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New Wheel of Time Author Chosen

Posted by ScuttleMonkey on Mon Dec 10, 2007 01:49 PM
from the better-late-than-never dept.
kdean06 writes "Brandon Sanderson has been chosen by Tor Books to finish the best-selling Wheel of Time fantasy series by the late Robert Jordan. Harriet, Jordan's widow, chose him after reading his Mistborn series. An interview is also available via Dragonmount.com."
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[+] Fantasy Author Robert Jordan Passes Away 571 comments
willith writes "James Oliver Rigney Jr, author of the long-running fantasy series The Wheel of Time and better known to millions of fans by the pen name Robert Jordan, died on 16 Sept 2007 from cardiac amyloidosis. Jordan announced he had been diagnosed with the disease in March 2006 and vowed to beat the odds, but determination and gumption sometimes just aren't enough in the face of a disease with a median survival time of just over two years. Jordan was in the process of writing the twelfth and final book in the Wheel of Time series, A Memory of Light, but the book was not slated for release until 2009 and is still incomplete. While there is hope that the book will still be finished from Jordan's notes, this is devastating news to all of us who have been reading the series since 1990."
[+] Entertainment: <em>The Gathering Storm</em> Discussion 186 comments
Just over two years ago, fans of the Wheel of Time fantasy book series mourned the death of writer James Oliver Rigney Jr. — a.k.a. Robert Jordan. After much deliberation by Jordan's wife (who also edits the series), author Brandon Sanderson was chosen to finish the series. Sanderson familiarized himself with Jordan's notes and said that they would require three more books, which he hopes to release with about a year between them. On October 27th, the first new Wheel of Time book since Jordan's death was released, titled The Gathering Storm. Early reviews for the book seem quite positive, so here's a place to discuss it. Be warned: comments may contain spoilers.
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  • by TWX (665546) on Monday December 10 2007, @01:56PM (#21645555)
    ...that about seven years ago, friends of mine and I joked about abducting Jordan and holding him until he finished the series...
  • Wait, What? (Score:5, Funny)

    by roadkill_cr (1155149) on Monday December 10 2007, @01:57PM (#21645571)
    "Finish" his novels? Wouldn't it be more to Jordan's liking if Brandon Sanderson just kept writing book after book on the Wheel of Time until he dies, too?
  • Well... (Score:5, Funny)

    by jesdynf (42915) on Monday December 10 2007, @01:58PM (#21645595) Homepage
    He's not the author. But he is *an* author.
  • by starglider29a (719559) on Monday December 10 2007, @01:59PM (#21645609)
    I heard an ancient prophecy that said that when the Wheel of Time of was ended, so too was Time.

    I'm sure that was poppycock... heh heh... right?
    • Re: (Score:3, Funny)

      I heard an ancient prophecy that said that when the Wheel of Time of was ended, so too was Time.
      That's somewhat in error. That happens when Duke Nukem: Forever is released...
  • Head over to http://www.georgerrmartin.com/ [georgerrmartin.com]
    You know what to do.
    • Head over to http://www.georgerrmartin.com/ [georgerrmartin.com]

      . . . if you want to repeat the experience of having the author die before he finishes his darn series. Don't get me wrong, I thought the first couple of SoIaF books were among the best fantasy I'd read, but then it became apparent that he was going to keep adding more characters and locations and organizations and plotlines than he was shedding . . . just like Jordan and WoT. Robin Hobb's Farseer and Tawny Man trilogies are just as good, and they do reach re

  • by Alzheimers (467217) on Monday December 10 2007, @02:06PM (#21645703)
    Harriet Popham Rigney, Jordan's beloved wife and editor, said of her decision to have Sanderson complete the last book in The Wheel of Time series: "I have chosen Brandon Sanderson to complete Robert Jordan's great work, and I am absolutely delighted that he accepted. I will of course be editing this book as I have all of the other books of The Wheel of Time."

    Suddenly, the word "Edit" has lost all meaning.

  • by bigdady92 (635263) on Monday December 10 2007, @02:09PM (#21645743) Homepage
    Seriously, kill off a few of the 'main' characters.

