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Build Your Own Steadicam 293

John Jorsett writes "Always wanted to film one of those cool 'walking' sequences, where the camera stays rock-steady as you trudge along? Well, so did Johnny Chung Lee, except he didn't want to lay out major cash for a professional Steadicam rig, so he built his own for $14. He further claims you can do it in about 20 minutes if you know what you're doing. What more could a cheap, impatient Spielberg wannabe ask for?"
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Build Your Own Steadicam

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  • by capz loc ( 752940 ) <capzloc.gmail@com> on Friday April 09, 2004 @11:42PM (#8822709)
    I stumbled upon this site about a year ago and, being an ametur filmmaker, decided to give it a try. The parts were cheap and it really was quite easy to put together. But don't expect it to be perfect. It takes a little while to get the feel of it, and even then you won't be getting perfectly steady shots while running quickly. But for the price, it's tough to beat.
  • by Anonymous Coward on Friday April 09, 2004 @11:45PM (#8822727)
    more links and such.

    memepool [memepool.com]
  • by vudufixit ( 581911 ) on Friday April 09, 2004 @11:51PM (#8822749)
    Was Garrett Brown. Moderators: please don't mark as "redundant" since at the time of this posting, no one else has mentioned this.
  • by -kertrats- ( 718219 ) on Friday April 09, 2004 @11:53PM (#8822755) Journal
    Site is already loading slow, in firefox at least, and having half a dozen videos on it isnt exactly intelligent for front-page /. --- $14 Steady-Cam (the poor man's Steadicam®) By Johnny Chung Lee
    Why build a cheap steadycam?
    Steadycams (or camera stabilizers) are attachtments used to capture smooth looking video even when the camera and camera operator are in motion. The camera operator may walk (or even jog), move through tight hallways and doorways, and even climb up and down stairs without shaking the camera. Unfortunately, professional steadycams cost around $1500. Even the cheap 3rd party ones cost $600+. Not exactly a bargain considering many of us use cameras in that price range. So, I decided to make my own version. It turns out, it only costs $14. Not too bad. And I'll show you how to build your own right here (or you may simply buy one from me). Whether you are an aspiring filmmaker, a videographer, the family documentarian, or just want more utility out of your video camera, you'll appreciate a steadycam.

    If you know what you are doing, you can probably built one of these in about 20 minutes. It might take you an hour if you have to read this web page while you do it and aren't very good with tools.

    This steadycam works with anything that has a tripod mount. However, I would not recommend attaching anything heavier than 5-6 pounds (without modification). This is because as camera weight increases, so does the likely hood that sudden movements will restult in physcial damage to the camera base (physics 101: larger mass = higher moment of inertia).
    Tools

    The main tools you'll need to get your hands on are a drill and a stationary vice. It's possible to do it without the vice, but it's far more difficult and potentially dangerous. You can buy a vice for about $15 from Lowes and it's well worth the money if you are going to do any future projects. It's meant to be table mounted, but I just bolted it to a big board that I can stand on while I use it. Mounting it is important. I tried doing this once without mounting it (didn't have spare board at the time) . It was a p-a-i-n.
    You'll need drill and a 1/4" drill bit that can go into galvanized steel. So, cheap wood bits will probably not survive this project. This happens to be a very nice drill in this picture, but any power drill will do.
    You also need a wrench, screwdriver (type depends on the bolts you get), and a hammer. I had a little combo thingy I got from the dollar store. It actually works pretty well because the wrench part is a little bit clawed, so it grips pipes really nicely.
    Parts
    Pipes
    First you'll need three pipes. I like to use 1/2" galvanized steel. It's strong, threaded at the ends, and a comfortable thickness. You can use any length pipes you like, but this project uses three 12" pipes (about $1.50 from Lowes).
    End caps You'll also need three end caps. You can get away with just two, but the last one is used to cover up those nasty sharp threads on the end of the pipes. I've gotten cuts while building these things by accidentally grabbing the threads too hard . These are about 80 cents a piece. Make sure they fit the pipes, 1/2" diameter.

    Tee
    Basic T-joint. Again, make sure it fits the pipes. If Lowes doesn't have this, try Noland plumbing near the downtown mall. About $1.30.


    Weight This is just a simple barbell weight from a sports store. The one shown in the picture is 2.5 pounds, but you can buy any weight you want. But, anything heavier than 5 pounds starts getting too heavy to carry around. Get a weight that has a 1 1/4" diameter hole. These are about $3. Other small parts Here's a break down of what you'll need: A - two 1-1/2" 1/4" machine bolts B - one 1/4" wing nut C - three 1-1/2" diameter flange washers for 1/4" bolts D - three lock washers for 1/4" bolts. E - two 1/4" machine nuts.

