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FCC: Legal Low-Power FM Broadcasting Coming Soon 206

Arctic Fox writes "In an article (login needed) in today's NY Times, it is announced that the FCC will be allowing individuals and groups the ability to run low powered FM (yes, FM) radio stations. It seems that many would-be DJs will get 100-watt stations with 7 mile operating radii, but the large markets - NY, Chicago, LA - will only be allowed to use 10-watt (4 mile) stations."
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FCC: Legal Low-Power FM Broadcasting Coming Soon

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  • I've been waiting for something like this for a long time. How much would the transmitting hardware cost? I'd love to hook up my PC to one of these and start a radio station using mp3s that I have. Probably too expensive for a poor high school student though.
  • Assuming you already have a PC and a relatively high speed Internet connection, you can hit a worldwide audience doing webcasts. You might not be able to get the people in their cars, but you won't get too many of them anyway with a 4 to 7 mile range.
  • I can rebroadcast William Cooper from his
    internet audio feed!

    Anybody ever listen to Micro Kind?
  • by Anonymous Coward
    I';ll beleive this when I see it..
    The FCC shut down a lot of the little stations at colleges/high school etc.

    It would be great though. I used to DJ.. it was fun. the school had a 10 Watt mono FM station. The music was better than what everyone else was playing IMHO.

    Now you can listen to good music whithout streaming MP3.

    /A
  • Why not just do webcasts? On MPI (Minnesota Public Radio) this morning they were discussing that issue. The FCC is trying to make the radio arena more diverse. One thing that they hope is that these small stations may someday go to the stars.

    They are doing this because radio is becoming one big conglomerate - no diversity. The FCC also is amming this at private orgranizations like churches and hobby groups.

    However if you wish to reach a large group of people - a webcast is far better, but remember in many areas of the world - people still have a standard 28.8 and cannot hear your broadcast (if this was not so, AOL wouldn't exist).

    I think that this will be very helpful for several reasons.

    1. It will get people interested in radio more - attract more people to the business.

    2. It will create more stations and make some non-licensed broadcasters settle down because a fair amount will be content with a range of a couple miles.

    3. It will force the industry to become more competitive and that will means more money put into research equaling more new tech.

    I'm glad the FCC is finally trying something like this.
  • by heroine ( 1220 ) on Thursday January 20, 2000 @05:12AM (#1355529) Homepage
    I was building 500 foot FM radio stations back when slashdotters were all in elementary school. The first one was an $8 microtransmitter from Radio Shack. The second one was a $25 stereo transmitter from Ramsey. They both ran between 89 and 100Mhz. Back then we didn't have very cheap sound cards, so you could either rebroadcast the radio or play a CD in a loop. You know you're getting old when the chairman of the FCC is younger than you.
  • by luckykaa ( 134517 ) on Thursday January 20, 2000 @05:16AM (#1355531)
    What are the limitations? Does it have to be voice? Can you set up a radio computer network?

    If there's another radio operator within that radius, can you use that as a relay?

    This could be used as a way of finding new uses for the remaining airwaves
  • I don't think broadcasting your mp3's would be such a great idea. I think that would be a red flag for the RIAA to track you down and nail you. They don't want anyone having mp3's on their computers, so what do you think would happen if they found out people were broadcasting "illegal" mp3's to mass amounts of people? On a side note, I wonder if the censorship rules would still apply to what you broadcast....
  • I am a 16 year old DJ from brookfield, WI and I LOVE this idea! For a long time I have looked into internet broadcasting but I couldnt afford the bandwidth. Now for a 1 time fee of 1g for the equipment..i mean..thats not bad.

    Wheres the internet signup page? :)

    ~DJ-Pyro
    MPE
    107.3 Mosh Pit Entertainment
  • that kind of thing is perfect for college radio stations.

    but questions arise as to how they will possibly be able to monitor all of these new stations for appropriate content, and whether they will cause interference with "legitimate" stations and other electronic devices like telephone lines.

  • As a radio-freedom type kind of guy, I am heavily involved with our campus radio station, which stresses doing things that would NEVER be done on commercial radio, because commercial radio SUCKS!

    This decision seems to be a GOOD-THING. (Besides, the FCC can be a bunch of a**holes at times.) This will theoretically allow more people to get their message out, and allow for more freedom of speech. It should be noted (as someone asked earlier) that FM modulators and transmitters are fairly expensive, they go from ~$1000 up to $10k+, so it's not really chump change for non-commercial stations.

    The only drawback I can really see is that there will be more stations. Neighboring stations on the dial will tend to step on each others signal more, which is just not good (and rude besides). Also, I bet that there are a lot of stupid people out there who would broadcast crap. (I'm talking hate-mongers and what not. If more poeple braodcast crappy music, then more people will listen to the "good stations")

    Any how, that's my take on it. Your opinions may vary, but as someone who is involved in a legitimate noncommercial station, I kind of have an insiders view.

    A wealthy eccentric who marches to the beat of a different drum. But you may call me "Noodle Noggin."
  • by gam ( 74636 )
    I've heard that Congress is looking to pass a law nullifying the FCC decision.
  • It's time to install that transmitter i've had hidden away in the attic back into the trunk of my car again ;)

    My car's MP3 Collection and the drive to and from work should be a bit more interesting for some folks now :)

    DMB RULES!




    They are a threat to free speech and must be silenced! - Andrea Chen
  • I'm assuming that is sarcasm. I just can't smell it from here.

    Criticizing the government is a very good thing. Given a choice between a country where you can criticize gubmint, and one where you aren't allowed to, there would be no choice.

    besides, if you want to see people criticizing the government on TV or the radio, just watch some campaign ads.

  • They've been arguing about this for over a year now. I'm a technical director for WHSR, the student radio station at Johns Hopkins University. We've been broadcasting over carrier current for about five years now (ever since the school gave their real broadcast license to NPR and company), and have been investigating the low power FM options since they were initially introduced for public analysis and comment. This was supposed to be approved by the FCC sometime last summer, but never quite happened. We're glad because it means we can broadcast to the entire community instead of just the dorms, and we can't wait.