    That's always been the issue with these books is that Jordan created a handful of characters, then added a few side characters and said "Oh my these are interesting let's flesh them out!" and he did...over 10 f'n books worth of side characters!

    G.Martin, Glenn Cooke, Dan Abnett, all are good sci-fi/fantasy writers that can handle multiple characters and wack them off at a whim and leave you feeling that you are sad to see them go but there's a reason they are gone and the story moves on. These hangers on from seachan whichs to aes sedai, to aielmen of the north to whatever in the later books all come and STAY. Noone leaves the main thread, hence why his books are 1k pages long and full of worthless fluff "She fluffs her green jade dress full of sparkling diamonds while pulling on her hair and frowning at "

    I was able to carve the book down by 1/3 by simply ignoring most of the side plots and only reading stuff that concerned Rand,Matt,Perin. If it didn't involve them I didn't care, I moved along.
    • Re: (Score:3, Insightful)

      The way GRRM kills off characters unexpectedly is one of his greatest strengths. I find his books much more difficult to predict than most.
      • Are you kidding? Without spoiling everything, the significant death in book three comes out of thin air because it violates what you know about the characters up to this point and happens far too flawlessly considering the large potential number of problems in pulling it off. (None of which Martin addresses.)

        George R.R. Martin is hard to predict because his plots are determined by dice-rolls or attempts to seem "edgy" and "realistic." He is largely exciting and fun, but he does violate story structure for s
  • Yes, but... (Score:4, Funny)

    by DoctorPepper (92269) on Monday December 10 2007, @02:11PM (#21645771)
    After he finishes reading the current 5 dozen grueling volumes of "The Wheel of Time", he'll run away, screaming and plucking his eyeballs out!
  • UUUMMMMMMMM (Score:5, Informative)

    by axia777 (1060818) on Monday December 10 2007, @02:23PM (#21645949)
    You geniuses realize that Jordan was writing the LAST BOOK RIGHT? There ARE NO MORE after this one. Jordan was going to start writing a shorter series based upon a totally different world and mythos. SO all this guy has to do is finish the book based upon Jordans notes and his widows directions, considering she was helping with the writing in the last days because he was so damn sick.
  • All I can say is... (Score:5, Interesting)

    by m4cph1sto (1110711) on Monday December 10 2007, @02:28PM (#21646003)
    If RJ didn't reveal who killed Asmodean somewhere in those volumes of notes and dictations, I might go postal.
    • by Teese (89081) <.beezel. .at. .gmail.com.> on Monday December 10 2007, @03:39PM (#21647033)
      In the interview with the new author:

      I know you probably can't go too deeply into it, but are there any questions about the story you had as a fan that you will make sure get answered in this final novel?

      Yeah. Who the flip killed Asmodean? And, beyond that, what's up with Moiraine? Is she alive or not?

      so, looks like he wants to know too!
      • Re: (Score:3, Informative)

        He's also reported as saying "it's obvious" who is the killer :-\

  • Book Twelve. The End (Score:4, Informative)

    by doas777 (1138627) on Monday December 10 2007, @02:31PM (#21646033)
    Jordan was much/most of the way through the last book, #12 at the time of his passing, and I was told that he had shared the ending (the high points anyway)with several parties in case he didn't make it though. I have to assume that this guy will finish up book 12, and that will be that. I don't envision an unending series as many here claim will be.
  • This IS the end (Score:5, Informative)

    by Anonymous Coward on Monday December 10 2007, @02:34PM (#21646075)
    This WILL finish the series. I've read the outline, and I am confident that I can do it in a single book. This won't go five more novels. It will end here.

    Note that I'm not saying there won't be more Wheel of Time material released. That's not up to me. There were notes for prequels (Mr. Jordan wrote one of a planned three) and some notes on what happened to certain characters after the end of book 12. However, those are all intended as extra information and separate books outside the Wheel of Time main series.

    Book 12 will deal with the final battle and give resolution to the story started in EYE OF THE WORLD. It will be one volume if it's within my power to make it so.

