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$5 Per Month Fee Proposed For Legal Music P2P

Posted by Soulskill on Thu Mar 13, 2008 07:58 PM
from the it's-nice-to-have-somebody-do-my-budget-for-me dept.
sneakyimp writes "Both Wired and Ars Technica have reports on Jim Griffin's proposal that ISPs charge each broadband customer $5 per month to subsidize the ailing music industry. The resulting fund would ostensibly 'compensate songwriters, performers, publishers and music labels.' Although no specific version of the proposal has been referenced, a number of controversies are inherent to the plan: How is the money really divided? What happens when the MPAA, the Business Software Alliance, and various other industry groups want their own surcharge added? What about the supposed majority of broadband customers who never download illegal music? Griffin discussed the plan further at SXSW . We've previously discussed a similar proposal from the Songwriters Association of Canada.
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Related Stories

[+] Canadian Songwriters Propose Collective Licensing 455 comments
aboivin writes "The Songwriters association of Canada has put forward a proposition for collective licensing of music for personal use. The Right to Equitable Remuneration for Music File Sharing would legalize sharing of a copy of a copyrighted musical work without motive of financial gain, for a monthly fee of $5.00 applied to all Canadian internet connections, which would be distributed to creators and rights holders. From the proposal: 'File sharing is both a revolution in music distribution and a very positive phenomenon. The volunteer efforts of millions of music fans creates a much greater choice of repertoire for consumers while allowing songs — both new and old, well known and obscure — to be heard. All that's needed to fulfill this revolution in distribution is a way for Creators and rights holders to be paid.'"
[+] Your Rights Online: Collective Licensing for Web-Based Music Distribution 236 comments
Two weeks ago we discussed a proposal from music industry veteran Jim Griffin to implement a monthly fee from ISPs in exchange for the legal distribution of copyrighted music. Now, quinthar brings news that Warner Music Group has hired Griffin with the intention to make that proposal a reality. Warner wants Griffin to establish a collective licensing deal with ISPs that would let the ISPs stop worrying about their legal responsibilities for file-sharing while contributing to a pool of money (potentially up to $20 billion per year) that would be distributed amongst the music industry. "Griffin says that in just the few weeks since Warner began working on this plan, the company has been approached by internet service providers 'who want to discharge their risk.' Eventually, advertising could subsidize the entire system, so that users who don't want to receive ads could pay the fee, and those who don't mind advertising wouldn't pay a dime. 'I.S.P.'s want to distinguish themselves with marketing," Griffin says. "You can only imagine that an I.S.P. that marketed a 'fair trade' network connection would see a marketing advantage.'"
[+] Will the New RIAA Tactic Boost P2P File Sharing? 309 comments
newtley writes "The RIAA's claim that it'll stop suing people may have serious consequences... for the RIAA. When it dropped its attack on seven University of Michigan students, Recording Industry vs. The People wondered if the move was linked to three investigations, with MediaSentry as the target, before Michigan's Department of Labor and Economic Growth. Now, 'LSA sophomore Erin Breisacher said she stopped downloading music illegally after hearing about the possibility of receiving a lawsuit, but now that the RIAA has stopped pursuing lawsuits she "might start downloading again,"' says the Michigan Daily, going on to quote LSA senior Chad Nihranz as saying, 'I figure, if there aren't as many lawsuits they will come out with more software to allow students to download more.'" What about some of the other potential tactics we've discussed recently, such as the UK's proposed £20 per year film and music tax or the $5 monthly fee suggested in the US? Is there anything the RIAA can do to reduce illegal file-sharing without generating massive amounts of bad publicity?
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  • Stupid. (Score:5, Interesting)

    by n6kuy (172098) on Thursday March 13 2008, @08:00PM (#22746498) Homepage
    Presumes you're a criminal otherwise.
    And by paying it, you admit it.
    • Re:Stupid. (Score:5, Insightful)

      by omeomi (675045) on Thursday March 13 2008, @08:08PM (#22746588) Homepage
      They've pulled this BS before. It's why there's a surcharge on "Music" CDRs. It's not actually legalizing it, it's just their way getting more money. And any time you see a list regarding compensation in this order: "songwriters, performers, publishers and music labels", you know for sure it's exactly the other way around. Music labels will take almost all of the money, then the publishers, then the performers, and last but not least, the songwriters.
      • Re: (Score:3, Informative)

        > It's why there's a surcharge on "Music" CDRs. It's not actually legalizing it, it's just their way getting more money.

