malachiorion writes: "Remember when, about a month ago, Stephen Hawking warned that artificial intelligence could destroy all humans? It wasn't because of some stunning breakthrough in AI or robotics research. It was because the Johnny Depp-starring Transcendence was coming out. Or, more to the point, it's because science fiction's first robots were evil, and even the most brilliant minds can't talk about modern robotics without drawing from SF creation myths. This article on the biggest sci-fi-inspired myths of robotics focuses on R.U.R, Skynet, and the ongoing impact of allowing make-believe villains to pollute our discussion of actual automated systems."

malachiorion writes: "Is machine sentience not only possible, but inevitable? Of course not. But don't tell that to devotees of the Singularity, a theory that sounds like science, but is really just science fiction repackaged as secular prophecy. I'm not simply arguing that the Singularity is stupid — people much smarter than me have covered that territory. But as part of my series of stories for Popular Science about the major myths of robotics, I try to point out the Singularity's inescapable sci-fi roots. It was popularized by a SF writer, in a paper that cites SF stories as examples of its potential impact, and, ultimately, it only makes sense when you apply copious amounts of SF handwavery. The article explains why SF has trained us to believe that artificial general intelligence (and everything that follows) is our destiny, but we shouldn't confuse an end-times fantasy with anything resembling science."

An anonymous reader writes "10 years ago today, in the wake of two disappointing Star Wars prequels, we discussed whether Episode III could salvage itself or the series. Now, as production is underway on Episode VII under the care of Disney, I was wondering the same thing: can it return Star Wars to its former glory? On one hand, many critics of the prequels have gotten what they wanted — George Lucas has a reduced role in the production of Episode VII. Critically, he didn't write the screenplay, which goes a long way toward avoiding the incredibly awkward dialogue of the prequels. On the other hand, they're actively breaking with the expanded universe canon, and the series is now under the stewardship of J.J. Abrams. His treatment of the Star Trek reboot garnered lots of praise and lots of criticism — but his directorial style is arguably more suited to Star Wars anyway. What do you think? What can they do with Episode VII to put the series back on track?"

malachiorion writes: "When it comes to robots, most of us are a bunch of Jon Snow know-nothings. With the exception of roboticists, everything we assume we know is based on science fiction, which has no reason to be accurate about its iconic heroes and villains, or journalists, who are addicted to SF references, jokes and tropes. That's my conclusion, at least, after a story I wrote Popular Science got some attention—it asked whether a robotic car should kill its owner, if it means saving two strangers. The most common dismissals of the piece claimed that robo-cars should simply follow Asimov's First Law, or that robo-cars would never crash into each other. These perspectives are more than wrong-headed—they ignore the inherent complexity and fallibility of real robots, for whom failure is inevitable. Here's my follow-up story, about why most of our discussion of robots is based on make-believe, starting with the myth of robotic hyper-competence."

An anonymous reader writes "It's a common trope in sci-fi that when AIs become complex enough to have some form of consciousness, humans will be able to communicate with them through speech. But the rate at which we transmit and analyze data is infinitesimal compared to how fast a computer can do it. Would they even want to bother? Jeff Atwood takes a look at how a computer's timescale breaks down, and relates it to human timeframes. It's interesting to note the huge variance in latency. If we consider one CPU cycle to take 1 second, then a sending a ping across the U.S. would take the equivalent of 4 years. A simple conversation could take the equivalent of thousands of years. Would any consciousness be able to deal with such a relative delay?"

M3.14 writes: "H. R. Giger, the Swiss artist and designer of Ridley Scott's Alien, has died, aged 74. Hans Rudolf 'Ruedi' Giger sustained injuries caused by a fall, Swiss newspaper Neue Zuercher Zeitung has reported (link in German — English summary available). The terrifying creature and sets he created for Ridley Scott's film earned him an Oscar for special effects in 1980. In the art world, Giger is appreciated for his wide body of work in the fantastic realism and surrealistic genres. Film work was just one of his talents. Giger is also known for his sculptures, paintings and furniture. The H.R. Giger Museum, inaugurated in the summer of 1998 in the Château St. Germain, is a four-level building complex in the historic, medieval walled city of Gruyères. It is the permanent home to many of the artist's most prominent works."