    Now we just need a tower to mount an antenna on. Anyone got a few thousand bucks so we can rent space? :)

    -Chris
  • by Anonymous Coward
    Here's a link to Ramsey's website
    http://www.ramseyelectronics.com/ [ramseyelectronics.com]

  • Now all the idiots who used to make money by domain squatting will start making money by frequency squatting.

    I can already see ads like 99.9 for sale only $1,000,000

    Apart from that this is a great idea. Although I am not the US of A so it hardly applies to me.

  • by EricWright ( 16803 ) on Thursday January 20, 2000 @05:23AM (#1355542) Journal
    I'm not sure this will allow just anyone to get a licence for a 10/100 W station. The lead paragraph of the NYT article states

    "Moving to open the radio airwaves to hundreds of small broadcasters, the federal government is planning to approve rules to allow educational, religious and community groups to run inexpensive low-power FM radio stations."

    I can't tell if the application would require some sort of verification of the "group's status" or not. It would be fairly easy to check the status of educational or religious groups, but a fair and consistent definition of "community group" may be hard to come by. However, I didn't see anywhere in the article a mention that individuals could apply for such a license. I guess my 24 hour a day polka station is out :)

    Eric
  • by NoizAngel ( 137753 ) on Thursday January 20, 2000 @05:24AM (#1355543)
    Initially, I didn't think it made much sense- 4-7 miles isn't much of an audience-
    But, if your goal *isn't* a world wide, or even a city-wide audience, there's alot that can be done.
    If used as "neighborhood" radio stations, we might actually *have* neighborhoods again - there'd be something connecting people within the listening area, something tailored to that area. Even if we didn't get to know our neighbors, we'd certainly know what was going on with them - a whole new meaning of 'local' news.

    Wow. I get all bouncy just thinking about it.

    -Noiz,
    Who'd like to teach the world to sing, apparently. Shoot.

    ---------
  • Just don't forget to pay the royalties for all the songs you play on air. Generally public broadcasting of stuff without compensation to the authors is prohibited.
  • by Tony Shepps ( 333 ) on Thursday January 20, 2000 @05:26AM (#1355546)
    Back in 1980, the FCC decided (after much pressure from -- of all people -- the Corporation for Public Broadcasting) that there were too many 10 watt stations out there on the noncommercial band. They ruled that these stations had to go to over 100 watts or time-share or simply perish.

    (Do I support public broadcasting? Hell no; they have no interest in serving the community, as is supposed to be their charter...)

    The FM band has so few frequencies and so much demand that almost no stations on the commercial part of it are not corporately owned. In the last two decades there has been an incredible change in how these stations are owned and operated. They have gone from business to big business. FCC changes in ownership rules allowed corporations to own more stations; the buying spree that followed had stations selling for much more than their worth, especially considering how broadband to the home, wireless 'net, and satellite broadcasting could make traditional radio stations into dinosaurs. All they do is transmit audio, fer chrissakes.

    This in turn has led to a yet-greater reduction in the risk-taking that radio is likely to do. If it doesn't have a shot at a four share, it won't get on the air. While the rest of the society was diversifying from wanting 3-5 TV channels to wanting 50 to 200 and more, radio was in effect clamping down on diversity.

    This in turn led to a large increase in pirate radio, the operators of which were ready to risk breaking federal law for the love of broadcasting and the love of serving the community through it.

    Now that radio is on the edge of being irrelevant, the FCC is once again politically able to permit small broadcasters on the air. But the lesson, the moral of all this, is that government acts politically, not in the interests of the public; and even non-governmental organizations set up to serve the public act politically and work to preserve their own power.

    I welcome the diversity of views, sounds, and ideas that will come about through this ruling. It's a little late now that the Internet has supplanted it.

  • by Anonymous Coward
    The fix is in.

    About 2/3 down into the article, it says:

    "F.C.C. officials will award licenses based on a group's ties to the local community the station would serve."

    The church down the block, and the library will have a voice. Unless you have "ties" to your "community", you're still out.

    The world is still safe from punk and dance.

  • what do you think would happen if they found out people were broadcasting "illegal" mp3's

    And what makes you think they'll be illegal? I can perfectly well rip my CDs and broadcast them (provided I get no commercial gain), cannot I?

    Kaa
  • Does anyone know how small the transmitters are and weather they could tranmit video signals?
    I build high power rockets and I've been searching for something to transmit video signals from the rockets in flight back to the ground. I currently use an 8mm camcorder, but this calls for the rockets to be large, thus limiting my altitude. Maybe I should just lurn a little more about radio first.
  • When I was an undergrad I used to DJ for WBRS in Waltham Ma (http://www.wbrs.org) and we had a blast. But a few things to clear up.

    It will cost you more than a few grand to setup a station. At least to do it right. You will nead All sorts of audio equipment and not the cheap stuff from Radio shack. But about 10 grand should do it, assuming that you don't have to pay for office space. Which is posible if you are being hosted by a University or other group.

    Keeping a radio station going is a lot of work. At WBRS they run 24x7 on all volenteer labor. It can be a lot of fun but it can also be a major pain.

    Small stations can do cool things. WBRS used to have live music from local bands on every week. And the only show in Yiddish in New England (They may still have them for all I know). And had a lot of other neet stuff.

    The most important thing to get a microstation on the air is a group of very dedicated people. Because there is alot of work there. But good luck to all the folks who are going to try! I look forward to hearing the results on the radio.
  • Generally public broadcasting of stuff without compensation to the authors is prohibited.

    I thought that applied only if you are commercial. If you can show that you get no monetary gain, you can broadcast all you like. Am I wrong about this?

    Kaa
  • The fact that these are large i.e. congested markets we're talking about, your range for 10 watts isn't going to get you 4 miles. In Boston, with 10W you're lucky if you can get as far as five city blocks.

    Oh well. Large markets also have DSL, so they don't need this IMO.

    ...[T]he radio business has consolidated in very dramatic fashion...

    Don't they have market-ownership laws that are supposed to remedy that exact problem?

