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NSync Copy Protected CD 577

admiral2001 writes "This article from NewScientist.com details the most mass market venture into copy protected CDs. Namely, NSync's new CD will be released in a least 3 different versions (with different copy protection techniques). Also, one of the types has (small) labelling saying that the CD cannot be played on computers."
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NSync Copy Protected CD

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  • Hm.. (Score:5, Interesting)

    by Xerithane ( 13482 ) <xerithane.nerdfarm@org> on Tuesday October 02, 2001 @04:59PM (#2380142) Homepage Journal
    Well, the obvious result is to flag this as a big joke. We all know no one really wants to listen to them around here.


    The thing is, this is probably just a sample. The thing to look out for is all the 14 year old girls who never play their CDs in their computers but the CD player their parents bought them for their birthday.


    It'll look like a tremendous success. "Oh look! No one cares that this CD came out unsupported on computers, lets mass market!".


    Next, you'll have your favorite RIAA-signed musician being forced into the same distribution plan..


    Now, go talk to your little sister about how she's going to have to go with out her poppy boy band shit for a while.

  • Idiots (Score:2, Interesting)

    by SlamboS ( 129106 ) <alambos@umich.edu> on Tuesday October 02, 2001 @05:00PM (#2380149)
    I think they are just ASKING for their songs to be put all over the internet. If it can be played, it can be ripped. Makes me want to download the entire CD and share it on a p2p network just so that cd will be the most copied cd ever!
  • Ya know what sucks.. (Score:4, Interesting)

    by Nate Fox ( 1271 ) on Tuesday October 02, 2001 @05:06PM (#2380170)
    It just dawned on me, even tho its more than blatent: I cant make copies of these CDs! Not for pirating, not for making MP3s (for myself only), but for the sheer fact of having backups. After losing my CD collection to theft and losing some CDs to wear/tear/scratching, I started making backups of all my cds, and only playing the backups. My plan has proved itself, cause I just had all my CDs stolen once again, but this time, aside from the $5 loss of the carrying case, and the $10 pack of 50 CD-Rs, I'll be back to playin my tunes as soon as I find time to burn.

    /me hops on the bandwagon to stop this movement.
  • by gosand ( 234100 ) on Tuesday October 02, 2001 @05:08PM (#2380177)
    Apart from the fact that this doesn't affect me, why would they do this to one of the largest selling acts out there? Don't they have the largest selling album over a single weekend? If anything, N'Sync is a testament to the fact that even though there are rippers and downloaders out there, people will still buy CDs from stores.

    But if you are going to do a market study on a group, I guess you would want to test it out on one of the biggest selling groups out there.

    Let's hope that it crashes and burns, and people, including parents, get up in arms about it.

    Michael

    Fight the Monopoly [cafepress.com] and the Evil. [cafepress.com]. More at Poundingsand.com [poundingsand.com]

  • by cmowire ( 254489 ) on Tuesday October 02, 2001 @05:12PM (#2380211) Homepage
    Quick.. Everybody steal a page from Scientology!

    Everybody buy a copy of the CD. And then return it a few days later, complaining that it doesn't work on your computer or CD player. Go to another store, rinse, repeat.

    If enough people did this a few times, all of the sudden, the return rate would be abnormally high on the CD. All of the sudden, the record industry would see this as troublesome and reconsider copy protected CDs.
  • Re:Potential Problem (Score:3, Interesting)

    by FatRatBastard ( 7583 ) on Tuesday October 02, 2001 @05:15PM (#2380229) Homepage
    Look, NSync is about a million times more popular than that first case that got posted here a couple of weeks back. (See? I can't even remember the name of that artist.)

    Actually, I believe it *was* NSync from the first article. The band was actually unnamed at the time (the article just said that over 100K albums had been shipped) and a lot of /.ers (including myself... self congratulatory pat on the back) guessed NSync since their album had been released a few weeks before hand.

    So, since the album has been on the shelves for a while has anyone fired up Gnutella and checked for MP3s to see if how successful they were?

