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Lack of Bandwidth Oversight Damages HDTV Quality
Posted by
Soulskill
on Fri Jul 25, 2008 08:59 PM
from the buy-some-bigger-tubes dept.
from the buy-some-bigger-tubes dept.
mattnyc99 writes "Over at Popular Mechanics, Glenn Derene has a great new column investigating the lawless lands of broadcast television, where the quality of the picture that ends up on your expensive hi-def set is determined by a bunch of fuzzy math. Quoting: 'In fact, there's no real regulation over high-definition picture quality at all — "none whatsoever," one industry consultant told me. And that's part of the reason why different HD stations often have wildly varying levels of picture quality that change from one moment to the next. Behind the scenes, content producers, broadcasters and cable and satellite providers are engaged in a constant tug-of-war over bandwidth and video quality, with no hard metrics to even define what looks acceptable. Even officials at HBO, where Generation Kill looks pretty fantastic on my TV, bemoaned the lack of a silver bullet ... for now.'"
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FIOS Baby (Score:5, Interesting)
Re:FIOS Baby (Score:5, Informative)
Does the FIOS signal look good? I haven't made the plunge into HDTV because whenever I watch a game at a place with HDTV, the grass looks like it's liquid from all the digital artifacts - presumably over compression by the cable company?
Anyway, I have a relatively high-end standard TV and a converter box, and the picture looks almost as good (though not as big!).
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Re:FIOS Baby (Score:5, Interesting)
The incentives are wrong; the problem with digital is that it costs the operator almost nothing to add more channels by dropping the overall per-channel bitrate. At least with broadcast TV the channel allocations are pre-defined so there is a little more of a bar (but like TFA says there is still funny stuff going on behind the station).
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Re:FIOS Baby (Score:4, Informative)
FiOS' HD quality is on par with the OTA feed, well to my eye it is. I don't think they have issues with compression because I don't think they compress the signal anymore than it already is when it leaves the broadcast company.
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Re:FIOS Baby (Score:5, Insightful)
1. FIOS is not mandatory for HDTV. But higher bandwidth definitely helps FIOS to deliver better HD content.
2. Grass looked liquid - probably because either the TV was not setup properly OR as the article says, it was subjected to random chopping due to limited bandwidth.
3. You mentioned that your picture looked as good - well, normally I do not buy corporate shit wholesome, but to give a (hopefully) suitable analogy, the real difference between HDTV and standard definition is similar to difference between tape and audio CD (or suddenly realizing you were seeing things with 'defective' eyes and then looking through your prescribed spectacles).
Though I have comcast HD at home, and a lot of HD content is compressed hell out of it, it's still miles better than standard definition and the only reason I still have my cable connection (and before you murder me for having Comcast, I do not have a choice unless I go dish, and I can not do that).
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No he's not confusing things (Score:5, Interesting)
He's not confusing anything, he replied to this post [slashdot.org] where the poster praised his own FIOS.
I love FIOS for my Internet, and it's HD looks great (my neighbor uses them for TV), but at least here in Pittsburgh they required that you use the Actiontec routers that they provide if you want to use them for TV. That's a non starter for me. I tried their router when they provisioned my Internet. It's utter crap. Until they let me use the hardware of my choice for routing I won't be using them for TV service.
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Satellite HD (Score:4, Informative)
When you say "I watch a game at a place with HDTV" do you mean something like a bar? Those places were probably the first in their area to offer HDTV, so their connection is probably satellite. I think satellite has the most incentive to compress the "HD" signal to hell, though cable isn't far behind.
I have a 32-inch HDTV plus Comcast cable and the image is dramatically better than standard definition, especially with good feeds like sports on major networks or movies on HBO HD. Lower tier channels like TBS HD and History HD don't look so great.
The other advantage of HD is being able to watch all the 16:9 programming without letterboxing or cropping.
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Re:FIOS Baby (Score:5, Insightful)
The only thing that I can offer them to pry from my cold dead fingers is Verison DSL which is currently have 14 kbps of upload speed (just measured at speedtest.net), because there is nothing else to pry in our corrupted county.
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Re:Corrupted how? (Score:5, Insightful)
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Re:Corrupted how? (Score:5, Insightful)
That's true! Exactly right! In fact, I think I'm going to set up a competing broadcast TV and cable network!.
