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Music Media Businesses The Internet

U2's Manager Calls For Mandatory Disconnects For Music Downloaders 658

sleeplesseye writes "In a speech at the Midem music industry convention in Cannes, Paul McGuinness, longtime manager of the band U2, has called on Internet service providers to immediately introduce mandatory French-style service disconnections to end music downloading, and has urged governments to force ISPs to adopt such policies. McGuinness criticized Radiohead's 'In Rainbows' pay-what-you-want business model, saying that 'the majority of downloads were through illegal P2P download services like BitTorrent and LimeWire'. He also accused ISPs, telcos, device makers, and numerous specifically named companies such as Apple, Google, Yahoo!, Oracle, and Facebook of building 'multi billion dollar industries on the back of our content without paying for it', and of being 'makers of burglary kits' who have made 'a thieves' charter' to steal money from the music industry. The full text of his speech has been posted on U2's website."
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U2's Manager Calls For Mandatory Disconnects For Music Downloaders

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  • What a crock (Score:5, Insightful)

    by FredFredrickson ( 1177871 ) * on Tuesday January 29, 2008 @12:22PM (#22222322) Homepage Journal
    From TFTA:

    Notwithstanding the promotional noise, even Radioheads honesty box principle showed that if not constrained, the customer will steal music.
    Ok, not to state the obvious here, but if they're offering it free, that means it wasn't stealing. I would like to say, while there are some that obviously would try to steal it whether it was free or not, some may have been compelled to pick it up for free that wouldn't have even bothered to buy orsteal it in the first place. If it's free, might as well give it a try. That's not increased piracy-- that's increased exposure. Radiohead's huge, but a lot of my friends don't listen to them. This gave them a chance to join the Radiohead bandwagon.

    Aside from that, Paul continues to show his disconnection from reality by using Radiohead's example. Radiohead made far more money distributing it this way than they ever did with a record label. His entire speech was nothing more than a "oh noes! Please help me save our dying business model."

    Talk about profitting off the backs of other's work- he's using U2's name (and website) to push his agenda!
  • by Anonymous Coward on Tuesday January 29, 2008 @12:22PM (#22222338)
    Why should ISPs lose profits to protect another industry's profits?
  • by elrous0 ( 869638 ) * on Tuesday January 29, 2008 @12:23PM (#22222348)
    ...are always the one who scream loudest.
  • by Animats ( 122034 ) on Tuesday January 29, 2008 @12:24PM (#22222358) Homepage

    U2's good stuff would be public domain by now if we had reasonable copyright lengths, like we used to.

  • Hey Paul (Score:5, Insightful)

    by Captain Splendid ( 673276 ) * <capsplendid@@@gmail...com> on Tuesday January 29, 2008 @12:24PM (#22222370) Homepage Journal
    With all due respect, Paul, Fuck you.

    I've bought U2's albums, t-shirts, concert tickets and other crap. Over the years, I've easily spent several hundred dollars on your band's products. Same goes for hundreds of other artists: Concerts, posters, tshirts, albums, box sets, fan club-only items. Hell, some albums I've bought multiple times in multiple formats over the years.

    I've got a huge DVD library, and it keeps growing. I'll happily pay premium prices for Criterion editions, I'm a hardcore movie geek who's always loved going to the cinema, sometimes even repeat fucking viewings for movies I really like.

    So when you come out with this ignorant, self-serving tripe and try to pass it off as a moral issue, I look at you and get sick to my fucking stomach. I'm terribly fucking sorry I downloaded your band's last album just so I could get my hands on that lame "quatorze" single. Fuck, I can't even remember the last time I listened to that song (I sure as shit didn't bother with the rest of the album).

    Hell, if it makes you feel better, I'll delete it when I get home tonight. Not really any skin off my nose. I've got my $120 Led Zep Box set to keep me warm at night. I've got the Joshua Tree and Rattle & Hum, 2 albums I've paid full retail for more than once.

