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Music Media Businesses The Almighty Buck

Record Labels Unveil Greed 2.0 571

theodp writes "Unsatisfied with $2.49 ringtones and as much as 70 cents of each 99 cent iTunes download, Newsweek reports that record labels want a bigger cut of digital music profits. One example: If you type in 'Madonna' - a Warner act - at the Google Video site, and the results are accompanied by ads, Warner wants a share of those ad dollars." Even more ridiculous demands than those put forth in previous stories.
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Record Labels Unveil Greed 2.0

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  • stunned (Score:3, Interesting)

    by kayen_telva ( 676872 ) on Sunday October 09, 2005 @03:51PM (#13751851)
    i now I shouldnt be, but I am stunned
    just..wow.
    I was about to go out and buy most of Sade's discography.
    I wish to hell we could just pay the artist directly.
  • by Propagandhi ( 570791 ) on Sunday October 09, 2005 @03:53PM (#13751874) Journal
    Studio time is expensive, man. The whole recording process (hiring a producer, studio musicians, whatever you need to get the sound you want) can be really expensive, so until that's no longer an issue there will still be labels around willing to front the cash in return for the potential profits a successful record can generate.

    Some day the major labels will be irrelevent, but today is not that day (maybe that's why they're so desperate to maximize their profits in the short term... they know the long term doesn't exist).
  • by Propagandhi ( 570791 ) on Sunday October 09, 2005 @04:02PM (#13751938) Journal
    If someone steals your IP you deal with it in the courts, not through some trade organization. The RIAA doesn't even have the infrastructure to deal with those situations, they're only concern is making sure the recording companies get money for every possible use of a song (or 'to foster a business and legal climate that supports and promotes our members' creative and financial vitality' (from their website)).

    And honestly, how much more can they charge per song? I found a lossless online store (finally) a few days ago, and they charge a minimum of $1.29 a track PLUS a $50 annual fee. That works out to way more than just buying the CD (in all it's lossless, archived, liner-noted, cover-arted glory). Honestly, CDs are enough of a rip off as it is, there simply isn't enough room to increase the price of a 30 minute album any more than the already inflated cost...
  • Re:no suprise (Score:5, Interesting)

    by killdozer3k ( 779295 ) on Sunday October 09, 2005 @04:06PM (#13751975) Homepage
    The answer is simple: Delist Madonna and all the acts in question. Also de-wiki them untill they are paid to list them. Instead point all the references to Mary, the mother of Jesus. The only thing worse than not participating in the profits is to de-googled, de-yahooed, etc. Also close all their blogs. Google could ask for a list of all the names they would like to have stricken from the database. in fact this kind of counter poison should shock the hell out of the music buiz when the major search engines strike them from the internet record. The funniest thing about this is that PR people do everything they can to get people to talk about their star/product/act and then when they do they want to tax it. the reason there is a google is because of advertising.
  • by Cerdic ( 904049 ) on Sunday October 09, 2005 @04:08PM (#13751989)
    It's no secret that corporations are greedy and will do anything they can to increase their wealth. Them charging more for music is minor compared to the grand scheme of things.

    The wealth has to come from somewhere. That somewhere is the poor below. They talk of trickle economics for the the poor getting money from the wealthy, but it's quite the reverse. Wealth, often in the form of labor, flows from the bottom up. If not, they wouldn't be so rich.

    To back this stance, it is worth nothing that the wealthiest wealthy grew wealthier between 2003 and 2004, partially thanks to tax cuts. The poor, however, became poorer. During that time period the number of Americans living in poverty grew by 1.4 million. Source: this CNN article [cnn.com].

    I'm not an advocate of pure communism, but what we have today isn't really capitalism, it's a crappy corporate welfare system that intentionally pisses on the poor.
  • by Anonymous Coward on Sunday October 09, 2005 @04:24PM (#13752086)
    Five days after we hear about Music Labels Charging Too Much For Microsoft [slashdot.org] there's a story on MSNBC about how greedy the music labels are.

    Hmm.
  • by popo ( 107611 ) on Sunday October 09, 2005 @04:25PM (#13752094) Homepage


    The notion that record labels should share in advertising revenue from keyword searches is to confuse the ownership of intellectual property with the concept of "adjacent space".

    Adjacent space is frequently sold at a premium in multiple mediums, from supermarket shelf-space, to tradeshow booth-placement, to partial-page magazine advertising. Wherever a premium brand is located, the neighboring advertising- or product-space increases in value. If a record store puts Sarah Q. Smith's album on a shelf next to Madonna's new album, the record store is effectively using Madonna to promote the sale of Sara Q. Smith. But this is very different from capitalizing on Madonna's intellectual property. This is capitalizing on *Madonna's market*, which is something Madonna does not own, control or have rights to.