        It is my understanding that the surcharge DID legalize duplicating music CDs in Canada.

        But you are right of course, its just a money grab.
        • by inTheLoo (1255256) on Thursday March 13 2008, @09:00PM (#22747042) Journal

          You say that as if duplicating your CDs was ever against the law, here or in Canada. Copyright is supposed to be a civil matter between private parties about the right to commercially publish works. Applying that to personal coppies has always been a stretch.

          I recall some controversy about artists never got their cut of the digital media tax, not even RIAA signed artists, and it hurt local artists [www.cbc.ca]. Looks like it never got better [slashdot.org].

          I expect ISP fees to be exactly like that. In effect, they will outlaw what's already allowed and steer yet more money to an industry that has long ago ceased to perform a useful function.

          • by Anonymous Coward on Thursday March 13 2008, @10:09PM (#22747528)
            Let p2p run rampant. Don't sue anybody. Then watch and see if the music/movie industries up and die. If they do, then consider whether or not legislation is needed to revivify them. If they do not die, then admit that the legislation was never needed in the first place, and just don't bother with it.

            Personally, I am tired of this zero-evidence notion that file sharing will kill the industry. Every time we have heard this line in the past (for video cassettes, cassette tapes, CD-R, etc.), it has been proven false. Let's try it and find out. Once the real evidence is in, then I will be interested in discussing responses.
             
            • by poopdeville (841677) on Thursday March 13 2008, @10:19PM (#22747610)
              Let p2p run rampant. Don't sue anybody. Then watch and see if the music/movie industries up and die. If they do, then consider whether or not legislation is needed to revivify them. If they do not die, then admit that the legislation was never needed in the first place, and just don't bother with it.

              They won't. This was the biggest year for the MPAA ever.
            • by hitmark (640295) on Friday March 14 2008, @12:19AM (#22748282) Journal
              hmm, was there not some USA bigwig that ones stated something to the tune that no market had the right to exist for eternity?

              the thing about the net and the computer is that in one box and connection one have (to go back to about the industrial age) a telegraph, a printing press and a gramophone all hooked together so that the telegraph can feed of stuff to the other ones.

              at that time, with a printing press being a room sized device operated by 1 or more person as a full day job, that would be unthinkable. but today, thanks to the wonders of the microprocessor, thats not only possible, but increasingly common place.

              thing is that we are still operating with industrial age laws, when the tech have moved on like no-one at that time could have foretold.

              yes, riaa and the rest keeps a whole lot of people with work. but was there not cries about loss of work when the assembly line came to be, and continued on to become increasingly automated?

              maybe its time we think about alternate ways of distributing resources? ways not hooked on the idea of scarcity in some form or other for other things then physical resources?

              maybe the net, and all that it can contain, should be put under some kind of operation similar to a public library? only that said public library to is a creation of a age where books where a scarce resource, turning their content scarce as well. but today the physical book may be scarce, but the content of it do not have to be. the creativity of the human mind, when not directed towards creating a physical construct, have been set free like no time before.

              question is, how are those creative minds supposed to live on? as is, we are so used to the physical media that we cant really imagine a world without it. but if one manage to distance oneself from that idea, then what? what alternate paths do then appear?

              to re-imagine the way to launch programs in kde, the developers had to stop referring to the launcher as a menu, this because the very word was loaded with images of ordered lists of items, and one could not shake it.

              so it may well be that we have to stop talking about copyright, or any other kinds of rights, as these are now loaded words. words that force our minds into preset paths.
        • by symbolset (646467) on Thursday March 13 2008, @09:39PM (#22747302) Journal

          RIAA wants the government to mandate payments to them from essentially everybody?

          That would be like insurance companies wanting auto insurance to be mandatory.

          Or hospitals being in favor of mandatory medical insurance.

          Or Microsoft insisting on Windows installed on every PC

          Or sports teams wanting every citizen to subsidize their business.

          or... wait... what were we talking about again?

            • by budgenator (254554) on Friday March 14 2008, @06:10AM (#22749422) Journal
              If the team moves so far away that the local fans can't support it, that just opens up an opportunity for someone to start a new team.
              except the team needs other teams to play and the leagues survive on artificial scarcity of teams and the teams often have trouble obtaining the services of talented players. Our city is Hockey town, we are the permanent home of the International Silver Stick hockey tournament, 65,000 players and coaches participate in the international amature hockey tournament. I doubt there is more than a handfull of NHL hockey players who haven't played hockey in Port Huron, we'll probably loose our third minor-league Hockey team real soon.
      • by big_paul76 (1123489) on Thursday March 13 2008, @09:52PM (#22747394)
        How about this: First of all, I don't think this is "fair" in any sense, but to end all the copyright nonsense these days I'd be willing to entertain this.