Oh, wait. It turns out over-the-air bandwidth is incredibly expensive and there's none for sale at the moment. Still, I can set up a cable network. Oh, I can't get a permit to dig up all the roads in a municipality to lay cable?
TV distribution companies have a government-granted monopoly because some forms of last-mile bandwidth are scarce resources (broadcast transmissions) and some cause disruption to everyone if they are installed (cables). Satellite is an exception, but the cost of entry into this market is huge. It is in the public interest not to have streets dug up all the time, so the (typically local) government enforces this. It is then not in the public interest for the resulting monopoly to be unregulated.
There is one alternative, which is communal ownership of the last-mile pipes. When you build a house, you buy the cable from your house to the nearest exchange, and a share in this exchange. You pay a cooperative to operate it, and they sell bandwidth to TV companies and so on. I don't know if anyone has implemented this in the real world, although there were plans to in Utah a few years back (they seemed to have stalled when I visited though).
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What's that smell? (Score:5, Insightful)
Smells like a convenient excuse for the likes of Comcast and Verizon to use in an attempt to get the public on their side of the net neutrality debate.
"If you don't let us manage the network bandwidth, you'll be doomed to watching fuzzy video on your expensive HDTV!!!!"
Re:What's that smell? (Score:5, Interesting)
Nah, it has nothing to do with that. It is all about getting people to chuck their dvd's in the bin and buy the same content, yet again, in another format. Unfortunately, at the moment, most people are watching DVD's on their Hi definition TV and noting that the picture quality of Hi definition broadcasts is very often no better and often even worse quality than their DVDs.
So the publishing companies are really pissed, they were seriously expecting everyone to chuck their DVDs in the bin and buy the new higher priced hi definition content (most of which would be no better than the dvds it is meant to replace), all they had to do was jam enough B$ advertising into the gullible publics minds and they would mindlessly go forth and buy, buy, buy ;D.
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HD channels w/ no HD programming (Score:5, Interesting)
Not exactly the same but my current gripe with my satellite provider (DirecTV) is that I bought one of their HD channel packages, and a number of the channels that are listed as HD channels never actually have any HD programs on them. They're all standard def. The Disney channel, for instance is listed as a high def channel, but I've never seen a single high-def program on it (I even surfed the channel guide through several days to see if anything ever did).
Total fraudulent BS...
I'd drop 'em like a hot potato tomorrow but the wife is addicted to the crap that comes on there...
*sigh*
Re:HD channels w/ no HD programming (Score:5, Insightful)
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Re: (Score:3, Insightful)
Even that could be rigged. They could rebroadcast content or permit 'on demand' downloading and say, hey look, you have HD content available 24 hours a day 7 days a week on 20 channels!
Except it's a half hour or hour long show on each channel that was shown once in the week and is available on demand thereafter.
Re:HD channels w/ no HD programming (Score:4, Informative)
On Disney about 10 shows (~6 hours per day) are 720p right now.
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It's the channels not DirecTV that is doing that.. (Score:4, Informative)
It's the channels not DirecTV that is doing that and some time the channels run HD lite / SD wide on them / sd upped to HD. Also some stuff mostly local stuff is in HD but does not have the HD ICON.
Some of the directv on demand is in SD, WIDE SCREEN and HD.
Go to scifi hd right now stargate atlantis is in HD.
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Re:It's the channels not DirecTV that is doing tha (Score:4, Interesting)
Still better than the channels that stretch a 4:3 picture to 16:9, though. Especially if it was originally letterboxed. I'm looking at you, History Channel. Airing actual 4:3 content letterboxed is probably the best (IMO) way to handle it. Zooming the picture in a bit (but not to fill up a 16:9 screen) like the Discovery networks isn't bad either.
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Re:HD channels w/ no HD programming (Score:5, Insightful)
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Same thing with standard def (Score:5, Interesting)
In the early days of HDTV research, test viewers were shown three different televisions: a normal standard def (analog) picture; a standard def picture directly from the digital studio master, produced and delivered to normal high-end studio standards; and a high-definition picture (shot and edited in high definition). Everyone thought the analog standard def was the worst of the three - but most consumers thought there was little, or no, difference between the professional standard def and the HD pictures. So - in actual blind testing - how cleanly the picture was delivered was much more important than picture resolution.
