HBO has released the first trailer of its film adaptation of Ray Bradbury's best-selling 1953 dystopian tale, Fahrenheit 451, which depicts a time period where history is outlawed and "firemen" burn books. The Hollywood Reporter reports: In the Ramin Bahrani-directed film, Michael B. Jordan stars as Guy Montag, a fireman who comes to question his role in enforcing the state's censorship laws, and in so doing finds himself at odds with his "mentor," Beatty (Michael Shannon). "By the time you guys grow up, there won't be one book left," Jordan is shown telling a group of students. Throughout the trailer, a reel of destruction is shown as Beatty's voiceover warns that "a little knowledge is a dangerous thing." "We are not born equal, so we must be made equal by the fire," Beatty explains. Jordan will also serve as the film's executive producer. Sofia Boutella, Martin Donovan, Laura Harrier, Keir Dullea, Jane Moffat and Grace Lynn Kung also star.

leathered writes: Jeff Bezos today announced that Amazon Studios has picked up the rights to adapt the late Iain M. Bank's acclaimed Culture novels to the small screen, beginning with the first in the series, Consider Phlebas. This comes after nearly three decades of attempts to bring Banks' utopian, post-scarcity society to film or television. A huge fan of the Culture series is Elon Musk, whose SpaceX drone ships are named after Culture space vessels. Here's how Amazon describes Consider Phlebas: "a kinetic, action-packed adventure on a huge canvas. The book draws upon the extraordinary world and mythology Banks created in the Culture, in which a highly advanced and progressive society ends up at war with the Idirans, a deeply religious, warlike race intent on dominating the entire galaxy. The story centers on Horza, a rogue agent tasked by the Idirans with the impossible mission of recovering a missing Culture 'Mind,' an artificial intelligence many thousands of times smarter than any human -- something that could hold the key to wiping out the Culture altogether. What unfolds, with Banks' trademark irreverent humor, ultimately asks the poignant question of how we can use technology to preserve our humanity, not surrender it."

Corey Hutchinson, writing for ScreenRant: The MCU may be the biggest thing in Hollywood these days, but there's no denying that its overuse of CGI is becoming more and more noticeable. Don't get us wrong; for the most part, the MCU's CGI has been great, even spectacular at times. Even at its worst, it's nowhere near the bottom of the pile in terms of poor special effects in superhero movies. And no single MCU entry has come anywhere close to the awfulness that is Justice League. But when a superhero franchise is pulling in this much money and getting consistently glowing reviews, the bar has to be set high, and several of the MCU's latest offerings just aren't clearing it. It's worth noting that the MCU's CGI shortcomings are a relatively recent thing. There's very little to complain about when it comes to the special effects behind their Phase One movies. They all hold up surprising well, in fact, and the same goes for the vast majority of Marvel's Phase Two films. There's a few dicey moments in Avengers: Age of Ultron, but it wasn't really until Captain America: Civil War kicked off Phase Three that any negative attention was paid to the MCU's effects work.

Take a moment to rewatch the second Black Panther clip that was released to the public a few weeks ago. Specifically, hone in on the 45 second mark, where you see Nakia shooting two guys, the second of which is very obviously computer-generated. Why the hell would they even bother to CGI that, you ask?

If you've ever watched a science fiction movie about aliens, you'll know that humans tend to freak out and destroy everything when faced with incontrovertible proof of the existence of alien life. But a new analysis from Arizona State University psychology professor Michael Varnum and his colleagues suggests that humans might actually remain pretty calm and collected when that big news breaks. CNET reports: Varnum makes this conclusion based on an analysis of newspaper articles covering past potential discoveries of extraterrestrial life. Specifically, he and his colleagues looked at articles about the weird dimming of so-called "Tabby's Star," Earth-like planets around the star Trappist-1, and the potential discovery of Martian microbe fossils from 1996. They found language in the stories demonstrated much more positive emotion than fear or other negative emotions. In a second study, the team also surveyed over 500 people, asking them to guess how they and humanity would react to an announcement that alien microbial life had been discovered. In the case of both their own reaction and everyone else's, the participants hypothesized responses that were more positive than negative. The research was published last month in Frontiers in Psychology.