        First of all, let's get a reasonable amount. Like, say, 25 cents a month. Maybe as much as a buck. The BSA and the MPAA can have the same. So can anybody else who feels their Imaginary Property rights are being violated. But in exchange, two conditions:
        1) they accept that they can never again object to any form of private, non-commercial copyright infringement in any way, shape, or form, in any jurisdiction this side of the outer rings of Jupiter.

        (2)that they are expressly prohibited from producing, distributing, or employing any form of DRM technology in any way shape or form, in any jurisdiction.

        Violation of either of these two conditions will result in them having to repay the amount of money they have received from this "statutory license" (or whatever we decide to call it) X 100.

        Let me repeat myself. I don't think this is 'fair', but politics, like life, is compromise. I don't think the RIAA deserves this money any more than a mobster "deserves" his protection money. But to be 100% sure that we'd never again have a single case of grandmother being sued for hundreds of thousands of dollars over a dozen top 40 tracks that'll be forgotten in 10 years, and be able to back up my box set of "Band of Brothers" that I paid $150 for, it'd be worth it.

        But not at $5/month. I haven't averaged spending $5/month on CDs since about 1993.
        • by Weaselmancer (533834) on Thursday March 13 2008, @10:19PM (#22747612)

          An excellent idea. But let's add opt-in to it. Not everyone pays the protection money automatically - only those who want it. If you don't pay then you aren't covered. Like...insurance, maybe. If you don't download music you don't need it. Just like if you don't drive a car, you don't need car insurance. If you do, then you buy in.

          • by arkhan_jg (618674) on Friday March 14 2008, @01:41AM (#22748578)
            Unfortunately, paying the $5 fee won't protect you from legal threats. It'll be there to 'compensate the labels for their losses from piracy'. I.E. you and I end up paying for the exec's hookers and blow, and get nothing back for it whether we download infringing music or not. Just like the blank media taxes, or the zune fee.

            The idea of us paying something voluntarily, and getting something in fair exchange from the music labels? Completely alien to them, no matter how many reasonable ways we come up with.

        • Re:Stupid. (Score:5, Informative)

          by RodgerDodger (575834) on Thursday March 13 2008, @11:36PM (#22748058)
          No the performers tend to be screwed more than the songwriters (with the exception of the celebrity performers like Britney).

          In a typical band, for example, the songwriter would get a lot more than the rest.
    • Re:Stupid. (Score:5, Insightful)

      by dbIII (701233) on Thursday March 13 2008, @11:08PM (#22747884)
      I presume all media companies are criminal tax evaders and should pay $5 of the tax bill of each citizen to even things out.

      They certainly get a lot of representation without taxation, for example the blockbuster movie "Forest Gump" made a loss as far as the IRS was told.

  • Distribution (Score:4, Interesting)

    by EEPROMS (889169) on Thursday March 13 2008, @08:01PM (#22746520)
    Or the record industry could stop living in the past and have modern cost effective (fair) distribution model that makes sense to modern internet users.
      • Re: (Score:3, Interesting)

        Free doesn't mean "fair" (unless you like getting paid $00.00 for your time). Artists are already getting screwed by by the record industry without consumers adding to the fire. What Im looking at is a distribution system were artists and consumers don't get screwed and it isn't very expensive (iTunes fails on these two points accept ease of use).
      • Re:Distribution (Score:5, Interesting)

        by icebike (68054) on Thursday March 13 2008, @08:33PM (#22746842)
        > This actually seems like a modern, cost effective and fair distribution model to me.
        > Out of curiosity, what about it doesn't meet that criteria?

        How about the bit where they have no content I am interested in, but I still have to pay?
        How about the bit that a private group now gains the right to tax all broadband users just
            on a suspicion that they might some day download something?

        You MIGHT transport my stolen lawn sculptures in your car. Therefore, I want the right to be paid
          $2.35 for all users of the public roadways. Now can you see the problem?

        Somebody mod parent Troll.
  • by Dice (109560) on Thursday March 13 2008, @08:03PM (#22746538)
    So, if I'm charged this $5/mo fee does that mean they can no longer prosecute me if I download music? Or are they going to do that as well?