    Likewise Google's use of adjacent space, ie: space neighboring Madonna's relevant links, is Google's own affair. It is Google's effort to target Madonna's market -- which is as old a phenomenon as the outdoor marketplace.

    The entertainment industry needs to get a reality check on the scope and limits of IP.

  • Re:Stop listening? (Score:1, Interesting)

    by Anonymous Coward on Sunday October 09, 2005 @04:46PM (#13752252)
    Amen brother! I haven't bought music in more than a year, but I do download the shit out of it. What I listen to and keep, I try to find an address for the band that isn't in care of their label and mail them a Money Order for $10.00 and a www.downhillbattle.org flyer along with a letter explaining that their label can go kiss f*** themselves but I appreciate the music.

    If I can't find the address, I wait until I can get to one of their shows and put the whole mess in an envelope and hand it to a roadie or throw it on stage during set change.
  • by The_Rook ( 136658 ) on Sunday October 09, 2005 @04:46PM (#13752253)
    i would speculate that just like film production, record companies use their music groups as a captive market for their own recording studios, screen printers, media production, printing, etc. the acts then get charged inflated prices for these services which they pay out of their royalties.

    requiring musicians to use record company owned resources let's the recod companies control costs without having to pass on the savings to the musicians. i believe the record industry actively fights legislation that would require it to exercise fiduciary responsibility. that would end the party for the muisic companies.

    it's no wonder that once an act becomes even a little successful, it then goes on to equip its own recording studio. my guess is that musicians would love to gain control over how they are promoted and distributed, if only to keep the music companies from freely spending the musicians' money.
  • by stevemm81 ( 203868 ) on Sunday October 09, 2005 @04:52PM (#13752299) Homepage
    This seems to be a far too common occurence here: the article summary is misleading and the commenters don't even read the 300 word article. The article says nothing about companies wanting money for things people type into a search engine.

    Apparently the record companies used to allow portals like Yahoo to show their videos for free, since they considered it free advertising for their music. Then, they realized that Yahoo was making lots of money off
    the deal through advertising, so they asked for a cut. Yahoo refused, but saw their hits go down, so they negotiated a deal. Basically, an exec at Universal realized what they considered advertising was more like giving away free product. This makes sense: people weren't discovering new music on Yahoo. Most of the time, they came there to see videos and songs they already knew.

    I suppose you could say the record companies are being greedy, but they're not doing anything suspect. They realized other companies were making money off their products, and decided to charge for the privilege. Similarly, they're trying to renegotiate with Apple, and we'll see who wins there. They may harm their own market more than they expect by raising the prices, or the market may be happy to pay $1.30 for new hits. We'll just see. They're also renegotiating with satellite radio, now that that industry is pulling in lots of money, again with the RIAA's products.

    There's no talk in the article of charging anyone for search engine keywords.
  • Re:Stop listening? (Score:1, Interesting)

    by Anonymous Coward on Sunday October 09, 2005 @05:03PM (#13752356)
    Yah, I went through my phase of buying CD's in the late 80's/early 90's, probably have like 600 audio CD's, and then I went through a 6 month or so phase of downloading stuff a few years back, 12GB of stuff maybe that I have downloaded. But, truthfully, I rarely listen to music that much anymore, and when I do its probably in the car, surfing the dial trying to find something, anything, worth listening to anymore.

    Very little new music is really worth my time. I'd guess that in the past 10 years, I've probably bought 30 CD's, and 1/2 of those were for Xmas presents, not anything for me. And while the RIAA may like to blame that on "piracy", I really hate to tell them.. its because most of whats out there is crap guys.
  • it's true, i know! (Score:5, Interesting)

    by tehwebguy ( 860335 ) on Sunday October 09, 2005 @05:09PM (#13752386) Homepage
    the more i work with bands and record labels (labels that are meant to be indie) the more dirt i find out about this industry.

    so many bands nowadays are picked up or formed by majors (RIAA labels) secretly, then they are put on an "indie" label for their first cd. then once the indie/punk/insert_somewhat_underground_genre_here crowd loves them, they release the next album on the major.

    then when they are on mtv/radio, the people who just buy into whatever they hear love them, and so does the underground (or at least those who'd like to theink they are) crowd.

    it's ingenious, and disgusting.
  • Re:no suprise (Score:5, Interesting)

    by Qzukk ( 229616 ) on Sunday October 09, 2005 @05:14PM (#13752402) Journal
    What google should do then is beat the RIAA at their own game.