    Big big fan of U2, at least until Pop, anyway. Shame they're on the decline. Shame you're a douchebag.

    One last thing. Facebook? Apple? Get some meds, man. Even the worst **AA shill isn't that shrill.
  • by noidentity ( 188756 ) on Tuesday January 29, 2008 @12:25PM (#22222390)

    the majority of downloads were through illegal P2P download services like BitTorrent and LimeWire

    Wow, there are legal P2P download "services"? Are they only in Canada?

  • has felt like they were the only one in the room who "just didn't get it"

    well now is the time for you to relish, jeer, or commissurate (condescendingly)

    for here we have the experience of "just not getting it" playing out on someone else's dime, on a much larger scale, to a much larger audience
  • by lattyware ( 934246 ) <gareth@lattyware.co.uk> on Tuesday January 29, 2008 @12:28PM (#22222436) Homepage Journal
    Wow, there are illegal ones? Seriously, since when is BitTorrent illegal?
  • Byte me... (Score:5, Insightful)

    by realsilly ( 186931 ) on Tuesday January 29, 2008 @12:29PM (#22222456)
    Make CD prices reasonable.
    Make CD last more, invest in the technology that promotes your sound.
    Make Copyright time frames reasonable.
    And don't forget if we didn't listen to your crap you'd be a broke begging musician.

    Shush you greedy F...s.
  • Re:What a crock (Score:2, Insightful)

    by milsoRgen ( 1016505 ) on Tuesday January 29, 2008 @12:29PM (#22222460) Homepage

    Ok, not to state the obvious here, but if they're offering it free, that means it wasn't stealing.


    Not to mention the fact that downloading is not stealing, illegal or not. No one is deprived of their property through a download as has been pointed out many times before.
  • ISP suicide? (Score:5, Insightful)

    by thesuperbigfrog ( 715362 ) on Tuesday January 29, 2008 @12:29PM (#22222470)
    Disconnecting your customers (or suing them or otherwise alienating them) is business suicide.

    SCO et al. found this out the hard way. AT&T does not seem to be picking up on this either.

    Calls for reform will only be taken seriously when they are financially feasible.

  • Dangerous Thinking (Score:4, Insightful)

    by MozeeToby ( 1163751 ) on Tuesday January 29, 2008 @12:32PM (#22222528)

    illegal P2P download services like BitTorrent and LimeWire
    This is dangerous thinking; seriously, if you want to protect your online rights you cannot allow statements like that to go unchallenged. Even given that the majority of the files being downloaded by the progroms are illegal, that does not make the services themselves illegal.

    That's the brunt of the problem here anyway, these people are more than willing to disrupt every, every internet connection in the world in order to protect thier profits.
  • by ringm000 ( 878375 ) on Tuesday January 29, 2008 @12:33PM (#22222542)
    Litigate! In Rainbows was just released, topping all the album charts and getting universally positive reviews. Where's the latest album by U2? Riiight.
  • Say what? (Score:4, Insightful)

    by djupedal ( 584558 ) on Tuesday January 29, 2008 @12:33PM (#22222550)
    Where was Paul McGuinness when the record companies were taking over 80% of the profits during the last few decades? He didn't have a problem with that form of robbery, eh?

    The guy is off his rocker, clearly.
  • Yeah Paul, just like all those ingrate thieving pirate bastards were stealing those $250+ concert tickets over the past few tours!! And on a side note - for a band who's very carefully crafted their public perception as being a band for social justice and sticking it to the man, do you really want to draw more attention to the fact that U2 are extremely rich and wealthy individuals who really are even more "the man" than some of "the man" they like to point their preachy fingers at from time to time? Do you really think whining about the fact that your giant pile of money used to be a lot bigger is going to endear U2 to it's fanbase?
  • by ProteusQ ( 665382 ) <dontbother@nowher[ ]om ['e.c' in gap]> on Tuesday January 29, 2008 @12:37PM (#22222606) Journal
    ...but I'm paying less than $0.27USD per song on eMusic. I could pay less per song if I chose to. Now, if that business model starts to eat into this guy's house payments, is he going to campaign for eMusic to increase it prices? Or would he just advocate for a surtax? He's skipping over this whole 'free market' thing that we're supposed to be operating under, so what would stop him from taking the next logical step?