More Firefly stories are on the way. Entertainment Weekly: EW can exclusively report that Titan Books and Twentieth Century Fox Consumer Products have teamed up to publish an original range of new fiction tying in to Joss Whedon's beloved but short-lived TV series Firefly. The books will be official titles within the Firefly canon, with Whedon serving as consulting editor. The first book is due in the fall. Starring Nathan Fillion, Gina Torres, and Alan Tudyk, the western-tinged space opera ran from 2002 to 2003 on Fox. Exploring weighty moral and ethical questions, Firefly centered on a collection of characters living on the fringes of society, joined together in the pioneer culture of their star system in the wake of a civil war. It lasted just 14 episodes, but in the decade and a half since it went off the air has amassed a significant cult following.

Even as Hollywood studios report fewer footfalls in theaters, the last few years have arguably been impressive if you're a sci-fi admirer. Last year, we finally got to watch the Blade Runner 2049, and the The Last Jedi and Logan also found plenty of backers. In 2016, Arrival was a home run for many. Star Trek: Discovery, and Stranger Things TV shows continue to receive positive feedback from critics, and the The X-Files is also quickly winning its loyal fans back.

"Artemis" by Andy Weir and "New York 2140" by Kim Stanley have found their ways among best selling books. "Borne" by Jeff VanderMeer, and "Walkaway" by BoingBoing's Cory Doctorow have also been widely loved by the readers.

On that note, what are some movies, TV shows, and books on sci-fi that you are waiting to explore in the next two to three years?

The Guardian quotes Paul Verhoeven, the director of Starship Troopers: Robert Heinlein's original 1959 science-fiction novel was militaristic, if not fascistic. So I decided to make a movie about fascists who aren't aware of their fascism... I was looking for the prototype of blond, white and arrogant, and Casper Van Dien was so close to the images I remembered from Leni Riefenstahl's films. I borrowed from Triumph of the Will in the parody propaganda reel that opens the film, too. I was using Riefenstahl to point out, or so I thought, that these heroes and heroines were straight out of Nazi propaganda...

With a title like Starship Troopers, people were expecting a new Star Wars. They got that, but not really: it stuck in your throat. It said: "Here are your heroes and your heroines, but by the way -- they're fascists."
The actors weren't even clear on what the giant arachnids would look like, since their "Bug" battles were filmed entirely with green screens, remembers one of the movie's stars, Denise Richards. Instead Verhoeven "would be there jumping up and down with a broom in the air so we would have a sense of how big they were."

Verhoeven told one interviewer that he never actually read Robert Heinlein's original book. "I stopped after two chapters because it was so boring. It is really quite a bad book."

An anonymous reader quotes io9: That signature feeling feeling of queasy, slow-burning tumult comes through in Philip K. Dick's Electric Dreams, which originally aired in the UK last September, but is making its American premiere on Amazon Prime this Friday, January 12. The breadth of interpretations across the show's 10 episodes is the real draw for Electric Dreams. One episode will be set in something meant to recognizably stand in for the real world while others are trippy explorations into realities that could never exist. Unfortunately, Electric Dreams' episodes don't just vary in aesthetics; they vary wildly in quality, too...

When Electric Dreams fires on all cylinders, it energizes these short story adaptations by drilling down into the minutiae of how science fiction concepts would alter our everyday existences in real life. The series' common theme is how scientific and technological advancement shears the soul away from our bodies...Electric Dreams' most important task is to show both new viewers and conversant fans why Dick's oeuvre matters, which is hard in a world where we're eerily close to some of his fictional realities...

We're so busy trying to ground ourselves amid constant change that it can be hard to pull out and see society's sweeping shifts. In the '50s and beyond, Dick's science fiction writing mapped out the darker corners of where hi-speed techno-fetishes could take us. For all its unevenness, Electric Dreams adapts his work to show us where we are, relative to his prognostications. If you feel weirded out while watching, that just means the show is doing its job.

An anonymous reader quotes the Hollywood Reporter: Looking at the most-ordered comic books in the North American comic market, DC Entertainment had a particularly strong year, with seven of the top 10 issues of the year being published by the home of Superman, Batman and the Justice League... just three years ago, not one DC title made it to the list, with nine titles coming from Marvel alone. (By comparison, Marvel takes just three places this year, with one of those due to its inclusion in a subscription mystery box service)... Perhaps surprisingly, the big winner of 2017 looking at the top 10 list is DC's crossover between its DC Universe and Watchmen properties. The first issue of the Doomsday Clock series charted third â" and could end up higher on the final list for the year, depending on re-order numbers in December â" but all four issues of the prologue storyline "The Button," from summer issues of Batman and The Flash, also made it into the top 10.