    Start by charging people an extra "RIAA Advertisement Fee" to run an ad on "Madonna" or the like. This money goes into a big pool. Then, from that pool, make up a list of services and subtract out 90% of the money for things like "fiscal management" "trademark research" "artist contact costs" or anything else that sounds good but is total contractually-agreed-to bullshit.
  • Re:Stop listening? (Score:2, Interesting)

    by TokyoJimu ( 21045 ) on Sunday October 09, 2005 @05:27PM (#13752479) Homepage
    It's possible to find plenty of good music without the help of the major labels, but it takes some work. Take a look at my current iTunes listening [tokyojim.com] and you'll see very little major label involvement.

    However, it does take work. I typically go to concerts several times a week, and buy most of my CDs at the shows. Most people aren't willing to devote that kind of time, so they take what the industry feeds them.

  • by Bobzibub ( 20561 ) on Sunday October 09, 2005 @05:32PM (#13752518)
    Hey! I have a degree in economics!
    Oh. What was the question again??? = )
    Well, happy to pointificate!

    Hmmm.. Boycot Exxon? OK, well, they would just advertize like BP. Sunflowers, responsibility, alternative energy. Bla bla. People would believe it too. All the while they pump that oil...

    Prices of gas are increasing faster than crude because they are different markets. Now there are limited amounts of refineries in the US and few companies can invest that much capital to build one... I understand they take a few years to build and get onstream..

    Not that Bush's idea (subsidize the building of oil refineries) is a great one. The oil companies are making big bucks: they should do it right? I heard that one made more profit last quarter than any other company in history. Could have been Exxon, I don't remember.

    To me, the question is: why are there so few refineries now? Did the oil excecs get to gether some golf game and say: Let's not build any more for a couple years? Was it *really* environmental regulation that quashed them? Collusion in that market would have the benefit of huge profits for them. I remember Cheney had secret meetings with the oil 'boyz' a few years ago, and they collectively decided US energy policy, without ever releasing the minutes of those meetings.. I think that was pre-Iraq so they might make some fun reading in 40 years.. It could have been similar to:

    Cheney: Thanks for the donation, boyz. Like the cigars? They're Cuban! Batista! Well, to business then. We agree that you don't make any refineries in the next few years (and collect excess profits), support us in Iraq, and we'll get you those Iraqi drilling contracts, leash the anti-trust hounds. Of course we'll expect future consideration...

    Oil barons: No refineries? None of us? We're "Gung Ho" for Oil Contracts! (puff.. puff...) OK, deal.

    Well it *could* have been like that! = )

    In general, you are better to vote in politicians that support consumers, not oil companies, than attempt to get a boycot organized. Companies (Oil or RIAA members) do not have to adapt to change if they are protected by fiat. And one can buy policy so cheaply these days:

    $200M building an oil refinery could get you say a %50 return if you bet correctly on oil prices.
    $50,000.00 donation/investment to Cheney's PAC could help get you $8,000,000,000 in return.

    Where would you invest? The law requires you to act in the best interest of your share holders, not your country.

    http://www.mailtribune.com/archive/2005/0429/biz/s tories/04biz.htm [mailtribune.com]
    http://www.opensecrets.org/pressreleases/cheney/ch eney1988.htm [opensecrets.org]

    Katrina and Rita wipes out a few refineries and it all goes to hell for the consumer...

    Of course nobody will know what the truth is until these folks are long gone.

    Cheers,
    -b
  • by Slashdiddly ( 917720 ) on Sunday October 09, 2005 @05:35PM (#13752543)
    Consider an analogy. Alice and Bob each has a fruit stand selling apples. Both are selling identical apples for $1 a piece. They've been doing it for a while, until Alice decided to hire Carol, a marketing exec, to increase sales. Carol immediately gets to work: she installs a loud boombox, girls in skimpy outfits and a blimp hovering overhead - all advertizing Alice's apples. Crowd gathers around Alice's stand and sales go through the roof. Even after paying Carol marketing fees, there is still handsome profit left - more than she ever had before.

    Where did the profits come from? Was there any new value created? Well, the apples didn't change, but the demand did. The demand was created exclusively by Carol.

    Bob in the meantime kept his costs low and did not hire any marketers. He did notice something interesting, however - because of all the increased interest in the apples next door, demand for his apples started to pick up as well. Marketing effort paid for by Alice has began to increase Bob's revenues.

    Question: does Bob owe anything to Alice?

    In the physical world, generally, yes. It's called "location, location, location". Bob can setup a fruit stand out in the middle of nowhere and pay nobody for the privilege. Or he can open a stand in a downtown mall, which will cost him.