    --Brandon Sanderson (Who really needs to sign up and get a Slashdot account sometime.)
    • they have big fighgt! Thers a HUGE SWARD and esplosions! RAND R0XX0RS THE BL0XX0RS, and he kills all the b4d guys! teh bene gesserit I MEAN AES SEDAI (d0h!) help some, but so do some Fremen I MEAN AIEL and they spend the hole time arguing wether dudes or chicks r00le m0r3 (LOL).

      At teh end all the bad guys are dead -- EXCEPT 1 of THER BODIES IS GONE LIKE HE SNUCK OFF OR SOMTHN!! AND RAND IS FATALLY INJURD! *SOB* But doont wory he gets reencarnated 'cause the wheel in the sky keeps on turnin!

      (GOTO BOOK 1
  • by HeronBlademaster (1079477) <heron@xnapid.com> on Monday December 10 2007, @03:29PM (#21646887) Homepage
    Mod me -1 Troll if you will, but you guys who complain about the books all suck. No, hear me out.

    I won't say you're wrong (though personally I think you are) because it's largely a matter of opinion - but to claim that everyone else is wasting their time is just plain rude. If it's too long for you, move on - don't tell everyone else they're stupid for reading the series. I happen to love long books and long series with deep characters and plots - even if it's frustrating sometimes.

    It reminds me of the thread about Robert Jordan's death. Those of you who made comments to the effect of "Good Riddance" are just plain horrible people. That's very insensitive. Have some respect, seriously. Those comments made me bitter towards the general slashdot populace for several weeks (and I'm not a bitter person). I guess some of that is still lingering.

    Don't ruin the mood of those of us who are looking forward to the last book, or I'll send you spam email with a picture of a cat saying "IM IN UR HEAD HAXING UR PASSWORD" ;P
  • by SeePage87 (923251) on Monday December 10 2007, @04:27PM (#21647743)
    ... and Stories come and pass, leaving books that become sequels. sequels that fade to prequels, and even prequels are long since read when the Author that give it birth has died and been replaced. In one book, called the 12th book by some...
  • by Is0m0rph (819726) on Monday December 10 2007, @05:39PM (#21648737)
    I don't the dislike and ranting against this series most other slashdotters do I guess. Yeah it's too many books and could have been shortened. I read them all and liked them. I'm happy to find out they will finish it and the end is in sight. Wish Jordan could have finished it himself. RIP.
    • by Anonymous Coward on Monday December 10 2007, @01:57PM (#21645577)
      As a reader of Sanderson's other novels, I can say that endings are his specialty. His fans refer to the endings of his books as the "Brandon Avalanche" because once he starts to build it up, it just snowballs to reach a level of excitement that leaves you blown away.

      I can't think of a better author to finish this series.
    • Right, I think you should really step back and consider what you are saying.

      Every author has a right to express situations to the point they see fit. If you want to pull a Hemingway and tell things how they are, go ahead. "The night was dark." But I'm going to paraphrase something I remember from the intro to Stephen King's unabridged version of The Stand:

      You can tell the story of Hansel & Gretel in about three sentences. Hansel & Gretel got lost in the forest. They happened upon a hous
      • by Viol8 (599362) on Monday December 10 2007, @02:13PM (#21645807)
        I like details as much as anyone , but there comes a point where you just want the trivia kicked into touch for a while and the story to move on.
      • by NeutronCowboy (896098) on Monday December 10 2007, @02:29PM (#21646011)
        There is a difference between prose that sets the setting, and prose that's just filler. I gave up reading fantasy novels long ago, because most of them had several paragraphs of describing the same. damn. characters. and. settings. Wild barbarian. Old, white-bearded wizard. Scary orcs. Etc. Etc. Etc. I've blown through more than one 700 page fantasy book in one sitting because exposition and description was about 90% of the text. Forget subtle character development or scene setting, things were delivered in neat paragraphs. Some longer than a page.

        Master story-tellers know which elements of their story help their audience understand the point of the story. Hacks simply describe things. Details may be an artistic choice, but they definitely drive what I think of the artist. Sometimes, less is indeed more.
      • by DragonWriter (970822) on Monday December 10 2007, @02:37PM (#21646123)
        Details are clearly an artistic choice. Sometimes, though, they are a bad artistic choice.

