Web Radio Negotiations Carry Poison Pill 243
Adambomb writes "It seems that the deal that saved Net radio at the 11th hour, the new terms that would limit the maximum fee for multiple-channel Web radio broadcasts, contains a hook. To qualify for the cap, broadcasters must work to ensure that stream-ripping is not feasible. Given that the analog hole will always exist as far as I can imagine in such scenarios, is this even possible?" The article mentions the measures Net stations could easily take but have been reluctant to — lowering bit rates, playing jingles over the music, cross-fading songs. How long before they are backed into using these techniques?
What the.... fuck... was this? (Score:3, Informative)
Why is my nose bleeding?
Already done? (Score:3, Informative)
Re:Ummmm... (Score:3, Informative)
But it is usually just easier to use one of these [wikipedia.org].
Re:Lowering bit rates? (Score:3, Informative)
Something like one of the channels at di.fm.
For the kind of listening I do with the radio (casual, background stuff) the quality is really quite incredible.
If you use Linux the FAAD GStreamer plugin decodes it.
Re:Payola killed the radio star (Score:3, Informative)
Get your terms straight (Score:3, Informative)
So the analog hole doesn't mean anything. They want to prevent direct digital ripping of the music on the station.
Re:Payola killed the radio star (Score:2, Informative)
Not only that... (Score:3, Informative)
Not only that, but some DAB radios (e.g. http://www.pure-digital.com/Products/Product.asp?
Re:Digital hole (Score:3, Informative)
Even with the sound hardware integrated onto many motherboards these days with the regular VIA, etc., 5.1 audio chipsets, the Advanced Linux Sound Architecture pretty much allows you to capture anything the sound card is putting out. So if it can be played on Linux, it can be captured on Linux.
Makes me wonder if they'll preclude open source platforms from listening to Internet radio streams.
Re:Crossfading songs?!? (Score:5, Informative)
-->It's not a lost art at all; djs in clubs do it every night, with much greater technical skill. Many match beats, some even match key, others even use various tricks with the mixer to provide greater range of blending options.
Really, the art is not dead; in fact, it's come a long, long way.
Re:What the.... fuck... was this? (Score:3, Informative)
In the end, this obsession with keeping people from "pirating" is costing them bigtime- and in reality, it's nothing to do with infringements
and more to do with control of what people do, what people listen to and watch, etc. It's beginning to cost them because people
aren't interested in buying what they're offering.
Re:But WHY? (Score:3, Informative)
Re:Analog hole and stream ripping (Score:3, Informative)
You listen to web radio basically when you couldn't be bothered turning on a regular radio or you want to listen to a range of music that is no available via regular radio and mots importantly you are really interested in listen to any specific music your just after a musical background.
A major pull for web radio for me is the opportunity to be exposed to different kinds of music. If all I wanted was radio on the computer, the local stations have that and you can tune in to any regular radio station online. If you buy a CD or go to P2P you have to already know what you are looking for. But by listening to web radio you hear songs no other station will dare to play, exposing you to different genres and artists which are kept off of the regular radio by the mafiaa. Then you could buy those guys' cds instead.
I bet there is a lot more of that going on now. That and people buying CDs from local groups. Those sales don't show up in the mafiaa reports because they only report on sales from their cartel.
JJJ is a favourite of mine too (Score:4, Informative)
The geeks will love Dr. Karl [abc.net.au] and the other science shows, like his recent call-in show with Sir Roger Penrose and Dr Kip Thorne (links to mp3) [abc.net.au].
Re:What the.... fuck... was this? (Score:2, Informative)
Albums and singles are frequently found on P2P networks before release. The real piracy starts somewhere between the final production and shipping. But, yeah, not ever through radio (internet or otherwise).