    Now, if we were talking about a $5/mo (or even $10/mo) fee to be able to download and listen to, burn, copy, whatever as much high quality DRM-free music as I want.... well, suffice to say that I'd be too busy clicking links and breaking out my credit card to make this post.
      • by TubeSteak (669689) on Thursday March 13 2008, @08:37PM (#22746876) Journal

        Totally agree. Right now I don't spend near $5 a month on recorded music(unless satellite radio counts), but I'd be glad to to know that I could grab what I wanted to without getting sued.
        Would you be willing to spend $5 a month to join a Copyright Infringement insurance pool? You pay up front (less than $60) and in return the insurance will cover negotiation & settlement for 1 year.

        If you know how many people the **AA has sued so far, it shouldn't be that hard to figure out how many people would need to sign up (and which would need to be excluded) to make the running of such an insurance pool a profitable venture.
          • by TubeSteak (669689) on Thursday March 13 2008, @10:31PM (#22747696) Journal

            Also, it would not surprise me if there were already laws prohibiting insurance for illegal acts.
            I don't normally respond to ACs, but this is blatantly wrong.
            Copyright infringement is a civil matter and there is plenty of insurance for civil lawsuits.
            I'm merely proposing one more type of insurance.

            Participating in such a scheme would be tantamount to an admission of guilt.
            Why? The **AA has already wrongly sued several people.
            Less than $60 a year is a small price to pay for protection from a possible lawsuit or a $X,000 settlement "offer".
            Shouldn't I be able to protect myself against such risks?

            The RIAA would prosecute to the fullest any person with this insurance instead of extending settlement offers like they do now, so calculating the insurance based on current settlement values would not work.
            The RIAA doesn't know shit about the people they send Pre-Settlement Letters to. You forward the letter to your insurer and let their lawyers deal with it. This is how car insurance works, how medical malpractice insurance works, etc etc etc.

            Judges would not look kindly on it either and would likely approve the maximum possible penalties, which as I'm sure you know are ludicrous and could probably easily bankrupt the insurer.
            You are assuming this goes to trial, which defeats the purpose of the **AA sending out Pre-Settlement Letters. But if it makes you happy, your insurance policy can have a "go to trial" clause setting out a fee structure for legal services.

            rm999 said "That's a cool idea, but if it actually happened I would be really bothered. I know this is sad, but I would rather my money go to the RIAA than lawyers/insurance salesmen."

            That's okay, we can accomplish the same goal in a slightly different fashion. Form a non-profit organization and a separate non-profit insurance company that the club hires to insure its members. Make a tax deductable donation to the club in return for membership and if you get sued, you can apply to their 'free' insurance program. While we're at it, how about we buddy up with the EFF, make the goal of the organization copyright reform and hire some lobbyists to achieve that goal?

            A. Pay a $60 per year RIAA tax for as long as you have broadband
            B. Make a $60 per year (or less) tax deductible donation that goes towards protecting you from **AA lawyers and lobbying for a fairer copyright model

            Which would you choose?

            Of course, this assumes that the **AA doesn't get pimp slapped by the Courts and their unlicensed "investigators" don't get bitch slapped by the States.
  • $4.99 for RIAA (Score:5, Insightful)

    by eightball01 (646950) on Thursday March 13 2008, @08:04PM (#22746546)
    $0.01 for everyone else.
  • So... (Score:4, Informative)

    by Smordnys s'regrepsA (1160895) on Thursday March 13 2008, @08:05PM (#22746560) Journal
    Basically the same amount our northern neighbors pay (as taxes) to keep their MAFIAA on a leash? Maybe we should just copy their entire section of IP laws.
  • Again? (Score:3, Funny)

    by maz2331 (1104901) on Thursday March 13 2008, @08:05PM (#22746568)
    Didn't they do this with blank CDs a few years ago? Then the indemnification ended, but the tax that's passed back to the RIAA remained.

    Maybe if the $5/mo was a voluntary "add on" fee granting immunity from copyright suits it might work.

    Oh, almost forgot to include the obligatory Fuck The RIAA line.
  • by psychodelicacy (1170611) <psychodelicacy@gmail.com> on Thursday March 13 2008, @08:06PM (#22746574) Homepage
    Who'll pay extra for iTunes if they're already paying to use P2P whether they like it or not?

    This is an utterly ridiculous idea. It taxes those who don't download copyright-infringing files to pay for those who do - and who will probably continue to download much more than $5-worth of tracks, subsidised by others.

