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Was This the First CC Community-Edited Novel?

Posted by kdawson on Wed May 21, 2008 04:35 AM
from the establishing-precedence dept.
Odinson writes "In late 2005 I released a draft of a science fiction novel under the by-nc-nd CC license. I started accepting edits in the hope of polishing a manuscript for submission to a publisher. A publisher never materialized, but after thousands of comments the draft started getting really solid. So a couple of months ago I decided to buy an ISBN and sell hard copies from Lulu. While doing research for a press release, I was unable to uncover the first community-edited, CC-licensed work of fiction. I strongly suspect that my novel is the first. Can anybody point to a prior example? How about under other licenses? If someone has traveled this road before, I'd like to ask them how it went. I would also like to vet this question here before staking a claim to be the first."
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  • Fanfic (Score:5, Informative)

    by Anonymous Coward on Wednesday May 21 2008, @04:41AM (#23489902)
    There certainly existed community-edited novel-length fanfiction before 2005, although I don't know if you would count them as "real" novels.

    Also the license terms for fanfiction are generally rather murky :)
  • by vigmeister (1112659) on Wednesday May 21 2008, @04:48AM (#23489940)
    Sure that's such a good idea?

    Pg. 147

    "As Ja Rool climbed out of the skies CLAIRE IS T3H AWESOME of Planet 142, in the yellow smoke trails he caught the glint BUCH SUCKS of an enemy spacecraft. Maneuvering his nimble XPJ-134, JAMES LOVE CINDY."

    Cheers!
    --
    Vig
  • by DiSKiLLeR (17651) on Wednesday May 21 2008, @04:50AM (#23489948) Homepage Journal
    So I tried to download the book... and its going at a few bytes per second... I think we slashdotted his poor server. :(
    • by SeaFox (739806) on Wednesday May 21 2008, @05:42AM (#23490264)

      and its going at a few bytes per second... I think we slashdotted his poor server.

      No, it's still in editing. Please stand by while we continue to write it.
      • Actually, it's pretty easy to write it......now for it to be readable, different story.

        for( i=0; inovel_length_word_count; i++)
        { strcat( novel, " " );
            strcat( novel, random_word_from_dictionary(d) );
        }

        Done.

        Layne
  • Cheap publicity. (Score:3, Insightful)

    by urcreepyneighbor (1171755) on Wednesday May 21 2008, @04:50AM (#23489950)
    I hope you realize that this sounds like nothing more than a cheap publicity stunt?

    This novel was originally posted online as a rough draft in late 2005. It has made great strides, receiving tens of thousands of reader contributions. It has received good reader reviews, and has been downloaded 6000 times in a two year span.
    So, do the people that helped you get a cut of the $12.95?
    • by freedom_india (780002) on Wednesday May 21 2008, @05:22AM (#23490146) Homepage Journal

      So, do the people that helped you get a cut of the $12.95?
      That is the main problem of crowd sourcing or open sourced works.
      Who profits off wikipedia? The maintainer, the contributors, ?
      How do we distribute?
      Is it the cost of printing (which is permissible) or more?
      • by QuantumG (50515) * <qg@biodome.org> on Wednesday May 21 2008, @05:40AM (#23490252) Homepage Journal
        If there's people who are willing to do the editing for free, why would you pay them?

      • by endofcell (1018056) on Wednesday May 21 2008, @05:55AM (#23490338)
        This is not a problem of crowdsourcing at all. Contributors to Mozilla and Firefox don't ask for a cut of the profits/donations it receives from Google or other partnerships, and users of the browser don't get paid for using it. The fact you get to use Wikipedia is enough, and no one forces you to contribute to the common good, or commons. If you want to participate that is a free choice. You should not be vilified for trying to get some revenue back for open sourcing your work -- you should be congratulated for releasing it as such rather than going for the default 'commercial' model.
        • This is exactly the point. Publishing is not being crowdsourced; editing is. The resulting work is publicly available for ANYONE to take and print under their own ISBN; in this case, it is the person who originated the project who decided to monetize it through publication. Hopefully he'll roll the profits back into the site to help foster future such projects -- but that's his choice. He could just as easily pocket the profits. If he does this, the rest of his team is within their rights to fork the project and produce their own in-print copy (with edits if desired).
    • by Chapter80 (926879) on Wednesday May 21 2008, @06:06AM (#23490404)

      So, do the people that helped you get a cut of the $12.95?
      Anyone else think this is funny? The fact that the parent contributed this comment to a forum that is making money from ads off this very page!