    The nation's largest broadcasters have fought to block the rules... asserting that [this] could create interference for established stations in the form of static or distorted signals./i>

    Sniffle. It's these same largest broadcasters who constantly increase their wattage, infringing (illegally) on other (usually smaller) stations' broadcast radii. And the FCC has approved these increases in most cases without a smidge of regard for the lower-power stations, who get rejected for their own power increase petitions, being drowned out.

    The supporters of the F.C.C.'s move... included... the United States Catholic Conference and the United Church of Christ.

    Between christian college radio stations (which always seem to be school-run as opposed to student-run) and AM radio, I'm not glad to hear that churches want to use this. I'm much more interested in the Stephen Dunifer [ibslaw.com] (Free Radio Berkeley) types getting on.

    I have to say in the realm of radio and maybe even TV, the FCC seems to mean well. But they normally have no teeth whatsoever when it comes to large-power stations.

  • The idea of allowing local organizations to broadcast on the FM dial with a seven mile radius is without a doubt a great thing. However, there really wasn't to much information in the article and I am sure it isn't as easy as yeah I want one too. Internet broadcast are much easier and can reach far more listeners. It might work if you want to broadcast to a couple of neighbors but I think this is too little too late. FM radio is done. How many actually listen to FM radio now these days anyways except for maybe talk radio. With the advent of CDradio.com and soon to be affordable Mp3 in the car I am more impressed with the "in your face" effort put forth by the FCC to the lobbyist for the commercial radio stations. Don't think those lobbyist didn't try to bribe them up and down or threaten. I think there is a bit more to this decision then what is on the surface. But for now another small win for the everyday american even if the win was by default of something bigger.
  • For that matter, how could they even tell they were mp3's and not a buch of cd's set to random or something?
  • by Nipok Nek ( 87328 ) on Thursday January 20, 2000 @05:48AM (#1355559)
    "Hey, thanks for listening to WMAL, your 24 Hour guide to in-store sales, and up to the minute parking space information. We're broadcasting live from Lot C, and there's an open spot that is just right if you have a hatchback, and don't mind crawling out the back. Oh look! Someone just pulled out in the first row."

    *Screeeee*

    Crash.

    "Ok, Boys and Girls. Looks like we got us a nasty 4 car pile-up in the first row..."

    Nipok Nek

  • Wouldn't it be cool if people started using these bandwidths for small WANs using KISS or some other protocol? I wonder how the FCC would feel about that use. Sure you would be able to listen in on the radio, but if you like the sound of bandwidth, more power to ya.

    The packets could be encrypted if you the security conscious type.
  • by Anonymous Coward
    In response to:
    > It seems that many would-be DJs will get
    > 100-watt stations with 7 mile operating radii,
    > but the large markets - NY, Chicago, LA - will
    > only be allowed to use 10-watt (4 mile) stations."
    I'm afraid this is misleading. It is incorrect to make this kind of relationship between transmitting power and the broadcasting range. Range is a function of many more things than power; probably the most important aspect of transmitting on FM is the type of antenna used, and of course, how it is used. Proper use of antennas are by far the most effective way to increase (or decrease) broadcasting range.
  • still could work though...
    say a music store pays $X.00 to build their own station. The station only brings in say 10 people who weren't going to be come anyway. That's 10 new potential customers. Those odds sound better than any banner campaign on the web.
  • How about if someone set up an internet station, and then with friends and supporters all over the US set up thousands of relay stations broadcasting the station on FM to everybody - I am pretty sure it would be relatively to be able to cover at least the major cities - and anyone with the time to set up a radio transmitter could start relaying.

    As far as I can tell, the US radio stations basically make or break artists - this would be a great way of breaking some of the really bad ones and making some of the ones that really deserve it.
  • I'm not sure what all the legal in's and out's are but if you did do something illegal then you only have a 7 mile radius to hide in.

  • ...how [The FCC] will possibly be able to monitor all of these new stations for appropriate content...

    They'll do this the same way they do it now. They'll make you SWEAR to be good, and sign an "I-SWORE-To-Be-Good J-42" form. Then if someone complains that you aren't being good, they'll nail you.

    Nipok Nek

  • You're right. The FCC has been getting commments on this issue since the notice of proposed rulemaking was made in Jan 1999. You can see all of the comments, etc. at the FCC low-power FM web site [fcc.gov]. It doesn't look like they are hoping that individuals will get LPFM stations, only groups with community ties (which seems like a good idea anyway).

    One thing that I don't know about-- at the proposed rulemaking announcement, one of the commissioners made a statement [fcc.gov]:

    My second concern relates to the impact that creation of low power service may have on potential conversion to terrestrial digital radio service. I understand that there have been promising advances of late that can enable current radio operations to convert to digital transmission technology "in band on channel." Converting to digital transmission technology could improve the quality of radio service and potentially increase spectral efficiency. These are very real benefits and I would be concerned if authorizing some or all of these low power radio services would make in band on channel conversion to digital radio unworkable for existing terrestrial services.

    The player that's always mentioned in this is USA Digital Radio, LLC [ibocradio.com]. I didn't find any statements on their web site about the low-power FM stuff, so maybe it's not such a big deal.

    Does anyone here know anything more about this technology?

  • no. That would be distribution, and still illegal.

    You can only broadcast content that you own or that you have licensed for radio distribution.
  • I find it humourous in that the large broadcast corporations are crying foul, not unlike their
    brethren, the RIAA, the Motion Picture Association, and their DVD licensing group.
    What the FCC proposes opens up the market to smalltime broadcasting, thus potentially stealing
    audience share for big stations, and breaking the "tradional channels of distribution" that generate
    revenue. This is the root of the cries of the aforementioned groups, although they'd never admit it openly. I'm surprised they aren't claiming a potential for copyright infringement (maybe they are, I just haven't read/heard anything at this point).