    It's about time we recognize that what it going on here is _not_ an attempt to reform capitalism. It is an attempt to replace capitalism with _mercantilism_. Remember that minor North American rebellion in 1776? It had in part to do with British plans for how the colonies would buy imported crap ad infinitum, regardless of how they felt about the matter.

    My fellow conservatives, allow to me scream 'wake up!' in your general direction. When an industry owns a market, it's no longer a _free_ market! Duh!

    (sigh).... Rant over. Thanks for your patience.
  • Re:Hey Paul (Score:3, Insightful)

    by morgan_greywolf ( 835522 ) on Tuesday January 29, 2008 @12:38PM (#22222626) Homepage Journal
    Right on, man. Seriously.

    This guy deserves to have a new asshole ripped for him.

    Paul:

    Apple? Oracle? Huh? Apple's a REAL stretch, and Oracle is just -- well a mind-bogglingly super stretch. Apple sells music, dumbass. Oracle? Oracle makes databases. In fact, they don't make anything else, really. Databases that are used for all sorts of stuff, including cataloging YOUR BAND'S ALBUMS FOR SALE on music and retail Web sites. Not to mention probably half of your financial history and most of your medical history is probably sitting somewhere in one of several Oracle databases right now. Give it a rest.

    Paul McGuinness is now officially the new laughingstock of World Wide Web. Congrats, Paul!
  • Re:What a crock (Score:5, Insightful)

    by flitty ( 981864 ) on Tuesday January 29, 2008 @12:39PM (#22222644)

    Talk about profitting off the backs of other's work
    I, for one, don't subscribe to the "internets" just to download illegal music. Of all the reasons I have internet, Illegal mp3 downloading is not one of them. As I've said many times before, When someone offers music online, DRM free, cheaper than a physical album (mp3's should NOT be the same price as a physical, lossless album) I'll buy MP3's. Until then, If you don't give me a reasonable option to buy your album, I'll either buy it in the store, or ignore it altogether. Thanks for adding U2 to the tainted "Metallica" pool of music downloading.
  • U2 Website Terms. (Score:5, Insightful)

    by onion2k ( 203094 ) on Tuesday January 29, 2008 @12:41PM (#22222680) Homepage

    We allow Members (as defined below) to make contributions to the Site ("User Content") through chat rooms, bulletin board services, member profiles, and other means. By submitting any User Content to the Site, you hereby grant us a perpetual, worldwide, non-exclusive, royalty-free right and license to use, reproduce, display, perform, adapt, modify, distribute, have distributed and promote such content in any form, in all media now known or hereinafter created, anywhere in the world, and for any purpose. Furthermore, you thereby waive any so-called moral rights or other similar rights in your User Content.

    Heaven forbid that U2 might rig their website to enable them to profit off the creative output of other people.
  • by dotancohen ( 1015143 ) on Tuesday January 29, 2008 @12:43PM (#22222706) Homepage
    This is why I paid $10 for In Rainbows, and I don't even know the name of the latest Metallica album. I refuse to listen to music by those who shit on their fans (performers or managers) and U2 just got off my list. Thank God Trent Reznor is sane.
  • by Jane Q. Public ( 1010737 ) on Tuesday January 29, 2008 @12:45PM (#22222752)
    First off, a long-time principle of the FCC in this country (when did this change???) has been that content carriers (ISPs) cannot also be content providers. That helps keep monopoly and censorship wannabes out of the equation. Court decisions have repeatedly held (see stories here int the past recent days) that if carriers control the content of what they are carrying (ANY content), then they assume responsibility for that content. Which leads to this interesting scenario:

    In the U.S. at any rate, if an ISP tries to filter out "copyrighted content", then they automatically become liable for any "copyrighted content" that subsequently gets through. I am quite sure that is not what they want to do. This issue was discussed here at length just the other day.
  • by psbrogna ( 611644 ) on Tuesday January 29, 2008 @12:45PM (#22222756)
    "building 'multi billion dollar industries on the back of our content without paying for it'" This really doesn't carry much weight coming from the lips of somebody's who's basically an agent; IMO, the pinnacle of parasitic business models. Wake up: If you're business model is based on being an intermediary or owning a channel (neither of which adds any value to the product or service)- guess what? It's time to get a new business model. There's an internet now- nobody needs intermediaries or monopolistic channels.
  • Wookie Defense (Score:5, Insightful)

    by dmomo ( 256005 ) on Tuesday January 29, 2008 @12:46PM (#22222766)
    "McGuinness criticized Radiohead's 'In Rainbows' pay-what-you-want business model, saying that 'the majority of downloads were through illegal P2P download services like BitTorrent and LimeWire'." In addition, I don't see how this statement makes sense.
     
        Let's for a second assume that Limewire, et al were "illegal download services", how does that reflect negatively on Radiohead's distribution strategy? Radiohead said: "Hey, download it HERE and pay what you want for it"; So some people downloaded it "THERE" and paid nothing for it. How is this any different from someone saying: "Hey, buy it in stores, and pay $15 for it" and then seeing people downloading it "THERE" and paying nothing for it?
     
    If anything it shows proves that it's not just about the money. It's about how people prefer to access music. Radiohead offered it for free "this way", and people took it for free "that way". It's about a delivery mechanism that is not being provided by the industry.
  • by jaweekes ( 938376 ) on Tuesday January 29, 2008 @12:53PM (#22222864)

    And I quote...

    There is technology now, that the worldwide industry could adopt, which enables content owners to track every legitimate digital download transaction, wholesale and retail.

    This system is already in use here in Cannes by the MIDEM organisation and is called SIMRAN. Throughout this conference you will see contact details and information. I recommend you look at it. I should disclose that I'm one of their investors.

    I think that puts it in context...

  • by ryanw ( 131814 ) on Tuesday January 29, 2008 @12:53PM (#22222878)
    I know first hand that the iTunes sales are extremely strong. It also gives equal opportunity to every record label beyond the "top four labels", which is the real problem for the major labels. They're used to being able to throw their weight around and putting a can of spaghetti-o's on the shelves for 3 months and have it turn into gold. Things are different now. Music & Movies can be successful, but requires true talent and overall good entertainment value.

    This guy is completely oblivious and ignorant of the current generation of consumers. The consumer market is still extremely strong, but the average consumer wants to be able to try before they buy, high quality, cheap, and they want it immediately. Overnight shipping is too expensive for this generation along with it's not immediate.

    Ignoring the generation's desires along with the technology at the finger tips is completely ignorant. I don't mean to come across as a "fan boy" but Steve Jobs single handedly rescued the music industry. He had given the current generation the ability to satisfy all the needs of the current generation with technology of today.

    I have always felt that piracy was the entertainment industry's excuse for making poor investment choices. Putting out bad bands and bad movies results in low sales. Piracy has always been around, and there have been people renting videos and copying them to VHS tapes for EVER. People used to make Mixed tapes for their friends. People used to sit around recording the radio onto tapes.

    If you think about it, piracy is another form of "airplay". The record industry pays hundreds of thousands to get your song "radio airplay", because it helps create buzz and get your album noticed and then people buy it. This is the trend that has been going on for decades. There will always be people who buy albums and people who don't. There's a small group of consumers on the fence who don't buy music because it's too easy to get through some other means. I think this is a small group, because the larger group consists of people who had never bought an album, and never would buy an album, but have TONS of music because they enjoy music. But these people would rather listen to radio than buy music, but since they can download stuff for free, they do. You can find these types because they have gigs and gigs of music, and they have their music players on 'random' and don't care what is being played. You can identify a music "buyer" by their numbers of playlists and/or how frequently a specific album is played. These people are the "music buying" people.