      Using this logic, Slashdot should be paying its contributors. Surely the comments are a significant source of value to the readers, and they don't pay a penny for them.

      • by PopeRatzo (965947) * on Wednesday May 21 2008, @06:53AM (#23490658) Homepage Journal

        The fact that the parent contributed this comment to a forum that is making money from ads off this very page!
        There are ads here? Hell, I've been a subscriber so long I've completely forgotten that /. has advertisements.

        Ad-block is the bomb.
      • You didn't get your check?
        • Re: (Score:3, Interesting)

          Slashdot pays in "goods and services".....it's a barter system. In return for contributing to the community, they provide a place for you to contribute and poorly editted summaries on which to comment (since no one really reads the articles, the comments *MUST* be about the summaries).

          Reminds me of the old internet ethic, 'If you take from the internet, give back to the internet.' Then AOL let their users online and it became 'If you pay AOL, everyone on the internet owes you everything for free.' I liked the first version better.

    • Re:Cheap publicity. (Score:4, Interesting)

      by makkverk (467419) on Wednesday May 21 2008, @06:16AM (#23490442)

      This novel was originally posted online as a rough draft in late 2005. It has made great strides, receiving tens of thousands of reader contributions. It has received good reader reviews, and has been downloaded 6000 times in a two year span.
      So, do the people that helped you get a cut of the $12.95?
      No, but under the CC lisence they're all allowed to print and sell the book themselves.
      • They're allowed to print it, but not sell it. It's the by-nc-nd licence, which means "Attribution, Non-commercial, No Derivative Works".

        I presume that as the copyright holder, rather than a licensee, he's allowed to also sell copies. The question is whether the "community contributions" hold any copyright as well, and if he is only entitled to them under the CC license terms (like GPL patches without assignation of copyright). If so, he might not be within his rights to sell the book via Lulu!
        • Re:Cheap publicity. (Score:4, Interesting)

          by Josh Triplett (874994) on Wednesday May 21 2008, @08:51AM (#23491844)

          I presume that as the copyright holder, rather than a licensee, he's allowed to also sell copies. The question is whether the "community contributions" hold any copyright as well, and if he is only entitled to them under the CC license terms (like GPL patches without assignation of copyright). If so, he might not be within his rights to sell the book via Lulu!
          Unless the author established some additional terms on top of the CC-by-nc-nd license, any "community contributions" represent unauthorized derivative works.

          If the author had instead used CC-by-nc-sa, the "community contributions" would fall under the same license, which would give him no right to sell the book with the contributions included.

          So either way, the author has no right to sell copies of the edited book, via Lulu or otherwise.

          Yay for unintended consequences. People should think twice before using a Creative Commons license that includes "nc" or "nd" terms. In addition to making the work non-free, they can lead to consequences like these.
    • Re:Cheap publicity. (Score:5, Interesting)

      by Odinson (4523) on Wednesday May 21 2008, @10:37AM (#23493290) Homepage Journal
      My cut is $3.30 if it's sold from Lulu, and $.48 cents for books sold from Barnes and Noble. After three two four years of writing, editing, and a month of working the Kinks out of Lulu, I have sold exactly 23 books. Half of those I bought, and mailed to the heavy editors to say thanks. Reviews have been great, so all I can think is people just don't take CC/Lulu authors seriously. Not a good sign for those west coast haters out there.

      Since you can download it for free, best I can figure is I really just did this for the Slashdot Karma. :)

  • Peter Watts (Score:5, Informative)

    by pionzypher (886253) on Wednesday May 21 2008, @05:19AM (#23490122)
    The Rifter series was released circa 2001 or so and is available at rifters.com for free under a CC licence IIRC. However, I'm fairly sure Watts used a publisher for the back end stuff.

    Congrats, and thank you for looking to publish in this manner.
    • by Hemogoblin (982564) on Wednesday May 21 2008, @08:19AM (#23491456)
      The Oxford English Dictionary, which was first conceived in the 1850's, was a completely volunteer driven project. It's like the Wikipedia of today, except by mail and 140 years earlier. I read an awesome book about the making of the dictionary, but the title escapes me. I'll quote Wikipedia [wikipedia.org] instead.