  • mac users good? (Score:4, Interesting)

    by customs ( 236182 ) on Tuesday October 02, 2001 @05:17PM (#2380241)
    any idea why mac users have been succesful in ripping the disc while windows users have not? other OS's could do it, maybe?

    /adam
  • Copy Protected CDs (Score:4, Interesting)

    by mikers ( 137971 ) on Tuesday October 02, 2001 @05:17PM (#2380242)
    More troubling is that Vivendi Universal is converting ALL of their music released on CD to protected formats.

    It is just a matter of time before everything you buy will not play on computers. You will have to rip a disc using the line-in on your soundcard from a regular CD player, break up the tracks and then MP3 them. It won't stop trading, it will slow it down.

    I think what might turn this around is... If at least one large music publisher converts all their offerings to CD protection - suddenly that may affect a lot of people (who listen to music on computers) and the number of returns (lost sales) may sky rocket. Consumers may get upset and this will probably cause CD sales in total to tumble maybe an additional 5% or so. Remember that Vivendi et al. are upset because the market dropped 5% over the last year.

    I can also see at least one lawsuit (perhaps class action) if they piss off enough people. And if they convert all their offerings - they will piss off a lot of people. Sign me up for the class action when it happens.

    It is also worth noting that many people who don't read slashdot have cd burners now - even those not computer literate. This will surely piss them off too. Not to mention that the question "Why can't I make a mix cd from cds I bought?" will come up VERY often, and be difficult to answer.

    There will be backlash if a critical mass of CDs are copy-protected. I'm really interested to see the fallout. Remember, the consumer is king... And this sort of copy protection is definately "pissing on the king's cornflakes".

  • by M_Talon ( 135587 ) on Tuesday October 02, 2001 @05:20PM (#2380266) Homepage
    At the risk of being redundant, someone needs to mod up one of the mentions about the UK version not having copy protection at all. How in the blue blazes is that supposed to prove anything at all? Here's the scenario:

    I live in US, and I buy the CD. *shudder...just remember it's hypothetical* I try to rip it, I fail. I go to the p2p and download the entire CD. I then promptly burn that and distribute to all my friends who want the CD to play on their computers. I also distribute the mp3's to those who want them for their MP3 players.

    This experiment will only prove how far people will go to circumvent copy protection, not how well the protection works. In a worst case scenario, the artists *shudder again* lose money because people quit buying the copy protected CDs and instead get unprotected copies from their friends.

    Once again, RIAA, wrong answer. To quote Anne Robinson, you are the weakest link, goodbye.
  • by philipdl71 ( 160261 ) <slashdot.yhbt@com> on Tuesday October 02, 2001 @05:20PM (#2380271) Homepage
    If the record companies don't listen to people when they say that they want to be able to play the cd anywhere and rip from it that's fine by me. They are just digging their holes deeper.


    If you enjoy ripping cd's like I do why would you even buy cd's if you can't rip them? In other words, if you don't agree with the technology in place to prevent your fair use of the media simply don't acquire the media in the first place. In short, boycott.

  • Re:Pool (Score:4, Interesting)

    by tchuladdiass ( 174342 ) on Tuesday October 02, 2001 @05:22PM (#2380279) Homepage
    From what it seems, there's a bit more to it than this. I would immagine that each version of the cd has a different watermark on it. They know that it is still gonna be ripped & coppied, they just want to find out which protection scheme is gonna be broken by the most people. The version with the least number of copies out there will be the format the industry settles on.
  • by Yorrike ( 322502 ) on Tuesday October 02, 2001 @05:22PM (#2380281) Journal
    I imagine there'll be plenty of problems with all those 14 year old girls listening to Nsync while they give out their addresses on dodgy IRC channels.

    The real trouble will arise when a decent band, that perhaps a large number of Geeks listen to (say, Korn, Weezer, Groove Amada, or any othe rhalf decent group), start copy protecting thir CDs.

    I have no doubt that someone will find a way around this stuff, look at DVD encryption for example (I know this is different, but the challenge is still there for _some_ hackers)

  • trademark? (Score:4, Interesting)

    by PenguinX ( 18932 ) on Tuesday October 02, 2001 @05:23PM (#2380287) Homepage
    Has anyone thought about the trademark agreement? Doesn't Panasonic own the "COMPACT-DISC" trademark? I think I remember reading somewhere a long time ago that the way you are able to use this trademark is by insuring that everything with the label is playable in all players with the "COMPACT-DISC" trademark on it.

