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Neuromancer Movie In Your Future? 239

Posted by CmdrTaco
from the believe-it-when-they-shoot-it dept.
An anonymous reader pointed out a link talking about how Vincenzo Natali, writer/director of Splice, has written a screenplay for Neuromancer. The article says he even ran it by Gibson. No studio is attached to the project, but at least Natali promised "No Keanu."
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Neuromancer Movie In Your Future?

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  • by egcagrac0 (1410377) on Wednesday May 26, 2010 @12:28PM (#32349912)

    I'm more worried about who plays Molly.

    Keanu is too old to make a convincing Case.

  • by netsavior (627338) on Wednesday May 26, 2010 @01:05PM (#32350352)
    The problem with Neuromancer is that a lot of the scenery and the backdrop itself is based on a pre-Tokyo exchange crash economy, in which everyone just assumed Japan would rule the world soon(ish). The whole feel of the story would be lost, I think now that the parts that could, have already come true, and the parts that haven't come true never will.

    Snowcrash has a much better shot, since it pretty much assumed corporations (masquerading around as governments, churches, and media companies) will eventually take over everything. The backdrop still works.

    Stephenson's Metaverse is a candied playground populated by everyone, ruled by the technological elite and the corporations who hire them, a safe place to which we see the very first danger unleashed. Gibson's cyberspace is a wild frontier rife with danger, populated exclusively by the technological elite cowboys, who risk life and sanity every day. In the modern real life, Internet access is pervasive and a wide audience will accept "OMG this thing we all do IS dangerous, people could get a computer virus!!!" but you will find a hard sell on "you know that cool web-surfing thing, well these guys nearly die doing it, and that is why they are badass, and Case, well, he almost dies a lot." huh???

"And do you think (fop that I am) that I could be the Scarlet Pumpernickel?" -- Looney Tunes, The Scarlet Pumpernickel (1950, Chuck Jones)

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