Slashdot is powered by your submissions, so send in your scoop

 



Forgot your password?
typodupeerror
×
Movies Media It's funny.  Laugh. Sci-Fi Space

Hitchhikers Guide Movie Might Become a Trilogy 502

Noiser writes "The BBC reports that The Hitchhiker's Guide to the Galaxy movie could be turned into a trilogy. I wonder if they mean that it might turn into a trilogy in five parts, just like the book? I wish it did - unlike some people, I liked all of them..."
This discussion has been archived. No new comments can be posted.

Hitchhikers Guide Movie Might Become a Trilogy

Comments Filter:
  • So long, and thanks (Score:1, Interesting)

    by dark grep ( 766587 ) on Monday May 02, 2005 @10:26PM (#12415790)
    Well, it ended with the path open for another movie. To say it wasn't true to the book it true, but the book wasn't true to the radio script - which is how it was initialy written. The screenplay was at least co-authored by DA, so it is valid to say it is true to the Author's vision of how a radio series, adapted to a book, adapated to a movie, should be. Well worth the admission price in any event.
  • True, but... (Score:3, Interesting)

    by GundamFan ( 848341 ) on Monday May 02, 2005 @10:27PM (#12415806)
    I just can't see mostly harmless as making a very good movie. 'Restaurant At the End of the Universe', 'Life the Universe and Everything' and 'So Long and Thanks for All the Fish' could be very easily made into two movies... they have a kind of natural flow.
  • Re:Well... (Score:5, Interesting)

    by zachtib ( 828265 ) <`moc.liamg' `ta' `sttibbitrz'> on Monday May 02, 2005 @10:29PM (#12415820) Homepage
    I actually thought it was very true to the book, except for a few minor things. I saw it on Saturday and reread the book today. As far as movie adaptations go, I was impressed, several passages were taken word for word from the novel
  • Re:hooray! (Score:2, Interesting)

    by tjowatonna ( 620270 ) on Monday May 02, 2005 @10:30PM (#12415826)
    You should check out Ursula K. LeGuin's website about the Earthsea movies. she hates them more than we do!
  • Comment removed (Score:5, Interesting)

    by account_deleted ( 4530225 ) on Monday May 02, 2005 @10:31PM (#12415830)
    Comment removed based on user account deletion
  • Five parts? (Score:2, Interesting)

    by x3ro ( 628101 ) on Monday May 02, 2005 @10:32PM (#12415836) Homepage
    Why is it that people keep talking about the books as the authoritative original source which the films must be measured against? The books, while a good read, lack the immediacy and playfulness of the original radio show: by the time Adams came to write the books, he was, to a certain extent, the victim of his own success. The series became a franchise that was undeservedly bigger than its author (his Dirk Gently books were less pacey, but just as entertaining as the Hitch Hiker titles). For instance, Zaphod and Trillian, if my memory serves, were casually killed off in an episode of the radio show. He had full freedom. When translating the riotous, freewheeling romp through space that was the original radio show into book form, that episode was changed and the characters survived. I feel this change was made to preserve the Hitch Hiker franchise. The last three books in the five-part trilogy were, although quite amusing, increasingly tired attempts to massage some more life out of the original concept and characters, and did not have the same gusto as the radio show or the first two books (which were, I believe, that only ones that were adaptations of the shows).
  • Re:Well... (Score:3, Interesting)

    by ari_j ( 90255 ) on Monday May 02, 2005 @10:34PM (#12415852)
    Yes, but Magrathea being the object of Zaphod's desire because of Deep Thought being there? Nope. I liked the movie, independently from the books. And, if we believe what we've heard from those who made the movie, the serious difference in the plot was Adams' own design. If I hadn't read the books, I would have liked the movie. I have read the books, and I liked it, too.