    Illegal downloaders need to stop freeloading off the rest of us and pay for the things they want.
    • by jcgf (688310) on Thursday March 13 2008, @09:00PM (#22747048)

      Illegal downloaders need to stop freeloading off the rest of us and pay for the things they want.

      I'm gonna head on over to the pirate bay and download shit right now, just to piss you off.

        • by skeeto (1138903) on Thursday March 13 2008, @09:44PM (#22747352) Homepage

          Downloaders are just as in the wrong as uploaders are.

          Or maybe breaking the law has nothing to do with right and wrong. Copyright, in its current form, is a corrupt and unjust law that actually causes the opposite of its original purpose as defined by the constitution. No one should feel any qualms about breaking it.

  • How about. . .? (Score:5, Insightful)

    by MistaE (776169) on Thursday March 13 2008, @08:06PM (#22746576) Homepage
    Give everyone that doesn't download music a $5 discount? They already charge most of us up the ass and throttle d/l and u/l speeds as it is. Why should we pay anything additional?
  • Ridiculous idea (Score:5, Insightful)

    by eebra82 (907996) on Thursday March 13 2008, @08:11PM (#22746618) Homepage
    It may sound like a noble and interesting idea to some, but there are other issues besides the fact that it will be nearly impossible to divide the money correctly.

    The real issue here is the morality of the fee. Those who are pirates download content worth significantly more than $5. This fee would be no problem to a person who downloads hundreds of songs per month, but a technologically impaired senior who wants to communicate with his children who live in another state/country will also have to pay.

    If such fee would pass, then I say we should pay $1 to reimburse victims of pedophilia, who were victimized over the internet. And many other types of victims, of course.

    My point is obviously that the music industry should have no say in this matter, nor any other industry or company. Or we could flip the coin and make the music industry pay for the rehabilitation of all drug users who snorted coke while listening to Kurt Cobain, or small girls who cannot handle the pressure of looking like Christina Aguilera.
      • Re:Ridiculous idea (Score:5, Insightful)

        by eebra82 (907996) on Thursday March 13 2008, @08:26PM (#22746754) Homepage

        What you are raising is the issue of the morality of taxation. We pay taxes for education, whether we have children or not, because we believe that society as a whole benefits from schools.
        Except for the vital point that your government taxes you, not corporations.
  • Surcharge (Score:5, Insightful)

    by MBCook (132727) <foobarsoft@foobarsoft.com> on Thursday March 13 2008, @08:11PM (#22746628) Homepage

    The "what if I don't want to" argument is a little weak in my opinion. If you are forced to pay it, I'm guessing you would end up using it (since you are already paying). If I had access to all of the songs on the iTunes Music Store, you can bet I would take advantage of it. I don't now because I don't want to pay for the tracks.

    The "what about other groups" argument is fantastic. I don't know how someone could reasonably question how something like this become a precedent, causing every group under the sun to suddenly jump out and demand the same thing.

    What I worry about is what happens if this goes into effect and gets challenged. I think it's safe to say that someone could mount a good challenge here in the US based on some law. So if I "take advantage" of this forced fee then it gets ruled illegal, do they get to come after me for all the music I "stole"? Do I have to give up everything I downloaded under the plan?

    The "how do we divvy up the loot" question is the worst one. Do we put one group in charge (like the RIAA)? Do we really expect them to be fair to all the artists who aren't a member of their group? Or do only they get paid, thus effectively making the a de-facto monopoly? Does that mean there are "good" artists (who my fee pays for) and "bad" artists (who my fee doesn't, thus I can't download their stuff)? Should we let the government run it, thus making it an entitlement bureaucracy? Does every artist get an even share (good for little guys), or do the big artists get more (they are more popular... after all). Does the medium matter? Does my fee pay for me to have the rights to get free sheet music? Why not? If I'm an artist, can I opt out of this saying "no one downloads my music, despite the fee"?

    There are so many unanswered/unanswerable questions for this. I don't know how they can push this with a straight face. I'm guessing most of their answers would be something along the lines of "don't worry about it".

    The Canadian media tax doesn't seem to have helped much, or solved any of these questions. Why would the US be any different... just because it's a different medium being taxed?

    They see $$$, they want in. They could build a subscription MP3 store (real MP3s), band together, and create a de facto (optional) "music tax" that people could pay and use. They don't need to force it through regulation... unless they aren't really looking out for our interests. That can't be true...