Re:Same thing with standard def (Score:4, Insightful)
oh and i have a 70 inch 1080p TV so i know what it looks like on a large screen. 1080p is nice, but it's not essential.
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Re:Same thing with standard def (Score:5, Informative)
Personally, I think we're due for at least a full year of international loss of all electricity.
And billions would die. Because we'd lose medical equipment, refrigeration (think storing vaccines) the ability to transport and store food, pure water, clean sanitation....... the list goes on.
At this stage in the game humanity/electricity are tied so closely that our species actually requires it to survive.
Electricity is more than just your xbox.
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Re:Same thing with standard def (Score:5, Funny)
A related example: I have a friend that bought a HUGE 1080p HDTV. He loved to talk about how great things looked on it. He bragged one day about how great a certain nature show looked on his TV -- until I pointed out to him that it was a 4:3 show that the TV was stretching to 16:9. He never would have known if I hadn't told him.
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Not the same thing. (Score:5, Informative)
Bandwidth is not the same thing as picture quality. An uncompressed image requires more bandwidth than a losslessly-compressed image, even though (since the compression is lossless) the two are identical to the users. As others have noted, standard television had no fixed definition standard. Indeed, many 70s and 80s television productions in the UK mixed film and video in the same program, resulting in wildly-varying standards for sound and picture. (I suggest watching any Blake's 7 episode on YouTube that includes outdoor scenes. Even though that is massacring the image further, you can still tell which scenes were recorded on which medium.)
I -can- see some value in defining minimum standards - new programs recorded with the explicit intent of ending up on HDTV should be recorded at resolutions well in excess of 525 lines (US) or 625 lines (UK). Lossy compression (such as MPEG2) should not be used with a compression so great that artifacts reduce meaningful resolution to 525/625 or less. In the case of pre-HDTV material, that means that you should be on very nearly zero loss. (Ok, old 425 line pictures from the UK are obviously going to be less than that, but those pictures should be interpolated and - if necessary - hand-edited to look as if above the 625 line resolution. Hell, the BBC has not only hand-edited but then hand-colourized as well, so they clearly have the means and the manpower.)
Interpolation has to be done anyway, as the stupid fools didn't use a HDTV resolution that could be divided into any of the pre-existing resolutions (US, UK and Japan all used different resolutions). The sensible HDTV resolution would be the one that required the least interpolation by any - since existing material will dominate for a long time - that also met or exceeded what was desired in an HDTV format (since you want it relatively future-proof). Since, as a rule, you want a higher quality picture rather than a wider camera angle, you might even be better off by having the TV smart enough to merge/interpolate pixels as necessary, and transmit at whatever technology permits, defining resolution as minimum camera angle that can be differentiated by a display.
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I completely agree (Score:5, Insightful)
Secondary channels should be banned. The local NBC affiliate runs a weather channel on their .2 and it their image quality is very poor next to the local CBS affiliate (CBS bans secondary channels). And woe to me if I try to watch the .2-.5 channels on PBS. Even in SD they are block city.
I disagree Generation Kill looks good. I watched the first episode on HBOW, which is an H.264 channel on DirecTV. And it had significant blocking. The 2nd episode looked better, but still, I am spoiled by BluRay. It's worlds better, and no cable or satellite system which only allocates a few mbits is doing to ever match it. That includes U-Verse.
I'm watching "The Professionals" on BluRay right now, and the video bandwidth along is over 27mbits, even in scenes where almost nothing moves. On pans it goes over 30mbits. And this isn't even one of the best looking movies. And this 27mbits is with H.264 video (AVC). 8-10mbit H.264 (let along MPEG-2) doesn't stand a chance.
Broadcast companies (and cable systems) will keep removing bandwidth until their "HDTV" looks even worse than it already does. They advertise quantity (100 channels!), quality is rarely even mentioned.
Re:I completely agree (Score:5, Insightful)
I completely disagree -- each company should get to decide how to allocate their bandwidth. I would prefer to have two channels of good content instead of a single channel, and I'll bet that most consumers would agree with me. There's a reason why they advertise quantity instead of quality -- it's what people actually care about.
Of course, there's a point where most people DO care about quality -- stuffing 15 sub-channels into a 19 Mbps broadcast channel is going to piss people off -- but you probably aren't going to hit that point with just 2-3 channels.