astroengine (1577233) writes "The people of planet Earth would be wise to raise their cosmic consciousness prior to contact with an extraterrestrial civilization, a new study shows. 'The scientific community now accepts to some degree that this contact may occur in the next 50 to 100 years,' said Gabriel De la Torre, a clinical neuropsychologist and human factors specialist at the University of Cádiz in Spain. 'Consequently, we are becoming more concerned about this possibility and its aftermath Certainly the topic of contact with extraterrestrial civilizations raises a number of questions that are not easy to answer. We estimate that this type of event will have not only a social effect, but also on both consciousness and biology as well.' Although we may not have the necessary social skill set to deal with an encounter of the third kind, scientists or astronauts might make the best candidates for the first alien conversation."

malachiorion writes: "On the occasion of Almost Human's cancellation (and the box office flopping of Transcendence), I tried to suss out what makes for a great, and timeless Hollywood robot story. The common thread seems to be slavery, or stories that use robots and AI as completely blatant allegories for the discrimination and dehumanization that's allowed slavery to happen, and might again. 'In the broadest sense, the value of these stories is the same as any discussion of slavery. They confront human ugliness, however obliquely. They're also a hell of a lot more interesting than movies and TV shows that present machine threats as empty vessels, or vague symbols of unchecked technological progress.' The article includes a defense (up to a point!) of HAL 9000's murder spree."

DavidGilbert99 writes: "According to Eyjólfur Guðmundsson, the lead economist of CCP Games, developer of EVE Online, the total amount of ISK (InterStellar Kredits) in the system at the moment is 600 trillion, which equates to about $18 million in real world money — and the economist believes we could learn a lot from how the economy works in the game. There was a massive battle within the game earlier this year, which CCP estimated destroyed between $300,000 and $330,000 worth of game materials. Guðmundsson said, 'In economics there is a big difference between consumption and loss. In EVE, the war is the consumption of the economy. Even though they are giving money away they are not losing value, they are gaining something instead. People were willing to spend that money [in the Battle of B-R5RB] to get this thrill of participating in this battle.'"

jfruh (300774) writes "As the heydays of Internet portals recede into the mists of history and Yahoo tries to figure out what it wants to be when it grows up, the company has decided to dip its toes into the incredibly expensive and unpredictable world of producing full-length television shows to compete with the likes of Netflix, Amazon, and HBO. One of the two may intrigue Slashdot readers: Paul Feig, co-creator of the cult '90s hit 'Freaks and Geeks' (and more recently the director of 'Bridesmaids') will product "Other Space," a comedy-adventure about a misfit group of space travelers who stumble onto an alternate universe. The second show, about a fictional Las Vegas NBA team, will appeal to Yahoo's sports audience." I wonder how long it will be until Google, Microsoft, and Apple are also all producing TV shows.

An anonymous reader writes: "Young people, when choosing a profession, are often told to 'do what you love.' That's why we have experts in such abstruse fields as medieval gymel. But let's talk hypotheticals: if there's a worldwide catastrophe in which civilization is interrupted, somebody specializing in gymel wouldn't provide much use to fellow survivors. In a post-apocalypse world, medical doctors would be useful, as would most scientists and engineers. The bad news for Slashdotters is that decades without computers would render computer science and related professions useless. What do you consider to be the most useful and mostly useless post-apocalypse professions? How long would it take for society to rebuild enough for your profession to be useful?"

An anonymous reader writes "Wil Wheaton just announced a new TV show he's hosting and producing. It'll air on SyFy this summer, starting May 27th. Here's how he describes it: 'The Wil Wheaton Project is a weekly roundup of the things I love on television and on the Internet, with commentary and jokes, and the occasional visit from interesting people who make those things happen. It's sort of like Talk Soup for geeks, with a heavy focus on those hilariously bad paranormal reality shows (in fact, that's where the whole thing started a year ago, but as we worked on the show more and more, we discovered that there were lots of scripted paranormal shows that provided a ton of comedic material. When we expanded to cover the scripted shows, we discovered that nobody was doing a show like this that was just focused on the genre shows that nerds like us love, and we decided that we'd make that show because of reasons.)' He adds, '... if I read correctly between the lines during our meetings with the Syfy executives, this is just the beginning of the network formerly known as Sci-Fi returning to its science fiction roots, which is awesome.'"

Recently you had a chance to ask the writer and creator of Babylon 5, J. Michael Straczynski, about the state of sci-fi, his body of work, and collaborating with Netflix. Below you'll find his answers to those questions.

