

007 Dis(Gold)members Austin Powers 327
gpinzone writes, "MGM and Danjaq, the British company that controls the Bond
film license, have obtained a cease-and-desist order against New
Line Cinema that prohibits New Line from calling the latest
installment of
Mike Myers' shagadelic spy series
Austin Powers in Goldmember . The full
article is available from E!-Online."
Why did it take so long to serve notice? (Score:2, Insightful)
Re:Why did it take so long to serve notice? (Score:2, Insightful)
MGM was just waiting to see if it was worth their while. If Goldmember turned out to be a dud, MGM has nothing to gain by attempting to squelch it. But if Goldmember looks like it's going to be raking in the bucks hand over fist, surely they won't have to twist New Line's arm too hard to "remind" them to share just a little itty bit of the profits...
Re:Why did it take so long to serve notice? (Score:2)
Re:Why did it take so long to serve notice? (Score:2)
Precedent (Score:5, Insightful)
Re:Precedent (Score:5, Informative)
From a Yahoo story [yahoo.com]: MGM initially challenged the use of "The Spy Who Shagged Me," an obvious play on the 1977 Bond title "The Spy Who Loved Me." But that dispute was settled when New Line agreed to include trailer play for MGM movies on its Austin Powers sequel.
Re:Precedent (Score:2)
Bond's producers unsuccessfully contested the title of Myers's last movie, The Spy Who Shagged Me - a spoof on 007 movie The Spy Who Loved Me.
Irrelevent (Score:3, Insightful)
Re:Precedent (Score:3, Informative)
Yeah, it sucks that there's not some some huge global information network [www.org] where we could go to learn about fair use issues [publaw.com] rather than just speculating about them.
Goldmember falls flat on 2 out of 4 fair use criteria. Fair use is an exception to the very clear copyright law, and it's a civil action, so it's "balance of probabilities" not "beyond all reasonable doubt". It's not prior restraint on publication either, as the name is already being used in marketing (c.f. the recalled material). The copyright owners are well within their rights to take this action, and Mike should have been ready to defend it from day one.
It's no big whoop though. We're looking at a quick out of court settlement, balanced against free publicity for both franchises. A couple of PR guys lose out... unless the whole issue is a well managed PR stunt to scam publicity for all parties.
Re:Precedent (Score:2)
Very true, I didn't mean to imply that Goldmember wasn't fair use. I think it very clearly is, I'm just making the point that there is a plethora of case law and Idiot's Guides out there that posters could maybe do a search for to see why there is grounds for having a preliminary injunction granted (which is all the rights owners really need to force a quick settlement).
I just get so tired of reading masses of knee jerk uninformed babble about copyright and fair use law every time this issue is raised here. My god, the whole story is practically -1 Troll, -1 Offtopic.
Re:Precedent (Score:2, Informative)
Re:Precedent (Score:2)
A thought parodies were protected ? (Score:3, Insightful)
Re:A thought parodies were protected ? (Score:4, Informative)
There are some songs (Chicken Pot Pie, Snack All Night) which he'll do live but wasn't allowed to release on record, and are not included in the live video. This is because the song's owner wouldn't allow the release of those parodies.
Neil Innes wrote brilliant Beatles parodies for "The Rutles", and despite being a pal of the Beatles, (The Bonzoes hit single "Urban Spaceman", also penned by Innes, was produced by Paul McCartney!), he had the rights taken away from him in court when the owners of the Beatles songs successfully sued. These rights to songs such as "Ouch", "Doubleback Alley", "Cheese and Onions" etc eventually ended up with all the other old Beatles material as being owned by Michael Jackson!
The late George Harrison in later years attemped to buy back the rights for his mate Neil, but with no success.
Neil Innes later successfully sued Oasis for stealing the melody of his song "How sweet to be an idiot", which considering many Oasis songs could be labelled beatles parodies is nicely ironic!
So. Parodies can get you in legal hot water, and if the Bond people want to force the name of the new Austin Powers movie to be changed, there are precedents.
Besides which, the Austin Powers joke got old after the first movie...
Re:A thought parodies were protected ? (Score:5, Informative)
Actually, he can. It's his own decision to not release those parodies that haven't been approved by the original artist.
wrong wrong wrongwrongwrongWRONG (Score:2, Informative)
Re:A thought parodies were protected ? (Score:3, Informative)
Additionally, he does need permission for songs like The Saga Begins, because the use of American Pie to parody Star Wars doesn't count like that.