  • by zentec (204030) * <<lists> <at> <rudn.com>> on Thursday March 13 2008, @08:25PM (#22746742)
    I'm not surprised that the proponents of the music industry would come up with concepts such as these. I'm sure they rationalize that people already subsidize shoplifters through higher prices at the store, so since broadband is used to pilfer their product, every one who uses broadband should pay. While it's true, we all pay higher costs due to shoplifters, the store has an incentive to reduce losses or the prices will become prohibitive and customers won't shop there any longer. This surcharge does nothing to cause music producers to change their ways to prevent losses, it forces the liability of bad business decisions upon non-customers.

    Those who think this is a good idea should take note that nowhere in this Jim person's argument does it stipulate that the $5 per month surcharge is blanket authorization to download everything and anything. Your $5 gets you the privilege of still paying $.99 at iTunes, or a $12 per month Rhapsody account or running out to Wal-Mart and plunking down $20 for a CD. The music industry will continue to label the internet the tool of choice for music "thieves", because doing so is necessary to justify the $5 per month stipend.

    I'm hopeful that the ISPs will tell these people to go get bent. There is a very real possibility of a consumer boycott over this issue, especially from the honest customers who do not download music. If my ISP proudly proclaimed they were collecting this fee, I'd go without broadband.

    As far as seeking legislative relief, I don't think too many legislators are going to want to be seen with the hot potato of asking consumers to fork over $5 to help the music industry. It's an election year and a down economy, what fool would suggest...aside from Ted Stevens, Pelosi...well, maybe seeking legislative relief isn't such an idle threat. Get ready to write a lot of letters.

  • Solution (Score:5, Interesting)

    by QuickFox (311231) on Thursday March 13 2008, @08:25PM (#22746746)
    The solution:

    -- There should be a license that you pay for only if you're interested, and if you pay this license you're allowed to download music.

    By subscribing to the license, you make a legally binding promise to follow certain simple rules that apply for this license.

    -- If you also want to make music available for others to download, you indicate this when you subscribe to the license. This again involves a legally binding promise to follow rules that apply for this kind of license.

    -- When you make music available for others to download, you must use software that is approved for this purpose. Getting such software approved should be very easy, because the requirements are simple.

    One requirement is that this software record and report statistics about how many times each song is downloaded. The money from the license fees gets distributed to artists and music companies based on these statistics.

    Another requirement on this software is that it make an automatic check that the software that requests the download displays a currently valid license.

    With this scheme, regular Joes who provide music for others have no economic incentive to trick the system. That's important. It means that lots of software can be easily approved.

    Music companies do have an incentive to trick the system, so as to inflate their own statistics. Checks against this will be needed. In addition, because of this, the statistics should probably be arranged in such a way that any number of downloads from the same license counts as a single download.
  • Sounds Great (Score:3, Insightful)

    by onkelonkel (560274) on Thursday March 13 2008, @08:31PM (#22746796)
    I pay my 5 bucks, and now Steve Jobs will let me download as much as I want from iTunes for free!!! Same with Amazon. Right?

    Or do you expect me to pay twicT?
  • Minority/Majority (Score:5, Insightful)

    by techstar25 (556988) <techstar25&cfl,rr,com> on Thursday March 13 2008, @08:34PM (#22746848) Homepage Journal
    They've been repeatedly telling us that the minority of users use the majority of the bandwidth (for P2P). So why would they tax the majority of users then? Of course it makes no sense.
  • by techmuse (160085) on Thursday March 13 2008, @08:34PM (#22746854)
    The sports rebroadcasting fee, to compensate sports networks for their broadcasts that you retransmit

    The politicians opponents fee, to compensate them for money that you don't give to their campaigns

    The tapped powergrid fee, because you might tap into the power grid at some point

    The Emperor's club fee, because you might use the services of an illegal prostitution ring and not get caught (and not be the governor of a large state).

    What? You don't do any of these things? Then why should you pay for it? Instead, you should pay a fee to ME, for no particular reason, other than I think you should give me your money whether I've given you anything in return or not! :-)
  • by urbanriot (924981) on Thursday March 13 2008, @08:40PM (#22746896)
    None of the bands I listen to and download are RIAA members. How will my money get to them?
  • by dcavanaugh (248349) on Thursday March 13 2008, @08:45PM (#22746938) Homepage
    Everyone who wants legal music pays $5/month, and the money is pooled, with the entire pot allocated to artists proportional to downloads. It would bring the underground P2P industry "above the radar" and the artists would get a tiny share of a huge pie instead of a big share of nothing. Honestly, I spend even LESS on music now, but $60/yr is about as much as this is worth to me.