    The only joke that they tried to include but destroyed was the leopard joke at the beginning. I can't think of any others that got swallowed like that.
  • by MrAsstastic ( 851637 ) on Monday May 02, 2005 @10:36PM (#12415872)
    I just got back from seeing the film for the second time. It wasn't as funny as opening night for some strange reason. I guess I knew most of the funny bits but a few still made me chuckle. I would definitely be interested in a few more flicks as long as they included Disaster Area and Milliways. I hope they put a lot more Guide in the next one, and I wouldn't mind if HHGG films were comprised of 35% of this. I forgot to bring my 3D glasses to check out the Magrathean warning visual, but oh well, maybe I will get another chance on the next ones. Excellent work I thought on the Vogons by the Henson crew, but why did the Vogon queue line not include that same quality? It was nice to see the original TV Marvin make a guest appearance waiting very bored in line though. Deep Thought looked great and I can't wait to see the first custom mod case! Weird coincidence by the way, when we walked out of the theatre, the first movie poster I saw in the hallway was for an animated feature entitled "Madagascar"...cool.
  • Re:Scripts (Score:2, Interesting)

    by kevn ( 730412 ) on Monday May 02, 2005 @10:37PM (#12415875) Homepage Journal
    actually according to various sources. The movie was pretty much re-written after he died. unfortun his last draft was nowhere near complete.
  • by wyldeone ( 785673 ) on Monday May 02, 2005 @10:53PM (#12415982) Homepage Journal
    Yes, but the thing about the movie was that it was bad. I went into it with low expectation, but it blew away even those. I have loved the tv show, the radio shows (both the original and the new one) and the books, but the movie conveyed none of the greatness that filled the productions of the other mediums. By essentially removing all of the humor and corrupting all of the characters, what the viewer was left with was a non-sensical storyline and some cheap CG. I'm not saying that it has to be exactly like the book. I wouldn't have minded all of the new subplots they added, if they had been humorous. Instead, they became a laundry list of places to go to, at which some item had to be for no very good reason.

    I didn't mind LoTR; sure the movie changed some things but I accepted that those changes probably helped it in the new medium. However, the H2G2 movie, irregaurdless of whether there had been a book before, was just bad.
  • by OmgTEHMATRICKS ( 836103 ) on Monday May 02, 2005 @10:53PM (#12415984) Journal
    And that is why I wish to piss in the Cheerios of whoever made the choice to smear that shit on the movie. That's all.

    That would be Douglas Adams. Just pray he has some old, rotten bowl of Cheerios in his grave so that you won't have to piss on his corpse if there aren't any.

    Have a nice day.
  • by IWannaBeAnAC ( 653701 ) on Monday May 02, 2005 @10:55PM (#12416004)
    Wow, that would be interesting. But does Terry actually like HHGTTG? I would imagine definitely YES, but it is hard to be sure about these things.
  • Re:Dirk Gently (Score:3, Interesting)

    by B3ryllium ( 571199 ) on Monday May 02, 2005 @11:03PM (#12416075) Homepage
    You know, while I was watching the movie "I Heart Huckabees", it struck me as being VERY Dirk Gently-esque.
  • No! Then it would all end in tears! Terry Gilliam can't write a happy ending to save his life. LOL
  • by Anonymous Coward on Monday May 02, 2005 @11:17PM (#12416164)
    Seriously, the movie feels like bureaucratic Vogons produced, directed and finished the screenplay. There was no understanding of the humor of Douglas Adams.

    I know people have poo-poo'd the often repeated criticism of the change in an early line where Arthur Dent is telling the head of the (human) demoltion team about the trouble of finding the plans for the bypass. But that change says a lot about the movie.
    Line from book/tv series:
    "It was in the basement ... locked file cabinet in a disused lavatory with a sign on it saying 'beware of the leopard'"
    Line in the movie:
    "It was in a cellar"

    The book showed the level of absurdity that bureaucracy causes. This basis of the joke in the book then continues when the Vogons use similar bureaucracy when telling humans where the plans for the hyperspace bypass are. But with the movie killing the basis of the bureaucracy joke, the Vogon part is far less funny as that joke is no longer built on anything previous.

    I am not a "fanboy" wanting an exact word for word duplication of the book. The ridiculousness of bureaucracy could have been shown or stated in several ways in that eary scene, without quoting the book. But the fact that there was no emphasis on ridiculous bureaucracy shows a total lack of understanding of the whole scene. Unfortunately, the entire movie is the same lack of "getting it".

