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JibJab Wins - 'This Land' is Public Domain 628

The Importance of writes "JibJab, creators of the hilarious parody of Woody Guthrie's 'This Land is Your Land' featuring Pres. Bush and Sen. Kerry, were first threatened with a lawsuit and then, with the help of EFF, went to court first in a pre-emptive strike. Well, EFF discovered that the song has actually been in the public domain since 1973 because it was first published in a songbook [PDF] in 1945 and the copyright was never renewed. The case has now been settled. Here are some addtional links."
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JibJab Wins - 'This Land' is Public Domain

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  • How many others.... (Score:5, Interesting)

    by valisk ( 622262 ) * on Wednesday August 25, 2004 @11:19AM (#10068418) Homepage Journal
    Copyrighted works are out there just waiting to be discovered as public domain, but still being used by the unscrupulous to chill the creativity of others?

    Lets hope this case serves as inspiration to others to dig up other gems for the public domain.

  • by Col. Klink (retired) ( 11632 ) on Wednesday August 25, 2004 @11:21AM (#10068454)
    What happens to people who paid royalties since then. Can they sue to get their fees back, or are they SOL?
  • by unformed ( 225214 ) on Wednesday August 25, 2004 @11:27AM (#10068533)
    One that I was surprised is that Night of the Living Dead is in the public domain (as of a few months ago.) Check out archive.org for other ones.
  • by LordGibson ( 104709 ) on Wednesday August 25, 2004 @11:32AM (#10068589) Journal
    While I agree with your argument, I should point out that the Jib Jab piece isn't necessarily parody - it's satire. Satire does not enjoy the same degree of protection as parody.

    I think it wasn't parodying the "This Land" song, it was satirizing the political campaign. One could probably make a case for the reverse - but what do you think is more likely?

    "I think I'll make fun of Dubya and Kerry. This old song could be useful."

    -or-

    "I think I'll make fun of this old song. Dubya and Kerry could be useful."
  • Re:so they didnt win (Score:3, Interesting)

    by Qzukk ( 229616 ) on Wednesday August 25, 2004 @11:34AM (#10068616) Journal
    So, now that its established that these people don't have the copyright to the song after all, will anyone take them to court for their lies in an attempt to obtain money from these JibJab people? Around these parts, we call lying for money "fraud".
  • by jridley ( 9305 ) on Wednesday August 25, 2004 @11:46AM (#10068760)
    Amish teens are given free reign to experiment for some period of time (a few years, I think) before they become adults. If you go to amish country, you can see teens driving the buggy with a boom box blaring next to them, hanging out, etc.

    The amish want their kids to make the choice to follow their ways with full knowledge; they don't want people in their community who feel that they weren't given a choice and would feel resentful.
  • by PsiPsiStar ( 95676 ) on Wednesday August 25, 2004 @11:55AM (#10068844)
    There was an extra verse to the song that wasn't often sung because it was considered 'controversial.'

    While I was walking that ribbon of Highway
    I saw a sign that said "no trespassing"
    but on the other side, that sign said nothing.
    Well, that side was made for you and me.
  • Excellent question! (Score:3, Interesting)

    by Ohreally_factor ( 593551 ) on Wednesday August 25, 2004 @11:55AM (#10068850) Journal
    I believe that the answer is that they will own the rights to their new lyrics, but not the original words and music. Unless they decide to put the new lyrics into the public domain, which would be a cool thing to do, considering.
  • by H0ek ( 86256 ) on Wednesday August 25, 2004 @11:56AM (#10068854) Homepage Journal
    THE MONOPOLY ON MUSIC pays a few po? writers to go screwy trying to write and rewrite the same old notes under the same old formulas and the same old patterns. The songs have no guts. They sound sissified, timid, the spinning dreams of a bunch of neurotic screwballs. How can they be otherwise when they have no connection with the work and the fight of the whole human race? They are bad. They are hurtful, poisonous, complascent, distracting, full of jerky headaches and jangled nerves. I have seen soldiers and sailors on ships sail these insane records over into the water by the dozens. I have heard fighting men in war zones scream and demand that the gibbery radio be shut off or it would be smashed.
    Why did I think of Brittney Spears the entire time I read that paragraph?
  • by XaProf ( 553425 ) on Wednesday August 25, 2004 @11:56AM (#10068863)

    What happens to people who paid royalties since then. Can they sue to get their fees back, or are they SOL?

