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Legal Music Downloads Increase in 2005

Posted by samzenpus on Wed Jul 13, 2005 10:25 PM
from the still-missing-napster dept.
GraWil writes "The CBC is reporting there is marked increase in legal music downloads in 2005. American internet users downloaded 158 million individual songs from January to June 2005, compared with 55 million during the same period in 2004; during the same period, U.S. CD sales decreased by 7%. According to Peter Jamieson, head of the British Phonographic Industry, "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards". In the UK, sales of seven-inch vinyl singles were also up 87% on last year."
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  • by InsideTheAsylum (836659) on Wednesday July 13 2005, @10:26PM (#13060167)
    OMG!! teh downloads are bringing down our profits!
    • Re:RIAA's response.. (Score:5, Informative)

      by pahles (701275) on Thursday July 14 2005, @01:51AM (#13060994)
      Joke aside, but are they? These are legal downloads, so about 65 cent per 99-cent-song is going right into the pocket of the music industry. Apple alone has sold almost 500 million songs, that's 325 million dollars, for doing nothing!
        • Re:RIAA's response.. (Score:4, Interesting)

          by cayenne8 (626475) on Thursday July 14 2005, @09:09AM (#13062613) Homepage Journal
          "And what's worse is i'm pretty sure the quality isnt equal to the ones you get in the store."

          Nope...it is not. All that is currently offered, is lossy recorded material. I'd love to buy stuff online, but, until they offer a lossless version of the music, that gives me the same abilities as I have when I buy a CD :to play on any player, and to rip to lossy formats on my own choice for poor listening environments (car, portable for gym)...then, I'm not interested.

          Actually, the main reason I've not bought many CD's in recent history...I've pretty much got them all now!! I also find very little new music coming out that I find worth buying.

  • by jfonseca (203760) on Wednesday July 13 2005, @10:29PM (#13060187) Homepage
    I wonder how they conclude these things anyway when they have no clue how many songs were downloaded in the black market to begin with....

    I bet you the illegal music traffic tripled as well.

    If I had the time I could probably prove that broadband connections increased in number, prices fell, newer technologies connected more people, etc...

    This is a piece of not-so-well crafted corporate propaganda.
    • by Anonymous Coward on Wednesday July 13 2005, @10:40PM (#13060263)

      Nothing was said about illegal downloads, the article was about how many legal downloads there were, which they do know.

      • by Xtifr (1323) on Wednesday July 13 2005, @11:33PM (#13060522) Homepage
        the article was about how many legal downloads there were, which they do know.

        Do they? There's plenty of music that's not under the purview of the RIAA. If they're measuring by sales, then their methods are about as reliable as those who measure software popularity by sales in a world where open source is growing by leaps and bounds. Anyone who has installed a dozen or more legal copies of Fedora or Debian from a single CD knows how silly that notion is. And the amount of legally redistributable music out there is many orders of magnitude larger than the amount of free/open source software. The fully legal Etree torrent site [etree.org] is reportedly moving Petabytes on a regular basis.

        (But your point that the article was not about illegal downloads remains valid.)
    • by Solr_Flare (844465) on Wednesday July 13 2005, @10:47PM (#13060304)
      Agreed, but I do think the number of legal music downloaders *is* on the rise. It is on the rise from the non-computer savy people who are just now in the process of switching to broadband(yes broadband growth is undergoing the last "big boom" right now). These new average Joe's(my roomate is one of them) pick napster or itunes because:

      A) It's convenient.

      B) They know its legal so they don't have to worry about it

      C) The catalogs and prices are getting friendly enough.

      There will *always* be piracy. The idea is to make the legitimate methods more attractive and less hassle and the record companies are slowly succeeding. Now just imagine if they had listened to all of us and done this years ago when they should have instead of suing everyone. They'd probably be in far better shape.
      • I think the recording industry has to learn to use piracy as free marketing, rather than viewing it purely in terms of, "lost sales" (which is a fabricated argument anyway).

        Make the music available with complete information on where to find it - ID3 tags in MP3 files are ideal for this. Then as the file is circulated through the grey market, people will see the URL to your legal music download site and go, "gee, I wonder if they have anything else I like?"

        I contend that people truly desire to help the art
    • by Chordonblue (585047) on Thursday July 14 2005, @01:00AM (#13060814) Homepage Journal
      "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards"

      Only because they were dragged kicking and screaming into it. They have done EVERYTHING in their power to prevent even the LEGAL downloading of material. In addition, they have used their might to stop or at least slow down acceptance of new media devices. I need only point to such debacles as:

      - The Cassette tape
      - The DAT/Cassette DAT
      - The CD-R
      - The digital MP3 player (remember when they tried to stop those?)
      - The Napster ruling
      - Internet Radio

      Etc... In short, they hate any technology they do not have 110% control over. If the music industry thought they could charge by the minute, they would.

