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Television Media Businesses Technology

Are You Being Cheated by Digital Cable? 291

Lauren Weinstein writes "Even though your cable company may claim that a channel is in a digital tier that you're paying for, they may be sending it to you in analog form, with associated negative effects. Surprise! Are You Being Cheated by Digital Cable? 'You're paying for digital, you should get digital. Outside of the lower video and audio quality that can be present on many analog feeds, third-party devices (like cableCARD TiVos) which could otherwise record a digital signal directly, will be forced to re-digitize an analog signal, with inevitable quality loss in the process. But how to know for sure if a channel is digital or analog as received?'"
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Are You Being Cheated by Digital Cable?

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  • Audio (Score:2, Informative)

    by thebear05 ( 916315 ) on Saturday September 15, 2007 @11:37PM (#20621797)
    The point about audio is very important the digital picture quality does vary mine is somewhat close for sd programming but the audio quality that goes to a receiver from the digital channels vs the analog channels is night and day in my market some networks are digital some are analog and the difference is very noticeable. I assumed using optical or coax from my cable box to my receiver all the content would be at least digital stereo not only available through the rca jacks in an analog format.
  • On Comcast it's easy (Score:5, Informative)

    by kimvette ( 919543 ) on Saturday September 15, 2007 @11:41PM (#20621821) Homepage Journal
    On Comcast it's easy to tell analog from digital feeds: on digital cables the S/PDIF signal is present, on analog feeds it is not, so on the analog feeds I need to switch my audio receiver to use the line-level input instead of digital.
  • Re:Shocking? (Score:1, Informative)

    by Anonymous Coward on Saturday September 15, 2007 @11:41PM (#20621825)
    For the same reason the first guy was marked redundant. It contributed nothing more than "me too".
  • Look at the noise (Score:5, Informative)

    by Spazmania ( 174582 ) on Saturday September 15, 2007 @11:49PM (#20621883) Homepage
    But how to know for sure if a channel is digital or analog as received?'

    Look at the noise characteristics. Analog and digital respond to noise differently. Digital pixilates and stutters but otherwise displays a perfect picture. Analog ghosts and snows.

    If you're not getting enough noise to tell the difference then smile and be happy because you have a better cable TV signal than most of the rest of us.

  • How to know... (Score:5, Informative)

    by evilviper ( 135110 ) on Saturday September 15, 2007 @11:52PM (#20621901) Journal

    But how to know for sure if a channel is digital or analog as received?'"

    Begin unscrewing the coax cable from your cable box. As you very, very slowly pull it away, if the signal starts to fade/shows static/etc., it's certainly analog. If, instead, it suddenly goes from perfect, to black, it's digital. Also, in the latter case, it will probably start to show artifacts, perfectly square 16x16 pixel macroblocks that stand out in sharp contrast to the rest of the picture.

  • The new HD Tivo is not 'prohibitively expensive' at all. In fact it's the same price as your Series2 was. The OLD HD Tive was 'prohibitively expensive', though.
  • by InvalidError ( 771317 ) on Sunday September 16, 2007 @01:03AM (#20622335)

    But that being said, there is a limited amount of bandwidth and all the channels we expect to have take up a lot of space. HD is even worse, it eats up bandwidth and processing equipment.

    Bandwidth is not really a problem for HDTV: from what I read, most current HDDVD and BluRay titles are encoded at less than 10Mbps total. Since a DOCSIS modem can pull over 40Mbps from a single 6MHz NTSC channel bandwidth, a digital cable box should be able to squeeze at least three very good quality HD channels in the same bandwidth as one analog channel. With about 900MHz worth of usable downstream bandwidth on coax, there is room for up to 450 high-quality HD channels. Of course, about half of that spectrum is used by analog channels, SD/ED digital channels and cable-modems so there should still be room for 150-200 HQ-HD channels.

    As for the processing equipment, the heavy-lifting is at the source where initial encoding is done and at the head-end if there is transcoding to be done. The rest is standard fare digital broadcast over an HFC network just like it is for all other digital cable broadcasts. Since head-ends already have quite a bit of equipment dedicated to each channel they support on their networks, having an extra transcoding/scaling unit in loops that require it is (usually) a minor hurdle.
  • by plover ( 150551 ) * on Sunday September 16, 2007 @01:10AM (#20622375) Homepage Journal

    If you are getting a crappy picture on the analog stations on your cable that originated as analog, you need to phone up your cable company and complain about the installation of your cable feed as it's not done correctly.

    I had this problem a few years ago and called the cable provider. The technician who came out identified a simple barrel connector in the cable demarc box was attenuating the signal by about 12 db instead of the expected 0.5 db. It took him just minutes to trace out the wires and replace the connector (he also replaced the cable ends while he was at it,) and it didn't cost me a cent.

    So I agree that you should do a bit more investigation before calling shenanigans.

  • by The Vulture ( 248871 ) on Sunday September 16, 2007 @04:02AM (#20623323) Homepage
    In a typical cable company office (I've been in a couple), you'll see rows upon rows of boxes that they use to receive the actual television signals from satellite (one per channel they receive). Most of these boxes are provided by the networks in question.

    Many of these boxes can only output the signal as analog (on a user-specified frequency, for arbitrary placement in the channel map), some of them are capable of outputting MPEG-2 data using ASI as the physical link. In order to cram multiple channels in one frequency, the MPEG-2 streams have to be changed (PID numbers must be changed to be non-duplicates, PAT and PMT packets need to be updated), then these MPEG-2 streams need to be muxed together and encoded into QAM.