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Re:I completely agree (Score:5, Interesting)
"I would prefer to have two channels of good content instead of a single channel..."
But they have HUNDREDS of channels, and probably only enough decent content for a fraction of those channels. This looks like the MHz wars all over again.
Cable guy 1:"We have a ZILLION channels!"
Cable guy 2:"Oh, yeah, we a GAZILLION channels!!!!"
Consumer (flipping through a bazillion channels): "Shit. Nothing good on tv tonight."
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Re:I completely agree (Score:5, Insightful)
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typical (Score:5, Insightful)
I professionally install home theater systems, and most of our customers are very happy with the end result. I get what this article is going for (not that I read it, or anything), and I wish it could be better, but unfortunately the world of business never comes up with anything that is perfect... because to develop perfect tech would cost infinite money, which would significantly cut into profits.
take any technology standard and leave it to a bunch of linux geeks (myself included) to pick it apart and point out the flaws. sometimes I think our time could be better spent designing something better, rather than badmouthing that which already exists.
OTOH it is kind of fun to bitch, so I am torn...
Re:typical (Score:5, Insightful)
I professionally install home theater systems, and most of our customers are very happy with the end result.
Anyone who spends several grand on the latest and greatest is going to like it regardless of any actual improvements or (more likely) disappointments.
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Re:typical (Score:5, Insightful)
In my area, HD channels really did look much improved, like your customers find. But over time, the cable company (Comcast) has decided to increase the compression on some channels (lowering their bitrate) so they can squeeze more channels in their bandwidth. So HD quality *has* degraded here, not through any fault of the HD technology, but through the choices that the cable company has made.
If your local pizza company sells you melted plastic because it's cheaper than cheese, do you just say "oh don't bitch about it, a good pizza would cost too much"?
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Re:typical (Score:5, Insightful)
I did have a local pizza place sell me some "ham & pineapple" pizza using crushed pineapple and TVP [wikipedia.org]. I even confronted the manager about it, and the idiot claimed that they ran the ham through a meat grinder before putting it on the pizza.
So much for trying to support a small-town non-chain business operated by one of my neighbors. I ordered the next pizza from Pizza hut, and at least they delivered with some real Canadian Bacon.
As far as the HD channels are concerned and their bandwidth, I hope this doesn't turn into the digital equivalent of the shrinking toilet paper rolls.... where those manufacturers keep making gradually smaller and smaller rolls with less paper (but selling it at the same price), only to come out with a "double roll" at a higher price that had the same amount of paper as the rolls you bought about two years ago.
Mark my words.... these cable companies are going to start a promo (at of course a higher plan rate) that offers "enhanced resolution" of these channels for an improved picture that was just like you experienced when you first signed up for HD channels.
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Caveat Emptor, baby ... (Score:3, Interesting)
It's so true (Score:4, Informative)
My wife works at the cable company and I continuly complain to her about the lack of HD channels and picture quility (although not too bad really on my XBR5). Accourding to her, most providers are in a bind because they either have to lease more lines or run new cable to get more bandwidth, which both are expensive. Plus, the demand for HD subscribers isn't has high as the media or TV manufactors make it out to be either. Yes it's growing, but not everyone has a set yet. Color TV yes, but not HD. Lets not forget the cost to provide those channels are expensive to boot! It's not as profitable for some HD providers as you think. Why do bigger cities always have the latest and greatest?...because of the population.
I could go on on about this, but really it comes down to cost and how much they want to pass on to the customer...So they cut corners...
Is it wrong? Yes..Are they working on it? Yes, companies just need to get passed the 1950's infrastructure were still using...ugh...
Simple solution (Score:5, Interesting)
When the carrier (cable or satellite) changes the program material provided to them in any way, they need to make their editorial changes clear to the viewer.
To the following message:
This program has been modified for content, time allocated and to fit your screen.
They need to add:
This program has been reduced in resolution to fit on our cheap cable system.
Blame the FCC / ATSC for requiring Mpeg2 only (Score:4, Informative)
The FCC mandated that the HD video be encoded in Mpeg2 only; never planning ahead using Moore's law and allowing different formats, such as Mpeg4! Had they allowed Mpeg4, several HD channels could have been fit into the 19Mb/s channel bandwidth, along with other SD channels as well.