    Kudos to the FCC for some forethought, and thinking of the small person over corporate greed.
    -
  • Hmmm...that is a good idea. But then right now it is all speculation. I think that the FCC is going to have some strict guidelines when it comes to getting the license to broadcast even at the 7 mile radius. Once again this is the govt. so expect: Name or Organization: Eye color High school Type of underwear you buy Where do you buy the underwear Do you floss. If you answered no or other on any of the above then fill out questions 38-94 on page 6. After completing then mail to Fcc and wait for 3 months while we investigate your application. Is this America?
  • They don't monitor now. They will only take action if they get a complant of some form.
  • by turg ( 19864 ) <turg@nospAM.winston.org> on Thursday January 20, 2000 @06:02AM (#1355572) Journal
    Well, I don't know about the US, but in Canada you would definitely have to pay a royalty for each song you played, but it would probably be relatively small. I know for the 1000-seat auditorium where I used to work it was 8 cents, and for a radio station (with a large coverage area) where I worked, it was $1.25.

    ========

  • You are wrong about this. Copyright prohibits distribution of any kind, including broadcast, without express permission from tho owner.

    Now, the owner could include a term that you can broadlast noncommercially, but that is a rare exception.
  • In the early days of the 'net (now im getting old)... there were very few induhviduals online, and computers were _really_ expensive. Then it all exploded (mostly web)... the id10ts we're lways in the news as spreading their message... all sites were basically redundant crap...

    but time heals all wounds and now: the id10ts are still out there but noone pays attention anymore, there is signifigantly better stuff available now (though the crap didn't disappear yet)... ans all it took was some time and a lot of people and even more money

  • You need to be licensed and you must pay royalties to broadcast anything which you do not own the Performance Rights to (note this is NOT the same as copyright).

  • by vectro ( 54263 ) <vectro@pipeline.com> on Thursday January 20, 2000 @06:08AM (#1355578)
    no no no.
    If you are broadcasting music your don't own then the authorities could triangulate your signal and come knocking on your door.

    This is the third time I've said it in this article, but I'll say it again:

    You can't distribute copyrighted material without express permission from the author. That includes broadcasting on the radio, even noncommercial radio.

    Now, if you want to broadcast some Open mp3s (Ie., ones that permit distribution) or your own, then that would be fine.
  • You need an amateur radio license. See http://www.arrl.org [arrl.org]. You can transmit video on the UHF (432 MHz) and higher frequency bands.
  • This kind of thing would be great for rural areas that aren't serviced by a good variety of radio programming. Instead of putting up one huge high-power tower that broadcasts to mostly empty space (though you have to pay the same for it), you can set up these micro-stations in the small towns to rebroadcast a webcast or something. A 1-mile radius could cover towns like that, and you'd still be reaching over 50% of the people in the area.

    Hmm, sorta wants me want to rebroadcast KZZQ [kzzq.com] that way. :)

  • There are already frequencies allocated for that sort of thing. You can use 902-928 MHz, an ISM (Industrial, Scientific and Medical) band for just about anything. There are limits on transmitter power.
  • If it's in the broadcast FM band, it can be voice or music, or both (if you have a subcarrier modulator), or you can put data on the subcarrier.

    I'm sure you could probably chain them together as long as you coordinate your frequencies carefully -- just be sure you don't pirate a licensed station's broadcast for legal reasons that have nothing to do with the FCC, and remember you have to transmit on a different frequency from what you're receiving for purely technical reasons.

    Need I mention that having an amateur radio license would give you a lot more information and opportunities to experiment? Remember, folks, it gets a hell of a lot easier in April..
  • ..it is announced that the FCC will be allowing individuals and groups the ability to run low powered FM (yes, FM) radio stations..


    Looked to me like individuals are included, and I'm not sure they're talking about licensing ..

    then again, I've been wrong before .. ;-)
  • Can anyone see advertisers taking advantage of this? Just think, you like 103.9 it's your station. But 103.7 is the Coca Cola station, and 104.1 is the Microsoft station. I just hope that the FCC (how ever much I think it's censorship sucks) makes some decent regulations. Or maybe the company stations will be there, just no one will listen to them, that's if they have a digital tuner.

  • Could somone point me to some pirate radio station information? I mean real radio, not web cast. And yes, I saw the article on /. about UK pirates "stealing" your car radio.

    Back in the '80s at Georgia Tech some guys put together a "small" bradcast in Techwood dorm. Supposedly people from all over the city could listen in. They tried to get a real license, but apparently the FCC requires detailed schematics of the equipment, and these guys had hacked it all together so the project died.

    Eventually we'll get broadband wireless web, but 'til then we wait.

    ed
  • There is no free lunch. Spread spectrum can increase the efficiency with which the airwaves are used but it does not increase the bandwidth.
  • Seems to me that a low-power (10-100 watt) station would be no different, really, than just playing a CD on my porch, with loud stereo.

    Fair use would probalby apply.

    Personally, I've always wanted that sort of thing, just so I could listen to my stuff anywhere, with just a little (power-conserving) radio. Shower radios exist too, after all :-)
  • Group Status, in any urban area, probably means membership in any of the current protected-class false communities: gays, non-whites, immigrants, or other left-wing sanctioned groups. You can just about forget doing it if you're not in one of those groups, unless you live in a rural area, and then who's going to hear your signal?

    The argument will be made that these groups are currently underserved by the current radio market. The fact is that the current urban radio market is dominated by corporations that generate playlists or present nationally syndicated "talk" shows designed solely to get good ratings books and make ad revenue.

    And I resent the implication that current radio represents me at all. I can't stand any music stations, and the talk stations are either dominated by brash, right-wing demogogues like Rush (on AM) or the quiet, left-wing propoganda of NPR.

    Low-power FM would be an excellent way for REAL communities (like neighborhoods) to get together, exchange ideas and actually strenthen themselves. Instead, the vast majority will *still* not be represented on the air since the stations will go into the hands of bogus communities.
  • There is an issue here that no one has noticed.
    To run a radio station costs money. You need space for the studio and to store Records or CD's. You need to pay the electric bill etc. These stations will not be selling adds. Which meens that you will need to find some organazation to underwrite you. For example a school or university, or maybe a community center or church type group. But you probably can look to drop 30-40K per year. And that is assuming all the people running the station are doing it without a paycheck.