        Its often said that in short stories, more than novels, its important to relate only details that matter (whether its to the mood or to the plot, or its best that if the detail serves the former purpose it also serves the latter) and ruthlessly eliminate the fluff.

        I think that that is, perhaps somewhat paradoxically, just as true in works much longer than a typical novel as it is in works much shorter than one. While in the shorter forms you lack the space for both fat and meat, in the longer forms you are more likely to exhaust the readers tolerance for fat, but the effect is the same. A 2 million word megastory, I think, really needs to be nearly as lean, overall, as a 1,000 word piece of flash fiction; you've got some room to be more verbose in the first couple novel-length chunks of the bigger work, but beyond that you really need to buckle down if you want to avoid drowning the reader in a tide of minutiae that overwhelms the story itself.
      • Hansel and Gretel, outlined in the style of Robert Jordan:

        Book 1: Hansel and Gretel live happily with their mother and father. Their mother falls ill and dies. The family mourns her loss. The father starts courting another woman in the village, to the dismay of Hansel and Gretel. At the end of the book, she wins over the hearts and minds of the two children and marries her father. They live happily ever after.

        Book 2: Oh, wait, they don't live happily after all. The stepmother turns out to be hateful and cruel. Ultimately, Hansel and Gretel resolve to run away from home. Gretel expresses fears about the wicked witch who is rumored to live in the Forest, but Hansel insists nothing could be worse than living at home with their stepmother. After much bickering, they depart.

        Book 3: Hansel and Gretel cross the boundary between Village and Forest. Gretel reprises her misgivings about the dangers of the forest. Hansel reiterates his arguments in favor of running away. After much bickering, they agree to continue, using bread crumbs to mark their trail. They get lost. Gretel blames Hansel. Hansel stubbornly refuses to admit his mistake.

        Book 4: Hansel and Gretel wander through the woods, lost and disoriented. Gretel continues to complain about the foolishness of running away from home. Hansel continues to insist it's the right thing to do. Gretel continues to berate him about the bread crumbs fiasco. Hansel persists in his mule-headed self-righteousness. They meet a Wise Owl, who warns them about the Wicked Witch of the Forest.

        Book 5: Hansel and Gretel wander through the woods, lost and disoriented. Gretel continues to complain about the foolishness of running away from home. Hansel continues to insist it's the right thing to do. Gretel continues to berate him about the bread crumbs fiasco. Hansel persists in his mule-headed self-righteousness. They meet a Cunning Fox, who encourages them to visit the Wise Woman of the Forest.

        Book 6: Hansel and Gretel wander through the woods, lost and disoriented. Gretel continues to complain about the foolishness of running away from home. Hansel continues to insist it's the right thing to do. Gretel continues to berate him about the bread crumbs fiasco. Hansel persists in his mule-headed self-righteousness. They meet a Cryptic Raven, who warns them about the Wicked Witch of the Forest.

        Book 7: Hansel and Gretel wander through the woods, lost and disoriented. Gretel continues to complain about the foolishness of running away from home. Hansel continues to insist it's the right thing to do. Gretel continues to berate him about the bread crumbs fiasco. Hansel persists in his mule-headed self-righteousness. They meet a Devious Serpent, who encourages them to visit the Wise Woman of the Forest. ... and that's about the point where the Faithful Reader finally realizes that this hack has stretched a simple fairy tale into seven giant novels in which nothing actually happens.
    • by Sandbags (964742) on Monday December 10 2007, @02:11PM (#21645777) Journal
      Jordan had no personal interest in monetary fortunes. His story was alive within him, and as all things that grow in nature, this story grew above and beyond his dreams and took its own course. George R R Martin is experiencing a similar pain with his series, as did Terry Goodkind. The stories and worlds simply become so vast, that in order to move one's characters to the end of the story, it takes more volumes than one expects.

      After book 3 Jordan expected the series to be complete at 6 books. after book 5, he thought he was closer to the end than the beginning. He was on a good pace to do that until he experienced a major death in his family while writing book 8. That book got away from him, and in order to complete his works and tie off all of the ends of his story, we needed books 9 and 10 to put things back on track.