    Seeing as this is an expensive process (that cable companies might not have planned for, especially in the case of smaller operators), I believe that many of them are waiting for the migration to MPEG-4, to get the most bang for the buck.

    -- Joe
  • by The Vulture ( 248871 ) on Sunday September 16, 2007 @04:13AM (#20623389) Homepage
    I don't moderate, so I can't mod you up, but you're right on the mark here.

    The problem is not bandwidth, it is that the cable operators are locked into their antiquated equipment due to politics within the industry (for example, the CableLabs cabal/consortium), or due to the cost of the equipment (although I only do software at a company that makes this equipment, I have heard estimates of hundreds of dollars per channel in costs).

    -- Joe
  • by jasonwea ( 598696 ) * on Sunday September 16, 2007 @07:08AM (#20624193) Homepage
    Non-square pixels are actually quite common. In PAL land 16:9 SD is transmitted as 576i (720x576 or 702x576). I'm guessing your SD feeds are 720x480 and need to be scaled to 16:9 (say 854x480 or similiar). This is quite normal for PAL/NTSC compatible feeds. (Again in PAL) there are other aspect ratios that are used on lower bitrate channels such as 544x576 and 480x576.

    If you are using something like VLC or mplayer (or even Media Player Classic on Windows), it shouldn't be too hard to get it to look right. Most feeds should have the MPEG aspect ratio flag set and it should Just Work. Otherwise you should be able to force the aspect ratio (4:3 or 16:9) in your playback software.
  • Re:How to know... (Score:1, Informative)

    by Anonymous Coward on Sunday September 16, 2007 @08:09AM (#20624491)
    He's talking about seeing artifacts as you begin to unplug the cable. This is because the signal is still there, but it's beginning to degrade as you slowly pull it out.
  • by tepples ( 727027 ) <tepples.gmail@com> on Sunday September 16, 2007 @09:07AM (#20624753) Homepage Journal

    Analog stations don't have a specific "horizontal resolution"
    In a way, they do; it's called the Nyquist rate. Terrestrial broadcast television (M system) and standard cable television consist of amplitude-modulated NTSC composite video with a vestigial sideband, combined with frequency-modulated audio. In NTSC, 0 to roughly 3.0 MHz of a composite video signal is luma (Y), while 3.0 to 4.2 MHz is chroma (Pb and Pr, multiplexed with QAM). Nyquist's theorem [wikipedia.org] states that this Y signal can hold only 6 million samples per second. There are 15734 scanlines per second, and about 82 percent of a scanline is video, the rest being horizontal blanking. This gives a total of (6000000/15734)*0.82 = 312 distinct luma samples at the Nyquist rate. Many video systems slightly oversample this to 320, which provides (desirable) square luma elements at the field rate.
  • by ePhil_One ( 634771 ) on Sunday September 16, 2007 @09:22AM (#20624839) Journal

    But Standard-Definition Digital TV isn't better than analog

    Not true.

    Not True.

    I think what the grandparent was saying is its not neccessarily better

    . If the transmitted program was recorded digitally, ie. recently, it does look better, and is mpeg2 standard (DVD) with bit rates up to 15 Mbs (thats the highest I've seen so far).

    I'm sure that would look better. What if it were transmitted at 256 kbps instead? Would the quality still surpass a virgin dub from a high quality master onto broadcasters professional tapes (1/2" Beta as I recall)? No way in hell. And broadcasters I'm pretty sure don't generally use DVD's to store their material. So the bitrates you see on you DVD player are irrelevant. Actually, in general the quality of the source material is irrelevant. Yes, good tranmission won't help bad source material, nobody is arguing that. Assume pristine best case source material.

    Now think, does an CD (digital representation of an analog sound wave) or an MP3 (compressed digital represntation of an analog sound wave) sound better? At higher bandwiths the compression losses (MP3 is part of the MPEG2 standard, a "lossy" standard) become negligible, sure. But almost nobody argues it is better than the original source.

    Now lets think bandwidth. An analog signal consumes some amount of bandwidth (I think 38 Mbps). By compressing it via MPEG2, the cable company can now fit 7 (very good quality) to 12 (Ok quality) channels. With all the bandwidth pressure though (more channels, faster internet, HDTV), cable companies are being tempted to add even more channels in each slice, I've heard of up to 24 less popular digital channels being squeezed into 1 "analog" channel.

    So why is "digital" sold as cleaner? Interference. While a very clean signal is injected at the head end, By the time it runs through all the splitters, amplifiers, it can be very muddled. The benefit of digital assuming about 85% of the signal can be ressurected at the far end, and near ideal picture can be constructed. Problem is, at about 75% loss, no picture can be reconstructed. Analog pictures can yield usable content with much higher loss level (we used to what OU football games out of NYC (OTA) with maybe 40% of the signal surviving. A staticy mess, yes, but we knew what was happening on the field.

  • by teebob21 ( 947095 ) on Monday September 17, 2007 @01:59AM (#20632707) Journal
    If it's a Motorola 6400 series, I can tell you.

    With the box on, press Power (turns it "off") then press Select within 4 seconds. This should take you to the User Settings menu.

    If Power/Select takes you to the diagnostics, try Power/Menu. It's one or the other, I just cant recall which right now.

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