    On the other hand I would guess that if you have a group that wants to run a station finding the people may not be that hard.
  • I'd be interested to hear from someone who knows what they're talking about, how using the fm spectrem in wireless networking could communications.
  • However if you wish to reach a large group of people - a webcast is far better, but remember in many areas of the world - people still have a standard 28.8 and cannot hear your broadcast (if this was not so, AOL wouldn't exist).

    if you want to reach a large group of white people, then a webcast is certainly the way to go -- but remember that most people aren't connected to the internet.

  • See: HR 3439 IH: Radio Broadcasting Preservation Act of 1999. [loc.gov] "To prohibit the Federal Communications Commission from establishing rules authorizing the operation of new, low power FM radio stations."
  • Several Porple wrote --
    "The article left me with one question: First, could they network?"
    "supporters all over the US set up thousands of relay stations"
    "Wouldn't it be cool if people started using these bandwidths for small WANs using KISS or some other protocol? "
    Finally Anonymous Coward wrote -- "This has already been going on for many many years. Get your ham radio licence and get into packet radio."
    Ham Radio (Amateur Radio) has been going on for over 100 years! We have relay stations across the USA with (Gasp!) "repeater's", Digital Networks "Packet Relay", Satalite E-mail, AM/FM Voice and a slew of other toys. We erect huge antenna arrays allowing us to talk to the world, We bounce signals off the moon, and occasionally chat with the Shuttle Astonauts.
    In the US a good source to get you started in FM radio is the "Amateur Radio Relay League" at

    http://www.arrl.org/
  • The Salon article [salon.com] speaks to this somewhat. Go check it out.

    Basically, it points out that besides micro-radio's prediliction for locality, many of its listeners are the "poor and disenfranchised".

    Personally, I applaude this action by the FCC (about time). This is an important outlet for individuals to speak out to their LOCAL communities. Forget the "global village", I say. When you're talking to your friends and neighbors it actually matters what you say. To cross reference the Katz thing - you don't hear micro-radio operators flaming the fuck out of each other all day long. They take responsibility for what they say because their community is non-virtual, i.e. it isn't an illusion.

    Not to say that slashdot isn't a "real" community - it is, in a year 2000, brave new world typ of way. But ... Am I getting off topic?
  • I can't tell if the application would require some sort of verification of the "group's status" or not. It would be fairly easy to check the status of educational or religious groups, but a fair and consistent definition of "community group" may be hard to come by. However, I didn't see anywhere in the article a mention that individuals could apply for such a license. I guess my 24 hour a day polka station is out :)

    What qualifies as a groups is very interesting to me. I've long been tempted to set up a pirate radio station playing a mix of music (mostly goth, electronica, industrial, and trance) and commentary...maybe even drama or readings. Now, I've gotten input from a mailing list of local people (most of us work within about 15 - 20 mile radius and the rest aren't much further out). I wonder if we would qualify as a community group.

    On a related note, I wonder if this will be increased or decreased pressure on pirate FM stations. Most have a short radius and some are quite good. An excellent example is the Anime Music Network [tripod.com].

    Herb

  • Sorry about the URL (it's temporary). Here's the permanent version http://thomas.loc.gov/cgi-bin/ query/z?c106:h.r.3439: [loc.gov]
  • Yeah, although there might be tighter restrictions on broadcasting. But is a low power station that much different from playing my stereo loud (which uses much more than 100 watts of power)?

    Although, you can get arrested for public obscenity if you play songs with nasty words too loud on your stereo--the same rule applies to radio--hence the "radio edit" versions of songs.

  • ..it is announced that the FCC will be allowing individuals and groups the ability to run low powered FM (yes, FM) radio stations..

    This is a direct quote from the /. post, and we all know how accurate those are ;) Read the article on NYT (or just the first paragraph I quoted before) and notice that included are educational, religious and community groups. No mention at all of individuals.

    Chrs
    Eric

  • I wonder even if the FCC does open up the FM frequency for microbroadcasts, how does the guy in the garage fare against the mega media machine?

    The best analogy I can come up with is driving a tiny Honda with a double tractor trailer tailgating you.
  • But the point about my idea is that ANYONE with an FM radio can pick it up - not just ham operators.

  • This one really takes me back. We used to run a pirate hacked together FM station (KKAL, no relation to the legit Berkeley station) at a glorious 1 watt out of a broom closet in Page House at Caltech back in the mid 70's. We had live music (sometimes pretty good but sometimes as lame as me on the tenor recorder with a mike on a long cord to the basement tunnels). We wrote our own soap opera (Maggie's Farm), and had outrageous commentary on all sorts of things we didn't have enough sense not to say. At 7 AM during finals week we would broadcast the official theme song of finals, "The Ride of the Valkyries", and the EE majors would try to one up one another with enormous homebuilt speakers throughout the campus. On a good night, with a good antenna, you could pick up KKAL throughout much of the surrounding ritzy San Marino neighborhood. When I went back to Tech a few years ago (not -gasp- looking like somebody's parent), the old KKAL closet was gone and replaced with a bank of terminals where people were playing computer games. Sic Transit Gloria Emmcee, I guess. Any recent techers know what happened to KKAL?
  • Well, it took them long enough, but at least they're making an effort to return the airwaves to the people.
  • by isaac ( 2852 ) on Thursday January 20, 2000 @07:13AM (#1355615)
    http://thomas.loc.gov/cgi-bin/ query/z?c106:h.r.3439: [loc.gov]

    Yep, congress acting to protect you from dangerous new ideas.

    Can't believe moderators are ignoring this!

    -Isaac

  • People in my generation remember the movie Pump Up the Volume. However, it doesn't take bad language or a kids suicide to get the FCC out after you.

    Small 'pirate' stations are the targets of the large media holdings that control the radio market. These small stations don't have comercial breaks, don't play what the record labels say, and generally upset the system of money flow.

    Take the story of beatradio (www.beatradio.com -- They even have pictures of the FCC hauling away the radio).

    The jist of the story is they were playing music and upsetting the local radio stations. Most of the minneapolis market is either owned by ABC or Chanceler Communications.