      Jordan rarely used "filler prose" as you claim. His descriptions were allways vivid and captivating, and all of his writing for his more than 20 main characters was exceptional.

      Maybe you're looking at it wrong. This is not a simple story about a few characters on a quest, AKA J R R Tolkein style. this is 3rd generation hard fantasy. This is a collection of stories about seperate individuals following seperate paths each intertwined in common fates inside of an expansive world. This is really no different than the Dragon Lance series, other than in this case, each individual story has the power to move others. If this is more than you can follow, (not to say too complex, but simply the sheer volume of information and time required to invest in it) or if the collection is simply longer than your attention span, then I can reccomend many other great authors to you, and I will caution you to avoid Tad Williams, Neil Stepheson, George Martin and many other emerging fantasy gods of writing who are also on paths to publishing stories that cross 7-10 1000 page novels.

      I mean no disrespect, but maybe it's just not your style.
      • by chromatic (9471) on Monday December 10 2007, @02:18PM (#21645879) Homepage

        Jordan rarely used "filler prose" as you claim.

        Female character sniffed. "Wooly-headed men," she thought.

        Male character sighed. "If only other male character were here," he thought. "He understands women."

        • Re: (Score:3, Insightful)

          So you don't classify this a character development?

          Sure, one may be tempted to state that such phrases were repeated regularly in the series, but c'mon, all this means is that each book could have been 30-50 pages shorter... also, it's a long series, authors must remind us of how their characters think from time to time or we begin to forget who they are and substitute our own thoughts for theirs. personally I appreciate this detail and I wish more authors used similar techniques.

          We're not talking about p
          • Each potter book, some of which are 800+ pages) only translate into 2 hour movies.

            Rather choppily, I'm afraid. The last two movies were rushed Cliff Notes versions of the books, showing the high points without any sort of through line. As visuals to go with the books, they were okay, but as stand-alone movies, they would have benefited from an extra 30-60 minutes to follow through on elements and connect them, instead of just presenting them staccato. Whether the target audience would have been willing

        • Re: (Score:3, Insightful)

          I'm 99% positive that was an in-joke in the series, given that each of the three male "leads" uses that particular expression multiple times.
      • by Apparition-X (617975) on Monday December 10 2007, @02:43PM (#21646193)
        Well, I am going to toss this out there even though it may be a little inflammatory: Jordan was stylistically awful. Beyond belief really. The writing devolved over the course of the series from adequate to extremely painful. Your claims:

        - "rarely used filler prose". If you read books 5-9, you will find that increasingly, that is all they were. Phrases were repeated a painfully large number of times. Characters expressed the same emotions and reactions to various situations over and over and over again.

        - "his writing for more than 20 main charcters was exceptional" Well, there was little if any character growth for the majority of characters since book 4. If anything, it is shockingly repetitive in that the character's changed in no significant way for so long. And female characters in particular tended to the caricaturish in their unidimensionality.

        No matter what excuse you care to use, it is obvious that a much firmer editorial hand was required. The number of people that simply stopped reading (based on comments here, on Amazon, and other forums) is very large. It just went on. Not only were questions not answered, and plot details not resolved, but new, seemingly irrelevant questions were raised, and new plot threads started. You may want to defend the work as "3rd generation hard fantasy" but it reads a lot more like Edward Gibbon than anything that is remotely interesting or compelling as a work of fiction.

        Finally, I would not that Jordan's work has nothing redeeming from a literary point of view either--there are no compelling themes explored in interesting or insightful ways; no compelling use of metaphor or allegory; no deep (or even shallow) discovery of human nature and growth through conflict; nothing tragic about the conflicts; nothing at all. So without plot and character, there is simply nothing at all of interest.

        And for reference, I have worked through Martin's books without losing interest. And Erikson's (who has more happen in a chapter than WoT had in whole books) even though he is up to 7000+ pages. Glen Cooks. Gene Wolfe. Etc. But that doesn't mean that I am uncritical or read uncritically. Jordan lost the plot and jumped the shark a long time ago, and those problems are compounded by dreadful style, awful characterization, and the total absence of compelling plot developments. (I am also pretty critical of Goodkind for similar reasons--the prose is simply awful, as is the characterization.)
        • by Confessed Geek (514779) on Monday December 10 2007, @07:14PM (#21649839)
          While I would not QUITE so harshly condemn the WoT as you have... The first 3 books were really quite amazing, and I was very prepared for a really great finale in book 4... which never happened. I had always previously presumed that Jordan had planned a 3,4 or 5 book series and then his publishers saw the prospect of buckets of money and convinced him to continue.

