While making the press rounds for his upcoming film, House of Gucci, iconic director Sir Ridley Scott revealed that both Blade Runner and Alien live-action television series are in the early stages of development. From a report: Speaking to the BBC news radio series, Today, Scott explained that his team has already written an initial pilot script for the former show, which would most likely air as a 10-episode run. Although the Alien series was first announced nearly a year ago as an FX on Hulu exclusive from showrunner Noah Hawley (Fargo and Legion), little has been heard of the project since then. Scott didn't tell much, but confirmed that the Alien series is still "being written for pilot," adding that Hawley and his crew "have to also write out the history, if it's eight hours or 10 hours, the bible of what happens in those 10 hours." A CGI anime set in the world of Agent K and Deckard in the year 2032, Blade Runner: Black Lotus, is currently airing on Adult Swim.

Denis Villeneuve will get the chance to create the second film of his planned two-part adaptation of Frank Herbert's "Dune," Legendary Entertainment and Warner Bros. said Tuesday. From a report: The news comes after Villeneuve's "Dune" tallied $41 million at the domestic box office during its debut over the weekend, a solid haul considering the film also launched on HBO Max Friday. Globally, the film hauled in $220 million. While Warner Bros. seemed keen to greenlight a second film for Villeneuve, Legendary owns the cinematic rights to the novel and had to be onboard in order to continue the story on the big screen. The second film is expected to follow Paul Atreides (Timothee Chalamet) as he joins the Fremen and works to bring peace to the desert planet of Arrakis. "Dune: Part Two" will debut on Oct. 20, 2023.

Thelasko shares a report from Ars Technica, written by Peter Opaskar: Frank Herbert's 1965 sci-fi novel Dune gets a new film adaptation -- this one helmed by Denis Villeneuve (Arrival, Blade Runner 2049) -- later this month. But before Ars Technica reviews the movie, there's the matter of its predecessor: 1984's Dune, made by a then up-and-coming filmmaker named David Lynch. Detractors call Lynch's saga -- a tale of two noble space families 8,000 years in the future, fighting over the most valuable resource in the universe amidst sandworms the size of aircraft carriers -- incomprehensible, stilted, and ridiculous. It lost piles of money. Yet fans, especially in recent years, have reclaimed Lynch's film as a magnificent folly, a work of holy, glorious madness.

So which group am I in? Both. Am I about to describe Dune as "so bad it's good"? No, that's a loser take for cowards. I once half-heard a radio interview with someone speculating that the then-current artistic moment was not "so bad it's good," and it wasn't "ironic" either -- it was actually "awesome." (I didn't catch who he was, so if any of this sounds familiar, hit me up in the comments.) Art can speak to you while at the same time being absurd. The relatable can sometimes be reached only by going through the ridiculous. The two can be inseparable, like the gravitational pull between a gas giant and its moon -- or Riggs and Murtaugh.

The example the radio interviewee gave was of Evel Knievel, the '70s daredevil who wore a cape and jumped dirt bikes over rows of buses. Absurd? Heavens, yes. A feat of motorcycling and physicality? Absolutely. But beyond that, we can relate to Knievel's need to achieve transcendence at such a, shall we say, niche skill. We might also marvel at our own ability to be impressed by something that should be objectively useless but is instead actually awesome. A more contemporary example might be Tenet. It's a relentless international thriller about fate and climate change and the need for good people to hold evil at bay. But it's also a "dudes rock!" bromance between Two Cool Guys in Suits spouting sci-fi mumbo-jumbo. It can't be one without the other. "I have faith in Denis Villeneuve and his new version of Dune starring Timothee Chalamet," says Opaskar. "But it will probably be a normal movie for normal people, in which characters with recognizable emotions talk in a recognizable way and move through a plot we understand to achieve clearly defined goals. Which is all fine and good, but how likely is it to inspire sick beats for '90s kids doing ecstasy?"

Back in 2014 Babylon 5 creator J. Michael Straczynski answered questions from Slashdot's readers.

And now this week, long-time Slashdot reader Jaegs writes: According to many sources and the Babylon 5 creator/writer/director/producer himself, J. Michael Straczynski (JMS), the CW — partly owned by the original Babylon 5 producer and rights holder, WarnerMedia — will be rebooting the popular franchise. JMS will be writing and executive producing the series.