    Even by the most conservative estimates, it would produce hundreds of millions of dollars per year in royalties. Or they can maintain the status quo and get nearly nothing. If it were me, I would take the money. But what do I know?

    Back when the original Napster was under attack, I suggested this as a reasonable plan. Nobody thought the music industry would accept an "all you can eat" plan at such a low price. But today's P2P reality is exactly that at a price of $0. When the music industry finished overplaying their hand, $0 was the only price left on the table. It's like playing "Deal or No Deal", turning down all the offers, holding out for the $1M prize, only to watch the entire board clear, leaving the $.01 prize. Considering where the music industry is today, $5/month from a huge population is no longer a lowball offer.

    If it were ridiculously cheap, I would have no problem with throwing some coffee money into music. It would probably renew my interest in the product. As it stands today, I have an Ipod full of ripped CDs I bought over the last 20 years, and I can listen to the classics indefinitely. At $18.95 per disc, I won't be seen in the music store anytime soon.
  • by Wildclaw (15718) on Thursday March 13 2008, @08:48PM (#22746954)
    How many dollars per month for

    Movies
    Games
    Software Applications
    TV
    Books
    Comics
    Anime
    Audiobooks
    Pictures

    It adds up. And how are they going to determine who gets how much? Oh I guess I know the answer to that. The collector agency gets the bigger part, and the rest is distributed based on some kind of algorithm that favors the current big coorporations.
  • Bullshit (Score:4, Insightful)

    by Phoenix666 (184391) on Thursday March 13 2008, @09:15PM (#22747148)
    I do use my broadband connection every day to get the news, read scientific journals, waste time on /., what-have-you.

    I don't listen to RIAA music any more, much less download their crappy tracks, buy them from iTunes, or heaven forbid buy CDs, because I want nothing to do with them whatsoever.

    Assessing a $5/mo. fee to every broadband user is the last thing that should happen. 10 years ago, OK, that was something we could have talked about. And did talk about. But the music industry wanted no part of it.

    Now it's too late. The world and its musicians and its fans have all moved on.

    Let the RIAA die, and rot.
  • NOW they get it (Score:5, Insightful)

    by fahrvergnugen (228539) <fahrv@hotma i l . c om> on Thursday March 13 2008, @09:35PM (#22747282) Homepage
    Seven years ago, Napster offered to partner up with the music companies, charge a monthly fee, and go legit. They had a beautiful, efficient 'walled garden' infrastructure, selection surpassing the iTunes store, nearly 15 million active users, and even though there was openNap and Gnutella, these were fringe tools. Napster had no *real* competition, they were a de facto standard. The market was sewn up.

    Napster offered multiple times to partner up with the RIAA labels to create a subscription-based model. If they'd have kept just 1/3 of their userbase at $10 a month (highly reasonable) and growth had remained flat (highly unlikely), they'd have pulled in $600mil in the first year, without ever having spent a dime on marketing or distribution. $600mil a year in free money with incredible growth potential, and the RIAA wouldn't have had to lift a finger.

    $600mil in revenue in just the first year, for doing nothing. And they said no, shut down Napster, and unleashed the unkillable hydra of gnutella/bittorrent/FastTrack/etc.

    NOW the RIAA wants a surcharge? No. You had your chance at the golden egg, and relevancy in the future of music, and you chose instead to cut the goose's throat. We're not going to subsidize you now.
    • by Dice (109560) on Thursday March 13 2008, @08:07PM (#22746580)
      We would need much larger tubes.
    • Re:I wonder what.... (Score:5, Interesting)

      by Bob9113 (14996) on Thursday March 13 2008, @08:32PM (#22746818) Homepage
      I wonder what would happen if someone figured out how to torrent a car.

      We are laying the legal groundwork for that problem right now (albeit unknowingly). With nanomachines on the horizon, it won't be more than 50 years till you will have access to a formulator capable of replicating a car. But someone will still have to design the car in the first place. We will be up against the exact same problems we are now with music. People will be trading atom-level model files for Ferraris over the intarwebs. Toss in your old car, a design file, and a whole lot of power (assuming we haven't hit, or have solved, the peak oil problem by then), and you get a new car.

      It will be the end of natural scarcity of manufactured goods, but not the end of scarcity of energy, good design, or the rarer raw materials. While I loathe the current state of Intellectual Monopoly law, it will be necessary to continue to compensate creators (not necessarily labels) for their work, and the fields where the cost of design can be hidden in the price of the manufactured good will dwindle.