it's worth noting that, across the board, order numbers for comics in the North American market fell 10 percent compared with last year. The market is shrinking, unless something turns it around soon... One last thing to note about the year's top 10, and also the comic market as it currently exists in general: It's probably time to stop pretending that mass media projects significantly impact comic book orders. In a year with Justice League, Wonder Woman, Guardians of the Galaxy Vol. 2, Logan, Thor: Ragnarok and Spider-Man: Homecoming in theaters, there isn't a Justice League, Wonder Woman, Guardians of the Galaxy, Wolverine, Thor or Spider-Man title in the top 10. Indeed, Marvel has just canceled the Guardians of the Galaxy comic book series.
Mavel had the most-ordered comic book of the year -- Marvel Legacy No. 1 -- though the article notes that all of its numbers are inevitably skewed by "ordering incentives put in place by publishers that require that a certain number of copies are ordered by stores in order to achieve a specific discount."

AmiMoJo writes: After what feels like an eternity of waiting, Star Wars: The Last Jedi has finally reached cinemas, scoring a whopping $450 million opening weekend worldwide. While reviews have been unanimously positive for Rian Johnson's blockbuster, there's been huge backlash online, many fans expressing disappointment. There's no better place to see the great divide between critics and fans than on Rotten Tomatoes, where the critical consensus scores 93% while audiences score The Last Jedi 56%. The Last Jedi is apparently worse than Phantom Menace, Attack of the Clones, and Revenge of the Sith. Conversely, critics say The Last Jedi equals A New Hope and The Force Awakens, only falling behind The Empire Strikes Back.

One problem with Rotten Tomatoes' audience score, along with IMDB, is there's no vetting process. Instead, we should look to the movie's CinemaScore, an America-based exit poll system that scientifically works out an audience score. The Force Awakens earned an A score, with 90% of all respondents being positive, the average score being 4.5. According to Deadline, non-Disney sources are saying the backlash has been primarily online "trolling." The publication also points to one Facebook page titled "Down With Disney's Treatment of Franchises and Fanboys" who are claiming to use bot accounts to target the film's score. SPOILERS: With Star Wars: The Last Jedi being released one week ago, we ask you to share your thoughts of the film now that you've had some time to watch and digest it. How did you like Daisy Ridley's performance? Do you think Kylo will try and turn Rey again as Supreme Leader? How will General Leia's future be dealt with now that Carrie Fisher has passed away last year?

dryriver writes: Oumuamua is the cigar-shaped object -- about 400 meters long and only 40 meters in the other dimensions -- that originated from somewhere else in the Galaxy and visited our Solar system while moving at nearly 130,000 miles per hour. Scientists do not know where Oumuamua came from or what it is made of -- it is not shaped like commonly seen asteroids, and unlike comets, it does not leave a trail behind it, not even when it flew past the Sun. Oumuamua seems to be wrapped in a strange organic coat made of carbon-rich gunk that it likely picked up on its long travels through space. The coat, which gives Oumuamua a dark red appearance according to scientists, was examined by using spectroscopy, which looks at the light being reflected from its surface and splits it down into its wavelengths. By looking at those measurements, scientists can work out what the object might be composed of. Scientists regard it as likely that Oumuamua may be of icy composition on the inside, but that the ice doesn't come off the object due to the thick organic crust that is wrapped around it. Oumuamua has also got extraterrestrial watchers excited. Some believe that its strange, long shape suggests that it is a spaceship of some sort passing through our Solar system. Whatever Oumuamua turns out to be, it certainly has researchers and space watchers around the world fascinated and puzzled at the same time.

dryriver writes: UFOs sightings have been reported in the tens of thousands over the last decades. In the past, some have seen flying cigar-shaped craft (blimps?), some flying triangles, some more rounded-looking flying saucers. Often the apparent spacecraft does something improbable like standing completely still in the sky and then shooting off to somewhere at an incredible speed. Some sightings are just lights or light formations flying around or dancing around in the night sky -- which could be military aircraft like helicopters and F16s training at night. There seem to be people who genuinely see stuff that is hard to explain, people who fake UFO sightings, photos and videos for profit to keep the "UFO industry" of websites, radio shows and magazines afloat, and yet others that think a regular airplane flying at night with its lights on is a UFO. What is your view on all this? Are we being visited from outer space? Is it prototype aircraft that look like UFOs to the untrained eye? Was some 190 IQ inventor-prankster having fun with quadcopter drones with colored lights four decades before quadcopters became a thing (hey, tons of people have created fake crop-circles in the past)? Where do all these supposed UFO sightings and reports come from? Did events like the famous "Battle Of Los Angeles" actually happen? And do you find any UFO reports credible at all?

