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Movies Media Censorship

PG-13 Rating Turns 20 321

Ant writes "CNN has a story about the 20 year anniversary of PG-13 and how it was created/born from two of Steven Spielberg's movies. (Indiana Jones and The Temple of Doom and Gremlins)" Oh, Mola Ram and your heart-removing antics, little did you know the profound impact you would have.
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PG-13 Rating Turns 20

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  • Enforcement... (Score:5, Insightful)

    by Izago909 ( 637084 ) * <.moc.liamg. .ta. .dogsiuat.> on Thursday August 26, 2004 @06:59PM (#10083285)
    I realize the importance of having a rating that differentiates between a kid's movie and one for young adults, but as a non-parent I look on it with contempt. Ever since the R rating begun to be widely enforced, studios have toned down violent films so they can still have a chance at making money from the younger market. For example: I might actually have gone to see the recent Alien vs. Predator film had it been rated R, but since it was PG-13, I decided to wait until I can rent it. Enforcement of the ratings system, and the studios' response to it, has dealt the death blow for true horror/action films, because studios must now focus on making higher quality products for a more discerning audience if they want to make profit and carry the R rating. Instead they choose to neuter their movies and add some more special effects and popular cliché to entice the kids.

    I'm not suggesting that just because a movie is rated PG-13 that it is, by default, a bad movie. What I am suggesting is that continuations of previously successful films, and modern horror/action flicks will never be what we all remember them to be. We will never see truly cheesy and senselessly bloody movies like Evil Dead ever again.

    Also, if anyone hasn't heard of a decent NC-17 movie since Showgirls, this [adirtyshamemovie.com] one looks promising. I saw the trailer for it the other day.
  • by Speare ( 84249 ) on Thursday August 26, 2004 @07:06PM (#10083352) Homepage Journal

    Why is this "knews" piece even relevant? CNN has a pro-MPAA, pro-RIAA, Valenti puff piece every couple days. You don't see a whole lot of well-rounded copyright discourse on the major media news outlets. (Gee, I wonder why...) CNN: We're tough on music fans. We like suing kids and grandmas. We equate infringement with theft. We are fair and balanced, too.

  • Re:Enforcement... (Score:3, Insightful)

    by huchida ( 764848 ) on Thursday August 26, 2004 @07:24PM (#10083475)
    It's not necessarily PG-13's fault. It's the market. Studios know they'll make more releasing a movie for the widest range of audiences. If there wasn't a PG-13, movies like Alien Vs. Predator would be butchered further down to PG. Or not be released at all.

    At least we have DVD now, so movies hacked up to get the tamer rating can release "unrated" versions with the lost footage intact (in fact, the unrated versions drive up sales, consumers are much more inclined to buy a movier they're already seen when they're promised new gory or sexy footage.)

    Of course, it's much easier for kids to get ahold of an unrated or R-rated DVD to repeatedly watch in the privacy of their own home... But that's another matter.
  • Re:Enforcement... (Score:2, Insightful)

    by stcanard ( 244581 ) on Thursday August 26, 2004 @07:35PM (#10083542)
    That's not the fault of PG-13, it's the fault of executives who decide on a target market, then try to build a movie around it.

    Making a movie, then deciding if it fits in G, PG-13, 14-Years, R, NC-17 is fine.

    Declaring ("We need to make this movie PG-13" | We cannot afford to have a movie NC-17") "so cut it down until it fits" is the issue.
  • Re:Enforcement... (Score:5, Insightful)

    by huchida ( 764848 ) on Thursday August 26, 2004 @07:39PM (#10083574)

    Nah, your real problem is with the movie studios. Basically, they stopped making plots in, what, '86 or so? With the rare exception of a "Memento" here or a "Requiem For A Dream" there, you can limit your watching to only movies made prior to the late '80s without missing a single thing.


    People keep saying this, but I don't buy it. We have a collective ability to remember the classics and forget all the crappy movies made throughout the years and think things used to be better. They weren't. They've made shitty hack movies since day one. Sequels aren't even anything new, look how many third-rate sci-fi and detective series have been produced throughout the years. I'll give you that the major studios put out some great stuff in the '70's, but that was a fluke-- before then, it was much the same as it is now.

    The truth is, people want the crap. A good movie can do pretty well and find an audience-- look at, say, Donnie Darko-- but the majority want their Alien Vs. Predator. They want to forget their troubles and watch special effects, not be asked to think. And you can give AvP a scathing review, and their friends will tell them it sucked, and they'll still go to see it. If the audience truly hungered for better movies, there would be more of them.

    There are good movies being made, by the way. Thanks in part to both DVD potential and the explosion of low-cost digital editing, idependent filmmaking is stronger now than ever. And it's actually possible to make something great on a shoestring budget with no studio backing or big names and get it seen. That was much, much harder to do as recently as fifteen or twenty years ago.
  • Re:Enforcement... (Score:5, Insightful)

    by Izago909 ( 637084 ) * <.moc.liamg. .ta. .dogsiuat.> on Thursday August 26, 2004 @07:43PM (#10083603)
    No, it's about supporting someone or something that deserves it. Beides, everyone is just as guilty as me when it comes to blowing $5 sometime in your life.

