL printout or two? It'd be fun...
      • Indeed, if you take a look around planetdungeonsiege.com's forums, you'll see a wealth of people have had installation problems in the past. I'm at work and can't go browsing game sites, or I'd link a few threads.

        This is the US version I'm referring to, so I believe there is probably a difference. Copying was near impossible for a while, until someone released a cracked ds.exe file. Even then it was hard to find (not that I was looking, it was a friend at work, honest).

        3 of us purchased the game, one person's worked fine in his computer, the other two of us actually exchanged the game because it did not work on a total of 6 cdrom drives between us. After the exchange, there were still problems, but after a long fight I got it installed. On my computer at work it installed fine. It just depends on the CD drive, but there are an awful lot of non-compatible drives out there for this game. Its disturbing that my newish Sony DVD-ROM wouldnt install this, and my 6 year old Ricoh CDRW would. Of course, since the CDRW is a 6x read, it took an hour for a full install.

        As it is, I'm afraid to try and install it again...dont feel like dealing with the PitA that it is, despite it being a fun game. Fortunately, I got it for $20 at Best Buy, when it was still retailing for $50 on average, so I'm not worried about letting it gather dust.
  • Besides being deliberately designed to prevent the copying of music on personal computers, the anti-piracy technology often prevents playback altogether on PCs, and even on some CD players, Mansfield said.

    If it prevents copying on personal computers, it always prevents playback on those computers.

  • A recent trend seems to be having the PC as the center on a digital entertainment system. If the PC can't play the CD, and it's the primary CD player, wouldn't people possibly buy from other labels? I know my parent's only CD player is the one in their computer, and I use the one in my computer quite often in stead of my music only CD player because it is more convenient.
  • by Anonymous Coward on Monday June 17 2002, @11:54AM (#3715988)
    It seems to me that Phillips who owns the patent on CDDA had said that the record companies cannot use the official CDDA logo on these copy protected CD's since they technically break the standard. So a case could be make that no matter what the label (warning or otherwise) that they shouldn't be able to make and try to sell an audio CD that's not actually an audio CD by the Phillips definition of what an audio CD is.
  • heres a suggestion (Score:5, Insightful)

    by paradesign (561561) on Monday June 17 2002, @11:54AM (#3715989) Homepage
    since these are technicle not Phillips (red-book) compliant CDs, retailers technicly should not be able to sell them in the CD section. it is false advertising. so maybe the suit should fall on Best Buy or Wall Mart, to force them to separate the two disks (CDs and Copy Protected Optical Audio Discs) on the sales floor.
    • AFAIK (Score:3, Interesting)

      They follow the blue book enhanced CD standard. At least a corruption of it. It might not even be something philips can do anything about.

      I would intuitively think that this is a more dangerous tactic for the record companies, as it pretty clearly shows for thought and planning in their bid to actually disable peoples computers causing them a not insignificant expense in both time and money. The crippling of the computers wasn't a side effect of the 'copy protection' (such as it is) it was actually the plan. I personally can't see a difference between that and any other malicious act which damages someones computer.

      But I do think going after the stores would be the way to go, with their thinner margins, it would hurt them a lot more. And they, in turn, would use their market muscle for ends that are more inline with their customers wishes. The last thing Best Buy, Sam Goodie, or any chain wants to do is end up in a court battling a former customer.
  • If they start seeing that this crap COSTS them, THEN they'll get rid of it.

    Until then, you're just suckin wind.

  • In my opinion, copy-protected CDs should be packaged much like cigarettes in Canada. In other words, the government should mandate that not less than 50% of the package should be devoted to a warning similar to "This is not a conventional CD that may not play in a conventional CD player and may cause damage to hi-fi stereo equipment".

    Of course, this warning label should be in big, bold, black text on a white background.

    At the very least, this would make these CDs a very unattractive proposition.

    But of course that is probably not likely to happen.
  • by shaldannon (752) on Monday June 17 2002, @12:06PM (#3716070) Homepage
    Cary Sherman, president of the Recording Industry Association of America, issued a statement calling the lawsuit "frivolous" and defending the labels' recent efforts to deter digital piracy.