Per JMS:

"[W]e will not be retelling the same story in the same way... There would be no fun and no surprises. Better to go the way of Westworld or Battlestar Galactica where you take the original elements that are evergreens and put them in a blender with a ton of new, challenging ideas, to create something fresh yet familiar. To those asking why not just do a continuation, for a network series like this, it can't be done because over half our cast are still stubbornly on the other side of the Rim.

The last part refers to the recent passing of Mira Furlan (Delenn), as well as the untimely deaths of other primary cast members after the conclusion of the original run of the series: Richard Biggs (Dr. Franklin), Michael O'Hare (Jeffrey Sinclair), Jerry Doyle (Michael Garibaldi), Stephen Furst (Vir Cotto), Jeff Conway (Zack Allan), and Andreas Katsulas (G'Kar).
Straczynski points out on Twitter that "The original Babylon 5 was ridiculously innovative: the first to use CGI to create ships and characters, and among the very first to shoot widescreen with a vigorous 5.1 mix." But his tweets also seem excited about the questions that this new reboot will answer. "if I were creating Babylon 5 today, for the first time, knowing what I now know as a writer, what would it look like? How would it use all the storytelling tools and technological resources available in 2021 that were not on hand then?

"How can it be used to reflect the world in which we live, and the questions we are asking and confronting every day? Fans regularly point out how prescient the show was and is of our current world; it would be fun to take a shot at looking further down the road..."

Long-time Slashdot reader flogger shares Amazon Prime's first trailer for its upcoming Wheel of Time series. GameSpot reports: The first three episodes will arrive on Friday, November 19, with new episodes arriving every Friday afterward, leading to the Season 1 finale on December 24.

The Wheel of Time is based on the best-selling fantasy novels by Robert Jordan, which sold more than 90 million books... The original book series was made up of 15 novels published between 1990 and 2013. Jordan died in 2007 while working on the 12th book, and left behind notes intended to help someone else finish the series. Brandon Sanderson took up the role, and now serves as a consulting producer on the Amazon series...

The series is co-produced by Amazon Studios and Sony Pictures Television. The first three episodes of season one will premiere together on Friday, November 19, with new episodes available each Friday following. The season finale will air on December 24.
Here's how Variety summarizes the story. The powerful Aes Sedai organization and "a group of other adventurers head off on a journey across the world. However, one of the members of the group is the Dragon Reborn, who will save humanity or destroy it."

Apple TV+ has released a nearly three-minute long trailer for its upcoming series based on Isaac Asimov's Foundation books.

Ars Technica calls the trailer "stunning." A mathematical genius predicts the imminent collapse of a galactic empire, and he and his protegé set plans in motion to preserve the foundational knowledge of their civilization in Foundation, Apple TV+'s adaptation of Isaac Asimov's hugely influential series of science fiction novels. It's a story that takes place across multiple planets over 1,000 years, with a huge cast of characters. That makes adapting it extremely difficult, particularly to film. But the streaming platform is betting that the series format will be better suited to bring Asimov's futuristic vision to life...

The first teaser appeared in June 2020 at the Worldwide Developers Conference (WWDC). That included some behind-the-scenes images and brief commentary from showrunner David S. Goyer, who co-wrote Terminator: Dark Fate and Batman v. Superman. He noted all the past efforts to adapt Foundation over the last 50 years, as well as the enormous influence the series had on Star Wars... Asimov was strongly influenced by Edward Gibbons' The History of the Decline and Fall of the Roman Empire, particularly while writing the earlier books. This trailer really brings out the theme of embracing inevitable change, even if it's frightening — and there's nothing more frightening to a ruler than the imminent collapse of his empire...

The first two episodes of Foundation will premiere on Apple TV+ on September 24, 2021. After that, new episodes will air weekly every Friday.

Slashdot reader Dave Knott quotes the BBC's Doctor Who site: Having been in charge of the TARDIS since filming for the Thirteenth Doctor began in 2017, Showrunner Chris Chibnall and the Thirteenth Doctor, Jodie Whittaker, have confirmed they will be moving on from the most famous police box on Earth.

With a six-part Event Serial announced for the autumn, and two Specials already planned for 2022, BBC One has now asked for an additional final feature length adventure for the Thirteenth Doctor, to form a trio of Specials for 2022, before the Doctor regenerates once more.