          Now, I'm not so sure... I think his illness may have played into the picture in a couple different ways.

          Note: this is COMPLETE SPECULATION

          1. The Heinlein Effect - As Heinlein grew more and more ill, he began to pump out books at a crazy rate both as sort of a way to postpone his passing (notice EVERYBODY is alive in the last books), and

          2. to provide for his wife. When contemplating ones mortality you want to take care of you loved ones - providing more books provides more financial stability for your loved ones.

          One other comment you made stuck out- your comment that "it is obvious that a much firmer editorial hand was required."

          In reading the announcement it appears that his wife was his primary editor. That might work in some cases, but I don't think this was one of them. I think it would be really hard for a person to be firmly critical of beloved spouse's artistic work - especially when they are ill as well.

          I'm glad the series will reach a conclusion. I hope the final work redeems the wandering that occured from about book 5 on - perhaps it will really benefit from a new voice working on it... And maybe an abridged edition will eventually be put out that, like say Stranger in a Strange land, is better than the unabridged version.

           
    • Well the real problem was that around the ending of Book 4, Tor came to Jordan and asked him to extend the series and stretch it out. I am most certain this is documented somewhere and came directly from RJ himself.

      Of course, RJ started out writing just one book, then during the process came up with more story and wanted a trilogy. If you read carefully, you can actually see how Book 3 really is a good ending to the saga, and it's evident how Book 4 does start on a new thread entirely. It's a very different series starting at Book 4 (similar to how Book 2 started).

      But this is about when Tor came in and asked for more. So, he drew up some extended storyline of course for books 4-6 or so. Book 4 was stunning. just great!. Books 5-7 were *definitely* filler with mild forward-moving story. But then he got his act back together with Book 8 and THAT's when he did another 'reboot' of sorts and started putting story elements back together. The second half of Book 8, the whole of Book 9, and the interesting storytelling of Book 10 are all very tightly woven and they work very well.

      Book 11 certainly was the house-cleaning book (heh, some "decisive action" taking place rather early made me smile) and sets the stage very smoothly for Book 12.

      So yes, I agree it got slow and lazy in the middle. If we could have those books plus first half of Book 8 condensed and re-written to a 200 page novel, that'd be great :)

      Anyway, I just wanted to toss that bit of insight up. I hope it helps 'cope' in some way with the whole thing. Once I found out about it, I felt better about it.

      Seeya!
    • Just One (Score:3, Informative)

      Jordan was already planning to make this book the final one.

      Actually, the last 2 books really picked up steam as he started moving toward the conclusion.

      Books 6 through 9, however, were pretty tedious.
      • Re: (Score:3, Informative)

        There was allways an end. If you read the books carefully enough, then you know what the end is. It was foreshadowed in the early pages of the first book, and reiterated in the 2nd volume several times. the fun is not in reading the ending, but in the twists, turns, and unexpected events that spin us towards the enevitable, that which is destined to repeat as the wheel turns and spins age anew.

        Granted, having started reading the series with the release of the 4th book, the end has been a long time coming
          • Re: (Score:3, Insightful)

            Despite the fact that I'm still doggedly sticking it out with the books (I need closure after all these years, dammit), I really have to agree that the power escalation has gotten out of hand. Or, rather, the power de-escalation of the foes.

            In the early books, even a few Trollocs or single Myrrdraal was an issue. By the middle books, they were being beaten up by farmwives with kitchen implements. By the late books, hundreds of them aren't really a big deal. A shame really, as when you lose respect for the

            • In the early books, even a few Trollocs or single Myrrdraal was an issue. By the middle books, they were being beaten up by farmwives with kitchen implements.