    Just offhand, as a random law student (I know, I know, IANAL...yet...), they might be able to get some money back through something like unjust enrichment -- on the grounds that they didn't actually get anything when they paid their money. Who knows, maybe a claim of fraud might work too. The problem with that is that unjust enrichment is usually considered an equitable principle, and that means that whoever they paid their money to could argue laches, which is basically the equitable version of a statute of limitations; people who paid money back in the 80's might still be screwed.

    But good luck to whoever sues, since that way we'll finally get a court decision. Litigation's way too expensive these days, and that's impairing the development of the law as a whole.

  • WRONG! (Score:5, Interesting)

    by kajoob ( 62237 ) on Wednesday August 25, 2004 @11:58AM (#10068873)
    Parodies are protected speech, satire is not, that's why there was a lawsuit.

    I don't know where on God's green earth you got that from, but you couldn't be more wrong. Both parody and satire are protected forms of speech. I don't have the cases in front of me, but the New York Times v. Sullivan case, the Hustler v. Fallwell case, et al, bare this out. In fact, when the satire is aimed at a public official, there is a much higher standard that is used in finding whether or not the work was defamatory in nature ("actual malice").

    On a side note, there is a unique case coming up through the Texas courts involving something called "Libel by fiction" (ie - "If what i said is fiction, it's can't be a truth I'm asserted, therefore 'wrong'").

    For the non-legal types, here [cnn.com] is a good CNN article that pretty much somes it up in plain english. Note that the finding of the lower courts in Texas is not the law is the vast majority of jurisdictions, so let's hope that Texas gets this one right at their Supreme Court level.
  • by Anonymous Coward on Wednesday August 25, 2004 @12:13PM (#10069113)
    The difference is that now there is a question as to the enforceability of the copyright. Ludlow agreed to the settlement (no doubt) so that their copyright would not be tested in court (similar to what happened with Microsoft and their 'Windows' trademark vs. Linspire aka Lindows). The practical result is that individuals will not fear using the song or the lyrics for (at least) political commentary. I can't immaging that many companies would want to use the song or lyrics for any business related reason (although it's not out of the question). In any case, the result may be that Ludlow's copyright remains intact but in practice they will never be able to defend it.
  • Re:so they didnt win (Score:3, Interesting)

    by elgaard ( 81259 ) <elgaard@@@agol...dk> on Wednesday August 25, 2004 @12:20PM (#10069224) Homepage
    Maybe those who paid for the song after 1973 want their money back.
  • by M. Silver ( 141590 ) <{ten.xyneohp} {ta} {revlis}> on Wednesday August 25, 2004 @12:39PM (#10069476) Homepage Journal
    The one surprise in the archive.org archives is the lack of real feature films, I mean, how many studios went bust in the 20s, 30s and 40s and did their successors in interest all renew the copyright on their backcatalogues?

    Read Free Culture [free-culture.org] for some interesting bits on this... it doesn't help that stuff is in the public domain if there are no publicly-available copies. The studios were allowed to check their own films out of the Library of Congress, indefinitely and without charge, so there aren't any copies there, so the only remaining copies are dissolving to dust on studio shelves.
  • by Robotech_Master ( 14247 ) * on Wednesday August 25, 2004 @12:58PM (#10069699) Homepage Journal
    ...I've just written a really lengthy entry in my essay journal [terrania.us] going into the whole matter at great length, pulling in quotes and article citations from here and there and discussing the implications.

    Okay, so I'm a self-promoter. But hey, I put some good time and effort into writing it, and I'm proud of my work.
  • by dvdeug ( 5033 ) <dvdeug&email,ro> on Wednesday August 25, 2004 @12:58PM (#10069701)
    Imagine that huh? The most primitive people around actually give their kids choice of their beliefs.