    So they had the FCC go and shake things up. Well, first it was operating a station with out a license. Okay, sounds like a legitimate complaint. Well, beat did something a little different. They tried to get one.

    Enter a world of regulations that are designed to keep small start-up off the airwaves. Add to it the ability of local stations to object. All of this ammounted to the big boys have the ability to keep the other kids out of the pool.

    My bet is that small community groups will probally be able to have a station. Religious talk, and Paul Harvey for all! But, as soon a station gets popular enough to cut into a top 40 stations listenership you can bet that they will object. I can already see it. Are they really a community group? What public service are they providing? In the end the little guy is always going to get the shaft.
  • I guess my 24 hour a day polka station is out :)

    Actually, you'd be surprised... The two polka shows on our station, WRUW-FM 91.1 Cleveland [slashdot.org], have a tremendous community following. If you're in an area with any interest in polkas, you'd definitely be serving the community. And in truth, if you're playing practically anything that doesn't get mainstream radio exposure, you're serving the public good by turning people on to music or programming that they might not otherwise be able to hear.

    Only through hard work and perseverence can one truly suffer.

  • There are several cases where radio would be more advantageous than the Web.

    I camp with 10000 people in western PA every August. The site is a few square miles. Two of the people I camped with a few years ago brought a small 35 watt transmitter and covered the entire site. Granted, this was for their own amusement, but the transmitter could be put to good use.

    Another time where this would be useful: The Falcon Ridge Folk Festival in upstate NY runs for 3 days and has an annual attendance of about 10000. A low power transmitter run on site could provide news to those camping at the event.

    Imagine a city arts festival taking place in the streets and galleries of Berkeley. The target audience of such a broadcast would be mobile - those in their cars and on foot going to such events.

    How about a legal radio station for Burning Man?

    BTW, this has been legal in the UK for years. Local groups can buy a time limited low power license from the government for very little money.
  • I thought that applied only if you are commercial. If you can show that you get no monetary gain, you can broadcast all you like. Am I wrong about this?

    Yes. Talk to ASCAP or BMI. The rates for non-commercial stations are cheaper, but you still have to pay. The rates for non-commercial stations are set by the U.S. Copyright Office.

  • This gives me the occasion to ask something I've been wondering about a long time - How come all american radio stations have these funny four-letter names? I mean, KXYZ doesn't mean a thing. Over here, they are usually called something along the lines of "Megapol", or "Radio Kristianstad", or something with the frequency in the name, like "City 107" or "Gold 105". I find that a wee bit easier to remember than "something with four letters, beginning with a K, and, oh yes, there was a W in there somewhere"...

    Not intended as any kind of flamebait, I'm just curious about these strange letters.

  • As I recall, it depends on whether your station is commercial or non-commercial, and whether you are for-profit or non-profit. If you're for-profit, you have to pay ASCAP fees, but if you're non-profit, and commercial-free, you can blithely ignore them. :-)
  • Michael Bracy of the Low Power Radio Coalition [lowpowerradio.org] is one of the guys in Washington who has been prodding this legislation through. This allows communities and universities to use the lower wattages for radio broadcasting. I run a campus station and i hope he gets this through because its quite invaluble for someone in the LA area where there are hardly any frequencies avail.
    JediLuke
  • You could start off with the following rig http://www.ramseyelectronics.com/cgi-bin/SoftCart. exe/scstore/hprod/fm100.htm?L+scstore+jn de6478+948403017 And later add on an amp for 100 watts or so.
  • Argh, my brains must have been frozen by all that snow last night... Here's the correct version of that link: WRUW-FM Cleveland [cwru.edu]

    Only through hard work and perseverence can one truly suffer.

  • Contrary to most people here, I don't think this is a good idea.
    If you have ever been to Italy, you have seen the consequences of having many small radio stations all over the place. It maybe okay if the weather is always perfect and you don't ever move away from where you are.
    But many people like me like listening to the radio while driving. Imagine that you are driving along, and your receiver hops to one station after another, because you constantly leave one broadcasting range and enter another. I remember when driving in Italy, I actually pulled over when there was a great song on the radio, because I would have left the broadcast range before the song had ended.

    Even when walking, this can happen. Once when I was walking on the beach (with my portable FM receiver), I could hear one station when I turned my body to the East, and a different station when I turned to the West!

    Even for stationary receiving, this could be a problem. Imaging you happen to live at the border of one station's broadcasting range. On a good day (or at night), you will be able to listen to the radio. On a bad day (rainy or foggy), you won't. Just great.

  • Actually, according to the Digital Millennium copyright act, you may broadcast anything you like but you must follow a few rules:

    1. Never play the same song more than once within a 3 hour period.

    2. Never play requests within an hour of their requestment (is that a word?).

    3. Do not publish a schedule in a advance allowing people to know what your going to play and when.

    Thats basically it. There are other rules but they cover finer points.

  • 10 or 100 watt radio stations with decent tuned antennas simply will not interfere with other radio stations. Here in Minnesota, we have a terrible classic rock station that puts out 50,000 watts and bleeds all over the dial. No one but me seems to be bothered by this broadcasting blowtorch. (But first hint of any pirate radio station in the area, and the FCC gets "dozens" of interferance complaint calls. I suspect most are from 'rival' PR, or goliath stations feeling threatened but the unlicensed david.) They are running a business catering to regular people who generally know nothing about antenna theory; they want the listeners to be able to pick up the station on a paper clip. A dedicated listener could be expected to have an antenna, even if it's a radio shack wire antenna hanging down behind the tuner. But most big station listeners are fickle, and will change the station at the slightest hint of static- hence the "need" for 50 KWatts. This station is one of the several in the local ABC radio juggernaut that commands a third of the FM dial. I believe this is what the FCC is (finally) addressing. I think they should go one step further and limit output to a maximum of 20 KWatts. This would clear up the dial for more stations, especially micro and low powered non commercial stations. I love radio, but hate the business. I have thought of starting a pirate radio station, but found the penaltys too steep. Maybe this will provide me with an oppurtunity to get on the air.
  • That's not entirely true. Please refer to my response to a previous post nearer to the top of the page. It pertains to the Digital Millennium Copyright Act.