    It must be a frivolous lawsuit. Has to be. The RIAA has filed so many, it has to know one when it sees one :)
  • by Kombat (93720) <kombat@kombat.org> on Monday June 17 2002, @12:08PM (#3716083) Homepage
    "Music creators have the right to protect their property from theft, just like owners of any other property," [RIAA president Cary] Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    I'm curious to hear the Slashdot community's response to Sherman's point. We cannot copy movies, even under "fair use" provisions, thanks to Macrovision (VHS) and CSS + Macrovision (DVD). While we can make backups of our software, it is harder to pirate them due to the use of software keys. This is a relatively effective, and unobtrusive protection mechanism.

    But when it comes to music, it's no-holds-barred. There is absolutely zero protection on a CD to prevent unauthorized copying. Don't you agree that it is hypocritical to cry foul regarding CD copy-protection, but not the guards built into VHS and DVD works?

    Why the double-standard? Why do we just accept that any VHS tape we buy will be uncopyable thanks to Macrovision (barring any specialized hardware to bypass it that's beyond the reach of the lay consumer), but we so vigorously oppose those similar protections on CDs? I can't copy my VHS tapes, even if I own them and want to make a copy to take on the road in my van, or to preserve the slowly-degrading quality inherent in repeated playing of such media. But we don't cry about it - we just accept it. Why?

    • by Junta (36770) on Monday June 17 2002, @12:29PM (#3716244)
      I personally think CSS is a badly done copy protection, I complain about it. But to differentiate the three:

      DVD CSS/region coded: sucks, yes, but at least part of the standard from inception. Anything designed to play DVDs *should* play even CSS/region coded discs (provided the region matches, etc...). Copy protection does not interfere with playback for commercial systems. The peeve here is that non-sanctioned players (i.e. ogle) cannot legally read CSS discs in the US (though many ignore the law, it is still illegal). And backup is not an option for the average consumer, and backup is important.

      Macrovision, unlike DVD, was a modification of Tape encoding methods. It sucks for backup purposes, but has minimal effect on playback. The technology kept confined to the relatively small world of VCRs, so the technology pretty much works as intended. Backups are made possible by 'signal enhancers' available from anywhere that remove macrovision spikes. Backups are suddenly possible and the slight video degradation is taken care of. Again, the law-abiding person suffers most from the slight picture degradation, while copiers continue, but the impact is minor.

      Now CD protection is different, the worst of both worlds. CD technology has gotten to the point where many people use computers/computer based cd players to play back music and ditch the far more limited dedicated low end cd players. This is fine for the standard, but now the RIAA screws the standard so that very high end and computers no longer play back this music, and the chunk of listeners cut out by that is quite significant. Meanwhile, the ones who are determined break out sharpies, post it notes, and analog lines to copy to their hearts content. In the long run only the legit customers really get screwed, and get screwed quite significantly by this bastardized format...
    • But we don't cry about it [copyprotected movies] - we just accept it.

      Huh? Excuse me? What Slashdot have you been reading? People bitch all the time about CSS and Macrovision. Or did you miss all the fun stuff happening about DeCSS [slashdot.org]? Or maybe the story about how the Harry Potter DVD won't be Macrovision protected [slashdot.org]? The resulting discussion talked about loads of ways to get around Macrovision, as well as many people complaining about how Macrovision lowers the quality of the video.

      I'll complain about video games using copy protection too - I could barely play my copy of Black and White since for whatever reason the copy protection would take a full five minutes to finally get around to deciding my legally purchased CD-ROM was valid. And then, since this is in the pre-patched days, it would start up, and then crash as soon as I tried to actually play the game.

      I'd really much prefer video game manufactorer's don't use CD-based copy protection schemes. I'd like to be able to make backup copies of their CDs without shelling out money for CloneCD. I don't mind registration keys; they work fairly well and they allow people to just play the game without worrying about their hardware being unable to play the game due to some bogus copy protection.

      I hate having to root around for the CD to a game that allows all the data to be stored on the harddrive just so it verifies I'm not using a stolen copy. It's a waste of my time and it suggests that they expect me to be a thief - not good customer relations, really.

