Will the New RIAA Tactic Boost P2P File Sharing? 309
newtley writes "The RIAA's claim that it'll stop suing people may have serious consequences... for the RIAA. When it dropped its attack on seven University of Michigan students, Recording Industry vs. The People wondered if the move was linked to three investigations, with MediaSentry as the target, before Michigan's Department of Labor and Economic Growth. Now, 'LSA sophomore Erin Breisacher said she stopped downloading music illegally after hearing about the possibility of receiving a lawsuit, but now that the RIAA has stopped pursuing lawsuits she "might start downloading again,"' says the Michigan Daily, going on to quote LSA senior Chad Nihranz as saying, 'I figure, if there aren't as many lawsuits they will come out with more software to allow students to download more.'"
What about some of the other potential tactics we've discussed recently, such as the UK's proposed £20 per year film and music tax or the $5 monthly fee suggested in the US? Is there anything the RIAA can do to reduce illegal file-sharing without generating massive amounts of bad publicity?
No evidence of £20 tax (Score:3, Informative)
As I posted [slashdot.org] in the £20 tax thread, I can't find any evidence that such a proposal even exists.
The UK government did propose, in the interim Digital Britain report, to explore the willingness of rightsholder organisations (eg, the equivalents of the RIAA and MPAA) to fund a Rights Agency [which is stupid idea, but still...] but there never was a "broadband tax" proposal.
I think that the Times article was simply wrong (did you see it quote anything or anyone? Thought not). However, if anyone can find some counter evidence, then I'd like to read it.
I hold no candle for the Labour government - bash away, but when you bash at a non-existent straw man, then you undermine all your legitimate arguments against the real world shit that the bastards try to pull (ID cards, Internet use database, DNA records, etc.)
--Ng
Re:In Soviet Russia... (Score:1, Informative)
At this point, we're just beating a dead horse with this argument.
We're long past dead horse. We're beating the tube of glue with a spare toffee hammer.
Re:Sounds like a good deal (Score:4, Informative)
The present UK government is insane, so that wont stop them.
Longer answer (Score:5, Informative)
Here's a few options:
- Start treating the indies and non-"top 40 list" artists with respect.
- Stop putting out crap content that isn't worth the price they want to price-fix it at.
- Bring back the single (why do you think iTunes and similar do so well? Because most of the time only one song on the album is any good if it's a MafiAA-produced album).
- Start making the production value of CD's worthwhile again. This means put in proper cover art, lyric sheets, etc rather than just a tiny scrap of paper. Also, stop pushing the normalized volume of the recording so fucking high that it clips out and sounds like crap. Master them lower and retain audio fidelity, thanks.
- Sign some fucking new artists for god's sakes.
There's also one thing I'd love to see happen from the government's end, which would be to reinstate the radio station ownership rules. It used to be, there were over 5000 different radio companies in the US. Now, 98% of the US market is owned by only 5 companies; the biggest and crappiest, "Clear Channel", owns over 50% of the market.
You want to know why your radio sucks today? Because you don't GET local shows any more. There are a small handful of local shows, and the rest is either national-syndicated talk radio (schlesinger, limbaugh, hannity, beck, savage, etc), "top 40" generic shit "music" stations with pre-recorded loops and a guy three states away "reading your local news" to you, or "niche top 40" crap we get down here based on exploiting some racial group (local stations we have here: "La Raza", aka "The Race", the vilest racist mexican Aztlan-movement shit you've ever heard, and "the Box", which is all (c)Rap music about killing cops and regularly features "guest" appearances of the local New Black Panthers leader).
Clear Channel moves into a city, cuts all the employees, pretty much just sets up the stations on automatic reproduction of their master feed, and forgets about you. They get an almost "captive audience" of commuters, and that's that. In many local markets, there is no such thing as "competition" any more because CC owns the entire area.
Reinstate the media ownership rules; make it so we get REAL local music stations again, with REAL DJ's who make their OWN daily playlists, occasionally spin a whole album, and maybe (just maybe) there will be a better chance for music to spread.
Of course, the MafiAA loves media consolidation. That way, they send just one gift basket to one person and get Britney Spears' latest pile of crap spinning on half the stations in the US for five weeks or more, and lock the independent artists completely out of the system much easier. Gyah.
Re:Longer answer (Score:2, Informative)
Unfortunately your estimates are a little off. I'm assuming you are exaggerating, but the various cost stack up. Consumers have a tendency to look at something and go "that probably only costs $.50 to make and they're asking $4, I'm getting screwed." But they are never considering all the costs associated with getting the product to them. From the employee that stocked it to the parking lot they parked in, everything costs dearly. For a $10 CD, here is what you're more realistically looking at:
$.75 manufacturing (including damaged/returned items)
$1.50 shipping/packing/distribution
$1.50 advertising
$2.50 retail mark-up (for the store selling it)
$.75 effectively going to various taxes/fees
$1.50 to the record label
$1.50 to the artist
The record labels pays the RIAA, but even if they weren't, I doubt they would decrease their share. There are a lot of costs distributing physical goods that people don't think about.