    Then again, $5 might be high-ballin for you, in which case I apologize for making light of your econimic status.
  • Comment removed (Score:5, Insightful)

    by account_deleted ( 4530225 ) on Thursday August 26, 2004 @07:52PM (#10083651)
    Comment removed based on user account deletion
  • by Anonymous Coward on Thursday August 26, 2004 @07:58PM (#10083689)
    And it could possibly be because she is hot .
  • Re:Enforcement... (Score:5, Insightful)

    by kalidasa ( 577403 ) * on Thursday August 26, 2004 @08:09PM (#10083785) Journal
    There are two kinds of FOSS people on Slashdot: those who support free software because they support freedom, and those who support free software because it's free. You have just had a run-in with the latter.
  • by Concerned Onlooker ( 473481 ) on Thursday August 26, 2004 @08:16PM (#10083858) Homepage Journal
    Most films are are either child and fundamentalist reactionary safe (G)

    You mean films such as 2001: A Space Odyssey? That's probably my all time favorite. I find that "adult" film really means adolescent film. I don't care to spend hours and hours filling my head full of blooshed and gore. There's a whole universe of stuff out there that could make for interesting films, but people are so in love with violence that that's what we get. Either that or just plain stupid, sappy stuff.

    Long ago I decided to vote with my buck and just stop going to the movies.

  • Re:Enforcement... (Score:4, Insightful)

    by (54)T-Dub ( 642521 ) <[tpaine] [at] [gmail.com]> on Thursday August 26, 2004 @08:24PM (#10083913) Journal
    Amen ... One only has to look at Usual Suspects [imdb.com] to see how succesful a quality low budget (6 million) film can really be on DVD. The format has allowed for sleeper hits like this one to truely thrive. Now with the advent and success of services like netflix the possiblities are truely being realized. The bottleneck was shifted from the movie theaters than can only show 1-10 movies, to the video rental stores that have between 100-500 movies, to the online rental services that currently have over 25,000 movies. I mean talk about an opportunity for independent film makers.
  • by stinkyfingers ( 588428 ) on Thursday August 26, 2004 @08:29PM (#10083947)
    But then again, is that surprising.

    The problem is that *all* of the ratings rely on someone else telling parents what's appropriate for their children. I know, but let's pretend that parents in this country actually parent.

    A better system of rating would be to rate them for launguage, violence, sexuality, etc., very similar to what many pay-cable networks use.

    Google for yourself - there's plenty of outraged people out there who think that some PG-13 movies are unacceptable for 13-year-olds, but if a movies was rated for brief nudity and sexual content, we could all make that decision based on personal morals, as opposed to the nebulus PG-13.

    What I think is acceptable for me and my children is wildly different from many puritanical types in America. In plus, the aforementioned movie with nudity and sexual content is called Mooseport (http://www.netflix.com/MovieDisplay?movieid=60033 308&trkid=73), rated PG-13. If it scared off people for having brief nudity (a 70-year-old man's bare ass) and sexual content (discussions about panties and what they mean on a date), then maybe Hollywood wouldn't have made such a shitty movie.

    They had their chance 20 years ago for reform, and now we'll never see it.
  • Dead wrong (Score:3, Insightful)

    by glpierce ( 731733 ) on Thursday August 26, 2004 @08:48PM (#10084072)
    "It's also lead to an interesting counter-trend out of Hollywood... they're now putting out the "unrated edition" DVD for movies that had to get some scenes cut to qualify for the lower MPAA rating."

    It's not a "counter-trend," it's a "profit-trend." The "Unrated" label is just a ploy to sell more DVDs. "Ooh look! This is unrated, it must be full of sex and murder! I want to see what I missed in theaters!"
  • by Artifakt ( 700173 ) on Thursday August 26, 2004 @09:12PM (#10084237)
    The Roman Catholic system actually tends to reflect the ideas of quality, realism, and depth (granted - all often within the limits of certain moral biases, particularly about sex).
    RC censors operate under rules where they are expected to look at West Side Story, recognize that it's based on Shakespeare's Romeo and Juliet, that the musical score is a skilled orchestral work and integral to the creation as a whole, and that there's an added message about racial and class intolerance that makes a number of profound moral points, and take such things into account in rating the film, while the current US system is expected to simply notice an underage romance is involved, and tack on some standardized points. Enough points for gang violence, knives being shown, and deaths and it's PG-13, a few more and its an R, and a "message" is often irrelevant to the final result.
  • Re:Enforcement... (Score:1, Insightful)

    by Anonymous Coward on Thursday August 26, 2004 @09:32PM (#10084374)
    What I don't quite understand is what's so enticing about movies featuring more and more sex and violence and profanity.

    Profanity is boring. It's just a way to make some characters look cool, and that's stupid. I'd rather make up my own mind about what characters I like. I mean, occasionally, it actually fits, but usually it seems forced and purposeful.