      Being a mostly-Windows 2000 user (although I do run Linux on my server and have my desktop set up to dual boot into Debian Linux), I really don't mind CSS since it doesn't effect my ability to watch movies on my computer. Since I'm an American and region encoding usually works out so that people in Region 1 get the DVD first and imported DVDs are usually more exprensive, I don't really care personally about the region issue - but I can understand why others might hate region encoding with a passion.

      In other words, yes, people bitch about movies and computer games being copy protected.

  • Unlawful? (Score:5, Insightful)

    by Kiaser Zohsay (20134) on Monday June 17 2002, @12:09PM (#3716092)
    Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    Never mind the fact that the software industry has pretty much given up on copy protection in favor of hardware keys and activation code methods. No it was never unlawful, just a PITA for users who paid good money for software.

    The music industry however is trying to forget the Home Recording Act of 1992, where they promised not to copy-protect CDs in exchange for a "royalty" on blank CD media. As far as I know, they are still get the royalties.

    • they promised not to copy-protect CDs in exchange for a "royalty" on blank CD media.

      This is not entirely correct. The royalty applies only to blank audio and video tapes. It does not apply to blank CD-Rs sold in the USA. Canada, however, does impose a tax on CD-R media.

  • ... A Black, Plastic Disc With Grooves On It

    Music bosses have unveiled a revolutionary new recording format that they hope will help win the war on illegal file sharing which is thought to be costing the industry millions of dollars in lost revenue.

    Nicknamed the 'Record', the new format takes the form of a black, vinyl disc measuring 12 inches in diameter, which must be played on a specially designed 'turntable'.

    (Rumours at large say that a Japanese company, named the very mysterious name 'Sony', has been secretly developing a 12 inch wide, needle-based, firewire drive remain unconfirmed, turntable. It would appear that the music industry may, at last, have found the pirate-proof format it has long been searching for.)
  • by dunstan (97493) <dvavasour.iee@org> on Monday June 17 2002, @12:11PM (#3716107) Homepage
    From the article: "Music creators have the right to protect their property from theft, just like owners of any other property," Sherman said.

    Where do I start?
    a) It's not the music creators who have put "copy protection" on, it's the music publishers
    b) Whether it's the creator or the publisher, the creation is not "property". If it were there would be no patent or copyright law
    c) Illegal copying isn't theft, it's illegal copying
    d) What they're doing isn't like any other property, and asserting the opposite doesn't change the facts

    If the context for this sentence related to the theft of a truck full of CD's then it would be correct. But I somehow don't think that's what he means.

    Dunstan
  • Frivilous? (Score:5, Insightful)

    by shawnmelliott (515892) on Monday June 17 2002, @12:21PM (#3716171) Journal
    "Cary Sherman, president of the Recording Industry Association of America, issued a statement calling the lawsuit "frivolous" ..."

    Suing a toy company for not putting labels that a teddy bear is not edible is "Frivilous"

    Suing McDonalds for not warning you that coffee is hot is "Frivilous"

    Suing somebody because you broke your leg while attempting to break into their home is "Frivilous"

    I hardly see suing somebody because they sell a product with no warning that it is defective ( and yes, they are defective by definition of the CD format ) and that it won't work in your PC, MAC, DVD etc. In fact, these things have been know to kill Macs ( Celine Dion anyone? )

    So no, I don't see this as being any more frivilous than the class action lawsuit againsts Firestone for their tires being defective.
  • by halftrack (454203) <jonkje@@@gmail...com> on Monday June 17 2002, @12:21PM (#3716173) Homepage
    ... Philips take on anti piracy and copyright protection since they insists that the Compact Disk Digital Audio label shouldn't be used on copy protected CD's?
  • by LittleGuy (267282) on Monday June 17 2002, @12:27PM (#3716223)
    Just replace "CD" with "Crunchy Frog" and -- [montypython.net]

    Inspector: Nevertheless, I advise you in future to replace the words 'Compact Disks' with the legend, 'Technically Flawed Compact Disks that could impinge on consumers' rights to copy music for their own use' if you wish to avoid prosecution!
  • by DunbarTheInept (764) on Monday June 17 2002, @12:28PM (#3716227) Homepage
    The less-functional CD's wouldn't be a big problem if they were actually *advertised* as such. Hiding the product in the trappings of an ordinary CD, without any external indication that it isn't, is false advertising, plain and simple.