    All these together costs about two dollars. You can find these for really cheap at Philips Hardware. Lowes charges
  • by Anonymous Coward on Friday April 09, 2004 @11:57PM (#8822769)
    Saw this in RES magazine last year. Built one in under 30 mintues and with exactly $16 worth of parts. It actually works too, though you do have to practice with it to get good at controling your own body movement. Also, I reccomend making the lower section about 50% longer than the upper section to further even out movement.
  • by dwave ( 701156 ) on Friday April 09, 2004 @11:58PM (#8822771) Homepage
    There you can't post and complain about incomplete coverage. But the link to a site [homebuiltstabilizers.com] about home made stabilizers should have been mentioned.
  • Re:Pretty cool stuff (Score:3, Informative)

    by sakusha ( 441986 ) on Saturday April 10, 2004 @12:00AM (#8822781)
    Yeah, they do make commercial verisons of this. Well, not Sony, but there are plenty of cheapo handheld cantilever camera platforms for sale. They're useful, but not all that useful.

    If you REALLY want to impress people, try building your own camera crane [creativemac.com], bonus geek points for computer motion control.
  • Re:Lego steadicam (Score:3, Informative)

    by Anonymous Coward on Saturday April 10, 2004 @12:07AM (#8822810)
    The smooth rooftop pan from Expiration [imdb.com] was filmed with a motorised base made from Lego.

    Good film btw.

  • by eaglebtc ( 303754 ) * on Saturday April 10, 2004 @12:08AM (#8822811)
    I was able to load the site, and printed a copy to PDF. Download it here! (right-click, save as)

    The $14 Steadycam [yorbamicro.com]
  • Re:Pretty cool stuff (Score:5, Informative)

    by beckett ( 27524 ) on Saturday April 10, 2004 @12:30AM (#8822900) Homepage Journal
    Steadycam does: the Steadycam Jr. [smsprod.com] It even has an external LCD monitor.
  • by capz loc ( 752940 ) <capzloc.gmail@com> on Saturday April 10, 2004 @12:36AM (#8822919)
    You raise a good point, but I will have to repectfully disagree with you. In-camera image stabilization corrects small jitters, like the natural motion of your hand when you are trying to hold the camera steady. This device eliminates the small shakes, so you could concievably use this as a replacement for image stabilization. When you are running while holding a camera, the shakes are much larger than even the most advanced camera stabilization can account for. This type of steadycam can eliminate a good portion of this motion, but in my experience image stabilization does not have the capability to correct the rest.
  • by ElectricPoppy ( 679857 ) on Saturday April 10, 2004 @12:39AM (#8822930)
    In fact, here's a link. [geocities.com]
  • Better Links (Score:5, Informative)

    by Anonymous Coward on Saturday April 10, 2004 @01:00AM (#8822996)
    The 14$ thingy is pure crap...

    if you want some real inspiration check out the following websites:

    http://homebuiltstabilizers.com/
    The original site for all your home built video needs

    http://pub173.ezboard.com/bhomebuiltstabilizers
    Discussion forum full of lots of useful information

    http://www.codydeegan.com/

    Might take a bit more effort, but the results are incredible. Cody's plans are awesome, and I would gladly purchase them again.
  • Not a Steadicam (Score:5, Informative)

    by IcEMaN252 ( 579647 ) on Saturday April 10, 2004 @01:08AM (#8823015) Homepage
    With the exception of the Steadicam JR [steadicam.com], most Steadicams [steadicam.com] have a body harness. That makes them much more stable than using you hand.

    This is really more similiar to a lower end Glidecam [glidecam.com] stabilizer (even this is floating).

    There are also some rather cheap [markertek.com] alternatives out there to make a camcorder smoother.

    Granted this is significantly cheaper to make than these products, but from my experience anything that is handheld doesn't work as well as the bodyrigs. Personally, I'd rather just do it by hand alone.

    You also might want to check out a relatively cheap [markertek.com] jib [glidecam.com] too.
  • by K8Fan ( 37875 ) on Saturday April 10, 2004 @01:15AM (#8823035) Journal

    I saw a documentary about Garrett Brown, and it showed his various prototype stages. The original one looked exactly like this - a length of pipe. The second one was more like a pantograph to try to keep the camera level. Then he added the seperate handle connected to the upright portion wih a gimbal. The rest of the development was on the counter-balance arm and the vest. All of this was necessary because Brown was building these for 35mm film cameras.