              I haven't read any Wheel of Time books, but self-defense with farming tools is not so far-fetched. Think back to the Satsuma regime in Okinawa and its weapon control policy, which resulted in the martial arts now called kobudo [wikipedia.org]. Where do you think the nunchaku [wikipedia.org] came from? It was a modification of the flail [wikipedia.org], a farming implement. Carrying a pair of buckets on a stick and under attack? Drop the buckets and swing the stick [wikipedia.org].

          • What are you talking about? There are two beings that could be called deities in the books - The Creator and The Dark One. Rand definitely did not kill either one of them in any of the books.

            I don't think Rand even killed any of the Forsaken in The Shadow Rising (although he captured Asmodean), and I don't think there where any blademasters in that book either. The closest thing I can think of is in book 2, The Great Hunt, when Rand defeats a blademaster in Falme and then defeats Ishamael, who is going by the name Ba'alzamon (and at that time he was thought to be The Dark One). But even Ishy hardly deserves to be called a "minor deity".

            Anyway, why would you be surprised by Rand defeating major enemies? By the end of The Great Hunt (and even before) it is clear that he is a "foretold hero", and The Dragon Reborn. Heck, at the end of the first book, he kills a (minor) Forsaken and singlehandedly changes the outcome of a battle, so it is clear he is an extremely powerful character.
          • by Goblez (928516) on Monday December 10 2007, @03:44PM (#21647119)
            Except with his love of numerology, I'm sure Book 13 was planned to be the grand finale. Then again, I had suspicions early on that regardless of what he wanted to cover, the series would go to one of the numbers he loves so much (3, 7, 12, 13). I own them all in Hardback, started reading them back in high school (out of college w/ a real job now), and I'd love to see an ending. I'm sure he's laid out the core of what happens (in notes or rough drafts), hell most of it is spelled out in foreshadowing and prophecy. Let's just see a conclusion so I know whether or to sell the Hardback copies or keep them!
      • "I couldn't get past the first half of the first book. Jordan's writing was so amateurish, it reminded me more of a lot of the fanfiction out there. I found it dull and poorly written."

        Perhaps you meant that a lot of the fan fiction out there reminds you of Jordan's writing? That's probably because a lot of fan fiction writers got their inspiration from him.

        I'll concede that the writing itself was not the greatest, but the story is excellent. I'm sorry that you "couldn't" get past the writing and enjoy th
      • by justin12345 (846440) on Monday December 10 2007, @03:29PM (#21646885) Homepage
        I've read them all several times now, but the first WoT book I ever read was Book 2. Had I started from Book 1 I doubt I would have ever gotten into the series.

        I feel that in Book 1 he hadn't really found the series' "voice" yet, that the story and prose are amateurish as you say. Books 2-5 are both much better written and much more interesting as stories. You get the sense sometimes while reading them that he wishes he could undo some of the things that happened in Book 1, or that he wishes he made the 'rules' slightly differently in Book 1. Books 2-3 carry on the same themes as Book 1 did, but in a richer way.

        In Books 6-9 the tone changes. The stories start becoming very complex, very mature. Many people don't like 6-9 as the plot lines tend to deal more with politics and character motivations, rather then personal growth and exploring exotic lands (the primary motifs of 1-5). The villains in particular become less cartoon-y. Ishamael, the howling, ranting, "join the darkside!" villain of 1-3, is replaced by Moridin a quiet, sinister figure whom manipulates all the characters from the background, and who's motives are completely unknowable. Lanfear of the early books, who's only function is to tempt the protagonists with sex and glory or to fly into jealous rages, is swept aside in favor of Mogedian, a much more three-dimensional villain. Jordan also develops characters such as Elida, Verin and Asmodean, characters who are acting in the moral grey areas, neither completely good or evil.

        In Books 10-11 the series' tone changed one last time. Maybe responding to fans complaints, Jordan begins wrapping up plot lines rather then creating new ones. The storys become more personal: a love story, a war of succession, and a personal vendetta of revenge. There are more battles, and the hero Rand loses much of his near-invincibility he possessed in the previous books. There is a sense of impending catastrophe, lacking in previous volumes.

        The series isn't perfect, but judging the series by the first half of first book is misleading.