A couple of weeks ago, CBS CEO Leslie Moonves revealed that the network was planning to reboot the classic fantasy science-fiction TV series "The Twilight Zone." Few details about the show were available at that time, but we have now learned that Jordan Peele, director of the mystery/thriller Get Out, will co-executive produce the show. Engadget reports: The show will be produced by CBS Television Studios, with Simon Kinberg, Marco Ramirez, Win Rosenfeld and Audrey Chon also executive producing. Peele, Kinberg and Ramirez will collaborate on the premiere episode. "Too many times this year it's felt we were living in a twilight zone, and I can't think of a better moment to reintroduce it to modern audiences," Peele said in a statement.

Quentin Tarantino reportedly has a pitch for a Star Trek film, and he has shared his vision with J.J. Abrams. According to Hollywood Reporter, "Tarantino and Abrams have plans to bring together a writers room to develop a film at Star Trek studio Paramount. Tarantino has an eye to direct the potential project." From the report: Abrams rebooted the franchise with 2009's Star Trek and also helmed 2013's Star Trek Into Darkness, before pivoting to Lucasfilm's Star Wars: The Force Awakens. He remains a producer on the Star Trek franchise even as he readies 2019's Star Wars: Episode IX. Paramount previously stated it was developing a fourth Star Trek film to star Chris Hemsworth as Captain Kirk's (Chris Pine) father, but no director has been attached and it's unclear where this Tarantino development leaves the project. The latest installment, Justin Lin's Star Trek Beyond (2016), was well-liked by critics but earned just $343.4 million worldwide, the lowest in the rebooted universe. In a 2015 Nerdist podcast interview, Tarantino revealed that he would be more likely to direct a Star Trek film over a Star Wars pic, noting he was a big fan of the original series.

An anonymous reader quotes a report from Ars Technica: Destiny 2, like its predecessor, depends largely on an open-ended "end game" system. Once you beat the game's primary "quest" content, you can return to previously covered ground to find remixed and upgraded battles, meant to be played ad nauseam alone or with friends. To encourage such replay, Bungie dangles a carrot of XP gain, which works more slowly than during the campaign stages. Players are awarded a "bright engram" every time they "level up" past the level cap; the engrams are essentially loot boxes that contain a random assortment of cosmetics and weapon mods. Everything you do in the game, from killing a weak bad guy to completing a major raid-related milestone, is supposed to reward you a fixed XP amount. As series fans gear up for the game's first expansion, slated to launch December 5 on PC, PlayStation 4, and Xbox One, its eagle-eyed fans at r/DestinyTheGame began questioning whether those rewards were really as fixed as claimed. Some players began to suspect that they were actually getting less XP than advertised each time they repeated certain in-game missions and tasks, such as the game's "Public Events."

With stopwatch in hand, a user named EnergiserX tracked the modes he played, keeping an eye on any shifts in XP gain over time. He put enough data together to confirm those suspicions: the XP gained in certain modes would shrink with each repetition. Worse, the game gave no indication of these diminishing returns. The XP-gain numbers that popped up above the game's XP bar didn't reflect the game's hidden scaling system. Thus, there was no way for a player to accurately calculate how their XP gain had been affected or scaled without going through EnergiserX's exhaustive process. With findings in hand, the tester posted on Reddit with calls to the developers for a response, which the community received on Saturday. Bungie confirmed its use of an "XP scaler" and added that it was "not performing the way we'd like it to," which meant the developer would remove that XP-scaling system upon the game's next patch. However, Bungie didn't clarify how the developers actually would have liked for this XP-scaling system to work, nor what factored into it announcing any changes beyond the system simply being discovered. Bungie issued a patch on Sunday that removed the XP-scaling systems, but it introduced another unannounced change to the XP system. "Bungie decided to tune the speed of XP gain by doubling the required XP needed to 'level up,' from 80,000 points to 160,000," reports Ars Technica. "Patch notes didn't mention this change; Bungie, once again, had to be questioned by its fanbase before confirming the exact amount of this XP-related change."