    Any thoughts?

  • Clarity (Score:2, Interesting)

    by eric2hill ( 33085 ) <eric@ i j ack.net> on Tuesday October 02, 2001 @05:25PM (#2380306) Homepage
    I have yet to hear anyone say whether or not these "damaged" CD's sound any different from the originals. Do they sound the same, or does the interpolation leave something to be desired?
  • by aka-ed ( 459608 ) <robt.publicNO@SPAMgmail.com> on Tuesday October 02, 2001 @05:29PM (#2380337) Homepage Journal
    Note that Sony called this a "test."

    Sony is not without its scientists. They know what a "control group" is.

    Guarantee you, they will be able to distinguish among UK, US and German versions; they will be monitoring, tracking and pushing internal reports back and forth on this.

    What we should hope to see is lots of rips from US and Germany, and none from the UK. Send them a message that copy-protection will only make their goods a target for the rip artistes.

  • What I wonder is why nobody ever thinks of going "Hey! To Hell with the RIAA! I'm turning my attention over to Indie!" I see a real correlation here:
    Microsoft/RIAA decides to be bigger assholes than they once were and are now even alienating users/listeners who once supported them. The users/listeners decide that dealing with the BS is too much, and turn their attention over to "alternative" software/music. The users/listeners decide that the alternative is not only less abusive, it's also better! The monopolies crumble as the populous foces their attention on those once deemed unworthy.
    It's a future waiting to happen, but only if you follow.
  • by tempest303 ( 259600 ) <jensknutson@@@yahoo...com> on Tuesday October 02, 2001 @05:39PM (#2380390) Homepage
    From the article:

    But the German version does not even play on a Windows PC meaning users cannot listen to music they have bought... [snip] However, Apple Mac users have succeeded in playing the German disc.

    Eh? Wouldn't this suggest this is defeatable by software, and thus useless? (Mac, Linux, *BSD, BeOs rippers/encoders anyone?) Anyone care to comment on this?

  • Re:Hm.. (Score:3, Interesting)

    by Xerithane ( 13482 ) <xerithane.nerdfarm@org> on Tuesday October 02, 2001 @05:48PM (#2380438) Homepage Journal
    I used to work for an advertising company (writing internal software)... a lot of the marketing guys were actually cool (much more so than the sample) however there were still a significant number that were that stupid. It's not that the marketing people are that stupid.. it's that the CEOs are that stupid. If marketing gets X amount of dollars to produce a new encrypted CD over previous, they'll sell the idea to the C*O's and it happens.


    All they need to prove is that it works.

  • Re:GOOD (Score:3, Interesting)

    by Noxxus ( 259942 ) <noxxus@tripflare.com> on Tuesday October 02, 2001 @05:59PM (#2380519) Homepage
    Anything that will prevent the spread of Nsync's terrible 'music' is a good thing. ;)

    Have you ever thought it might be a conspiracy by the record labels? Think about it, they pick an artist they know the open-source crowd (the people most likely to bitch about CD copy protection) doesn't like and there's no way in hell we'll buy *this* album. Then when nobody complains (because only teenage girls bought it to play in their CD players), the labels run press releases saying, "See it works! The consumers aren't complaining." Then Whan-O! the whole lot of new CDs gets pressed this way and we're fuX0red.
  • Re:trademark? (Score:4, Interesting)

    by AJWM ( 19027 ) on Tuesday October 02, 2001 @06:03PM (#2380541) Homepage
    Very good point.


    But I'm wondering if this (well, the German version) is actually some digital signature that CD copiers and MS Windows is looking for and then disallowing playback (explainable as a Windows bug because it should just disallow copy).


    Consider that Mac users can listen (and copy?) to them.