Comic-Con went virtual again in 2020. (San Diego businesses will miss the chance to profit from the 100,000 visitors the convention usually attracted.) And NPR reports the convention has gotten smaller in other ways: Both Marvel Studios and DC are staying away; as it did last year, DC is again directing its resources towards its own event, DC FanDome, set for mid-October. But fans of shows like Doctor Who, Dexter and Comic-Con stalwart The Walking Dead will have lots to look forward to.
Rotten Tomatoes and The Verge have gathered up the trailers that did premier. Some of the highlights:

• Blade Runner: Black Lotus , an upcoming anime television series set to premiere in late 2021 on Crunchyroll and Adult Swim (co-producing it with Alcon Television Group).
• The upcoming remake of Dune
• J.J. Abrams' new four-part Showtime documentary about UFOs.
• Season 2 of Star Trek: Lower Decks and the new Star Trek: Prodigy, a CGI-animated series about a group of aliens who escape captivity onboard the Enterprise.

But interestingly, one of the more visibile presenters was: NASA. Current and former NASA officials made appearances on several different panels, according to Space.com, including one on modern space law, U.N. treaty-making, and how it all stacks up against the portrayal we get in our various future-space franchises. And a former NASA astronaut was also part of a panel touting a virtual simulation platform, "where students can have access to the same tools that professionals use and in the case of space are given the opportunity to solve real problems related to missions to our Moon, Mars, and beyond... from piloting to terra-forming to creating habitats and spacecraft."

There was also a panel of four NASA engineers titled "No Tow Trucks Beyond Mars," on "how we go boldly where there's no one around to fix it. Hear stories from the trenches of the heartbreaks, close calls, and adventures of real-life landing (and flying!) on Mars and our round-table discussion of what Netflix got right in their movie Stowaway."

Sunday's panels will include an astronomer, an astrobiologist, and a geologist/paleontologist discussing "The Science of Star Wars" with the concept designer for Star Wars episodes 7-9, Rogue One, and Solo.

Space.com reports: The U.S. government needs some more time to get to the bottom of the UFO mystery. That's the main take-home message from the highly anticipated UFO report released Friday.

"The limited amount of high-quality reporting on unidentified aerial phenomena (UAP) hampers our ability to draw firm conclusions about the nature or intent of UAP," the report's executive summary states, using the military's now-preferred term for "UFO" (presumably because that older acronym has a lot of baggage attached to it).
Or, as CNET puts it, "all those sightings of bizarre things in the sky over the years fall into several categories, require more study and remain largely unexplained and unidentified." (Though they point out the Department of Defense's "UAP" Task Force reported eleven "documented instances in which pilots reported near misses...")

The report drew a response from Chris Carter, who created The X-Files, a TV drama about a government conspiracy hiding evidence of UFO's. Filming the show brought Carter in contact with real-world people who claimed they'd seen aliens, and he still thinks that when it comes to UFO, most of us are not quite there yet — but want to believe: The universe is just too vast for us to be alone in it. Carl Jung wanted to believe, as did Carl Sagan. Both wrote books on the subject... Can the new report, or any government report, give us clear answers?

I'm as skeptical now as I've ever been... [F]or me, the report on U.F.O.s was dead on arrival. Ordered up by a bipartisan group of legislators during the Trump administration, the interim report revealed nothing conclusive about U.F.O.s or their extraterrestrial origins. And the portions that remain classified will only fuel more conspiracy theories.

This is "X-Files" territory if there ever was any...

According to The New York Times, citing a highly anticipated UFO report released on Friday, "The government still has no explanation for nearly all of the scores of unidentified aerial phenomena reported over almost two decades and investigated by a Pentagon task force, [...] a result that is likely to fuel theories of otherworldly visitations." From the report: A total of 143 reports gathered since 2004 remain unexplained, the document released by the Office of the Director of National Intelligence said. Of those, 21 reports of unknown phenomena, involving 18 episodes, possibly demonstrate technological capabilities that are unknown to the United States: objects moving without observable propulsion or with rapid acceleration that is believed to be beyond the capabilities of Russia, China or other terrestrial nations. But, the report said, more rigorous analysis of those episodes is needed. There is no evidence that any of the episodes involve secret American weapons programs, unknown technology from Russia or China or extraterrestrial visitations. But the government report did not rule out those explanations.