  • by Sawopox (18730) on Wednesday July 13 2005, @10:30PM (#13060192) Homepage Journal
    that only 14 seven-inch vinyl albums were sold in all of England last year.
    • by Anonymous Coward
      they sold a few million of them in Scotland, Wales and Northern Ireland.
    • I haven't bought a CD since 1998. I have no intention to ever buy a CD. But I'm not going to buy music either. I'll pay for a subscription service to a massive library. Rhapsody is great at just under $9/mo for unlimited music. But unfortunately, those of us who primarily live on our Macs have no such service. You can either pay a buck a song on iTunes or get nothing at all.

      If someone wants to put together an affordable subscription service with a client for Mac that has the same selection as Rhapsody or i
      • I am not sure of your tone. Are you saying that Rhapsody is better then iTunes or are you Saying Rhapsody should port to the Mac platform?
        I would agree with the second. As for the first it is a situation of how you listen to music. I myself buy less then 9 songs a month, so in my case iTunes is more affordable. I like the fact that there are different types of paying for music subscription vs per song. It allows the consumer to decide what is best for them based on their buying habits.
  • Of course (Score:5, Insightful)

    by mfloy (899187) on Wednesday July 13 2005, @10:30PM (#13060194) Homepage
    This was inevitable. The popularity of illegal music sites was a clear example of how many consumers loved the idea of downloading digital music. Most people didn't do it to cheat artists, they did it because they had no choice. Now that the labels are catching on they will be rewarded with huge profits. Now if only the TV and movie industry would catch on. There is big money to be made off legal movies and shows, just wait.
    • Re:Of course (Score:5, Interesting)

      by superpulpsicle (533373) on Wednesday July 13 2005, @10:44PM (#13060285)
      I have signed up to Rhapsody due to the advice of so many slashdotters. Well, not to mention my Napster trial sucked due to so many "buy-only" tracks.

      I thought it would be crazy for me to keep the subscription service for more than 2 weeks. To my surprise, I am listening to new stuff every day for the 6 months. Subscription still going unbelievably strong. That's like $120 spent on music... I know I wouldn't buy 12 CDs in 1 year. My only worry is that I run out of stuff to listen to eventually.

    • Take 1:

      The popularity of illegal music sites was a clear example of how many consumers loved the idea of downloading digital music.

      I suppose they didn't like the idea of downloading analog music very much.

      Take 2:

      The popularity of illegal music sites was a clear example of how many consumers loved the idea of downloading free music.

      Take 3:

      Most people didn't do it to cheat artists, they did it because they had no choice.

      Of course, "downloading" the music directly from a CD was simply too hard.

      Seri
      • Re:Of course (Score:5, Insightful)

        by Mr2001 (90979) on Wednesday July 13 2005, @11:13PM (#13060433) Homepage Journal
        Of course, "downloading" the music directly from a CD was simply too hard.

        I know you were joking, but "downloading digital music" is about more than just being able to listen on your PC or your iPod - ripping tracks from a CD is no substitute. It means being able to hear any song instantly. If your friend sends you an IM saying "check out this song by band X", a minute later you can be hearing it, looking up related bands, and listening to their tracks too.

        To do that with CDs, you'd have to (1) live at the record store, and (2) run back and forth between the shelves and listening stations, trying everyone's patience, if the store even has stations where you can listen to all the CDs they sell.
      • Of course, "downloading" the music directly from a CD was simply too hard.

        I was gonna mod, but I'll post instead.

        When the GP said Most people didn't do it to cheat artists, they did it because they had no choice, the first thing I thought of is that it can be pretty hard to find music that I like where I live.

        Searching for music and buying it online is much more convenient, and buying only the tracks I like makes so much more sense.

        • Searching for music and buying it online is much more convenient, and buying only the tracks I like makes so much more sense.


          It depends on what type of music you like of course but I want whole albums. I also want physical media. If nothing else, physical media has second hand value.

  • by tzuriel (855916) on Wednesday July 13 2005, @10:31PM (#13060202)
    sales of seven-inch vinyl singles were also up 87% on last year.

    I guess the natural connection between downloadable music and 45 RPMs has finally been realized in the United Kingdom.
    Huh??

    • exactly.

      as i said above, this is a piece of awfully crafted corporate propaganda.