    I want a coherent cohesive story that carries jokes forward and understands that humor relies heavily on context. No context means no humor. And the people/Vogons who made this movie clearly had no understanding of the context of Douglas Adams jokes. I hope to god that these same people have nothing to do with any further Hitchhikers movies.
  • Re:Scripts (Score:2, Interesting)

    by Aleteha1033 ( 880906 ) on Monday May 02, 2005 @11:18PM (#12416174)
    Douglas Adams did not in fact write the script used in the current movie. What happened was that he wrote a script and passed away. The person who wrote the script in use (you know that other guy in the credits for script writing) looked at/started from/incorporated Adams's script and therefore Adam's has to be credited. This is actually a good thing for the movie because it implies that a) Douglas Adams wrote the script and b) it's an adaptation of the book. All the ads I've seen for the movie have the line "from the best selling novel" or something very similiar.
  • Re:I didn't like (Score:3, Interesting)

    by Jerf ( 17166 ) on Monday May 02, 2005 @11:19PM (#12416177) Journal
    I find myself able to enjoy it a bit more now that he's dead, and the Universe has prevented him from writing more books in the series far more thoroughly than the end of Mostly Harmless does.

    As a piece of existentialist horror it is unmatched; even the great French philosophers like Satre on his best day couldn't invoke the true horrors of the Whole Sort of General Mish-Mash, a direct consequence of the Many Worlds hypothesis (though Many Worlds doesn't imply that you can travel on the "probability axes", the horror, ultimately, is the same).

    In some sense, it's his greatest work, but since it is "great" because it confronts consequences of certain surprisingly popular beliefs head-on, it is not always a pleasing sort of "great". If you are a believer in the Many Worlds hypothesis, this book really lays out on the line how existentially horrible it is; the Total Perspective Vortex squared. That can be particularly unsettling.

    I do not accept the hypothesis, so I can look at the book with a bit more detachment, but even so, it is truly a stark look at the entire Universe. I'm not sure I can think of anything that is more darkly humorous, and given the somewhat light-heartened tone of the rest of the series (sure, the Earth is destroyed, but that's just an excuse to have a bit of fun, right?), it's a shocker, even after So Long and Thanks for All The Fish sort of warmed you up for it.

    If I were going to throw anything he's written at a literary type, it'd be Mostly Harmless. For the same reasons I say that, a casual reader is likely to find it their least favorite. And it is my least favorite too... but I no longer hate it, and I even have a grudging respect for it.
  • by logicnazi ( 169418 ) <gerdesNO@SPAMinvariant.org> on Monday May 02, 2005 @11:30PM (#12416240) Homepage
    One of the things I really liked about the movie was that it was nice and cheery unlike the last book in the series. The magic of HG2G is in the lighthearted humor and fun style if they try and copy the depressing last book it would ruin the movies even more than it did the books.
  • by AvitarX ( 172628 ) <me@brandywinehund r e d .org> on Monday May 02, 2005 @11:39PM (#12416286) Journal
    I actually liked the movie and the next night watched part of the TV series and thought the movie was better.

    I thought Trillian's character was more true to how I remembered the books (smart, not idiotic) and it felt a lot less like a school play with the principals still reading from a script.

    My only real complaint from the movie is that they killed the mice instead of sending them back with how many roads must a man walk down (which is my memmory from the book, but it's been a while).

    The movie could of benifitted from the towel not being left as an inside joke too, but whatever.
  • I've seen the movie (Score:3, Interesting)

    by PCM2 ( 4486 ) on Monday May 02, 2005 @11:55PM (#12416384) Homepage
    ...and it was the only movie I've walked out on in recent memory. I lasted about 45 minutes, most of them excruciating. Even if they did include some of Adams' funnier bits, they seemed to have abridged them in just the right way to lose the punchline, or curtail them when they started getting truly absurd (and absurdism, I thought, was the whole point of Adams' stuff). I couldn't figure out what the rest of the people in the theater were laughing at. Groupthink? Honestly, I'd compare the experience to watching a big-budget, Hollywood remake of "Monty Python and the Holy Grail." Why on Earth would I subject myself to such a thing? (Well, as I mentioned... I didn't.)