The nine-page document essentially declines to draw conclusions, announcing that the available reporting is "largely inconclusive" and noting that limited and inconsistent data created a challenge in evaluating the phenomena. The report said the number of sightings was too limited for a detailed pattern analysis. While they clustered around military training or testing grounds, the report found that that could be the result of collection bias or the presence of cutting-edge sensors in those areas. Government officials outlined a plan to develop, if additional funding is available, a better program to observe and collect data on future unexplained phenomena. [...] The government intends to update Congress within 90 days on efforts to develop an improved collection strategy and what officials are calling a technical road map to develop technology to better observe the phenomena, senior government officials told reporters on Friday. Officials said they would provide lawmakers with periodical updates beyond that.

The senior technology editor at Ars Technica checked the plausibility of Andy Weir's new science fiction novel Project Hail Mary with an actual professor of linguistics and cognitive science at Northern Illinois University. It's another tale of solving problems with science, as a lone human named Ryland Grace and a lone alien named Rocky must save our stellar neighborhood from a star-eating parasite called "Astrophage." PHM is a buddy movie in space in a way that The Martian didn't get to be, and the interaction between Grace and Rocky is the biggest reason to read the book. The pair makes a hell of a problem-solving team, jazz hands and fist bumps and all. But the relative ease with which Grace and Rocky understand each other got me thinking about the real-world issues that might arise when two beings from vastly different evolutionary backgrounds try to communicate...

The question I put to her was this: going by our current understanding of how and why human languages operate, do we think it would be practical—or even possible — for two divergently evolved sentient beings from different worlds to learn each other's languages well enough in a short amount of time (perhaps as little as a week) to usefully converse about abstract concepts and to be reasonably assured that both beings actually understand those abstracts...?
And the professor's response? We ended up blowing an entire hour on linguistics, and it was easily the coolest and nerdiest conversation I've had in a long time. Nearing the end, though, I asked Dr. Birner for her final take on whether or not the language acquisition exercise portrayed in Project Hail Mary would work.

Her consensus was "probably," but only given a number of extremely lucky — and extremely unlikely — coincidences in psychology and evolution (there's that anthropic principle of science fiction rearing its head!). If we can take it as a given that the alien is "friendly," and if we can also take it as a given that "friendship" in the alien's society carries along with it the same or a similar set of relationship expectations as it does for humans, and if we can take it as a given that the alien has similar emotional drivers, and if the alien values (or can at least intellectually conceive of) concepts like altruism and cooperation, and if the alien has a compatible sense of morality that places value on the lives of individuals and prioritizes the avoidance of death—if we can take all those things and more as givens, then things might work out.

"I think that given a theoretically infinite amount of time, probably yes," communication would be possible, she said. "As long as there's enough goodwill that you are going to be there together working together."
But in a long comment, long-time Slashdot reader shanen argues all sentient beings are basically Universal Turing Machines running mental programs in our heads, but still warns of "hardware-level incompatibilities not just at the level of sound systems, but in the kinds of programs that 'run sufficiently easily' in the more dissimilar Universal Turing Machines."

alaskana98 writes: In a newly leaked video, ship based U.S. Navy personnel appear to be tracking an orb-shaped UFO as it tracks closely above the water, eventually appearing to dip beneath water's surface. Last month, a still from this video was teased along with another video showing a triangular UFO transit the sky along with photos of three strange objects at high altitudes captured within minutes of each other by Navy pilots in 2019. These photos and videos all come on the eve of a highly anticipated unclassified report due to be released sometime in June for the intelligence and armed services committees in Congress. Referring to this report, former Director of National Intelligence John Ratcliffe states: "There are instances where we don't have good explanations for some of the things that we've seen."

Not everyone is convinced that these objects are being piloted by grey aliens. In an exhaustive report by the site "The War Zone," a plausible theory is laid out that purports that these objects are nothing more than cleverly disguised blimps or drones launched by U.S. adversaries, using nothing more than the social stigma of taking UFOS/UAPS seriously as a means to dissuade any serious attempts by the U.S. military to treat these as conventional domestic threats.

A newspaper in Austin, Texas shares the story behind a cult-classic videogame, the 1985 Macintosh shareware game "Cap'n Magneto."