  • They are callsigns.
  • A 4-7 mile radius is actually quite a lot of people, if you live in an urban area. Even in a sparse sort of area like Worcester, MA, you could reach tens of thousands of people, depending on where you had your antenna. If you lived on one of the hills (hee hee. whatever might I be planning? 8), you could reach even more. And consider what someone in a building in, say, New York City might be able to do... It's more than just a neighborhood...

    I'm looking forward to this. It should be interesting.

    Josh

  • Here's an article from the Chicago Tribune [chicagotribune.com] about this. They claim there will be 1000 spots for low-power FM radio stations...
  • WMAL is a Washington, DC area AM talk radio station and ABC Radio affiliate.

    630 AM and you can hear Rush Limbaugh, Matt Drudge and (I think) Art Bell on that station when in the land that common sense forgot.

  • by goodmike ( 65197 ) on Thursday January 20, 2000 @09:15AM (#1355656)
    When do I listen to radio?
    1. In a car.
    2. In the morning when I'm waking up.
    3. When I want continuous, high-quality audio.
    4. When I want up-to-the minute information (in emergencies).

    Which of these do the 'Net and the Web supplant? None. (The thought of turning on my PC at 7AM and sitting in front of it in my bathrobe is so depressing I can't even picture it.)

    Furthermore, you can't expect me to believe that there are nearly as many households out there with a good 'Net connection, a PC, and audio-playing software as there are with an old beat-up FM radio. Radio has survived TV, and it will survive the Internet, and the thing after the Internet too.

    The opening up of the FM band to low-wattage stations is potentially revolutionary--more so than putting some streaming audio up on Shoutcast and hoping 50 people will tune in for some choppy, jumping, artifact-filled audio. In a community like mine in Brooklyn, NY, you could reach a million listeners with just a 4-mile radius. You better believe more of us have radios than a good 'Net connection (Thanks for nothing, Bell Atlantic).

    Radio still matters, and this is a bright day for people who think that the media should belong to the people, not to a few people.
  • I can't think of anything more fun! Nowadays you hear the same crappy music everywhere. The Music Industry decides what is Good and pumps it equally to everyone.

    Imagine wandering around the city, catching some quirky-sounding DJ spinning a block party. Imagine going to visit another town just to hear the radio station. It's local color restored. It's a break in the corporate stranglehold of preprocessed nonsense. It's community bonding.

    You say you have a distaste for the inconsistent availability of such short-range broadcasts. But it is the prefab stuff that is fed to you through a tube. The real gems must be sought out. The weather isn't beautiful every day, because if it were, that would be boring. You take the good with the bad. You listen to the ambient sound and take what you can get. You shouldn't expect wisdom delivered-on-demand - that is the domain of foolishness.

    You may argue that the Internet makes this irrelevant, but I argue that every stronghold of the corporate fatcats should be disassembled. Unfortunately, that HR3439 bill [loc.gov] introduced may not permit it.
  • by Windigo The Feral (N ( 6107 ) on Thursday January 20, 2000 @12:08PM (#1355680)

    Kaa dun said:

    what do you think would happen if they found out people were broadcasting "illegal" mp3's And what makes you think they'll be illegal? I can perfectly well rip my CDs and broadcast them (provided I get no commercial gain), cannot I?

    Unfortunately, the record companies will still have you by the balls. Playing music (even MP3s) counts as a "public performance" of music, and generally when you do public performances of music you get to pay the nice happy protection^H^H^H^H^H^H^H^H^H^H licensing fee to the two main music publishers, ASCAP and BMI.

    Yes, even folks who operate jukeboxes in pizza places have to pay the licensing fees, and ASCAP and BMI are just as high on the bastardy scale as the RIAA is--they literally tried to sue the Girl Scouts for the Scouts singing campfire songs in Girl Scout books--which just happened to have the rights owned by ASCAP and BMI :P (If memory serves, they were also responsible for having a lyrics archive taken down.)

    Radio stations and music-video outlets have to pay licensing fees to ASCAP and BMI, because they too get caught in the bind...so do many professional DJ's, who have to have the licenses from BMI and ASCAP.

    If memory serves, they've even attempted to hit Shoutcast/Icecast/RealAudio streamers for licensing fees, too...sometimes on top of fees already paid (for example, radio stations which ALREADY have to pay the BMI/ASCAP tax which have been hit up AGAIN because they happen to do RealAudio streams).

    About the only way you could get out of the licensing fees is to play artists which have NOT published via ASCAP or BMI--which is even harder than finding an artist who has not had to whore themselves to the RIAA cartel (ASCAP and BMI are the Big Two music publishers--literally almost anyone who publishes music through an agency goes through one of those two agencies eventually--the only ones who don't are EXTREMELY indy artists, garage bands, and the like--probably most of mp3.com's material, even, would be affected by this).

    (Yes, I've investigated it, and was saddened to find out that info--I'd actually hoped to take advantage of the LPFM authorisation, till I found out how much licensing fees would be :P I still hope the local college station [right now broadcasting via common-carrier on AM on U of L's campus to avoid FCC regulation--the school will not fund them to become a broadcast station because they already pay for one of the three public radio outlets in Louisville] can make some use of it, though...)

  • 1. Never play the same song more than once within a 3 hour period.

    You know, I've been wondering why the major "alternative" rock station here in Los Angeles (KROQ) played the same 16-20 songs over and over...armed with this the above information, I did some math, and came up with this:

    There are 60 minutes in an hour...there are about 10 minutes of commercials at the end of an hour, and about 10 minutes of other DJ chatter, promos, etc. That leaves about 40 minutes for music. Let's assume the average "alterna-pop" song is about 2.5 minutes long...40/2.5=16! Allow them to play the occasional "flashback" song, and there you have the approx. 16-20 songs on the playlist.

    Wow...I can't believe I actually used long division in real life...I guess they were telling the truth in High School..now I wish I'd paid attention to the other stuff too.