    The music industry is a tough one. But not impossible. You need spectacular talent and incredible foresight to work with musicians who are wanting to be their own thing and not ride the coattails of what is already popular. Individuality rewards a lot greater in this kind of market, where as being a "me too" band is a waste of time and money.
  • by MightyYar ( 622222 ) on Tuesday January 29, 2008 @12:54PM (#22222888)
    You can be a non-union shop in a union-heavy industry in one of two ways: You can actively suppress the unions or you can be so good to your employees that the idea of unionizing seems silly.

    Which method does U2 employ?
  • by Stefanwulf ( 1032430 ) on Tuesday January 29, 2008 @12:59PM (#22222946)
    Yeah, but not the company running the toll road that the getaway car used.
  • by Anonymous Coward on Tuesday January 29, 2008 @12:59PM (#22222958)
    Would you hold the phone company responsible for committing a crime using your phone? Or would you hold the manufacturer of the getaway car responsible? The ISP terminating service does not do anything to prevent the piracy, it just forces the pirate to go to a competing service.
  • by mhall119 ( 1035984 ) on Tuesday January 29, 2008 @01:05PM (#22223068) Homepage Journal

    When was that? It used to be life of the author, plus 20 years. So U2's stuff would still be theirs.
    Hmmm, 23 years or life+20......

    The engineer in me just found a more efficient solutions than fixing copyright laws.
  • Re:What a crock (Score:4, Insightful)

    by Nursie ( 632944 ) on Tuesday January 29, 2008 @01:13PM (#22223216)
    No, you can't steal an idea. you can steal a document containing an idea. You can copy an idea but the end of the process the original "owner" of said idea still has it.

    Of course that could mean depriving them of money, beating them to the market, ripping them off in any number of ways, but it's not stealing, it's not theft, it's a different phenomenon which is why we have different laws to deal with it. RTeality is not blasck and white. Just because something is a little bit like something else, doesn't mean they're the same.
  • Re:What a crock (Score:1, Insightful)

    by Anonymous Coward on Tuesday January 29, 2008 @01:17PM (#22223266)
    There is no moral difference to lifting a CD from a record store.
    Well, there certainly is an economic one. If you steal a CD, you have deprived the seller of both the sale and of the cost of producing/acquiring the physical good. It is impossible for them to sell that good to someone else.
    If you copy a file containing music, you have not deprived the producer of selling that file to somebody else.
    Certainly in both cases the producer has lost a sale but, in one scenario, they have also incurred lost cost of production as well.

    That economic difference implies there is a moral difference. It's not a victimless crime, but it's not the same either.

    Either that or all paparazzis should be locked up in jail for theft. By taking pictures of stars, they are depriving the stars of being able to make money from selling images of themselves.
  • Re:What a crock (Score:5, Insightful)

    by Nursie ( 632944 ) on Tuesday January 29, 2008 @01:18PM (#22223280)
    "Weasel words. This is hiding behind a technicality and is only smart if you're immature or a lawyer. Its theft whatever the exact legal definition. The alternative to downloading illegally is to purchase by chosing to do this you deprive the nominal owner of a sale. There is no moral difference to lifting a CD from a record store."

    Strange. I would have said It's not theft unless you're -

    a) trying to scare 9 year olds who have a simple view of the world
    b) are an idiot with a simple view of the world

    The world isn't black and white, realty is nuanced. Unless you're a retard.

    we have different laws surrounding these phenomenon because they are fundamentally different. Stealing a car takes it away from the original owner. copying his car does not. It MAY take money away from ford/GM/whoever, but there's nothing to say that had you been prevented from copying that you would have bought on anyway.

    This is not to say that copyright infringement is a good thing or in any way permissable, but you have to be a SERIOUS FUCKING RETARD to not see the difference. Either that or someone who is deliberately trying to muddy the waters and that has a specific, legislative agenda.