It was the work of Al Evans, who'd "decided to live life to the fullest after suffering severe burn injuries in 1963" at the age of 17. Beneath the surface, "Cap'n Magneto" is a product of its creator's own quest to overcome adversity after a terrible car crash — an amalgamation of hard-earned lessons on the value of relationships, being an active participant in shaping the world and knowing how to move on... "Whether I was going to survive at all was very iffy," Evans said. "The chance of me living to the age of 28 or 30 was below 30% or something like that." Regardless of how much time he had left, Evans said he refused to let his injuries hold him back from living his life to the fullest. He would live his life with honesty, he decided, and do his best to always communicate with others truthfully. "I wasn't going to spend the next two years of my life dorking around different hospitals. So I said what's the alternative?" Evans said...

To float his many hobbies and interests, however, Evans knew he had to make money. In addition to doing work as a graphic designer and a translator, he picked up computer programming, which opened his eyes to a digital frontier that allowed for the creation of new worlds with the stroke of a keyboard. When he realized the technical capabilities of the Macintosh — the first personal computer that had a graphics-driven user interface and a built-in mouse function — Evans said he set out to build a world that could marry storytelling and graphics. With the help of his wife Cea, Evans created his one and only computer game: "Cap'n Magneto."

"I really wanted to write a good game, and I definitely think it was that," Evans said...

Australia-based gaming historian, author and journalist Richard Moss says, "What really marked it as different, though, was that the alien speech, once ungarbled by a tricorder item that players had to find, would be spoken aloud through the Mac's built-in speech synthesizer and written on-screen in comic-style speech bubbles," Moss said. "And unlike most role playing games of the time, every character you'd meet in the game could be friendly and helpful or cold and dismissive or aggressive and hostile — depending on a mix of random chance and player choice...."

With "Cap'n Magneto," Evans said he wanted to make sure that players could befriend the non-playable alien characters that the hero encounters. Though the game is beatable without their help, it is significantly easier with the help of allies. A reality in which everyone was an enemy, to Evans, was simply dishonest.

"That doesn't reflect the game of life, you know? Some people, well, most people actually, are probably pretty friendly," he said.
35 years after its release, Evans — now 75 years old — received a message on Facebook informing him that the game was still being played — but no one could finish it because the built-in "nagware" required payments that couldn't be completed.

That problem has finally been fixed, and long-time Slashdot reader shanen now shares the web site where the full game can finally be downloaded.

From Now is one of the most popular sci-fi podcasts on the market that is now being turned into a TV series, thanks to Amazon Studios. Engadget reports: From Now, which debuted in December, stars Richard Madden (Game of Thrones, Marvel's Eternals) and Brian Cox (Succession) as identical twins separated by time. Madden plays astronaut Edward Fitz, whose spacecraft unexpectedly shows up in Earth's orbit after disappearing 35 years previously. The story deals with the aftermath of the brothers' reunion, with Edward appearing to be the same age as when he left and his twin now an old man. From Now shot up to number two in the overall Apple Podcast charts.

From Now creators Rhys Wakefield and William Day Frank, are adapting the podcast for TV. It's unclear whether Madden and Cox will reprise their roles, but they'll act as executive producers. Madden is already working with Amazon. He's currently filming Citadel, an ambitious-sounding Prime Video spy series from the Russo brothers.

"Jensen Huang, the CEO of Nvidia, the nation's most valuable semiconductor company, with a stock price of $645 a share and a market cap of $400 billion, is out to create the metaverse," writes Time magazine.

Huang defines it as "a virtual world that is a digital twin of ours." Huang credits author Neal Stephenson's Snow Crash, filled with collectives of shared 3-D spaces and virtually enhanced physical spaces that are extensions of the Internet, for conjuring the metaverse. This is already playing out with the massively popular online games like Fortnite and Minecraft, where users create richly imagined virtual worlds. Now the concept is being put to work by Nvidia and others.

Partnering with Nvidia, BMW is using a virtual digital twin of a factory in Regensburg, Germany, to virtually plan new workflows before deploying the changes in real time in their physical factory. The metaverse, says Huang, "is where we will create the future" and transform how the world's biggest industries operate...

Not to make any value judgments about the importance of video games, but do you find it ironic that a company that has its roots in entertainment is now providing vitally important computing power for drug discovery, basic research and reinventing manufacturing?

No, not at all. It's actually the opposite. We always started as a computing company. It just turned out that our first killer app was video games...

How important is the advent and the adaptation of digital twins for manufacturing, business and society at large?