    A couple of suggested experiments for anyone with one of the unlistenable German discs: plug earphones into the audio jack on the front of your CD-ROM drive -- can you hear anything that way? (That's a direct analog out from a D/A converter built into the drive, bypassing anything the OS does). How about playing/ripping it on Linux?
    Enquiring minds want to know.


    (Oh, BTW, I think it's Philips that owns the Compact Disc trademark, or Philips + Sony)

  • by tshak ( 173364 ) on Tuesday October 02, 2001 @06:07PM (#2380559) Homepage
    There's a great way to boycott it. Buy the CD, and RETURN it, so the number of returns go up. The reason you returned it? It wouldn't play on your computer.
  • Re:GOOD (Score:4, Interesting)

    by die_rollerblader ( 469147 ) on Tuesday October 02, 2001 @06:09PM (#2380569) Homepage
    What you just explained is what most people who do not like this music, do not like about this music.

    It is manufactured, easily digestible, put in a pretty little package and sold by the millions.

    It is what the record companies want you to buy, it is easy for them to sell, especially when it is all over TRL.

    The music is too perfect, there is no soul to it. N*sync has no emotional attachment to the songs because all they did was sing them.

    Sure they look good and arguably can dance and arguably have good voices, but its manufactured, and pushed upon its audience, who buy it because all their friends are going to have it and its all over MTV and popular radio.

    Its the perfect formula.

    The same can be said for mainstream rap and rock, with the exception that some of them, infact, more likely most of them, actually write their own songs. It is still over produced to the point where seeing how much talent these bands don't have in concert is painful.
  • Re:trademark? (Score:2, Interesting)

    by psychonaut ( 65759 ) on Tuesday October 02, 2001 @06:36PM (#2380698)
    Has anyone thought about the trademark agreement? Doesn't Panasonic own the "COMPACT-DISC" trademark? I think I remember reading somewhere a long time ago that the way you are able to use this trademark is by insuring that everything with the label is playable in all players with the "COMPACT-DISC" trademark on it.

    What makes you think the owner of the CD logo trademark won't simply alter their licence agreement so that it covers these copy-protected discs? Panasonic (or whoever owns it) would be missing out on lucrative licencing profits otherwise. Heck, maybe they own a few record labels themselves; then it would certainly be in their best interests to allow use of the logo on protected CDs.

  • by WNight ( 23683 ) on Tuesday October 02, 2001 @06:44PM (#2380759) Homepage
    When you get tired of the game, take the replacement CD and leave. Then return the next day and ask for a refund, with it unopened.
  • All you need to do (Score:5, Interesting)

    by Sycraft-fu ( 314770 ) on Tuesday October 02, 2001 @06:45PM (#2380763)
    is raise enough hell, and they'll take it back. What you do is play stupid. Buy a CD you KNOW to be copy protected, but doesn't have the label. Open it, try to play it in your computer. When it doesn't work take it back and say it's defective. Likely they'll just give you another one. Ok, fine, do the same thing. When it doesn't work bring it back, but this time be in a bad mood about it. If they give you another one, do the same thing but when you bring it back DEMAND to get your money back. If they won't give it to you, demand to speak to the manager. Raise a big fuss.

    Now I know that all this may fail HOWEVER as a failsafe, just make sure you buy the CD using a credit card (not check card). If they refuse to give you your money back, threaten to have the bank stop the charges. That'll usually convince them to fold. If it doesn't, make good on the threat. Leave the CD in the store and walk out. Then, when you get home, call the bank that issued the credit card and ask what you need to do to block a charge. You'll probably need to write a letter explaining the charge you want blocked, and maybe attach a copy of the reciept (so make sure you have it). When you do what they bank wants, they'll stop the charge and bill the merchant. You won't be charged anything.

    Believe me, it won't take a whole lot of this to put a stop to this copy protection. The mamangers of the specific stores will get all pissed off about this and raise a stink to the higher ups. It won't take too long before the root of the problem is traced back to this batch of CDs, and the recording company in question gets yelled at.