    Actually, now that I think about it, maybe the movie was actually much better than I realized, and the subtlety of it was just lost on me until now. Adams, in writing the screenplay, was subjecting the audience to a kind of protracted version of a Vogon poetry reading! It was life imitating art...
  • by Macgrrl ( 762836 ) on Tuesday May 03, 2005 @12:04AM (#12416429)

    Will they make Arthur into a romantic lead again, instead of the hapless bumbler he was meant to be?

    Oddly enough, he's quite competent and assertive in the original radio series. Several of his best lines are given to Ford (or innocent bystanders) in the books and TV series, creating the effect that he is overall less competant.

  • by NanoGator ( 522640 ) on Tuesday May 03, 2005 @12:14AM (#12416478) Homepage Journal
    "I don't see this as being a big money maker like the Lotr or Matrix series."

    It doesn't need to be. It only needs to make a profit. It had a budget of $45 million and in 3 days it made half that. That's ONLY in the US.
  • Re:ok.. (Score:2, Interesting)

    by Golias ( 176380 ) on Tuesday May 03, 2005 @12:30AM (#12416542)
    The movie seems to be doing well in the theaters, so a second and further movies are a possibility.

    Terrific!

    Now if the next movies can manage to actually be funny, we will really have something.
  • I thought that Mos Def nailed Ford Prefect in about ten seconds. I liked Zaphod as well. Arthur was great, and Trillian was, well, around way too much. I could really have done without the love story, although Zooey Deschanel is easy to look at.

    I enjoyed the movie thoroughly. I didn't think for a moment that they'd do the sperm whale joke, but they did. I was happy.
  • Re:Well... (Score:2, Interesting)

    by spiritllama ( 870656 ) on Tuesday May 03, 2005 @12:49AM (#12416636)
    So far, even the people who disliked the movie have said that it was pretty true to the book insomuch as the jokes and Guide entries, so what are you all whining about?

    I saw the movie, and, quite frankly, I didn't really care that they added in a "Hello, Ground!" to the Sperm whale bit or took out the Guide's entry on towels (especially since, in the radio series, it would have fallen into the Restaurant Fits) or hid Zaphod's head and third arm or even made Marvin into a robot iPod with a gigantic head, all of which are the only complaints that /.ers have been whining about since the movie's hype started.

    The problems start when they change Zaphod from someone who should have been so cool you could keep a side of meat in him for a month into someone whose brain is fueled by lemons, or when the dolphins' final message to humankind becomes an aggravating Broadway-sounding number that will make you absolutely sick of the words "So long, and thanks for all the fish!" by the time the movie is over.

    I especially liked seeing the Guide's entries animated, and all the jokes were straight on with the radio series and the books, but the real problem is that the whole thing just smacks of Disney-fication, from the romance twixt Arthur and Trillian to the ending, which reminds me very strongly of Bambi for sheer happiness.
  • by mcc ( 14761 ) <amcclure@purdue.edu> on Tuesday May 03, 2005 @01:13AM (#12416828) Homepage
    *********SPOILERS***************

    _

    _

    They left the earth intact at the end of the movie. This, to mean, implies that they've given themselves a perfect opportunity to take after the original radio show and destroy the earth in every single installation of the movie trilogy, in a different way. I hope they take it :D
  • by rco3 ( 198978 ) on Tuesday May 03, 2005 @01:43AM (#12417020) Homepage
    The way I read grandparent's comment was that the romantic "arc" tack-welded on top of the story was the 'shit smeared' on the movie. I'd agree with him in that, and your assertion that Douglas Adams himself was responsible for that is at least somewhat contradicted by the following, quoted from ccn.com's review of the film:

    "After Adams' death, screenwriter Karey Kirkpatrick was called in to tighten up the script's structure, bolstering the romance and streamlining the plot." (italics mine)

    Sounds an awful lot like the romance was troweled on after DA was no longer around to object. What with it being totally non-witty and not really fitting with anything else, I'd have to say that chances are good that Douglas Adams did not and would not have tarted up the romance like that.