      The laws that will protect cars 50 years from now are the laws we are using today to attempt to protect music. Maybe cops will ask for "License, registration, and proof of designer royalty payment, please?"

      But then, we'll probably just be the computers' pets by then anyway, so no need to worry.
    • Well (Score:4, Insightful)

      by Smordnys s'regrepsA (1160895) on Thursday March 13 2008, @08:08PM (#22746592) Journal
      I see this as their new business model. They may not make mega-millions with a flat tax like this, but they will always have the bare minimum to survive.
      • Re:Well (Score:4, Informative)

        by Original Replica (908688) on Thursday March 13 2008, @08:43PM (#22746928) Journal
        I see this as their new business model.

        I wonder what one has to do to qualify as part of this music publishing business? Everyday, I pass subway musicians with decent home burned CDs for sale. I have even bought a few, in fact one of my favorite classical CDs is direct from the musician. They are a part of the "music industry" how do they go about getting their cut?
      • by MBCook (132727) <foobarsoft@foobarsoft.com> on Thursday March 13 2008, @08:20PM (#22746704) Homepage

        P2P nothing.

        If I'm paying you a monthly fee, you are going to be hosting a reliable service. You will have an iTunes music store/Amazon store/whatever.

        If I pay you, I'm not putting up with random qualities, names, ID3 tags, missing seeders, etc. I don't care how obscure my tastes, you have to host it for me. That's our deal: I pay, you let me download.

        I expect better service than P2P for $5 a month.

        • by SanityInAnarchy (655584) <ninja@slaphack.com> on Thursday March 13 2008, @09:20PM (#22747186) Journal

          Just some clarification: I can and do pay for content, and I am far more likely to when I can get it on my terms.

          Just tell me where to sign up to the MPAA-sponsored BitTorrent tracker, and I'll pay for it. Here's my wishlist:

          • No client-side DRM.
          • Video in h.264
          • Audio is AAC, Vorbis, or Flac. (I'd accept any of these.)
          • Container format is mkv for video, ogg for vorbis, flac for flac. (Don't care what the AAC is in.)
          • Torrents are well-seeded -- something like S3 should be fast enough and cheap enough. I don't mind contributing bandwidth (since it's so cheap), but you WILL saturate my pipe.
          • No seeding requirement. Some people might be downloading this on a metered connection.
          • Similarly -- watermarks are fine, so long as you still saturate my pipe. It's probably more cost-effective simply to create a torrent.
          • Creators actually published.
          • All media available this way. Not really practical, but do NOT throw up ten movies I don't want to watch and call it a day.
          • Opt-in. If my ISP suddenly tacks $5 onto my bill because I might be torrenting, I will fight it -- I will cancel Internet service at home if I have to. If you make this a reasonable option, I will pay for it.

          I'm not sure how much I would be willing to pay for that service, but it's at least $5/month.

          As it is, there's really no service which can quite replace The Pirate Bay.

    • by icegreentea (974342) on Thursday March 13 2008, @08:28PM (#22746762)
      In Canada we already subsidies "Canadian" content/culture from public funds. And it's different from a tax, since in a tax the money goes to the government. In this case the money goes to artists (supposedly). Functionally (to the end user) there is no difference at all. On the note of subsidizing culture with public funds, I totally think that government should be doing that. Museums, art galleries, stuff like that are a wonderful resource for the people.
      • by psychodelicacy (1170611) <psychodelicacy@gmail.com> on Thursday March 13 2008, @11:21PM (#22747962) Homepage
        I think it would be unfair to mod the parent as troll. True, the comment ignores the fact that art adds a lot to people's lives, is an historically important form of artistic expression, has cultural value as a tool for cohesion and relationship-building, and is very enjoyable. On the other hand, it picks up on some important points. Firstly, music as a commercial product is, in the end, a luxury item. The amount of time and effort spent trying to get around paying for it would only make moral sense if it were something like food or water. If you can't afford to buy it, you can still hear music on the radio, the TV, in bars and clubs and pubs and many free live venues. You can make it yourself, on your own, with friends. Secondly, the amount of money paid for the works of top artists is pretty extortionate. Why is Paul McCartney so rich when people who teach, nurse, clear our garbage, can't afford to pay their bills? I would suggest it's because we have a pretty screwed-up understanding of value.

        These two points might seem to contradict each other. But they both add up to the fact that we place too much importance on commercial music (which is a different thing from music as an art or an abstract idea.) So I think the parent deserves better than to be called a troll, even if the phrasing of the comment is unfortunate.