  • by 4444444 ( 444444 ) <4444444444444444 ... 444444@lenny.com> on Tuesday October 02, 2001 @06:56PM (#2380859) Homepage
    The thing to look out for is all the 14 year old girls who never play their CDs in their computers but the CD player their parents bought them for their birthday

    I think you don't realize how many 14 year old girls there are that use computers to listen/rip/burn cd's. My 13 year old daughter has a pretty awsome mp3 collection on her imac and ibook. Her portable cd player doesn't get half the use her computers do when it comes to music

  • by Xerithane ( 13482 ) <xerithane.nerdfarm@org> on Tuesday October 02, 2001 @07:27PM (#2381026) Homepage Journal
    I didn't say all of them were.. but a huge portion of them are. Definitely the majority.


    I think it depends mostly on their parents. For instance, you read slashdot, on the nerd side of life. You bought your daughter an imac and an ibook.. she's exposed. What about those kids whose parents bought them a computer but no one aside from the school is there to show them what it is.


    A lot of kids will be upset about this, but I'd venture to guess the majority wont even realize it's there.

  • by Anonymous Coward on Tuesday October 02, 2001 @09:03PM (#2381386)
    It's been stated before, but you're not going to find any manager who will be enforcing that policy on these new restricted CDs. The minimum-wage kids at the cash will encorce it, because that's their job. However, a manager will give you a refund (or at least store credit), because his job is to look out for the bottom line, which means making sure his customers are happy. Simple business: the store loses $20 on that one CD return, but stands lose substantially more than that if the customer makes his next CD purchase somewhere else, or if the customer starts spreading bad word of mouth. All it takes is one lost sale, and they would have been better off giving you the return. When you're dealing with a manger, the promise of repeat business is your strongest bargaining chip.

    Remember, you have the wallet. The manager wants your wallet. That is the foundation of business, and that is all that matters.

    The record labels have changed the rules. The "no returns" policy (which is meant to stop people from buying, copying, and returning CDs) is based on the assumption that any CD will play on any CD player. That is no longer the case. Since there are now other valid reasons to return CDs, old policies cannot be strictly applied. Managers understand this.

    If people start returning defective CDs, these same managers are going to start raising a stink about it too. Their old policy was simple -- now they have to start screening all of their returns to find out which ones are valid (wouldn't play on my equipment) and which ones are not valid (copied and returned.) Make this as big a headache for the companies that sell the CDs as it is for the people buying them. At the very least, they'll have to start putting big "this CD does not play on computers" stickers on every one of these defective CDs.

    If all else fails, try writing a letter to the chain's public relations or customer service department. You'll probably get a gift certificate worth two or three CDs.
  • by iso ( 87585 ) <slash@warpze[ ]info ['ro.' in gap]> on Tuesday October 02, 2001 @09:11PM (#2381421) Homepage
    All it takes is a couple of geeks to make mp3s from the CDs, release it on IRC, and then it's available to everyone.

    No it isn't. Do you realize what a miniscule percentage of the population even knows what IRC is, nevermind how to use it? The vast majority of consumers will never go to these lengths to get free music: it's easier for them just to buy it.

    Also, if an average person sees that you have to go to these kinds of lengths to 'steal' music, they'll question the legality and ethics of it. Do you know how many of the people leeching from Napster didn't know it was illegal? I'm totally serious: I was talking with some kids that had just joined university, back in '99, and they didn't believe me that Napster was illegal. They said things like "if it's illegal, why don't the police shut it down? There's no way this is illegal." Some even thought it was run by the record companies! (OK, people are ignorant and stupid--what else is new?)

    Regardless, if 'stealing' music starts to involve more than three clicks, the vast majority of consumers will just go buy it instead. I belive that this situation is all the RIAA is really striving for.

    - j
  • by ArtDent ( 83554 ) on Tuesday October 02, 2001 @09:50PM (#2381524)
    I've finished testing out the CD, and found absolutely no problems with it.

    I was able to play it (cdplay) and rip it (cdparanoia) using both drives on my Linux box (an IDE CD-ROM drive and a SCSI CD-RW drive).

    I also was able to play it (Windows Media Player) using both drives on my Window box (a DVD-ROM drive and a CD-RW drive, both IDE). I didn't try ripping, since I don't have any appropriate Windows software.
    There were no delays in playing or ripping; cdparanoia didn't report having to do any jitter correction at all.

