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Music Media Government Politics Your Rights Online

DMCA Creator Admits Failure, Blames RIAA 239

An anonymous reader writes "DMCA architect Bruce Lehman has admitted that "our Clinton administration policies didn't work out very well" and "our attempts at copyright control have not been successful". Speaking at conference in Montreal (video at 11:00), Lehman lay much of the blame at the feet of the recording industry for their failure to adapt to the online marketplace in the mid-1990s."
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DMCA Creator Admits Failure, Blames RIAA

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  • by i_want_you_to_throw_ ( 559379 ) on Saturday March 24, 2007 @09:13AM (#18469873) Journal
    "our Clinton administration policies didn't work out very well"

    Considering that Orrin Hatch (R-Idiot-Utah) wrote the damn bill.

    Republicans are best at passing the buck, they take responsibility for nothing. EVER.
  • Re:"DMCA architect?" (Score:1, Informative)

    by Anonymous Coward on Saturday March 24, 2007 @10:03AM (#18470143)
    No he didn't. He was involved in the 1996 WIPO copyright treaty [wipo.int] that forms the basis of the DMCA as well as the EU Copyright Directive. And that's where the UK copyright act gets its anti-circumvention provisions from. Despite the "1988" in the name, that act got updated quite a few times since then.
  • by Garwulf ( 708651 ) on Saturday March 24, 2007 @11:39AM (#18470807) Homepage
    Well, while some of Lehman's comments are interesting (and promising), and I certainly believe that a lot of this current situation is very much the fault of the RIAA, I'm seeing a pendulum effect here. Having failed to control copyright using extreme measures on one end, he's now talking about the end of copyright, which is basically the extreme on the other end. The truth, like so many truths, is somewhere inbetween.

    I'm speaking as a published and agented author here - I need to know what copyright is, and how it works. My livelihood depends on it, partly when dealing with publishers (knowing what rights I'm signing away) and partly when it comes to dealing with agents (making sure that they know what rights of my work to keep from being signed away). A bad contract can nail an author to the wall, and there are very bad contracts out there. So I am very much aware of what copyright is, what it does, and how it works.

    And here is the problem - most people in the grass-roots movement don't. And the fault for this lies very firmly in the hands of the RIAA. Frankly, our society needs copyright - it is the single most important tool our culture and society has to advance itself. And, I'll explain why (even though it will take a while, and probably put a few readers to sleep).

    We have a society that is very unique in many ways. First of all, literacy is the norm, not the exception. Secondly, we have the technology (and have had it since about the 15th century) to efficiently reproduce the work of creative artists (first literature and visual art, now music and film). Third, we have a capitalist system where the success of an artist is based on the sales of his/her work (rather than a system of patronage). It is, broadly put, a literate meritocracy.

    What this means is that there are a lot of creative people out there, and they are able to distribute what they create through a variety of means. We are drowning in content, which is good - the more content there is, the healthier our culture is, and we have a very healthy culture, make no mistake. But, how is this content to be dealt with? Many of these creative artists want to do different things with their creations. Some want to sell it, others want to share it. Some want to keep their characters to themselves, and others want to create shared worlds that anybody can write in. Even in software development, there is a disparity. And there needs to be protection for all of these creative artists, so that they can do what they need to. And that is where copyright comes in.

    Copyright is the broad tool that allows the various creative artists to do what they want with their work. It really is amazing in its simplicity - if you don't believe me, look at the Berne Convention. The creative artist owns the copyright to their work until such time as they die and it runs out, or they sign it away. And that copyright simply allows them to say "this work and what is in it will be copied in X way." It provides protection for the specific implementation of an idea, but not for the idea itself. And, it requires reasonability from the creators - hence fair use and the public domain. It's this tool that allows the Creative Commons to exist, that allows the Open Source movement to fight against SCO, and that allows an author to receive royalties on his work from a publisher for copies sold. And the success of the created work is determined by the market, and nothing else.

    And this is where the RIAA is so troublesome - they have spent quite a long time abusing both the letter and the spirit of copyright law, and doing it very publicly. So, while I've just described the literal truth of what copyright is, there are a lot of people who just won't believe what I've written. Why won't they? Because while copyright law is about balanced rights of the creator, the RIAA is using it to sue dead grandmothers, students, and welfare moms for copying insignificant amounts of music. And actions do speak louder than words. The irony is
  • by coyotl ( 415332 ) <coyote@NosPAM.lenscraft.com> on Saturday March 24, 2007 @11:40AM (#18470815) Homepage

    one of the worst laws ever

    Ummm, slavery [wikipedia.org] ?

  • by Anonymous Coward on Saturday March 24, 2007 @11:58AM (#18470933)
    Let's try to be a little less "giant corporation-ish". The news is not "heavily filtered". The news is PROPAGANDA, like the stereotypical definition of propaganda. Identical in sense to the propaganda pushed by worst organizations/governments in history.
            We as (ostensibly) intelligent people should try to be reasonably accurate about our postings. Otherwise, we suffer from the same villainy as the "giant corporations".
  • Re:Wooo! (Score:3, Informative)

    by Waffle Iron ( 339739 ) on Saturday March 24, 2007 @02:51PM (#18472303)
    I'm well aware that new music styles incorporate elements from older ones. That's not what's currently happening. What we have on the popular charts is bad rehashes of exactly the same styles and ideas that have come before without new innovations. (I wouldn't even mind if they were good rehashes.)
  • by evilviper ( 135110 ) on Saturday March 24, 2007 @04:22PM (#18473037) Journal

    DVDs were successful due to the drastic improvement in convenience and picture quality over VHS, despite the DRM. BluRay and HD-DVD won't have it so easy since they're not such a drastic improvement over DVDs as DVDs were to VHS,

    Yeah, VHS to DVD was a HUGE 3X improvement, while DVD to HighDef is a MEASLY 6X improvement.

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