    Which are you?
  • Re:What a crock (Score:5, Insightful)

    by RexRhino ( 769423 ) on Tuesday January 29, 2008 @01:18PM (#22223284)
    No, there is no moral right to "intellectual property". Things like copyright and patents were designed to promote the useful arts and sciencies, the idea being that it promoted publishing and the exchange of information to give a party a temporary monopoly. There is no moral right to these things.

    Do you pay royalties every time you sing happy birthday at a birthday party? Do you feel guilty for not paying the royalties, as you are required to do by law? Perhaps we should throw you in jail for your blatent criminal violations, after all violating copyright is like stealing, right?
  • by Beardo the Bearded ( 321478 ) on Tuesday January 29, 2008 @01:21PM (#22223326)
    Years ago, my dad worked in a smelter.

    The shop across the street was unionized. The manager at my dad's plant said, "I'll give you everything the union shop gets, no questions asked. They can go on strike, get a better deal, and then you'll get that deal. Plus, you don't have to miss that pay while you'd be out on strike."

    They never unionized, and never went on strike. I guess the moral is that if you treat your employees with respect and treat them well (with good pay, good benefits, etc.) then unions aren't really required.
  • Re:What a crock (Score:5, Insightful)

    by Dachannien ( 617929 ) on Tuesday January 29, 2008 @01:27PM (#22223420)

    Thanks for adding U2 to the tainted "Metallica" pool of music downloading.
    Agreed. It's interesting that the last thing of note Metallica did was put their collective lips directly on the RIAA's ass. I guess the RIAA is a big enough ass that there's room enough for U2 there as well.

    Fortunately, there's enough good music [musiccreators.ca] out there that I only need to offer the briefest lament for U2's downfall before I move on.
  • Re:What a crock (Score:3, Insightful)

    by Nursie ( 632944 ) on Tuesday January 29, 2008 @01:28PM (#22223438)
    Please show me how it fits any of those definitions -

    "1 a: to take or appropriate without right or leave and with intent to keep or make use of wrongfully"

    To take or appropriate, both of which imply doing so without the owner's permission. If I own a CD and share a copy with a friend, he has my permission. The word "keep" implies the depriving of the original party of the property.

    "b: to take away by force or unjust means"

    Key word here is "away".

    "c: to take surreptitiously or without permission"

    Again, the person who owns the CD has given permission.

    "d: to appropriate to oneself or beyond one's proper share"

    Appropriateing implies force and the exclusive use of something, neither of which are appropriate here.

    They are different phenomena. Accept that. Just because they are different doesn't mean that one is acceptable and the other is not, but it does mean we get to look at them differently and it's childish to equate them.

  • by ultranova ( 717540 ) on Tuesday January 29, 2008 @01:29PM (#22223450)

    Are you somehow required to hire overpriced union workers at whatever amount of money they decide to extort from you in order to show how much you really care?

    If refusing to work on a wage below X is extortion, then refusing to pay someone more than Y for that work is also extortion. Given this, you may wish to rethink your statement a little.

  • Re:What a crock (Score:2, Insightful)

    by letxa2000 ( 215841 ) on Tuesday January 29, 2008 @01:34PM (#22223536)

    I haven't had much reason to buy U2 music lately anyway, but until now I've been OK with their politics.

    It's a band, not a political party. What on earth does their politics have to do with anything? I actually avoided a U2 concert that I probably would have otherwise gone to because I go to concerts to enjoy music, not to be preached to.

  • Re:What a crock (Score:2, Insightful)

    by ultraslide ( 267976 ) on Tuesday January 29, 2008 @01:39PM (#22223602)
    Indeed ....

    our talented clients deserve better than the shoddy, careless and downright dishonest way they have been treated in the digital age.
    They deserve the shoddy and downright dishonest way they have been treated since the beginning of recorded music. 8-11 % of profits, cooked books so there are no profits and managers who take 10-15% of net, for services of little or no real value. After all it's "who you know".