      Volunteer readers would copy to quotation slips passages illustrating actual word usages, then post them to the dictionary editor. In 1858, the Society agreed to the project in principle, with the title "A New English Dictionary on Historical Principles" ... ... On 12 May 1860, Coleridge's dictionary plan was published, and research started. His house was the first editorial office. He arrayed 100,000 quotation slips in a 54-pigeon-hole grid. In April 1861, the group published the first sample pages; later that month, the thirty-one-year old Coleridge died of tuberculosis.
      Apparently the hardest part of the work was finding quotations of some of the simplest words, since everyone was interested in quoting long and complicated words.
      • by the phantom (107624) on Wednesday May 21 2008, @10:44AM (#23493392) Homepage
        The creation of the OED was certainly in interesting effort, but I would not go so far as to say it is like the Wikipedia of its time. The OED was edited an compiled by a very small group of people, who had complete editorial control. Certainly, volunteers submitted words and quotes to the editors, but the editors were ultimately in control over which words and quotes ended up in the dictionary. This is in stark contrast to Wikipedia, where there really isn't any centralized control.
    • Re:Peter Watts (Score:4, Informative)

      by bcrowell (177657) on Wednesday May 21 2008, @02:30PM (#23496446) Homepage

      There are quite a few professional authors releasing fiction under some kind of CC license. Cory Doctorow, Rudy Rucker, Karl Schroeder, Peter Watts, and Charles Stross are some of the better known SF pros who are doing this. Bruce Sterling has released some nonfiction under a CC license. Other, less well known professionally published authors are trying it as well, e.g., Rick Dakan, Mike Brotherton, Jim Munroe.

      I'm not sure what's so notable about the "community-edited" part. It sounds like an attempt to make a false analogy between fiction writing and software development. Software is a tool, so the "with enough eyeballs, all bugs become shallow" concept makes sense; if it's broken, people can help you fix it. Fiction isn't a tool. The difference between a good novel and a bad novel isn't just that there are typos here and there. There's also a massive oversupply of people who think they can write fiction, so it's not exactly exciting news that someone is willing to give me his novel for free. Slush pile editors get paid to read unpublished fiction all day, and at night they go home bleary-eyed and debating whether to slit their wrists.

      One similarity that does exist between fiction writing and software hacking is that they both require a large amount of practice to get good at. I collected about forty rejection slips on about a dozen pieces of short fiction before making my first sale. If the OP really wants to get to the point where he can reach an audience with his science fiction, I'd advise him to look into some online groups where he can get feedback on his work. Two good communities are critters.org and the Baen's Universe e-slush board. I also benefited a lot from attending one of the Clarion workshops.

      I think the analogy with open-source software works much better for nonfiction, and it's also with nonfiction that you can actually hope to reach a significant audience without going through a traditional publisher.

  • by jamesh (87723) on Wednesday May 21 2008, @05:30AM (#23490198)
    It's been done before, in fact it happened to some friends of a friend [snopes.com] of mine, they didn't like each other very much and were made to write a story together, alternating paragraph by paragraph... it went something like this:

    At first, Laurie couldn't decide which kind of tea she wanted. The camomile, which used to be her favorite for lazy evenings at home, now reminded her too much of Carl, who once said, in happier times, that he liked camomile. But she felt she must now, at all costs, keep her mind off Carl. His possessiveness was suffocating, and if she thought about him too much her asthma started acting up again. So camomile was out of the question.

    Meanwhile, Advance Sergeant Carl Harris, leader of the attack squadron now in orbit over Skylon 4, had more important things to think about than the neuroses of an air-headed bimbo named Laurie with whom he had spent one sweaty night over a year ago. "A.S. Harris to Geostation 17," he said into his transgalactic communicator. "Polar orbit established. No sign of resistance so far..." But before he could sign off a bluish particle beam flashed out of nowhere and blasted a hole through his ship's cargo bay. The jolt from the direct hit sent him flying out of his seat and across the cockpit.