      "ok our music sales are great because bananas are selling well in the UK and although we have no clue how many illegal downloads there were in torrent, soulseek and 200 other networks we still concluded that our sales are doing great, thank you"
  • "According to Peter Jamieson, head of the British Phonographic Industry..."

    Gotta rehash own brain... read the above as According to Peter Jamieson, head of the British Pornographic Industry
  • by VectorSC (721025) on Wednesday July 13 2005, @10:33PM (#13060215)
    When it's easy to do it legally (aka the iPod), people will do it legally. Why?

    Not because people have a great amount of respect for the law, but because we have a great amount of respect for the easy.

    • Not because people have a great amount of respect for the law, but because we have a great amount of respect for the easy.

      Also people are known to like not having to pay.

      • Ahh....but....if the outhouse costs a quarter, and the extra-splintery log over the snake pit is free...and, well, you only get bitten by the snakes on the arse every once in a while.. But these two aren't totally analogous. Downloading music illegally is pretty easy. But, after you have iTunes all setup, using the Music store is more seamless. a) Zip the music down, grab your iPod, and go. Instead of, b)search for it on the illegal file shares, get 250 results, find the result that was RIAA hacked, d
      • People also like on-demand, which isn't always the case with P2P. Some people will pay (extra) to have something now as opposed to later.
    • Seconded (Score:5, Insightful)

      by aftk2 (556992) on Wednesday July 13 2005, @11:16PM (#13060453) Homepage Journal
      I agree. When iTunes first started doing its thing, a lot of people griped that they didn't think there was a large enough difference between the cost of a CD and the cost of a downloaded album. They argued that you're not getting a physical product, and you're getting a lossy copy, so why does it still cost $9.99 (never mind that this is, in some cases, nearly a 50% reduction.)

      I never saw it that way. I always thought that the convenience and the speed with which I could acquire the album more than made up for not getting the CD, and not having a perfect, pristine copy. I had a Paypal balance a number of months back, and debated using it on Ebay, to acquire several albums, or on iTunes to do the same. I chose iTunes - even though I might have been able to get more albums, plus liner notes & the original CDs, through eBay. Why did I choose iTunes? Because I wanted the songs on my iPod that day.
  • by Sheetrock (152993) on Wednesday July 13 2005, @10:34PM (#13060222) Homepage Journal
    When one thinks of the ongoing struggles of the free music proponents vs. the commercial music proponents one might picture an argument between King Arthur and Robin Hood (fictional example obviously, as King Arthur was not a real person, but it has to be fiction to be an analogy.)

    The thing to realize is that both sides not only believe they are working towards the greater good but are objectively doing so even with radically different and diametrically opposed 'solutions' to the problem.

    It really puts things in perspective to realize not only that each side is right but that there is more to be gained for each to sit down and figure out what to do with the deer in the forest rather than constantly fighting over territory and methodology.

  • huh? give ppl a way to give you money more easily and they open their wallets? imagine what could have been if they had embraced the internet back in the 90's instead of fighting it tooth and nail. just like audio tapes, just like video tapes. they fought so hard to stop these scary, uncontrolable, make-copying-easy technologies. and they turned into cash cows.
  • I know I would pay for a service where if I paid a certain amount of money I could get access to a BT tracker that was distributing DRM-'ed video files. I wouldn't mind signing up for a "pay-by-the-show" format, in case I miss an episode. Especially now that my favorite shows(Stargate SG-1, Lost, etc.) are trending towards more arc-ish storylines, so I won't get lost with the story. Granted, most TV programming doesn't have enough story to make these kinds of things worthwhile. I mean, why do I care if Jerry gets eliminated on Survivor 2000:The Last Place on Earth We Haven't Filmed In Yet?
  • Easy? (Score:4, Interesting)

    by jcnnghm (538570) on Wednesday July 13 2005, @11:05PM (#13060388)
    I just tried Napster again yesterday for the first time in over a year, but it still suffers from all of the problems that I had with it last time.

    The catalog is incomplete, to really replace Limewire, it has to offer ALL of the songs I want. That includes some pretty obscure songs. Basically, my personal library is 1,500 songs or so off of Limewire. Napster's whole library seems to show about 750,000 songs. The legal library is 500 times the size of my own, but I don't like one in every 500 songs, probably only 1 in 1,000, if that, so there are huge gaps.

    DRM sucks. It basically turns digital music into something that can only be effectively used while sitting right in front of the computer. I want a standard format (MP3) that I can burn to standard audio CDS, use on my Rio MP3 player, and burn to data discs that will work in an mp3 cd player, or my set top dvd player. DRM makes much of this impractical. Of course there is the argument that everybody would just steal the MP3's provided by the service. But why bother. If they cost $1 each, and I could do whatever I wanted with them, and they were good quality, not to mention legal. I wouldn't hesitate to skip the Limewire hassle and just by directly from them.