    If you're looking to improve this design, the things I'd look at are: a gimbal, so allow the operator to hold the unit more comfortably and lightly, and avoid transferring hand motion to the camera; a sliding mount at the top, to allow the camera's balance to be shifted forward and back to tilt up or down.

    The Steadycam JR Lite [steadicam.com] is a great one to look at. It was designed by the great Frogdesign studio (the NeXT cube). The camera sits on top of a slide, and right on top of the gimbal and handle. The arm is divided into two parts at a 90 degree angle, connected to the slide at 45 degrees. And the whole thing folds up. It's a wonderfully slick design - and obscenely overpriced [bhphotovideo.com].

  • by porkchop_d_clown ( 39923 ) <mwheinz@nOSpAm.me.com> on Saturday April 10, 2004 @01:27AM (#8823063)
    A monopod with a handle isn't a steadycam. Steadycam uses gimbals, springs and a bodymount to basically put a shock absorber between you and the camera.

    All this does is add more weight - which will help you hold your modern teeny-tiny camera steady, but's that's far cry from being able to hold the camera still while you jog up the Art Museum steps.
  • SteadyHand (Score:3, Informative)

    by ziggy_zero ( 462010 ) on Saturday April 10, 2004 @02:37AM (#8823284)
    When I was in high school making short films, I tried building a ghetto steadicam, but found it much easier to not use one and fix the footage in post with some software I found called SteadyHand [dynapel.com], from Dynapel [dynapel.com]. I bought it, but the demo version actually only puts a watermark in a corner, so theoretically you could just crop it out if you wanted to do it that way.

    Nowadays I would probably fix it in combustion, where I'd have more control over it.
  • by Ibanez ( 37490 ) on Saturday April 10, 2004 @02:39AM (#8823291)
    How? I thought you could do ANYTHING with duct tape?

    Some of my friends cling to the notion that the two greatest things in this world are duct tape and Gold Bond.

    Blake
  • Re:Pretty cool stuff (Score:4, Informative)

    by Feztaa ( 633745 ) on Saturday April 10, 2004 @04:08AM (#8823492) Homepage
    explain how this isn't a tripod on wheels with a weight attached?

    Simple: It's not a tripod, and it has no wheels.

    At best, you could call it a monopod, but even then, it's meant to be carried, it doesn't rest on the ground. So I guess it's a nonopod.

    What it really is is a stick with a weight attached. The weight steadies the camera from sudden jerks, simply due to it's own inertia. It still relies on the camera guy to have a fairly steady hand, this just "takes the edge off" of the shakiness, so to speak.
  • How StediCams Work (Score:1, Informative)

    by Anonymous Coward on Saturday April 10, 2004 @04:31AM (#8823532)
    Is not by holding a pipe or the camera when it is strapped to your torso.... I've had the opportunity to try a harness on once when I was on a production filming a museum exhibition for the archives. Anyone who knows that Stedicams are pretty damn heavy and hard to walk in unless you've got a VERY good center of gravity and the upperbody mass and strength to keep yourself steady despite the weight pressing against your back.

    The harness itself is quite interesting. The weight shifts from your hands to your torso and usually the vests will put it all square on your shoulders (not on top, against them) - This is quite a difficult balance to get used to initially. I felt like I couldn't move without falling over.

    That's the fun part... I could use one finger to hold up the camera and move around as much as I wanted to. Even despite knowing how it works and trying one myself, Stedicam equipment still amaze the heck out of me.

    The counterweights can be changed to reflect on the load... and in most cases, as long as you can remain upright with all the weight against your back, it works pretty well. Most of the times for running/high movement shots... a more stripped down version is used. The setup that I tried on myself had a monitor strapped against the weights so that you could look down at the screen to see what you were filming AND look down at the ground to see where you were stepping. A steadicam wipeout isn't pleasant at all.