    FU2.
  • by Sir_Kurt ( 92864 ) on Tuesday January 29, 2008 @01:40PM (#22223624)
    I am a musician. I play mandolin and fiddle. But I all really getting pissed off at all these folks who are doing everything they can to lock up our cultural heritage with copyrights and other dodges as described in this story. Music has developed into its present form over many, many thousands of years. Nothing U2 or what any other musician is creating is anything other than an incremental twitch to what has gone before. Yet the content companies and artists are attempting to claim exclusive and complete control over musical expression without the recognition of the debt they owe to those that came before.

    The real thieves are the RIAA and musicians who claim all content to themselves. It is very, very wrongheaded. It is like building your house on the town commons and then claiming you own the land and will allow no trespass.
  • by davester666 ( 731373 ) on Tuesday January 29, 2008 @01:49PM (#22223750) Journal
    This sounds to me like an argument for unions. Your dad would have been totally screwed if the shop across the street wasn't unionized.

    If anything your dad leeched off the union. He got the benefits of it being in the other shop, without having to pay for it [no dues, no having to strike for better pay/benefits, etc].
  • Re:What a crock (Score:5, Insightful)

    by CopaceticOpus ( 965603 ) on Tuesday January 29, 2008 @02:14PM (#22224080)
    That's probably true for many big name artists, whose main goal when recording an album is to produce one or two radio hits. But I love listening to music as an album, and many of my favorite artists are still making albums, not just songs. I would hate to see albums die off as music goes online. Songs can really gain something by being a part of a larger work.

  • Re:What a crock (Score:3, Insightful)

    by riseoftheindividual ( 1214958 ) on Tuesday January 29, 2008 @02:23PM (#22224200) Homepage
    The world isn't black and white, realty is nuanced. Unless you're a retard.

    Hell yeah. The real world is in full color.

    we have different laws surrounding these phenomenon because they are fundamentally different. Stealing a car takes it away from the original owner. copying his car does not. It MAY take money away from ford/GM/whoever, but there's nothing to say that had you been prevented from copying that you would have bought on anyway.

    There used to be a time when bands/artists were happy and grateful to get exposure to people at all. Now a lot of them are acting like they're owed a living. They don't even produce anything neccesary to society. If all the pop shit music made today stopped being made tomorrow, society might actually improve, it certainly wouldn't get worse.

    Point is they don't produce anything critical to society and yet they act like they're owed something to the point where they think our society should slow down progress in the name of safeguarding their fat profits off of what is in essence, luxury items. I wish these idiots would stop and listen to how ridiculous they sound.
  • Re:What a crock (Score:5, Insightful)

    by Hatta ( 162192 ) on Tuesday January 29, 2008 @02:43PM (#22224552) Journal
    That's only true if you listen to crap music. Good artists don't need filler. Shit, a good musician can get up and jam for an hour and it will be worth listening to. If a band can't produce a whole album that's worth listening to, then they're not worth my attention. There are too many great artists who can.
  • by sm62704 ( 957197 ) on Tuesday January 29, 2008 @02:43PM (#22224558) Journal
    Why shouldn't they be able to hire who they wish, and pay according to market just like most other industries?

    The corporates have really, really brainwashed today's workers. The fact is that union shops CAN hire who they wish, and DO pay market rates. Non-union shops CAN'T hire who they wish; union people won't work for them. And non-union shops DON'T pay market rates; they pay far less than martket rates.

    The then-President of (IIRC) United Airlines (I think, it's been a while, early 80s; this guy ran a non-union airline, I think it was United) famously said "any company that gets a union deserves one." I have to agree with him. If you treat your workers fairly, they won't organise.