Zorro shares a report from The Register: The fourth and finest Doctor, Tom Baker, has reprised the role to finish a Who serial scuppered in 1979 by strike action at the BBC. Shada, penned by Hitchhiker's Guide author Douglas Adams, was supposed to close Doctor Who's 17th season. Location filming in Cambridge and a studio session were completed but the strike nixed further work and the project was later shelved entirely for fear it might affect the Beeb's Christmas-time productions. The remaining parts have been filled in with animation and the voice of 83-year-old Baker, although he also filmed a scene. BBC Worldwide has now released the episodes, which interweave the 1979 footage with the new material to complete the story. "I loved doing Doctor Who, it was life to me," Baker told the BBC of his tenure as the much-loved Time Lord. "I used to dread the end of rehearsal because then real life would impinge on me. Doctor Who... when I was in full flight, then I was happy."

Amazon is making a Lord of the Rings prequel TV series for its Amazon Instant streaming service. The show, which already carries a multi-season commitment, will "explore new storylines preceding J.R.R. Tolkien's The Fellowship of the Ring." TechCrunch reports: It's possible the new series will mine the ponderous but rich Silmarillion for material, as fan fiction writers and lore aficionados have done for decades. The exploits of the Elf-Lords of old would make for a stirring epic, while many would thrill at the possibility of seeing Moria at the height of its grandeur. So much depends on the quality of the adaptation, though. Amazon has been pretty good about its Originals, but this will be an undertaking far beyond the scope of anything its studios and partners have yet attempted. Amazon is partnering with New Line Cinema, which of course was the film company behind the much-loved trilogy that began in 2001, and the Tolkien Estate, as well as HarperCollins for some reason. The deal also "includes a potential additional spin-off series," presumably if it's popular enough.

What if alien life were so advanced that its powers were indistinguishable from physics? It's the one-year anniversary of a startling article which appeared in Nautilus magazine. Long-time Slashdot reader wjcofkc writes: Caleb Scharf, astronomer and the director of the multidisciplinary Columbia Astrobiology Center at Columbia University presents an intriguing thought experiment.

"Perhaps Arthur C. Clarke was being uncharacteristically unambitious. He once pointed out that any sufficiently advanced technology is going to be indistinguishable from magic. If you dropped in on a bunch of Paleolithic farmers with your iPhone and a pair of sneakers, you'd undoubtedly seem pretty magical. But the contrast is only middling: The farmers would still recognize you as basically like them, and before long they'd be taking selfies. But what if life has moved so far on that it doesn't just appear magical, but appears like physics?"
The original submitter included their own counterarguments against the idea, but the astronomer follows his proposal to its ultimate conclusion.

"Perhaps hyper-advanced life isn't just external. Perhaps it's already all around. It is embedded in what we perceive to be physics itself, from the root behavior of particles and fields to the phenomena of complexity and emergence."

A nonprofit founded in 1906 is now offering a glimpse at 2040, according to an anonymous reader: The Alliance of American Museums has just published an ambitious Nov/Dec 2040 issue of Museum, the Alliance's magazine. The columns, reviews, articles, awards, and even the ads describe activities from a 2040 perspective, based on a multi-faceted consensus scenario.
Besides virtual reality centers (and carbon-neutral cities), it envisions de-extinction biologists who resurrect lost species. It also predicts a 2040 with orbiting storehouses to preserve historic artifacts (as well as genetic materials) as part of a collaboration with both NASA and a new American military branch called the US Space Corps. And of course, by 2040 musuems have transformed into hybrid institutions like "museum schools" and "well-being and cognitive health centers" that are both run by museums.

It also predicts for-profit museums that have partnered with corporations.

An anonymous reader quotes TechCrunch: It was only in April that Blizzard made the original StarCraft free to play, and now the company has done the same for its sequel. StarCraft 2: Wings of Liberty, which is certainly the most-played real-time strategy game ever made, will be free for anyone to play starting on November 14. Of course there's a catch, but nothing nefarious. The game was divided into three episodes, each focusing on one of the three playable races (Human, Zerg and Protoss -- but you knew that), and only the first (the human one) will be available for free. If you already own Wings of Liberty (as the episode is called) you can also get the Heart of the Swarm chapter for free by logging in and claiming it before December 8.
TechCrunch calls it "a good way to onboard new players who just never wanted to pay full price to find out if they liked it."