    The problem with this $14 setup is that you continue to put ALL of the weight on the hands/harms. Stedicams work better, as I said, by putting the weight against your back. The camera itself basically free-floats in the rig. Instant turns, swivels, tilts, pans and etc... it's really quite a trip if you've never tried it yourself. Sort of the idea like how you think everything moves when you hit acid. (Disclaimer: I've never done acid. ;) - But the end result, smooth view movements and changes, are what tech-weenies like myself really giggle with glee over whenever we watch movies.
  • by Anonymous Coward on Saturday April 10, 2004 @06:30AM (#8823834)
    A friend of mine spent about 12 months building this steadicam (http://www.sfinctre.com/baon/Production/Shooting_ Progress/scene_images/2/im000394.jpg/dtViewImag [sfinctre.com]) for a film we have been working on for 3 years. . His steadicam is a bit more sophisticated and features things like low mode (as you can see in the pic) also remote control focus, video sender to remote field monitor, led based level indicators, extra power packs as ballast in the sled. Its designed for vx1000/PD150 sized equipement.

    Works a treat!
  • by ricky-road-flats ( 770129 ) on Saturday April 10, 2004 @08:03AM (#8824005) Homepage
    LotR Peter Jackson's first film, Bad Taste, apart from being completely superb, was done on an extremely low budget. The documentary about it, Good Taste Made Bad Taste [imdb.com], shows a lot of things they had to make themselves, including a steadicam. I'm not sure how little money they actually made it for, but it was bugger all and it was back in 1987.... Don't write people who make their own Steadicams off...
  • by Lumpy ( 12016 ) on Saturday April 10, 2004 @08:57AM (#8824163) Homepage
    I saw it over 2 years ago and ran away from it screaming... it is WAY too heavy for real work.

    the best solution I have ever seen was a monopod modified to have a plastic coated weight at the bottom, it collapses into something that can be carried and is much easier to control plus costs less and weighs less.

    although it is still NOTHING like a real steadicam.. wearing that vest with the spring arm and rest of the gear coupled with a REAL 5 inch LCD monitor mounted on the weight plate... a trained operater can almost run at full speed without motion in the camera... the home brew units can not do anytihng like that.

    Plus I find the vest unit to be more comfortable and can shoot for much longer... having your body support the weight compared to the home built that requires your arms to support everything is significant!
  • by dirtkilla ( 123614 ) on Saturday April 10, 2004 @11:03AM (#8824598)
    Stanley Kubricks interpretation of the King novel "The Shining" was the first major usage of this technology. The Steadicam allowed for those all so eeary follow shots of Danny throughout The Outlook Hotel's expanses. DualityOfTheShining [drummerman.net] *Note: All interior shots in the Outlook are done on a sound stage, amazing.
  • by Lylo ( 770150 ) on Saturday April 10, 2004 @11:21AM (#8824670)
    I just purchased a book titled Killer Camera Rigs that you can build [dvcamerarigs.com]. Besides a stabilizer ("Steadicam") the author also has detailed plans and instructions for cranes, dollies, a car mount, and other rigs, all of which you can build with common tools and inexpensive materials. His stabilizer, for example, has a gimbal mount and is properly balanced, and still costs only about $50 to build.

    As a bonus, he has a great sense of humor...

  • by mr3038 ( 121693 ) on Saturday April 10, 2004 @11:33AM (#8824718)
    ... but a bit uneffective. It's missing a lot of really important parts like a gimbal, for example. Nobody has steady enough arms to hold that stick and not to do any unwanted panning or tilting. Or if you do have such an arm, why are you reading this discussion at all - you don't need a steadicam.

    If you don't care the hours the building takes, then I'd suggest building something like this guy did: a full steadicam-like setup with a vest, two suspension arms, a fully working gimbal and all the stuff this $14 poor man's "steadicam" has [jamesarnett.com]. The costs? About $30, plus 20 hours of work. Sure, it looks ugly but you can't beat the price for the functionality. You'll need stabilizer arms for a stable picture while running or glimbing stairs.

    (As a sidenote, "SteadiCam" is a trademarked term. Wikipedia has more information about steadicams in general [wikipedia.org].)

  • by Anonymous Coward on Saturday April 10, 2004 @12:49PM (#8825062)
    take away the price of a monitor and thats an expensive strip of steel

    That could be said for most things.

    This is actually pretty slick (I've used one).

    You basically hold just the handle with one hand, and control the direction that the camera points with just your thumb and index finger (by rolling the little ball above the handle). Rotating your hand has no effect on the camera direction, so it's easy to raise and lower the camera or turn around without worrying about the angle.

    And the LCD is pretty useful there.
  • by thgreatoz ( 623808 ) on Saturday April 10, 2004 @12:58PM (#8825122)
    a trained operater can almost run at full speed without motion in the camera... the home brew units can not do anytihng like that. His first example video is him sprinting down a hallway around corners, holding the rig with one hand. Looks pretty smooth to me.

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