  • Jedi@radio dun said:

    As I recall, it depends on whether your station is commercial or non-commercial, and whether you are for-profit or non-profit. If you're for-profit, you have to pay ASCAP fees, but if you're non-profit, and commercial-free, you can blithely ignore them. :-)

    Unfortunately, this may not be entirely true (depending on which licensing agency you're dealing with). ASCAP and BMI both have a reputation of major bastardy regarding "public performances", which HAS on occasion targeted non-profit groups.

    Possibly the most infamous example of this is when ASCAP and BMI attempted to hit up the Girl Scouts of America for licensing fees--for every time ASCAP or BMI-published songs were sang around campfires (according to them, campfire singalongs constituted public performances). Eventually they backed off after a LOT of public criticism, but this proves they'll even go after nonprofits (the GSA is a non-profit organisation in most states).

  • Some anonymous coward dun said:

    Typically, it is not the radio station that is the problem. It is your junk receiver that you probably paid $1 for the local swap meet. I do recommend that you not "get on the air". It is technical idiots like yourself that are the cause of many more problems on the radio spectrum then the 50KW juggernuts.

    Then, Xerxes dun said:

    It's a Drake SW8. A little more than $1. I am an Extra class ham, and a former Special Forces Communications Sergeant.

    Erm, Mr. Anonymous Coward, I fear Xerxes may have you just a bit trumped.

    First off, Drake SW8s are NOT "$1 radios". They are widely regarded by most as one of the best damn communications receivers available outside the military market, period. They are also by NO means cheap--try starting price of around a thousand dollars or so new, around five hundred dollars and up used. (It would not be exaggeration to term the Drake SW8 the Ferrari of radios, both in terms of price AND performance. It is also one of the few radios I can truthfully say I'd give my eyeteeth for ;)

    Also, I'm assuming he's one of the "old Extras" (the FCC recently reclassified ham radio licenses to three classes, and some hams are being grandfathered as a result into higher classes). Extra Class ham radio requirements, at least the old ones, aren't to sneeze at: you have to take a test of radio knowledge and theory that is approximately equal to that required of FCC-licensed technicians for "big" radio stations (yes, you have to know a HELL of a lot of theory and operation knowledge :), plus [till April 1, anyways] one has to pass a Morse code test of reading CW (Morse) at 20 WPM (which also is nothing to sneeze at--I'm doing good to learn at Farnsworth 5/12 WPM (the letters sent at 12 WPM so you get the sounds, the WORDS sent at 5 WPM) which is the new standard which General class licenses will be tested at :).

    Extra Class licensees are rarer nowadays in ham radio, precisely because the requirements ARE so tough. I dare say that if one passes an Extra class license one could build a radio, with little "overbleed", blindfolded. :)

    Needless to say, I think he probably knows what he's talking about when he's talking of the FM station bleeding all over the place (Drake SW8s are known for selectivity, and one of the things you learn on the way to becoming an Extra Class licensee is what overmodulation and bleedover are and how to correct them). ;)

  • BhodiLi dun said:

    Several Porple wrote -- "The article left me with one question: First, could they network?" "supporters all over the US set up thousands of relay stations" "Wouldn't it be cool if people started using these bandwidths for small WANs using KISS or some other protocol? " Finally Anonymous Coward wrote -- "This has already been going on for many many years. Get your ham radio licence and get into packet radio." Ham Radio (Amateur Radio) has been going on for over 100 years! We have relay stations across the USA with (Gasp!) "repeater's", Digital Networks "Packet Relay", Satalite E-mail, AM/FM Voice and a slew of other toys. We erect huge antenna arrays allowing us to talk to the world, We bounce signals off the moon, and occasionally chat with the Shuttle Astonauts.

    Yes, ham radio is very cool (and with the FCC restructuring, even easier to get into now)...

    I think what they're driving at, though, with some of the convos is possibly multiple LPFM stations in a network (getting feed from one source and relaying it) or possibly multiple LPFM stations acting as translator stations (basically simulcasting another station at low power, because it can't be received well at that location).

    WANs and such are POSSIBLY doable, but would be far better suited to packet radio or possibly SCA (Sub-Carrier Audio); digital paging services already exist on SCA, and packet radio already has Internet/packet gateways (no, I'm not joking). I'd be rather surprised if the FCC approved digital on LPFM, or SCA on LPFM at all...prolly, it'll be voice-only.

    However, I do see translators/networks for voice communication as completely doable. In fact, a "pirate radio" network already exists (Zoom Black Magic, the only unlicensed network in America) so it's been proven it can work in theory. (I'd also think Zoom Black Magic would be in line with what a lot of folks on Slashdot would like to do with LPFM--specifically, "non-corporate" news, views and music. ZBM has also done a lot of work fighting censorship in general, which makes them Good Guys in my book)

  • I also came up with the idea of radio broadcasting at Pennsic, just to get accurate weather information out. Now that it's going to be legal, I'm going to bring it up to the autocrat.


    ...phil
  • How come all american radio stations have these funny four-letter names?

    Take a look here [ipass.net] for a complete history of the broadcast call signs in the U.S.


    ...phil

  • Admittedly, 4-7 miles isn't much of a radius, but, setting up multiple stations, where the primary stations signal could be sent via an internet conection to be rebroadcast nearly simultaneously on all of the other stations, you could cover some significant area. This would require very low maintenance towers probably, and lots of organization, but would be interesting to attempt.
    What's a typical citie size these days? Also, if three or four stations were set up around the perimeter then you could get overlap coverage. Finally, the 4 - 7 mile radius, is that the radius at which the signal is 50%? what is the actual radius of a usuable signal? (assume fairly ideal conditions...)

    Linux advocacy to the airwaves!

    LetterRip
  • I welcome the diversity of views, sounds, and ideas that will come about through this ruling. It's a little late now that the Internet has supplanted it.

    Far from it. The Internet is nowhere near supplanting radio. The vast majority of people in the country do not have access to anything like what would be required (computers, bandwidth, etc.) for the Internet to supplant radio.




    ...phil

  • In Canada (and most of the rest of the world) all non-profits would have to pay royalties. (In fact both places referred to in my message were non-profit)

    ========

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