An anonymous reader writes: "Last week, the Ars Technica ran an article listing their staff's least favorite Star Trek: the Next Generation episodes. They hit a few of the predictable ones, like Angel One — wherein Riker's chest hair takes center stage — and Up the Long Ladder — featuring space-Irish. But a surprising suggestion came from Peter Bright, who denounced Darmok, a fan favorite. (You remember: 'Darmok and Jalad, at Tanagra.') Now, Ars's Lee Hutchinson has (jokingly) taken Bright to task, showing how IMDB ratings mark Darmok (5x02) as one of the best episodes of season 5, and among the strongest in the series. He also points out a trend in some of the bad episodes they didn't pick: 'According to the data, the worst episode of TNG by a significant margin is the season 2 finale Shades of Gray, a clipshow episode famously hobbled by the 1988 Writers Guild of America strike. We also managed to not pick season 6's Man of the People (the one where Troi falls in love with a brain vampire and gets really old) or season 4's The Loss (the one where Troi loses her empathic abilities and gets really whiny) or season 2's The Child (the one where Troi has dream sex with a space anomaly and gets really pregnant).' What are your picks for best and worst TNG episode?"

An anonymous reader writes: "We may not have Saurian Brandy or Romulan Ale, but we'll soon have Klingon Beer. Tin Man Brewing Company in Evansville, Indiana has gotten the OK from CBS to create 'Klingon Warnog,' a Dunkelweizen with 'a modern aroma [of] predominantly mild banana and clove.' It will have an ABV of 5.5%. The Klingon beer will apparently join Vulcan Ale in the Federation of Beer. I wonder what their Prime Directive is."

J. Michael Straczynski has written Thor, World War Z, and Changeling among many other films. He created Babylon 5 and has worked on numerous comic book titles including Superman and The Amazing Spider-Man. Most recently, he has teamed up with the Wachowskis for an original Netflix sci-fi series, Sense8 . He's agreed to take a break from his busy schedule in order to answer any questions you may have. As usual, ask as many as you'd like, but please, one question per post.

destinyland writes "Hoping to inspire life-extending medical research, science fiction author Gennady Stolyarov has launched a campaign to give away 1,000 free copies of his transhumanist picture book for children, Death is Wrong. 'My greatest fear about the future is not of technology running out of control or posing existential risks to humankind,' he explains. 'Rather, my greatest fear is that, in the year 2045, I will be...wondering, "What happened to that Singularity we were promised by now...?"' Along with recent scientific discoveries, the book tells its young readers about long-lived plants and animals '"that point the way toward lengthening lifespans in humans,' in an attempt to avoid a future where children 'would pay no more attention to technological progress and life-extension possibilities than their predecessors did.'"

An anonymous reader writes "Rick Webb has an article suggesting we're in the nascent stages of transforming to a post-scarcity economy — one in which we are 'no longer constrained by scarcity of materials—food, energy, shelter, etc.' While we aren't there yet, job automation continues to rise and the problem of distributing necessities gets closer to being solved every day. Webb wondered how to describe a society's progress as it made the transition from scarcity to post-scarcity — and it brought him to Star Trek. Quoting: 'I believe the Federation is a proto-post scarcity society evolved from democratic capitalism. It is, essentially, European socialist capitalism vastly expanded to the point where no one has to work unless they want to. It is massively productive and efficient, allowing for the effective decoupling of labor and salary for the vast majority (but not all) of economic activity. The amount of welfare benefits available to all citizens is in excess of the needs of the citizens. Therefore, money is irrelevant to the lives of the citizenry, whether it exists or not. Resources are still accounted for and allocated in some manner, presumably by the amount of energy required to produce them (say Joules). And they are indeed credited to and debited from each citizen's "account." However, the average citizen doesn't even notice it, though the government does, and again, it is not measured in currency units—definitely not Federation Credits.'"

An anonymous reader writes "My boyhood hero, actor Leonard Nimoy, has developed lung disease. To those still smoking and in the grips of marketing induced denial, he says 'quit now.' Small acts of goodness make the universe a better place."

Space MMO EVE Online has been providing stories of corporate espionage and massive space battles for years. A battle began yesterday that's the biggest one in the game's 10-year history. The main battle itself involved over 2,200 players in a single star system (screenshot, animated picture). The groups on each side of the fight tried to restrict the numbers somewhat in order to maintain server stability, so the battle ended up sprawling across multiple other systems as well. Now, EVE allows players to buy a month of subscription time as an in-game item, which players can then use or trade. This allows a direct conversion from in-game currency to real money, and provides a benchmark for estimating the real-world value of in-game losses. Over 70 of the game's biggest and most expensive ships, the Titans, were destroyed. Individual Titans can be worth upwards of 200 billion ISK, which is worth around $5,000. Losses for the Titans alone for this massive battle are estimated at $200,000 - $300,000. Hundreds upon hundreds of other ships were destroyed as well. How did the battle start? Somebody didn't pay rent and lost control of their system.