    It also sounds to me like all the subtle stuff that Americans wouldn't get anyway (yes, I'm being sarcastic and kind of pissy about it) was smoothed over, by Karey Kirkpatrick, to make it more shallow and easily digested for the Hollywood audience. I won't go into my rant about how streamlining and simplifying LOTR for the big screen reduced it to an FX extravaganza whose plot and characterization were no more exciting than any one of hundreds of thousands of games of AD&D played out in basements and bedrooms all around the world... oops, I guess I did. Sorry.

    But that's how I feel about HHGTTG on the big screen, too. The genius is in the details, and Hollywood doesn't want genius - Hollywood has no desire to leave cash in the pockets of morons, and would rather dumb it down than take a chance on not getting money from everyone.

    As an example: I think that when you skip the entire dialog about the plans being in the basement, where the lights had gone out, in a locked cabinet in a disused lavatory with a sign on the door saying "Beware of the Tiger" or however the phrasing went, you also lose a great deal of the whimsy that made HHGTTG so brilliant. And the parallel between the bureaucrats in charge of destroying Arthur's house and those destroying Arthur's planet is damn near lost altogether.

    Fortunately, I was already prepared for this movie to miss the point, so it didn't hit me too hard. YMMV.
  • by uncadonna ( 85026 ) <`mtobis' `at' `gmail.com'> on Tuesday May 03, 2005 @01:59AM (#12417114) Homepage Journal
    I saw it on opening night in Madison WI. People laughed a lot and there was even some appplause at the end.

    I liked it more than I expected, but given the reviews here I wasn't expecting much. I think it has a different *type* of humor than the previous installments, more visual. Some of the effects were *very* funny. The inexcusable bobbling of the Prosser incident (if they were going to do it that badly they should have left it out) and the lame underplaying of Ford were disappointing but the casting and performance of Zaphod and Trillian were so brilliant I very much forgive them.

    I will forever think of W as President Beeblebrox from now on, which alone was not only worth the price of admission but somehow softens the pain of actually seeing the man.

    I think this is an important movie in the history of silly movies actually, the first where big budget effects were played as comedy.
  • by Dlugar ( 124619 ) on Tuesday May 03, 2005 @02:40AM (#12417350) Homepage
    I saw the movie Saturday, and afterward, I realized this:

    The movie was okay. I mean, it wasn't terrible, and it wasn't great. It was just okay.

    "Why?" I wondered. I didn't feel that the dialog was outrageously different from the books. There were a few deviations, but I actually welcomed them so I'd have something interesting to watch the movie for, instead of just mouthing the words along with the characters ("lunchtime, doubly so").

    I then realized why I love the books, but I've never really been interested in the BBC series or in the radio show. The reason is because it's DNA's fiendish love of garden path sentences, of long and garish lines of prose that make the reader stop and parse the same sentence several times, popping words off their mental stack in different orders each time, before they find the one that makes sense, that make the books so hilarious. It's the short and witty lines that work beautifully in book form, but fail to make me even chuckle when presented in a theater ("exactly the way that bricks don't").

    The books were hilarious not because of the storyline, or the clever plot, or even the funny jokes--they were hilarious because of DNA's writing style. And that writing style, sadly enough, just doesn't carry over into the Hollywood scene, regardless of how much freedom he had to make the movie exactly how he wanted it. Unfortunately, taking a hilarious writing style and making a movie where a British accent reads paragraphs in that writing style does not a hilarious movie make.

    Dlugar
  • by mrchaotica ( 681592 ) on Tuesday May 03, 2005 @03:21AM (#12417512)
    There were two ideas that seemed slightly adapted from later books (having to do with Trillian and the Earth at the end -- those who have seen the movie, you know what I'm talking about), but the storyline did only cover events in the first book. More or less, anyway; some events in the movie weren't anywhere in the books.
  • Re:Dirk Gently (Score:4, Interesting)

    by aug24 ( 38229 ) on Tuesday May 03, 2005 @03:43AM (#12417607) Homepage
    Hmmm, a very clever idiosyncratic individual (Dirk) with an assistant (Richard) investigates a very old man (Urban Chronotis) living in a room in a university with a console that enables the whole room to travel in time and space, whereby they meet a character from history (Samuel Taylor Coleridge). I wonder why it reminds you in some way of a Dr Who script?