    And where in the hell is the quality that was supposed to be associated with the pay services. What is stopping Napster from offering up the songs at 512k instead of the paltry 128 that they seem to be using now (yeah, wma makes a difference, but I still want bigger files). I would be happy spending even $2 per song for 512 DRMless MP3's that are legal. Instead, the stuff Napster sells sounds the exact same as the MP3's that came off of Napster 1. Not what I was expecting. I want 14mb downloads at 5mbps+/second, and why not, except for the size I can get everything else off of Limewire.

    Further, I have to boot into Windows to use Napster or itunes (not counting pymusique). I don't like doing that, and I really can't play drm'd wmas under linux.

    Limewire is still the best option. It's fast for a Java Application, it runs on anything with a virtual machine, can easily max out my download bandwidth, and I can use the files however I want. Of course, most of the files aren't legal, but the legal files can't do what I want so what good are they?
  • great... (Score:4, Informative)

    by grrrl (110084) on Wednesday July 13 2005, @11:10PM (#13060420)
    so where the freak is iTunes AU???

    I'd really love to be into this "legal" download sensation but noone will sell to me (and if it doesn't work on my pod I'm not interested).
  • by Nugget (7382) <nugget@distributed.net> on Wednesday July 13 2005, @11:16PM (#13060451) Homepage
    There are people in this community who will continue to lobby against legal downloads no matter what the terms or what technology is used. I swear, sometimes I think that if Linus himself started a company that sold no-DRM OGG Vorbis songs for a penny a piece and you got a free blowjob from Natalie Portman with every 10 purchased tracks that we'd still see posts on slashdot justifying P2P piracy because we didn't get to pick out Natalie's outfit when she showed up at our parent's basement to deliver.

    There are people who read news like this who are encouraged that market is beginning to respond (as markets always do) and there are people who read this news and get grumpy because it just got a little bit more difficult to continue to rationalize their greedy piracy.

    How did you react?
          • Aside from your argument being weak, it is also misplaced. I clearly implied in my post that I do not consider copyright law ethical and that I wish it to be reformed. I choose to pass on options (1) and (2) you have given me and go for (3) non-violent resistance to the unjust law -- a resistance which gives me no profit and hurts only the richest and only very slightly; that coupled with raising awareness about the law's harmful effects and doing what I can to change it, or to get rid of it altogether.

            T

  • I'll take CDs thanks (Score:3, Interesting)

    by bsytko (851179) on Wednesday July 13 2005, @11:35PM (#13060542)
    I wouldnt download music from these services anyday. Why? The quality is just too bad. When I get a CD, I listen to it for the quality of sound not because of price. For me, I would rather buy music and get a better sounding product, than download.
      • by Frank Palermo (846883) on Thursday July 14 2005, @01:42AM (#13060963)
        "I'll be so glad when you vinylphiles finally all die out.

        Hey, I tease. :)

        But seriously... Nyquist and all that."

        Nyquist and all that? All that the Nyquist theorem says on the subject is that a sampling audio system like PCM should, in theory, be able to reproduce signals with frequencies up to 1/2 of the sampling rate faithfully. But in the real world, there are at least two problems with that:

        1) The low-pass filters used on the signal path are physical devices, not theoretical concepts. As such, they can't be absolutely perfect... they introduce phase distortions and begin attenuating at frequencies somewhat lower than 1/2 Fs.

        2) Even if the filters were "perfect" (not attenuating or introducing phase distortion until 1/2 Fs, at which point the attenuation becomes infinite)... well, the jury is still out on whether 22050hz (the theoretical upper bound given the 44.1khz sampling rate of CDs) is really high enough. There's some evidence to suggest that even if we can't "hear" frequencies above 22.050khz, they can have an effect on the way we perceive lower frequencies that we can hear.

        Just to be fair to both sides of the argument though...

        "CDs are still far worse sounding than vinyl." ...only on excellent vinyl playback equipment. It tends to be tougher to produce a mechanical device like a turntable cartridge with the same level of consistency that can be expected when producing ICs and the like. That (along with other factors like simple supply and demand) is why decent vinyl playback stuff tends to be quite a bit more expensive than decent CD players do. I have a reasonably high-end turntable and I enjoy using it tremendously... but I have to admit it wasn't cheap compared to digital gear in its league.