    Back to RIAA.

    Without heavy and expensive promotion by RIAA, the value of, say, 50 Cent would be hovering just above zero (some would argue below). RIAA effectively created the artificial demand for his product, which, supported by copyright laws, fuels a vast ecosystem of businesses. Why shouldn't those benefitting from selling, reselling or otherwise commercially benefitting from 50 Cent's music own portion of profits to RIAA who created majority of the value in the first place?

    Disclaimer: I think that RIAA should die and music should be free, but that would be preaching to the choir and, therefore, boring.
  • by Anonymous Coward on Sunday October 09, 2005 @06:10PM (#13752749)
    Lack in tech? The Trinity Sessions became an audiophile classic for its natural and beautiful sound, a perfect complement to the band's music at that time. Classical recordings of the fifties and sixties are still being released in multiple formats as much for the quality of sound - done on two or three microphones at most directly to tape/film without 'enhancement' - as for the talent of that era's performers. Same with the work of real rock and pop producers of the sixties and seventies. What today is called 'production' is too often today a cliche circle jerk, friends hiring friends scrambing over each other to crank out the latest flavour of McSound: compressed, de-essed, clipped and crushed to 'punch through' on FM.

    If that's the talent RIAA members provide, the talent to destroy generations of music, I say Guantanamo them now. Make them listen to the entire Butch Vig back catalogue on their beloved tissue-papered Yamaha NS-10's as eternal punishment.

  • by Proudrooster ( 580120 ) on Sunday October 09, 2005 @06:24PM (#13752817) Homepage
    If Google capitulates to this request it could destroy them as a company. Assume Google pays the record companies a percentage of ad revenue based on product keyword searches. What is to stop everyone with search content in google from making the same demand? This would make Google much less profitable and we would soon be back to the days of "hit or click inflation" to try and generate more revenue. I could even imagine the RIAA contracting with nefarious programmers to create worms with the sole purpose of generating hits on Google.

    Google must reject this request and let the RIAA take them to court and subsequently lose. The stakes on this are quite high for all search engine companies. I agree with previous posters who said that Google should delete all RIAA content and have them pay for to get into Google's search database. The result of this would hurt the RIAA worse than it would hurt Google.
  • by jafac ( 1449 ) on Sunday October 09, 2005 @06:51PM (#13752965) Homepage
    Cash payouts as subsidies are a tiny, tiny fraction of all the corporate welfare.

    Taxpayers fund roads, that corporations use to truck their goods.
    We pay to educate their workers.
    We pay to defend their assets in foreign countries (in the form of wars, and defense spending).
    We pay to clean up the environment they pollute.
    We pay for courts and prosecutors to jail the white collar criminals.

    There is so much public wealth flowing to corporations in this country, and much of it is difficult to measure, but you can tell it's there.
  • Re:no suprise (Score:2, Interesting)

    by ehrichweiss ( 706417 ) on Sunday October 09, 2005 @06:57PM (#13753006)
    You've nailed it. That's the perfect(and smart) response to their retarded ideas. I realized when this began that I would never again buy from a major record label that sued its fanbase, no matter how much I like the music. I also realized that the way to keep them from using me as a statistic was to NOT download their music, no matter how much I liked it.

    Spread your meme..maybe the search engines will hear it and we'll watch a paradigm shift happen in the industry.
  • Re:Wow... (Score:3, Interesting)

    by FidelCatsro ( 861135 ) <.fidelcatsro. .at. .gmail.com.> on Sunday October 09, 2005 @07:22PM (#13753118) Journal
    Happy birthday to you
    If you sing it they will sue
    From us all to Time-warner
    A large loud F*ck you

    Copyrights already last far far too long , the fact that extensions are given is an insult . Especially in the cases of songs which have become part of the public consciousness
  • Re:no suprise (Score:2, Interesting)

    by Anonymous Coward on Sunday October 09, 2005 @08:01PM (#13753281)
    A- bullshit. only a moron dweeb (like Lars from MEtallica) thinks they need a record company and the RIAA to make it in music. you can publicize your self and market yourself on line as in TV,radio and print damn easy and for prett darn cheap. (cable TV ad's on tier 3 networks (gee mtv is on tier 3) is about $1.25 an ad. Espically when ran outside of prime time. for $500.00 you can get insane exposure on Cable TV in a DMA you will have a concert in.

    Only complete and utter morons think they need a record contract to make it in music... and I am proven right by simply looking at the retards that are currently in the RIAA artist list.