    FYI, speaking as a total DNA fan and (less) DW fanboy, you're bang on. It was originally conveived as a DW adventure in the Tom Baker era, but there was a strike on set which cut short the series on which DNA was script editor (another story, 'Shada', was only half completed) and DNA stopped writing for DW. He noodled around with the plot for aver ten years before finding a way to re-use it without it being *too* damn obvious.

    The idea was that a Time Lord had retired to Cambridge to live a long and peaceful last regeneration, knowing that no-one would ever bother him. The Cambridge colleges are notoriously unenquiring of human oddity! Supposedly, he had been there a very *very* long time and had forgotten everything that came before.

    Justin.
  • by shimmin ( 469139 ) on Tuesday May 03, 2005 @07:38AM (#12418475) Journal
    Yeah, I kind of felt the last book was DA in a bad spot of life telling fans, "There, now don't bother me anymore." I won't take away from its few really great moments, ("He says he came willingly.") but while the other books had a feeling of being barely in control, that one just had an overarching air of heavyhanded authorial intervention throughout.
  • by dpilot ( 134227 ) on Tuesday May 03, 2005 @08:00AM (#12418591) Homepage Journal
    I saw the movie Saturday, too. Previous warnings had calibrated my expectations sufficiently downward that I was able to enjoy the movie.

    Low point: Don't even think about them, because that would take away the enjoyment I did get out of it.

    High point: The Magrathea factory floor really benefited from a big special effects budget. Of course we won't say anything about whether or not that was central to the movie.

    ****SPOILER****

    Really Good Point: When Trillian picks up the tiny light sabre with the 6 inch blade, and slices her bread into toast with it. One brief scene skewers the Great Weapon of Star Wars, trivializing it in a toss-off gag.
  • by vortigern00 ( 443602 ) on Tuesday May 03, 2005 @09:07AM (#12419072) Journal
    I saw the Hitchhiker's Guide movie this past friday. I enjoyed it, and here's why.... You know how geeks like us walk around making jokes that refer to hitchhiker's guide, monty python, blazing saddles, etc? Well, that's what the movie felt like: two hours of references to the book.

    So, yeah, I enjoyed it... but did the movie have any purpose? Did it enhance the experience of the book? No, I don't think so. And I truly feel sorry for the people who see the movie without having read the book first. What a pointless excersize that would be.

    Do yourself a favor -- go read all the books and don't worry about the movie(s).
  • by asoap ( 740625 ) on Tuesday May 03, 2005 @10:42AM (#12420059)
    Omg, you are so right.

    When I saw that the vogon ships were not yellow. I almost ran out of the theater. I was SO pissed off. IT RUINED THE MOVIE FOR ME!!!

    Flamebait + 1.

    I know what you are saying. I agree with you on some accounts. From dicussions with the director which I've read on slashdot, and other places, they kept on saying that things were edited for pacing issues. This was one of the things that I noticed in the beginning of the movie. The pace was fast, really fast. When the vogons were reading the poetry, it went by so fast, that the joke was lost. That is where the pace should have slowed down to halt to show just how bad the vogon poetry is. It's supposed to make the audience cringe, and then pick up the pace again. It seemed like everything was just flying by. So yes, I see what you are saying. Then again, on the other hand. The opening credits with the Dolphins singing a broadway musical about thanks for all the fish was brilliant. I absolutely loved it.

    Even though some of the classical jokes from before were glossed over, I still thoroughly enjoyed the movie. Also the field of slapping shovel creatures was great. That is something that wouldn't work at all in the book, or radio series, but worked really well in the movie.

    Also remember that lots of the changes where douglas' idea.

"God is a comedian playing to an audience too afraid to laugh." - Voltaire

Working...