    He bumped his head and died almost immediately, but not before he felt one last pang of regret for psychically brutalizing the one woman who had ever had feelings for him. Soon afterwards, Earth stopped its pointless hostilities towards the peaceful farmers of Skylon 4. "Congress Passes Law Permanently Abolishing War and Space Travel," Laurie read in her newspaper one morning. The news simultaneously excited her and bored her. She stared out the window, dreaming of her youth -- when the days had passed unhurriedly and carefree, with no newspapers to read, no television to distract her from her sense of innocent wonder at all the beautiful things around her. "Why must one lose one's innocence to become a woman?" she pondered wistfully.

    Little did she know, but she has less than 10 seconds to live. Thousands of miles above the city, the Anu'udrian mothership launched the first of its lithium fusion missiles. The dim-witted wimpy peaceniks who pushed the Unilateral Aerospace Disarmament Treaty through Congress had left Earth a defenseless target for the hostile alien empires who were determined to destroy the human race. Within two hours after the passage of the treaty the Anu'udrian ships were on course for Earth, carrying enough firepower to pulverize the entire planet. With no one to stop them they swiftly initiated their diabolical plan. The lithium fusion missile entered the atmosphere unimpeded. The President, in his top-secret mobile submarine headquarters on the ocean floor off the coast of Guam, felt the inconceivably massive explosion which vaporized Laurie and 85 million other Americans. The President slammed his fist on the conference table. "We can't allow this! I'm going to veto that treaty! Let's blow 'em out of the sky!"

    This is absurd. I refuse to continue this mockery of literature. My writing partner is a violent, chauvinistic, semi-literate adolescent.

    Yeah? Well, you're a self-centered tedious neurotic whose attempts at writing are the literary equivalent of Valium.

    You total $*&.

    Stupid %&#$!.

  • by WK2 (1072560) on Wednesday May 21 2008, @05:33AM (#23490214) Homepage
    How can a community edited work be published under by-nc-ND? The nd means "no derivative" which means that the public can't distribute modified works. When he says, "community edited" does he mean a private community? Also, according the the website, they are selling this book, which you can't do if it is by-NC-nd, where the NC means non-commercial. If it was community edited, you would need permission from every copyright holder (which might mean a lot) if you want a different license.

    With so many things left unanswered, how can we answer this guy's question?
    • Re: (Score:3, Informative)

      How can a community edited work be published under by-nc-ND?

      With the permission from the community in question. You need to make distinction between creators of the work and the public that uses and distributes the work. One would assume that if they get contributors aboard, each of them will understand what they're going to do with the work, right?

      Star Wreck: In the Pirkinning [starwreck.com] was released under BY-NC-ND, and was definitely a "community work" in every sense of the expression. It's also sold on DVD, for profit - by the creators. -NC just means you aren't allowe

    • by Markusis (46739) on Wednesday May 21 2008, @07:38AM (#23491040) Homepage Journal
      I am one of the community editors for this book. My name is listed in the acknowledgments.

      First let me say that the book is awesome. It's got a great plot, great characters, and it pulls you in. A few times I was late to work by a few minutes because I just couldn't put the book down until I finished the chapter I was reading. I highly recommend it.

      Now, let me explain how I helped edit the book. I can't speak for the other editors, but this is how I got involved. I decided I was going to read the book, so I downloaded it and started reading. I find that I'm pretty good at finding typos and grammatical errors in books. I find them in books that are published by the big publishers & authors all the time. I usually find at least one or two mistakes in every book I read. When I was reading thicker than blood I just started keeping track of everything that I knew was misspelled or grammatically incorrect and everything that I was unsure of as well. When I had finished the book I found that I had nearly 200 edits, so I sent them over to the author. He was very grateful and a few months later he sent me a printed copy of his book.

      So, the 'nd' doesn't really apply because I never made a derivative work, I just sent him a patch that was human-readable-only. The changes that I made are so small that copyright doesn't apply to my changes. I mean, I would assign him the copyright if it did matter, but such a small change would not trigger copyright. If I had rewritten a few paragraphs or added any real substance it may have, but fixing typos and making sure apostrophes are placed correctly does not deserve any attention from copyright. These are the contributions that I made and I can not speak for other editors.

      Again, I can't recommend the book enough. I can't wait for the sequel.

      Mark Drago.
        • Re: (Score:3, Informative)

          As far as I know, this entire book is hard science fiction. It's set only 4-10 years in the future.

          Here is a pertinent (and my first) review.