In the future, the digital world or the virtual world will be thousands of times bigger than the physical world. There will be a new New York City. There'll be a new Shanghai. Every single factory and every single building will have a digital twin that will simulate and track the physical version of it. Always. By doing so, engineers and software programmers could simulate new software that will ultimately run in the physical version of the car, the physical version of the robot, the physical version of the airport, the physical version of the building. All of the software that's going to be running in these physical things will be simulated in the digital twin first, and then it will be downloaded into the physical version. And as a result, the product keeps getting better at an exponential rate.

The second thing is, you're going to be able to go in and out of the two worlds through wormholes. We'll go into the virtual world using virtual reality, and the objects in the virtual world, in the digital world, will come into the physical world, using augmented reality. So what's going to happen is pieces of the digital world will be temporarily, or even semipermanently, augmenting our physical world. It's ultimately about the fusion of the virtual world and the physical world.
See also this possibly related story, "Nvidia's newest AI model can transform single images into realistic 3D models."

"Fans of science fiction learned last week that the word 'robot' was first used in 1920 — a full three years earlier than originally thought," according to a blog post at Archive.org. They call it "a major SciFi discovery hiding in plain sight": The "massively important yet obvious" change in date was confirmed with a search of the Internet Archive, which has a digitized first edition of the Czech play, R.U.R. Rossum's Universal Robots, published in 1920. There on the title page, hiding in plain sight in an English-language subtitle to the work, is the earliest known use of the word "robot."

This important piece of information is one of many little-known facts captured in the Historical Dictionary of Science Fiction. The project was completed this year by historian Jesse Sheidlower, who credits two things that enabled him to publish this project, decades in the making. "One, we had a pandemic so I had a lot of enforced time at home that I could spend on it," explained Sheidlower. "The second was the existence of the Internet Archive. Because it turns out the Internet Archive has the Pulp Magazine collection that holds almost all the science fiction pulps from this core period...."

The comprehensive online dictionary includes not only definitions, but also how nearly 1,800 sci-fi terms were first used, and their context over time...

The project began nearly twenty years ago at Oxford English Dictionary as the Science Fiction Citations Project.

An anonymous reader quotes a report from The Guardian: U.S. military pilots and satellites have recorded "a lot more" sightings of unidentified flying objects, or UFOs, than have been made public, Donald Trump's former intelligence director John Ratcliffe said. Asked on Fox News about a forthcoming government report on "unidentified aerial phenomena," Ratcliffe said the report would document previously unknown sightings from "all over the world." "Frankly, there are a lot more sightings than have been made public," he said. "Some of those have been declassified. And when we talk about sightings, we are talking about objects that have been seen by navy or air force pilots, or have been picked up by satellite imagery, that frankly engage in actions that are difficult to explain, movements that are hard to replicate, that we don't have the technology for. Or traveling at speeds that exceed the sound barrier without a sonic boom."

The UFO report must be published by early June, pursuant to a clause in a Covid relief and spending package signed by Trump before he left office. [...] The forthcoming report is to be issued by the defense department and intelligence agencies. When an unidentified aerial phenomena is identified, Ratcliffe said, analysts try to explain it as a potential weather disturbance or other routine spectacle.

"We always look for a plausible application," he said. "Sometimes we wonder whether our adversaries have technologies that are a little but farther down the road than we thought or that we realized. But there are instances where we don't have good explanations. So in short, things that we are observing that are difficult to explain -- and so there's actually quite a few of those, and I think that that info has been gathered and will be put out in a way the American people can see." Asked by Bartiromo where the unidentified phenomena were sighted, Ratcliffe replied, "actually all over the world, there have been sightings all over the world. "Multiple sensors that are picking up these things. They're unexplained phenomenon, and there's actually quite a few more than have been made public."

New submitter dkoneill writes: A soon-to-be-released, crowdfunded book based on the personal archives of Douglas Adams (author of the Hitchhiker's Guide to the Galaxy, episodes of Doctor Who and other beloved science fiction), reveals that he occasionally found writing torturous. In a "General note to myself" the author states, "Writing isn't so bad really when you get through the worry. Forget about the worry, just press on. Don't be embarrassed about the bad bits. Don't strain at them." "Writing can be good...You can get pleasure out of it."

His sister Jane responded to the General note, "I love it, but I just wish he'd read it to himself more often. I think it [writing] was a tortuous process for him, not all the time, but when it was difficult for him it was really difficult." When stuck, the author would even tear down his own work. On another page of notes, he wrote, "Arthur Dent is a burk. He does not interest me. Ford Prefect is a burk. He does not interest me. Zaphod Beeblebrox is a burk. He does not interest me. Marvin is a burk. He does not interest me. The Hitchhiker's Guide to the Galaxy is a burk. It does not interest me."