    Violence is entertaining, but barely. Blood, guts, and gore provoke some curiosity, but, beyond that, what's the point? Maybe I don't have much of a bloodlust instinct.

    Sex is usually a way to manipulate our instinctual feelings. Personally, I don't like being manipulated. What also bothers me is that Hollywood is an aspiration for many; our rich and famous (often role models for teenagers) get paid money to flaunt their sexuality and have sex or fake sex on camera. It seems kind of pointless, but maybe something is lost on me.

    I think the best kind of films are those that make you think you're about to experience some stereotypical "cinematic hot sauce" such as sex, violence, or profanity, and then suddenly, the director makes you laugh, because there's something totally nonobvious that happens which is not any of the "hot sauce" items. The kids don't understand, but it's something the adults get and are entertained by.

    Of course, the obvious reply to this is that most movies need a sense of realism, and offensive or gutsy language, sex, and violence are obviously part of real life. But, I don't know. Something about lots of teenagers wanting to be quasi-prostitute movie stars who show off how cool they can look for gobs and gobs of cash... just seems... silly?

    Maybe it's just me.
  • Re:Enforcement... (Score:4, Insightful)

    by Anonymous Coward on Thursday August 26, 2004 @09:52PM (#10084508)
    This is mostly an american thing. It's very amusing to see your "standards" from an european perspective.

    Here in Scandinavia you can curse in TV-shows and movies. I haven't heard much cursing in children movies, but it wouldn't be against the law.

    The same goes with nudity. I've seen movies for children that contained nudity, but in a natural setting (like taking a bath etc.).

    What we really try to protect young children against is violence. It seems like the american movies do the opposite. You can show violence, but if anyone shows a tit, the movie instantly moves up a rating :-)

  • Re:Enforcement... (Score:3, Insightful)

    by cei ( 107343 ) on Thursday August 26, 2004 @10:33PM (#10084728) Homepage Journal
    please note that 20 of IMDB's Top 50 Movies are from 1990 or more recent

    This has more to do with the mass markety appeal of IMDB than with the cinematic excellence of that survey. Hell, look for just about any summer or Christmas blockbuster on that chart shortly after it opens. People will say it was the best film evar, but eventually common sense will bump it back down a few notches.
  • by 808140 ( 808140 ) on Friday August 27, 2004 @01:53AM (#10085708)
    I thought this movie was great. I live in east asia (though not in Tokyo), and virtually all the expats I've met that have lived out here for a reasonable amount of time thought this movie was great, too.

    The director -- Sophia Coppola was it? -- apparently lived in Tokyo for sometime, and used her experiences when making the movie. Whatever it was, it really shines through. No matter how enculturated you become (for example, I've lived in Shanghai for years now, speak Chinese, and am possibly now more comfortable with Chinese culture than the one I was born with), there are always these hopeless times where you realize that no amount of xenophelia will ever make you fit in, and that you will always be an outsider, if only because of your race.

    Lost in Translation captures this feeling of hopelessness in such an incredibly poetic way.

    Most of the people I've discussed this movie with that didn't like it (and sibling posts bear this out) seem to be mostly concerned with the fact that the film has the slow pace of real life rather than the accelerated pace of Hollywood blockbusters. It's really much more like a French film than an American one, I think, in terms of pace and style.

    If you're not into that sort of thing, well... what can I tell you?

    But understand that you are probably not the intended audience of this movie. It's about culture shock, and if you haven't experienced culture shock, you probably aren't going to identify with it.
  • Movies do not suck (Score:3, Insightful)

    by kahei ( 466208 ) on Friday August 27, 2004 @08:48AM (#10087109) Homepage

    Good movies are coming out at an alarming rate. In fact, I would say that for the first time since the 60s it is now possible to go to a mainstream cinema and have a high chance of finding a real grownup movie on. Even wide-appeal movies like the Kill Bill movies, Lost in Translation and so on are grown up in the way that 80's movies never were. We have more 'pure art' movies available than ever before, now that Japanese, Chinese and Korean movies are finally actually being shown on screens (admittedly only in big cities). And even the summer blockbusters, lowest of the low in pure trash terms, sometimes contain depths (LoTR, Spiderman, pity about Troy though) that nobody would have dreamed of bothering to add in in the 1980s.

    What's more, from a technical point of view there has never been a greater reserve of knowhow and skilled professionals available. Even a flop like Van Helsing was able to call on cinematography that was really a work of art in it's own right.

    You want Real Art? The usual suspects are doing it: Talk To Her, Dolls. Hollywood's doing it too: The Others, Donnie Darko. But even if you don't want Real Art, the average quality of every grade of movie has moved up SO far since 20 years ago...

    The movies are not dying. Watch a week's worth of multiscreen fodder from 1984 and you will agree with me!

  • by Anonymous Coward on Friday August 27, 2004 @11:23AM (#10088687)
    Holy crap! It got an American R? What for?

    Lies.

"I've seen it. It's rubbish." -- Marvin the Paranoid Android

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