        To return to the digital downloads aspect of the article a bit though... I have to completely agree with the poster who shuns download services for poor quality. The only times I've extensively used iTunes were the Pepsi free song promotions, and if I found any songs I really really liked... well I went on Amazon or to my local record store and sought out the CDs to re-rip as DRM-free Apple Lossless. Better sound quality and the ability to use the format of my choice will make CDs the clear winner in my book for a long time to come.

        -Frank
  • by skingers6894 (816110) on Wednesday July 13 2005, @11:38PM (#13060556)
    "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards"

    More like:

    "the record industry was lead by the balls kicking and screaming into download services...and now we're beginning to rape the rewards"
  • by UnknowingFool (672806) on Wednesday July 13 2005, @11:39PM (#13060560)
    Apple has posted record profits ($320 M) for the third quarter. [apple.com] Apple shipped 6.2 million iPods in the quarter. Also sales of computers were up 35%. It seems that there really is a halo effect.
  • I've experimented with three of the top mp3 downloading services: iTunes, AllOfMp3 and Napster. And of the three, AllOfMp3.com [allofmp3.com] was clearly the fairest with the best selection.

    I guess calling them "music" downloading services is more accurate, because iTunes distributes songs in the mpeg4 format (I'm guessing only the iPod can play mpeg4's, because my MuVo mp3 player won't). Other annoyances include a circa 20 mg application I had to download and install just to have the privilege to shop at iTunes, the rather weak selection (I was looking for tracks off the new Seether album "Karma and Effect", which they didn't have) and lastly the .99 cost per track which is a little expensive. Nice interface though.

    Napster is so friggin' annoying, from the splash page to the pathetic selection (unless you like rap like R. Kelly *gag*) that I had to bail. They too didn't have any of the tracks I was looking for.

    Happily, AllOfMp3.com [allofmp3.com] did have all the tracks I wanted, and each track costs about 12 to 20 cents! This is by far the best deal I could find. The "catch" is you have to commit $10 from your credit card, but I easily got more than an album's worth of music I really wanted, and I'll continue to shop there for all my fist raising, head banging needs. The interface was simple enough to navigate (could be streamlined more, but I'm nit-picking) and I was able to download in mp3 format at various levels of quality. Highly configurable. IMHO, it's the best music download service on the internet.

  • by Lord_of_the_nerf (895604) on Thursday July 14 2005, @12:04AM (#13060656)
    I think we're missing the true tragedy here - the lawyers. They're going to have to go back to...pursuing justice!
  • Ha! (Score:3, Insightful)

    by NubKnacker (787274) on Thursday July 14 2005, @03:56AM (#13061343)
    "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards"

    That one made me laugh. I'm not sure which is the funnier word, enthusiastically or embraced.

    Nice try making it look as if the industry was the one which ushered in the age of downloadable music. They did everything to stop it and when it steamrolled them over, they 'accepted' it and made it look like it was their creation.

    I wish I could warp to another universe, Trance Gemini style, where there was no napster, no kazaa and no BT and look at how enthusiastically they had embraced it there.

    • Re:what? (Score:3, Interesting)

      Heheeh. You think THAT's bad? Look at what the BPI did to cheap CD's on the internet. They make the RIAA look like a drugged out PTA meeting. http://www.sheffieldforum.co.uk/showthread/t-6362. html [sheffieldforum.co.uk]
      • Re:what? (Score:5, Insightful)

        by Magus2501 (899681) on Wednesday July 13 2005, @10:53PM (#13060328)
        eBay, my friend. eBay. I can get numerous CDs that the RIAA is soiling themselves over for a bid that's less than the shipping cost. When the RIAA kicks down my door, I'll kindly smile and show them the album that I ripped my music from.
        • Re:what? (Score:2, Informative)

          Ebay is the ultimate yard sale. I can't believe how much stuff I buy and sell there. It's not as good as the old days, but it's still quality. Thankful am I, for I listen mostly to classical music (and I don't live in the UK). It's commonly available in a cheap manner. Ooh...if you like good instrumentals, you should look up Yasunori Mitsuda. He makes a lot the tracks for SquareSoft's stuff. Esp. his stuff for Chrono Cross was good.
    • Now we all know that most albums contain maybe 2 or 3 songs we want to listen to and the rest is filler.

      Please don't make generalisations like this. This all depends on the type of music you listen to and the way you treat music.

      I listen to a lot of fringe hard rock that gets no airplay here in the UK. It used to be I had to buy an album on "trust" simply by reading magazine reviews and just taking a risk - most of the time I got albums that had only 1 or 2 good tracks on them.

      Nowadays, I download t