Provider of Free Public Domain Music Shuts Down 242
Mark Rogers writes "The International Music Score Library Project has provided access to copies of many musical scores that are in the public domain. It has just been shut down due to a cease-and-desist letter sent to the site operator by a European Union music publisher (Universal Edition). A majority of the scores recently available at IMSLP were in the public domain worldwide. Other scores were not in the public domain in the United States or the EU (where copyright extends for 70 years after the composer's death), but were legal in Canada (where the site is hosted) and many other countries. The site's maintainers clearly labeled the copyright status of such scores and warned users to follow their respective country's copyright law. Apparently this wasn't enough for Universal Edition, who found it necessary to protect the interests of their (long-dead) composers and shut down a site that has proved useful to many students, professors, and other musicians worldwide."
Seems like he caved to an empty threat (Score:4, Informative)
No good deed goes unpunished (Score:5, Informative)
Allow me to quote someone named Carolus [imslpforums.org] on the IMSLP site's forums:
This was just one person providing a public service... uh, sorry, competing unfairly with the copyright cartel.
Re:Why take the site down? (Score:5, Informative)
http://imslpforums.org/viewtopic.php?p=3082#3082 [imslpforums.org]
Re:Why take the site down? (Score:5, Informative)
Mutopia Project - All legal sheet music in USA+EU (Score:1, Informative)
Try the Mutopia Project [mutopiaproject.org] - all their sheet music is out of copyright in both the USA and the EU.
Not that this lessens the tragedy of a site having to shut down due to baseless threats which would cost too much to defend against.
Re: Composers get their share (Score:5, Informative)
No, that person gets paid quite a bit for performance rights and music-publishing.
'Probably much more per track than Ms. Spears gets for doing the vocals since in addition to royalties on the album and online music sales the composer also gets paid for radio-play where Ms. Spears does not.
What makes Ms. Spears' arrangement more advantageous than the composers' are the payments from other sources such as advances against sales, concerts, merchandise, appearances and publicity, commercial advertisements -- and of course the free stuff that she gets just for showing up at awards ceremonies, bars and parties.
Not again ... (Score:3, Informative)
Expert Opinion (Score:4, Informative)
As for a European infringement, if UE is correct, then the public domain becomes an offline concept, since posting works online would immediately result in the longest single copyright term applying on a global basis. That can't possibly be right. Canada has chosen a copyright term that complies with its international obligations and attempts to import longer terms - as is the case here - should not only be rejected but treated as copyright misuse.
Re:Not again.... (Score:4, Informative)
In fact, it's happening a lot write now in Britain where people who don't like books that are written about them are suing the author in court in Britain for defamation, even though the book was never sold and never intended to be sold in Britain. The people bringing the suit simply go to Amazon and buy a few copies. Read about it here. [nytimes.com]
The reason I said "it depends on how the site works" is because the Supreme Court has already looked at the issue of personal jurisdiction and websites in the Pavlovich case, the guy who made the LiVid website that dealt with DeCSS and DVDs with Linux. There was no jurisdiction in that case but the court said if the website was more interactive and targeted people in California then there would have been. So, if this site had targeted Americans, then yes, they could have had PJ in the U.S.
With all that said, i think it's pretty shitty to do that to this guy.
U.S. & E.U. should go back to old Copyright sy (Score:3, Informative)
The original Copyrights were like patents: 17 years. That was to give incentive to the creators of original works, who could sell them for a limited time, before the work became public domain. But copyrights were put there to encourage creators to create works for the public good, because it eventually did pass to the public. The problem was, if the public just took original works, then there was no incentive for the creative types to create. Thus Copyright law.
And the concepts of Fair Use allowed the public and schools to use even copyrighted materials in certain circumstances, again for the public good.
It was never intended, originally, that all rights to works should be held, essentially forever, by private parties. That is a complete bastardization of the whole concept.
It was designed to be only temporary, just like patents. Then greedy people got it extended to the life of the creator. And then more. And now, life plus 70 years! Which in many cases is more than the lifetime of a member of the general public. And the DMCA has been used to even stifle university research if that research would endanger someone's copyright! What a crock!
How can that possibly be in the public interest???
If we went back to the old system, 17 years or even compromise and say 30 or 35... a whole lot of these "problems" surrounding copyrights would just GO AWAY!!!