Flowchart Guides Readers Through the 100 Best SF Books 222
Hugh Pickens writes writes "T. N. Tobias writes that over the summer, over 60,000 people voted at NPR to select the top 100 science fiction and fantasy books of all time. The result? A list of 100 books with a wide range of styles, little context, and absolutely no pithy commentary to help readers actually choose something to read from it. Now SF Signal has come to the rescue with a 3800 x 2300 flowchart with over 325 decision points to help you find the perfect SF or Fantasy book to meet your tastes. Don't like to scroll? There's an interactive version that let's you answer a series of questions to find the perfect SF book."
Re:Let me guess, a bunch of stuff from 40+ years a (Score:4, Insightful)
Not just the Silmarillion, two Stephan King books.
Good to know the middle school (and middle school reading level) was represented in this poll.
Also the red/green mars drek. At least that was low on the list. Stephan King was in the top half for fucks sake.
Re:Let me guess, a bunch of stuff from 40+ years a (Score:5, Insightful)
Well of course. Otherwise we would have nothing to talk about, friend. :)
I think you're treading dangerously close to a definition that's going to give you a nasty conclusion: that it's all fantasy and no work of hard SF has ever been written.
For example: got space colonies? Then you must have some magical economic force in your story.
Got highly-accurate genetic predictions? Oh please, your characters have magically accurate embryology models and magically powerful computers to run simulations of those models in better-than-real-time.
My point being, you're going to always be drawing a line somewhere, saying that isn't believable enough to be anything other than magic, whereas this is believable enough so that it doesn't need to be explained in detail. And yet ultimately, that lack of detail is what makes it fiction rather than a patent application. Somewhere within those glossed-over details, there is very likely a Devil. The position of the line is subjectively intuitive.
Let's say we have a 600-page story with apparent telekinesis in it.
In one version of the story, on the last page, the "telekinetic" character finally confesses his fraud to another character and shows the gullible fool the electromagnet under the table and the control switches under the toes of his shoe. The gullible character exclaims, "Damn, you sure fooled me! I'm a little angry, but since the same trick bluffed the spacebugs and ultimately saves all our lives, I guess I ought to be glad." You'd agree this story could be hard SF, right? (Could be, as long as I don't mention the spacebugs are actually dragons and that one of them was slain with a "laser sword.")
In another version of the story, everything is the same, except the fraud is never revealed. The gullible character, and the reader, never find out about the electromagnet. It's left unexplained. Not hard SF? It's the same story!
In a third version of the story, the author is a total bastard. He doesn't reveal the fraud or leave it unexplained. Instead, he lies! And not just to the character, but to you the reader. "Oligonicella looked under the table, and to his surprise, there was no electromagnet. 'It was real magic all along!' he exclaimed with amazement." Damn, what a fucking lie. Fortunately, you the reader don't believe it (even if the gullible character did), because you know there's no such thing as telekinesis. Does the author's damn lie make his story not hard SF? Well, maybe. That's a tough one. What if he sprinkles in a clue or two, such as somebody noticing on page 532 that the table had a scratch mark, as though possibly from the end of a wire?
Shit. That scratch mark could have been left by anything.