When the Star Trek franchise was awarded a special Emmy in 2018, it was William "Captain Kirk" Shatner who'd co-delivered its acceptance speech, remembers ComicBook.com. "Thank you so much. 52 years. What a gift. We're grateful... Star Trek has endured because it represents an idea — one that's greater than the sum of our parts... we watch and we reach to see the best version of ourselves..."

And now three years later, they report that Shatner "will celebrate his 90th birthday back on the bridge of the USS Enterprise." Sort of... Shatner will partake in a two-day event at the Star Trek: The Original Series Set Tour site in Ticonderoga, New York. The exhibit is famed among fans for its replica of the bridge set where Shatner gave orders as Captain James T. Kirk in Star Trek: The Original Series.

The two-day event begins on July 23rd (a belated celebration coming a few months after his actual birthday in March), with the COVID-19 mask and social distancing rules still in effect... The limited $1500 all-inclusive packages will let fans participate in Shatner's 90th Birthday Dinner Celebration, take a set tour with Shatner, plus a Bridge Chat, a photo, and an autograph. Regular admission is $80 for a standard tour with a la carte photos and autographs available... The replica set is likely the closest fans will ever come to seeing Shatner return to a Starfleet bridge.
So what is William Shatner doing on Monday, the actual date of his 90th birthday? The New York Daily News reports: He's got a series airing on the History channel, he's heading overseas to shoot an episode of a television show, and is in the middle of promoting his latest feature film, a romantic comedy called "Senior Moment..."

The indie film features Shatner as Victor, a former test pilot who dates younger women and loves burning rubber behind the wheel of his beautiful 1955 Porsche.
The movie also stars Watchmen actress Jean Smart, along with Christopher Lloyd (who memorably played a Klingon in the 1984 movie Star Trek III: The Search for Spock.)

And meanwhile Priceline.com plans a special series of deals this week to honor Shatner's years as their spokesperson (as well as his singing in their earliest dotcom-era commercials, which revived Shatner's spoken-word singing career).

In Captain Kirk's final appearance in 1994's Star Trek: Generations, one of the last things he says is "It was fun." But it looks like in real life, William Shatner is living long and prospering.

Here's that great moment in Slashdot history when Shatner actually answered questions from Slashdot's readers. Have your own favorite William Shatner memory? Share it in the comments to help celebrate his 90th birthday!

ComicBook.com reports: Back in 2019, Avengers: Endgame hit theatres and after a couple of months, it ended up knocking Avatar out of the highest-grossing film spot. The James Cameron movie was number one for an entire decade before the Marvel film came along, but thanks to a recent re-release in China, Avatar is back on top...

When the news broke yesterday, many people took to social media to point out that the "real" winner was actually Zoe Saldana, who plays Gamora in the Marvel Cinematic Universe and Neytiri in Avatar. No matter which movie ultimately wins the box office wars, Saldana can't lose... Saldana is expected to return for both Guardians of the Galaxy Vol. 3 and Avatar 2.
Deadline reports the directors of Marvel's Avengers: Endgame, Joe and Anthony Russo, "have graciously saluted James Cameron's film Avatar for edging past them in the all-time worldwide box office totals," by tweeting a custom piece of artwork merging the Avatar and Avengers logos. James Cameron himself shared the tweet he'd received from Marvel Studios congratulating "ALL of Na'vi Nation for reclaiming the box office crown" (which also included a memorable line from Avengers: Endgame).

Deadline says it's part of a long-standing Hollywood tradition: A practice of taking out ads to pat each other on the back began in 1977 when Steven Spielberg congratulated buddy George Lucas after Star Wars overtook Jaws at the domestic box office. It carried on from there including when Lucas later gave a shout-out to Cameron as Titanic unseated Star Wars in 1998.

In 2015, Disney/Marvel and The Avengers paid tribute to Universal's Jurassic World and its record-smashing opening weekend. Later that year, Uni returned the hat tip as Disney/Lucasfilm's The Force Awakens rode past the dinosaurs, moving to social media for the first time. Then in 2019, Cameron saluted Endgame for overtaking Titanic and in July that year Cameron again said bravo when Endgame crossed Avatar.