    B- true and already happening. Jimmy Buffett started a record company with some other arrtists that give honest terms to the artists signed with them and share profits with them as well. they are gaining new artists faster than the RIAA would like as it is exposing artists to the possibility that they do not have to be gang raped without lube to "make it".. These record companies are gaining momentum fasterthan Arista, Apple, and other big record companies can even imagine. hell they are pulling acts from them fast as well.

    so in reality, A, you can self market yourself easily and cheaply. B, there are new record companies growing that are not basing their business model on rampant financial sodomy of your artists.

    Hope you feel enlightened. Posting anon to avoid losing my job at a record company. yes i just gave away 2 really dirty secrets.
  • Re:no suprise (Score:3, Interesting)

    by mdielmann ( 514750 ) on Sunday October 09, 2005 @08:06PM (#13753306) Homepage Journal
    Actually, thanks to Slashdot, I'm considering subscribing to Pandora [pandora.com] for a year. It costs $36/year (US currency, I presume), some of which no doubt goes to the RIAA groups. Here's a site that's maintained by music professionals, categorizing music based on far more criteria than I'm qualified to describe, yet selects music that I've heard and like as well as a lot of stuff that's brand new which I like. Now I can look at those new artists, identify which labels they're from (and if they're affiliated with RIAA), and acquire more music from those artists (either second-hand if they're hooked into RIAA or directly if they aren't).

    I think of the subscription as severance pay. Sure, RIAA gets one last piece of me, but I get a valuabe resource to learn other places where I can get what I want without having to support them again.

    P.S. /., get these damned CSS layouts or whatnot fixed. It would be nice to be able to preview.
  • Re:no suprise (Score:2, Interesting)

    by Anarchitect_in_oz ( 771448 ) on Sunday October 09, 2005 @08:19PM (#13753349)
    Considering Shakespear was writing Political Satire of his day, written so the masses could laugh at the bumbling of the leaders of the day.

    If alive today it's more likely that he'd be writing for shows like South Park or The Simpsons than pro-wrestling.
  • by Piquan ( 49943 ) on Sunday October 09, 2005 @10:12PM (#13753824)

    Ah, but it's a false analogy. In your case, Alice and Bob (presumably; I'm inferring here) had independant orchards. In ours, Bob has to buy his apples from Alice; there's no other source for the apples that Alice and Bob are selling. So Bob's increased sales also lead to more revenue for Alice. (Bob might be sell a few bananas too-- they were grown independantly-- but Alice was only advertising the apples.)

    But here's another thing: the RIAA doesn't sell anything to consumers. Alice isn't even selling apples to the public. She knowingly and intentionally paid Carol to increase market awareness. Her only reason was to boost Bob's sales (since Bob pays Alice a cut of every apple, no pun intended).

    Now let's get to the real issue here. Alice is advertising apples, but doesn't say where to buy them. So Bob also puts out his own flyers with directions to his apple stand. Alice says, well because I paid Carol all this money, I also want you get paid me for each flyer that Bob puts out. To top it off-- and this is actually irrelevant because the rest is so ludicrous-- she's not telling this to Bob; she's telling it to the flyer printer.

    So the analogy is quite different. In your example, Alice and Bob (presumably) had independant orchards. Alice sold apples to the public, and that's why she paid Carol. And Alice wanted to benefit from Bob's increased revenues. But in our case, Alice has the only orchard. She doesn't sell apples; she only paid Carol to boost Bob's sales. And Alice wants to get a cut of Bob's flyer printing.

    The way I figure, Bob is paying Alice a lot. Alice isn't giving the apple farmers much at all. The reason she justifies this is by saying that she has to pay Carol so much. So why, when Bob pays for marketing out of his own pocket, should Alice demand money? If anything, it would seem that Alice should give money to Bob-- she's the one with the huge advertising budget.

  • by Koil ( 786141 ) on Sunday October 09, 2005 @10:35PM (#13753910)
    Ugh...this whole issue just makes me sick thinking about it. They deserve nothing out of this pool. Its enough that the artists that they've locked into slave labor recieve hardly anything for their works, but yet they want to go diving into other peoples pools as well?? I am simply amazed at the utterly greed ridden tactics that they employ, and have no problem at all in doing so....not one.

    If I worked for the RIAA, I would have to come home and bathe in boiling water just to get the stench of greedy a$$hole off of me.

    I still think .99 is too much, but its definitely a sweet spot that the american public is probably willing to live with, so the market will bare it. Charging more for songs, ringtones, etc. just turns my stomach...I think that the sleazy bastards should have to be the musicians roadies if they want to represent them, so at least the musicians are getting some type of payback for the reaming they're going to take from labels.

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