          (and my first) review.

          On Sat, 14 Jan 2006, Chris Knadle wrote:

          Hey, Matt.

          Okay -- I love the book. I finished it in three days and I wanted to finish it earlier. :-) I think the book is "good scifi" in all of the important ways -- it's got some geeky detail, it's got plot, it's got character development, and each character has some quirks, just like you'd find

    • by Odinson (4523) on Wednesday May 21 2008, @08:18AM (#23491450) Homepage Journal
      The book was posted by me.

      The book was released under that license from the start. I was originally planning on getting it published by a traditional (see fearful) publisher and didn't want to do anything to risk a potential deal. I just couldn't stand the thought of someone buying it and sitting on it. (Which happens all the time)

      I the complete draft. A dozen people submitting edits on their own. Some of the contributions just emails with lists of hundreds of edits per post. None of which where solicited beyond 'if you find any errors' It *WAS NOT* the original plan to have this book be community edited.

      BTW I can count the number of books I have sold on my fingers and toes. I just put it up on Lulu and bought an ISBN. When I realized the CC+CE+fiction+novel might be the case I tried to verify it and could not get a affirmative response from CC community list or many people I emailed. Only a group this large could have affirmed this.

  • by stpk4 (906462) on Wednesday May 21 2008, @05:51AM (#23490316)
    Wouldn't that be the Bible? = )
  • by localroger (258128) on Wednesday May 21 2008, @07:47AM (#23491134) Homepage
    This is pretty much how I released MOPI [kuro5hin.org]. After putting it online I received hundreds of editing suggestions, many of which I incorporated into the MS. As a result there are only a couple of typos in the printed version, which I'm leaving in because I'd have to get a new ISBN to fix them.

    I didn't use a CC license though the one I drafted for myself [kuro5hin.org] is pretty similar. In particular I insisted on reserving print rights for myself. CC seems a bit more intent on making information free than reserving the possibility of future conventional publication.

  • "What? You mean like, here on slashdot?" James ejaculated, running his hand along the tapestry bindings of Helena's Prada chaise longue. "Because if we are, I am absolutely convinced that everyone who is anyone shall consider it a tad incestous!"

    Toaster Books is an imprint of The TankTopToolKit Corporation.
    All rights reserved - cue that exciting David Newman fanfare from the start of 20th Century Fox Movies.
    • by martin-boundary (547041) on Wednesday May 21 2008, @05:08AM (#23490060)
      *
      * (c) 2008 Anonymous Coward
      * This comment is free; you can
      * modify it and repost under the
      * nc-by-nd CC license.
      *

      I'm a lumberjack and I'm ok!
      I release this post with the CC license!
      HE'S A LUMBERJACK AND HE'S OK!
      HE RELEASES THIS POST WITH THE CC LICENSE!

      I write a post, I eat my lunch
      I ask for changes from others.
      HE WRITES A POST, HE EATS HIS LUNCH
      HE ASKS FOR CHANGES FROM OTHERS!

      I write down comments, I skip and jump
      I like to press wild flowers
      HE WRITES DOWN COMMENTS, HE SKIPS AND JUMPS
      HE LIKES TO PRESS WILD FLOWERS

      I put on women's clothing
      That's why I'm famous now!
      HE PUTS ON WOMEN'S CLOTHING
      THAT'S WHY HE'S FAMOUS NOW!

    • An infinite number of monkeys given an infinite amount of time would more likely produce infinitely many pages filled with the letter "e". Apparently they like to hold down the buttons.
    • I read a quote somewhere that said 'the Internet has finally disproved the hypothesis of an infinite number of monkeys being able to recreate the complete works of shakespeare.'

      Sounds right to me.
      • Re: (Score:3, Informative)

        The publisher in question was different from most Vanity Presses in that they advertised for submissions, provided super-positive feedback from 'real critics,' and only after leading the authors to believe they were about to strike it rich would they ask for money to subsidize the publishing.

        The sci-fi authors were outing the scam.

        It was kinda like those Nigerian guys who need your account info, only the money they are going to give you is going to come from your soon to be bestseller instead of a disused s
    • Each generation probably had a hand in changing an aspect of the story, til it became the Beowulf we know today.

      Which is a good thing, because it started out as a dirty joke about a guy called Barry.