    Or alternately, they keep thier perfect society by dumping their malcontents and mentally ill on us.
  • by WEFUNK ( 471506 ) on Wednesday August 25, 2004 @01:03PM (#10069776) Homepage
    One way copyright goes into force is based on as soon as a work is first published publicly. The EFF found the first published date is 1945. That means in order for the copyright to be extended under the rules which were in effect during the time, Ludlow would have had to file an extension no later than 1973. Renewing in 1984 was 11 years too late, because the song would have automatically passed into the public domain in 1973 and once in the public domain, always in the public domain.

    I never understood why this logic has not been applied (legally at least) to Happy Birthday [fact-index.com] which was music originally published in the 1890's (as "Good Morning to All/You"), had the alternative lyrics published or alluded to a number of times from 1909 onwards, but wasn't copyrighted until 1935 by one of the original authors (who didn't even write the changed lyrics!) and is still under copyright until something like 2030, allowing the current holders to sue the Girl Guides and force restaurants to come up with those silly hand clapping songs.
  • by dan_sdot ( 721837 ) * on Wednesday August 25, 2004 @01:48PM (#10070374)
    There were some other Woody Guthrie songs remade recently too. I think the story is that these were unreleased songs of his that he had not written music to, so Woody's daughter hired Billy Bragg and Wilco to put music to them and sing them.
    They are called Mermaid Avenue (samples [amazon.com], review [pitchforkmedia.com]) and Mermaid Avenue Volume II (samples [amazon.com], review [pitchforkmedia.com])
    They are both pretty good cds, especially volume 1.
    I wonder what the copyright implications were one these, since they were unreleased. Does anyone know? Also, what was his daughter's opinion about the jibjab song?
  • by Anonymous Meoward ( 665631 ) on Wednesday August 25, 2004 @01:53PM (#10070442)

    This code is my code
    This code is your code
    From the application space
    Down to protected mode
    From the install's scripting
    To the linker and loader
    This code was made for you and me

  • by Ignorant Aardvark ( 632408 ) <cydeweys@noSpAm.gmail.com> on Wednesday August 25, 2004 @03:11PM (#10071315) Homepage Journal
    I take it you've never seen Firefly? The concept of that show makes a lot more sense than you realize. If you're colonizing a new planet on limited resources, and you know that resupply ships aren't going to be coming by regularly, which would you want? A tractor (or a futuristic equivalent) that can break down and/or run out of fuel? Or two horses, which can heal if they "break down", and can even breed and make more horses?

    The Amish are doing us a service. They are keeping "old" technology alive that might very well be useful when establishing a colony on a new planet. The Amish have the kept the line of really good draft horses not only alive, but thriving. They're a valuable resource to humanity.
  • by 0x0d0a ( 568518 ) on Wednesday August 25, 2004 @04:03PM (#10071797) Journal
    I'm not surprised you like it, if you like Badnarik.

    The "This Land is Your Land" parody was clearly Libertarian. The most blatant giveaway was the otherwise inexplicable Indian land rights bit, which had nothing to do with the Bush/Kerry debates, and is one of the more ridiculous planks in the Libertarian platform. Other, more subtle Libertarian bits included:

    * The huge crowd of people on each side at the closing (big government, a point that the Libertarians take major issue with)

    * The negative demonstration of ICBMs and aggression in Vietnam -- that's all anti-interventionist, a pretty fundamental part of the Libertarian mindset.
  • by Anonymous Coward on Wednesday August 25, 2004 @05:35PM (#10072639)
    Pull your head out of your first world ass - half the population of the planet lives on less than 2 dollars a day in houses made of dirt and sticks. Horses and other "old" technology aren't going anywhere just because *you* drive to work.
  • by kramer ( 19951 ) on Wednesday August 25, 2004 @07:11PM (#10073459) Homepage
    What about the various people who have previously purchased rights to use the song? If the song's been in the public domain for some 40 years, don't they deserve a refund?

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