The Years of Rice and Salt 101
The Years of Rice and Salt | |
author | Kim Stanley Robinson |
pages | 670 |
publisher | HarperCollins |
rating | 7.5 |
reviewer | Duncan Lawie |
ISBN | 0553109200 |
summary | What would the world be like without European influence? Very different yet much the same. |
The Years of Rice and Salt is an alternate history, opening at the dawn of what should have been the 14th Christian century. Instead, the Black Death has wiped out the population of Europe, leaving the future open to the trans-Asian cultures of the Old World. Robinson has applied his usual detailed research and rich, convincing narrative to the production of this book, giving the world he creates a lived in and liveable depth. Through this, he has successfully avoided many of the pitfalls of alternate history, growing his work from a common root but not dependent on our branch of history for its survival. This book could have been a rather tedious meditation on the absence of da Vinci, Shakespeare, Hitler and a million others. Instead, it is defined by the presence of Arabic and Chinese civilisations, expanding across the planet and finding $other cultures.
The Years of Rice and Salt covers a period of seven centuries and, in the end, the technology that these rather different occupants of the planet discover seems remarkably similar to what our contemporary world has found. In this, KSR seems to have had a failure of imagination -- he does not, or dares not, find the world too different a place. Perhaps the book would have been tedious to read, or impossible to write, if the world had collapsed into an eternal mediaeval culture. Perhaps a pure golden age ushered in by the avoidance of "Western rapacity" would have produced a story without sufficient conflict or complexity. Perhaps, in the final analysis, human nature is human nature regardless of the cultures which seek to shape it. Of course, this leads to the essential problem of alternate history, something which the book discusses directly - "we don't know if history is sensitive, and for want of a nail a civilisation was lost, or if our mightiest acts are as petals on a flood, or something in between, or both at once."
As the tapestry of its internal history is so convincing, and so little reliant on our own, it can be hard to see what the book actually has to do with us. The characters spend a lot of time in discussion throughout the book's length but as the world reaches into the modern age, it reaches also into self-awareness and the protagonists increasingly become historians and philosophers. Towards the end, the book almost dissolves into the deconstruction of it's own content. This approach seems to be an attempt by the author to give himself an opportunity to comment more directly upon our world. In the final section, the story regains the impetus as a new global culture starts to pull together. This section is written in the future from our perspective and the narrative is more comfortable as Robinson abandons alternate history for the stronger stuff of true science fiction.
In terms of technique, Robinson manages both interesting and admirable approaches, experimenting and further developing his craft as a writer. He maintains a set of central characters across the whole period in question by making use of the idea of reincarnation. This fits nicely with the idea that this is an "Eastern" book rather than a "Western" one whilst avoiding the complications of a generational saga or of writing about totally new characters in each section. It provides the reader with a thread to follow through the ten tales, tying them together in small ways as well as large and allows commentary on the progress of the book and of society. Additionally, each of the ten 'books' which make up this large novel is written in a different style, reflecting the characteristics of the period in which it is set. Even the map which introduces each section is drawn differently.
This new book is vintage KSR - so rich in detail that the experience of his milieu becomes personal. Clearly, a master builder of worlds is at work, thoroughly working his research into the foundations. It also has the fingerprints of ethical and ecological concern, encouraging us to do our best, be of good will and to maintain an upward slope for ourselves, our kind and our world. Robinson's fans will enjoy The Years of Rice and Salt. Other readers may fare better by skipping to the final chapter.
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A challenging and awesome work (Score:3, Interesting)
Most of the challenge comes in the dramatic paradigm this work uses as a premise. I enjoyed the way the book challenged me to view the world from the Eastern philosophies, and the premise to continue to bring back the same characters in each era was truly enjoyable.
If you enjoy history, philosophy or the work of KSR, it's worth the read.
-dk
Edward Said (Score:3, Interesting)
Maybe some other dude publishes 'Occidentalism?' So it's possible to blame the East for the same ills and misunderstanding that Said blames the West for?
More things change, more they stay the same
Re:it's like a jungle sometimes, it makes me wonde (Score:2, Interesting)
sounds great! (Score:1, Interesting)
this kind of writing, and I love rice and salt ('specially with a nice pat of butter...mmmm...), so I was thinking, "this book's for me."
But then I paused.
You see, I do almost all of my reading online these days. I get my news from different [slashdot.org] sites [kuro5hin.org] and even check out the latest fiction in ebook format. I also listen to books on tape.
When you get right down to it, who has the time to read traditional media such as books anymore? In these modern days we are constantly on the go, and books have fallen aside to allow more efficient methods of information distribution to take their place.
With Gutenberg's press [scarboroughrenfest.com], the great oral tradition was left behind. And while we all appreciate its importance, we have moved on. It is time to do the same for printed books.
:(
stuff that annoyed me (Score:2, Interesting)
In the first few chapter the reader was admonished to find out what happens next byu reading the next chapter. Ungghh, how annoying.
Again, from "Red Mars", which I liked, the notion of monotheism as a shepherder idea.Unghh, ok, but does this have to come up in every book?
I found very few of the characters interesting, or related to the sweep of history. In "Red Storm Rising" by Tom Clancy or "Winds of War" by Herman Wouk the author manages to tell a sweeping story where you care about the each part and each character. This book missed that.
All that said, read "Red Mars", you'll probably like it.