Re:Blame the FCC / ATSC for requiring Mpeg2 only (Score:4, Interesting)
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Re:Blame the FCC / ATSC for requiring Mpeg2 only (Score:5, Interesting)
MPEG-4 is hardly the outstanding standard as you claim it to be. Certainly there have been some slightly improved compression standards, but it came at a cost too.... and some pretty tough lossy compression that doesn't always work as well.
To me, the killer problem with MPEG-4 is the licensing issues where trying to implement anything using that standard (including distributing content!) is covered under so many patents and licensing loopholes that you need a full-time legal team just to make sure you haven't screwed up. For this reason alone, I would strongly discourage anybody from using MPEG-4 except for something of an application that either explicitly requires the standard (by customer specification where you've talked them out of it and they refuse to budge) or for some internal application that can take advantage of the standards.
I would urge any open source project even thinking about MPEG-4 to treat the spec document like some sort of radioactive material and to stay completely away from it at all cost! It isn't worth your time to even investigate. MPEG-1 has at least had almost all of the patents expire due to its age, and MPEG-2 is getting up there in age that it won't be the end of the world either.
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Re:Blame the FCC / ATSC for requiring Mpeg2 only (Score:4, Informative)
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I don't know about advertising in America, (Score:3, Interesting)
As a consumer, I'm not seeing a whole lot of reason to cough up for pay TV. It's just easier to download high definition video and watch it on my computer. And even at lower resolutions, the image quality on my small (compared to my TV) computer screen is higher anyway, thanks to the size of the pixels.
I have to think market pressure will standardize (Score:3, Interesting)
Hopefully, up.
Among our broadcast local new shows, it looks like ABC sends out the analog camera feed, CBS is prettier but 4:3. Only NBC is 16:9 and what people really look for in HD. Public TV's subchannels are a range unto themselves. So, yeah. Hell of a difference. Not to mention the remote cams, commercials, weather cams, archival footage, etc.
Instead of writing letters, our state fair is coming up. As the announcers are waiting to sign autographs for the kids, I'm going to make a point of passing by and saying, "When will your station follow NBC's lead in HD?"
WHA? (Score:5, Interesting)
"HD stations often have wildly varying levels of picture quality that change from one moment to the next"
Huh? You mean Stargate Atlantis is being broadcast on changing resolutions in midstream?
No, not exactly, I bet.
I've seen pleny of my best friend's 52" LCD, and HD can be very very nice. DiscoveryHD is probably the best on a consistent basis, and he uses DirecTV. But the problems are multiple and frustrating. Typical programming, for instance:
A 720i or 1080i program looks pretty good. Then it goes to commercial, which is probably 480i. Pillarboxing ensues. Icky, but at least the aspec ratio is accurate. I see a lot of this on ABC network programming - especially sports, when they do studio shots of the taking heads. Sometimes the local ad slot goes out in SD, and looks pretty crappy. But hey, some affiliates are actually incompetent, or are carrying ads that were not rescanned - you know, used car lots can be cheap advertisers.
Sometimes, you see something in HD that is fairly sharp, like a recent movie that is upconverted. Then you get a dark, still scene. The background degenerates into a flat matte. When the characters move, you see a few artifacts and blocking. Woopsie, somebody doesn't have enough TV for this. I've seen the same DVD scene on three TVs, and made note of the scene change. On the 52" Sony LCD Proj set, it blocked a bit, consistently. On the Sharp Aquos 37" LCD, no blocking. On the 13" SDTV, the DVD player fritzed out and blacked for about 5 frames I think. On my. Those terrible artifacts may not be the signal. Your set may have a hard time decoding and displaying some uniquely challenging data. This is not new - I have a CD of a symphony that has a passage that is rarely decoded cleanly by any player but the very best. Not the mostg expensive, but the best. And I have another that cannot be played back cleanly by my MiniDisc player/recorder - it has a clearly heard problem with the program material. This should be a rare occurence, even unique to 2 or 3 incidents in your entire collection. But it isn't that unique with HDTV. Sometimes the motion-control stuff or enhancements just don't do very well. I'm not complaining much though.
The "picture quality that change(s) from one moment to the next" complaint is probably more like the pictue quality is in fact changing, cause we have differing program sources. In NTSC, this was evident in the difference between a movie scan, direct-to-tape programming (many soaps are like this), and live (the Today Show, for instance). It didn;t matter much, just cause nothing really looked so much better or worse in NTSC. Of course, those old commercials on U-Matic sure looked awful, but then they got enhanced just as HD got started up. Ick.