    If your employer can join an organization (say, the RIAA, the MPAA, the whatever trade organization Sun and Microsoft are members of) why can't their workers?
  • by DerangedAlchemist ( 995856 ) on Tuesday January 29, 2008 @03:12PM (#22225008)

    McGuinness criticized Radiohead's 'In Rainbows' pay-what-you-want business model, saying that 'the majority of downloads were through illegal P2P download services like BitTorrent and LimeWire'

    I love how this is advertised as a proof of lost sales. People who were NOT even willing to pay $0 to download 'In Rainbows' from the official site would have paid for the album if file sharing didn't exist? How is that reasoning possible?

    What this fact proves, quite soundly, is that the vast majority of illegal downloads were never lost sales at ANY price. The reasoning used to say it is 'lost sales' shows a stunning lack of basic business sense that just might be the real problem in the music industry.
  • Re:What a crock (Score:3, Insightful)

    by Knuckles ( 8964 ) <knuckles@@@dantian...org> on Tuesday January 29, 2008 @03:41PM (#22225440)
    Sadly, there are very few artists around today. Most of our music is indeed put together by entertainment professionals

    Dude, you're looking in the wrong places. Seriously.
  • by Skynyrd ( 25155 ) on Tuesday January 29, 2008 @04:47PM (#22226412) Homepage
    As far as I I can see a Union is the last thing that employees should want. If you are getting abused in by your employer and the law alone will not protect you then yes you may need a Union.

    I've worked union, as well as non-union shops. Until recently, in a non-union special effects shop in Hollywood (Burbank, actually). In my experience, the biggest difference, besides pay, is safety. In a union shop, if I think something is dangerous I can call for a shop steward and we can discuss the safety problem. In a non union shop, I can call the foreman and discuss the safety problem. The difference is that the union shop, in general, won't have the safety problem because they know it will stop work. The non-union shop has safety problems, and if you bring it to their attention, you don't work there for too much longer. And there's always somebody who's willing to work unsafely to be the macho, "I can do it with no gear" guy.

    Here are some of the "safety problems" I'm referring to - from personal experience.
      - Working from large heights with no safety gear, because it's "just for a few minutes".
      - Workers standing under equipment being lifted, because it's "just for a little bit".
      - Untrained guys driving heavy equipment (forklifts, etc) with little or no training, in a crowded space.
      - The owner of the company accidentally hitting workers with forklifts or things being moved by the forklift, several times a year. Broken bones included.

    There are plenty of good (and abusive) unions out there, but a lot of them are actually needed. In my opinion, when the company is large enough that the CEO/owner doesn't know you, you become just another replaceable item. That's the point when things can become very impersonal and you should consider some sort of group representation.
  • by mrraven ( 129238 ) on Tuesday January 29, 2008 @07:01PM (#22228316)
    For starters there is contract law to keep people from signing stupid deals

    http://smallbusiness.findlaw.com/business-forms-contracts/business-forms-contracts-overview/ [findlaw.com]

    But above and beyond that society keeps people from doing stupid things all the time for example meat inspections so we don't buy tainted meat. Do you want to go back to the days of Upton Sinclair's "The Jungle?" I think not...

    http://www.amazon.com/Jungle-Uncensored-Original-Upton-Sinclair/dp/1884365302 [amazon.com]

    Or how about the days of child labor of the 19th century?

    http://www.amazon.com/Times-Bantam-Classics-Charles-Dickens/dp/0553210165 [amazon.com]

    Unchecked Libertarian capitalism is fine in theory, not so nice in practice.

  • by syousef ( 465911 ) on Tuesday January 29, 2008 @07:26PM (#22228664) Journal
    Basically said, "Do you know who I am, and what I've done? I'm the biggest activist in the world, who are you peons to criticize me? I'll hire whoever I like."

    For me, no one has successfully argued why even a really good artist deserves to make millions. A good school teacher, who works just as hard doesn't. A good doctor who works longer hours and has more responsibility shouldn't (I know there are some that do, but those that are in it to do good certainly don't charge their patients exorbitant rates). Why should a musician or a film or tv star make millions? Then record companies and event organizers make ten times the money on top of that. We over-value these people.

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