    Now, IF they had made a new name for their not-quite a CD, instead of trying to lie to customers and call it a CD, that wouldn't have been a problem - it would have been a case where the buyer has to decide if having the music is worth having it in a less useful format that might not even work at all on his machine.

    • by Anonymous Coward
      I'd imagine that since KY is a lubricant, it would make it less painFULL.

      Regardless, you're using a double negative.

      - The Grammar Nazi
    • Far more telling is that while copyrights are initially the artists', you cannot get any respectable level of distribution without signing your copyright over to a corperation.

      In that respect, the impedus of how to 'protect' those works is all in the hands of companies now, with far too much power, nearsightedness, and complete lack of understanding of technology. The 'artists', the exploited posterchildren of all of this, are really powerless to have a say, and they are being tugged around in a battle that concerns their very nature, living and wellfare, in which they really have no voice.

      Labels already have what they need in the form of insane copyright terms (nevermind that none of them are signing multi-album deals anymore like they did 20 years ago .. they drop millions on one-hit-wonders, and have shrugged off any concept of a 'career' for musicians), and ownership most of the time of said copyright. This is just a prime example of how those in power are destined to spend the rest of their existance attempting to strengthen it rather than focusing on what got them into that position in the first place.
    • The founding fathers would not agree at all. They debated long enough about this issue, and eventually the 7+7 years maximum limitation seemed consistent with both sides.

      What would they say to an issue like this? Easy. If someone wants to distribute copyrighted materials all over the country to millions of people, without thinking how they will ENFORCE the ALREADY EXISTING copyright laws, these people are idiots and shouldn't be distributing such materials to such a widespread audience.

      What the record labels should do is pay for their own internal policing force to go and find copyright law breakers. They can then go to the police, and say "arrest John Peterson because he copied one of our CDs."

      Or, they can lobby their LOCAL police forces (not the FBI, not the state troopers) to go and find copyright infrindgers.

      The government should NEVER pass laws "requiring" certain hardware, that's for the free market to decide on. The government should merely reinforce the original constitutional limitations, and then let the record labels work at finding those who are infringing on those laws.

    • ... but apparantly an effective one. Since the moderators apparantly are missing the AC comments, I'll restate:

      This troll was copied and pasted from kiro5hin:
      http://www.kuro5hin.org/story/2002/3/8/ 1465/50261

      It was used on Slashdot before:
      http://slashdot.org/comments.pl?sid=34240 &threshol d=0&commentsort=0&tid=141&mode=thread&cid=3705379
    • > Music creators have the right to protect their property from theft, just like owners of any other property

      > The RIAA may have a point about piracy

      No, they dont! "just like owners of any other property"???! Thats why Copyright law exists! Because owners of cultural and artistic work is not like owners of other property.

      The Great Big Lie has everybody forgetting this. Everybody get it through thy skulls! Copyright, and intellectual property is and never will be physical property! So you dont get to distribute it, or protect it like physical property. End of story.

      Incidentally, copyright law 2002 is much more like the Licensing Act of 1722, which the first true copyright law of the 1760s was supposed to fix. The Statue of Anne, the firtst true copyright law meant to protect the creators of the work, not the publishers/distributors was meant to wrestle control of cultural distribution and publication from the companies to the arists. Nowadays, look in those 'big label' contracts. Guess who ends up owning the copyright when you sign (the only real way to get big time distribution these days?) .. the company! Really, this is all a joke .. the labels are no better than the monopolistic printing houses of the 1622s, and everybody has bought it hook line and sinker that its all for the arists! ('Wont somebody think about the arists!' .. dont believe them!) As a musician, programmer, and dude who decided that something smelled fishy, I have not a shred of doubt in my mind that 'copyright law' is currently a misnomer - how about 'monopoly law'? It's time for another true copyright law, one where the people making the actual music have a say and where economic leverage doesn't allow companies to nullify the 'creator is the owner' statute by forcing signees to sign their copyright over to the label. Thats how this trouble all got started ....