My biggest complaint is 'digital TV'. Like digital cable. Pus. So compressed, the solarizaiton is off the scale. MPEG compression making the field in a soccer game into a flat green painting. Whip pans end up smaearing everything. The ball gets lost if it and the camera are moving wrong. Movies like the Batman series, that are dark, become shades of brown, indecipherable. I haven't see Fahrenheit 451, but I wonder how that looks. Some of the white scenes must be precious indeed.
Then there's the whole SD-stretching thing. I loathe this. When even Callista Flockhart looks a little pudgy, you know that stretching SD to fill the screen is really wrong. But most everyone configures their HDTV to do this. So it looks like crap, so what? I paid for that screen, and I'm gonna use all of it.
We are on the verge of seeing Televison move to the Internet. Your TV will have enough horsepower to decode most anything, and new codecs will be coming fast and furious. FIOS and YouTube melded into ipTV, and sold by the minute if they can figure out how. Or blended with ads that can't be skipped or ignored. Recording flag? Not necessary. A simple DRM scheme makes it impossible to divert the stream to a capture device. Unless, of course, an op
Re:WHA? (Score:5, Informative)
No, it has changing quality, not resolution. They can dynamically adjust how compressed the program is from one second to another. It's still 1080i, just more or less blocky.
Parent
There's another wrinkle (Score:4, Interesting)
A local TV station had been broadcasting in "HD" for several years and promoted the hell out of it. Indeed, they sent out a widescreen picture, and my HDTV reported it as being "1080i".
However, the dirty little secret was that all of their cameras were 480p; they were upconverting it to 1080i right before they sent it out the door. Sure, when you watched network programming it was real HD, but all of the local newscasts were really standard-definition despite their claims to the contrary. An experienced HDTV viewer could easily see the difference, but most people had no idea.
See I have HD! (Score:3, Insightful)
They only care that their knob is calibrated up to 11.
Re:ehh.. (Score:5, Funny)
I don't think cartoon network needs full bandwith just so it can show powerpuff girls in full 1080p
I disagree.
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Re: (Score:3, Funny)
Let me explain to you how this works: you see, the corporations finance HDTV, and then HDTV goes out... and the corporations sit there in their... in their corporation buildings, and... and, and see, they're all corporation-y... and they make money.
Re:More Regulation? (Score:5, Interesting)
Given that standard definition TV was supposed to be phased out long before now, it's pretty clear that the broadcasters can't be arsed to come up with their own standards. That, ladies and germs, is how we end up with government mandates to get our circuses at eye-popping resolution.
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Re:Some important questions... (Score:4, Insightful)
2. As the article states, the compression ratio is all over the place, but tops out at 12-15Mbps (depending on which HD standard is being sent). It will almost certainly be lower. And that's the entire point of the article.
3. No idea.
4. Uncompressed HD video takes roughly one gigabit per second (as stated in article). That's roughly 52 channels worth of bandwidth.
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Re:Some important questions... (Score:5, Informative)
The uncompressed HD signals flying around in a TV truck or control room are 1.5 gbps. Blu-Ray compresses that down to 36 mbps or so using an MPEG-4 class codec.
2. What is the standard compression rate for cable HD video? eg. What I can expect from Time Warner.
Last I saw, the industry standard was to fit 3 MPEG-2 HD channels into each 38 mbps cable channel.
3. What does Apple and Netflix (if they have a service) think they can get away with? eg. What they'll stream to me when I buy/rent something from their movie service. Netflix streams in Standard Def. ABC streams 720p from their web site at 2 mbps using H.264 and it looks pretty good. At least the quality of OTA HD (which is MPEG-2). 4. What is the bit rate or internet throughput required to stream true uncompromised HD video? I ask this, because I am in doubt as to whether most cable and DSL connections are even fast enough. Again, HD-SDI (the professional uncompressed video standard) is 1.5 gbps. One video signal requires its own coaxial cable and has a maximum run length of 300 feet. The dirty little secret, however, is that once the signal leaves the production truck, it's MPEG-2 up to the satellite (36 mbps max) or over fiber (typically 100-200 mbits, but only available from select venues) to the network's master control.
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