Jobs to Labels- Lose the DRM & We'll Talk Price 459
eldavojohn writes "Apple CEO Steve Jobs has been talking smack about DRM and has recently issued a verbal offer to major music lables stating that if they are willing to lose the DRM, he'd be willing to raise his 99 cent price for those iTunes songs. These tracks (such as the recent EMI deal) would also have better sound quality & cost about 30 cents more."
Re:Defeats the point (Score:5, Informative)
Re:Album deal (Score:3, Informative)
Re:Raise it from 99 cents? (Score:2, Informative)
Re:So... *More* than buying a CD? (Score:5, Informative)
I'll stick with my emusic account (Score:3, Informative)
Re:Here are some figures (Score:5, Informative)
Re:Are consumers that dumb? (Score:5, Informative)
there are half-assed attempts to make a PC not read them, which are in fact NOT DRM.
So the OP is actually right, you are the one that is mistaken.
And I agree with him, I'll pay less for far higher quality on CD without paying anything to the RIAA.
I buy all Cd's used
Re:Are consumers that dumb? (Score:3, Informative)
http://en.wikipedia.org/wiki/Piano_key_frequencie
Lower frequency music is going to have harmonics or whatever that go above that, but it means that even crappy old CD audio is sampling typical musical tones quite a lot more than 10 times per oscillation. The people who designed the standard, what, 30 years ago, did a very good job.
Re:Are consumers that dumb? (Score:2, Informative)
that's called an oligopoly.
Re:So... *More* than buying a CD? (Score:5, Informative)
I say: Buy the album at the album price, not the tracks individually. Whether there are one track or twenty five on it, it will cost you less than the CD.
You say: iTunes will not let you mix and match an album worth of tracks for the price of an album.
I say: No one else will. Not Amazon. Not Best Buy. Nobody.
Oh, and by the way... if you already bought a couple tracks of an album and want to complete the album, iTunes will let you grab the rest of the album for the album price less the money you already paid toward the tracks you already have... even THOUGH as a portion of a full album the per track price is less than 99 cents, they're still letting you apply what you have paid thus far to an album price, rather than a prorated per-track album completion price. The same model will likely apply when the per track price is $1.30 and the album prices are still $9.99 even for the higher fidelity (as Apple has stated they plan to do).
Care to identify a single music retailer other than Apple who will do this?
The problem in your assumptions is that you think that the entire price of a product is associated only with the tangible materials that went into it. As if there are no other people to be paid other than those who work at the manufacturing plant, and as if there's no inherent market value to the INTANGIBLE content... (i.e. lyrics, music) in a musical work, and as if there are no costs to maintaining data centers with global load balancing that can serve millions of customers worldwide without crashing to a grinding halt.
Also, you're saying it starts to look worse and worse for individual singles. Do you remember when a single cost $1.49 to $3.49 just to buy it on a crappy analog cassette? I sure as hell do... and then you could only buy the singles that the studio released AS singles. You had no option of buying almost any track off an album, much less digital. It has only gotten better.
There is also a premium associated with the convenience of the iTunes model. Amazon will charge you shipping unless you want to wait an indefinite period for their SuperSaver shipping by which time you could have downloaded many times that amount of content from iTunes. Your time is worth money... how much? That's open to debate depending on the individual but I would imagine it's no fun to wait days on end just to get that one song you wanted... and when you do, Amazon won't let you have just that one song. It's got to be the entire album... one song you want, and a bunch you might not.
There is no direct analogy between what Amazon offers in terms of product and service, versus what Apple offers. And you are overlooking a very important competitive edge here because the ability to mix and match whatever tracks you want at a fair market price is one of the key attributes that makes iTunes so much more convenient and consequently hugely popular and still increasing in popularity.
The Apple business model can command a premium for the non-DRM tracks because of the limited alternatives to having their a-la carte purchasing options and the convenience of their user interface, search capabilities and purchasing system.
Re:Why hasn't anybody written a workaround for DRM (Score:3, Informative)
http://www.burningthumb.com/drmdumpster.html [burningthumb.com]
Re:Are consumers that dumb? (Score:2, Informative)
Re:Are consumers that dumb? (Score:5, Informative)
The 44,100 hz/16 bit sampling rate isn't bad. It's just not optimal.
Re:Where are the EMI songs? (Score:5, Informative)
Re:Marketing (Score:4, Informative)
Re:Soundbite society (Score:5, Informative)
OF COURSE no Compact Disc Digital Audio disks have DRM [wikipedia.org]. There are a few non-audio discs that contain some audio information that may be so infected, but it's impossible for a CDDA disc to be ruined that way.
Re:Are consumers that dumb? (Score:4, Informative)
Re:Are consumers that dumb? (Score:2, Informative)
Fine, but that has nothing to do with the grandparent's point. The point was that audiophiles will hear a difference between 16-bit 44.1 kHz audio and 24-bit 96+ kHz audio. Nothing to do with MP3 at any bitrate.
(I have no opinion either way, my ears are shot to pieces, I'm just trying to make a stand for logic.)
Re:Are consumers that dumb? (Score:2, Informative)
Oh I get it, it's just I thought analogies were supposed to make a complicated example *less* confusing.
Re:Audio Quality (Score:3, Informative)