    This CD was bought in Canada. If it is the same as the American edition, then this is some piddling protection! The New Scientist article claims that "copying using home CD recorders is variable." It would be interesting to have some reports from people with such devices.

    It would also be interesting to hear from some people in Germany about the degree to which the CD is broken there.

    Anyway, I'm quite disappointed -- it looks like I won't be able to buy and return this CD.
  • Re:GOOD (Score:2, Interesting)

    by RAVasquez ( 318309 ) on Tuesday October 02, 2001 @09:58PM (#2381548)
    OTOH, this could very well blow up in the industry's face. If the majority of complaints come from legitimate users rather than from the /. crowd (and that's generally the case with obtrusive copy protection), the high profile of 'NSync guarantees huge coverage of consumer complaints.

    I personally would love to see the labels botch copy protection early, and with maximum embarassment and blowback, before they come up with something that works better.
  • Enhanced CDs (Score:2, Interesting)

    by Steev ( 5372 ) <steve@@@stevedinn...com> on Tuesday October 02, 2001 @10:30PM (#2381616) Homepage
    What's going to happen to the "Enhanced CDs" that many artists were putting out? I'm not qute clear on whether it's just the audio that won't be playable on computers or the data portion as well. In any case, I don't really think it will be long before there exists a program to rip even these CDs.

    But people are not realizing that this is perhaps a blessing in disguise. Thingk about it: If people can't rip NSync CDs, that means no more NSync MP3s on the net! This is fantastic! :)
  • by ahrenritter ( 187622 ) <deinspanjer@gmail.com> on Wednesday October 03, 2001 @01:17AM (#2381989) Homepage
    I have to disagree with this. In most of these large chains now-a-days, the managers you are likely speak with don't care any more about you than the cashier does. I believe they will stick to their old rule and tell you you are just out of luck.

    I dislike sounding this down-trodden, but I do not think things are going to get better on this front. They will keep putting more unreasonable copy protection schemes on these cds, and unless they really goof and make them where they won't play on the millions of cd-players of the millions of teenie-boppers that they actually care about, our ten to twenty thousand complaints won't even make it on the bottom of one of the record producer's action item lists.
  • by mj6798 ( 514047 ) on Wednesday October 03, 2001 @01:41AM (#2382037)
    This is pretty clearly designed to test the effect of different copy protection methods and to see whether labeling hurts sales in the short run.

    Let's hope this CD shows up disproportionately on file sharing services (it's still easy to convert it into MP3 using analog) to drive the message home to the music industry that this kind of effort is pointless. (If you like, you can also run out in protest and buy a few dozen non-copy-protected NSync CDs, but I wouldn't recommend it.)

  • by Anonymous Coward on Wednesday October 03, 2001 @07:27AM (#2382565)

    Actually this whole audio disc protection scheme might have a good side-effect. Now there will be more and more demand for CDR drives that let the user (application) specifiy the actual checksums, ECC, etc. for the data on the disc. This has been an unsolved problem for years already on CDR drives.

    So this violated red book, yellow book, ISO or standard X? So what, user application should be able to specifiy it. This way protected audio discs will be become copyable (read: backup :) again. This would would also make it possible to make self-bootable PlayStation (2) discs.

    This also applies to seeking to any section of the disc, even if the second is beyond what is specified in the TOC of the disc. This again probably violates some standard, but who cares. We need this to break lame CD-ROM (and DreamCast GD-ROM as well) protections.

    Ofcourse you Americans will not be able to (legally) enjoy it because of the lame DCMA, but us Europeans should.

    I make an appeal to everyone to bitch to their CDR drive manufactor for firmware that has the above functionality!

  • by thebigbadme ( 194140 ) on Wednesday October 03, 2001 @08:53AM (#2382765)
    Ever since the initial release, (any copy of Tool: Lateralus, that has the correctly spelled title track) the album has been vandalized with the new copy protection (same as the new puff daddy, M. Jackson, and i guess now N*sync). It's not just pop that has been struck with the plauge,
    Taco Save us.

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