Re:A thought parodies were protected ? (Score:2)
IIRC he could but dosn't. Also heard that he seeks permission from the writer and/or signer even if they are not the current copyright holder.
Re:A thought parodies were protected ? (Score:2)
However, the Austin Powers 3 case is about trademark, not copyright, the claim apparently being that both the title and the character Goldmember infringe on the Bond title and character Goldfinger. Since it's pretty hard to parody something without putting enough resemblance in the names so people can tell what you are parodying, I would not expect this to hold up in a US court. I don't know about British law (where MGM and the Bond franchise reside), or whether Myers (who sure sounds British) and his production company are in British jurisdiction. If British courts rule one way and US the other, MGM would become the "bad guy" who kept the film out of British territory only -- or the "good guy" to Brits of taste. 8-)
One thing: how close was Myers planning to come to the original on the title song? (I cringe to think about the possible lyrics...) There might be a copyright violation on the tune.
mike myers (Score:2)
Re:A thought parodies were protected ? (Score:2)
MAD Magazine won a lawsuit in the 60s where the right to publish parody lyrics to songs without permission from the copyright holder was established. I don't have the title of the suit, but it was discussed in Frank Jacobs' book, "The Mad World Of William M. Gaines." I don't know how that suit relates to the music, however, since MAD never published the music -- only the words and the instructions, "Sung to the tune of:".
Re:Not True! (Score:2)
Coolio insists that he didn't, but I tend to believe Al. Weird Al always gets permission as simple courtesy.
Re:A thought parodies were protected ? (Score:3, Insightful)
Re:A thought parodies were protected ? (Score:2)
He often asks personally, but other times, the record company secures the rights. Whether or not the copyright owner agrees, Al can still parody the song and release it. He just has to pay. Not because he's doing a parody but because he's re-using the music. He'd have to pay for the lyrics (but not the music) if he did a version of Madonna's "Material Girl" using the original lyrics but playing it to the tune of Handel's "Messiah" on his accordion.
Coolio and the Red Hot Chili Peppers did not agree to the parodies he did of their songs ("Amish Paradise" [parody of "Gangster's Paradise"] and "The Flintstones" [parody primarily of "Suck My Kiss"]). Coolio's people made threats, but those were as empty as Jack Valenti's rants.
And as Al said of Coolio's anger over the parody, "It didn't stop him cashing the cheque." Or don't you watch MTV "Rockumentaries"?
woof.
I didn't want to moderate this thread anyway.
Re:A thought parodies were protected ? (Score:2)
Re:A thought parodies were protected ? (Score:2)
Coolio's record company said it was all right without asking Coolio. At least, that's Coolio's story. See here, page down to The Coolio Fiasco [geocities.com].
parodies are NOT protected.
Weird Al asks out of politeness, not necessity. Parodies are protected, but as with everything else in the world, enough money can buy a measure of injustice. Buy enough lawyers and you drown the other side in legal proceedings.
Porno Style (Score:4, Funny)
Re:Porno Style (Score:2)
Re:Porno Style (Score:2)
Based on Edward Scissorhands [imdb.com], starring Johnny Depp and directed by Tim Burton, in case you hadn't guessed...
Re:Porno Style (Score:2)
F-u-u-u-u-u-u-u-u-u-u-c-k (king kong falling off tower)
Or how about the "sex ray" that made everyone on the plane passing through it start having sex!
A classic movie.
I never did see "Caddy Shack-Up" since I was actually looking for the real movie at the time I came across it.
Re: Porn Titling (Score:2, Funny)
Re:Porno Style (Score:2, Funny)
Jesus Christ! (Score:3, Interesting)
Soon it wont be possible to satirise anything [bbspot.com] without getting a nastygram?
Pack of wolves? (Score:4, Troll)
It will be interesting to see if "MPAA Guidelines" and laws like the DMCA will be used by MPAA members against each other, rather than us consumers. I have visions of a pack of wolves turning on its weaker members in a gory bloodbath.
Slashtard Bingo (Score:5, Insightful)
Play (Score:4, Insightful)
In related news (Score:5, Funny)
- Austin Powers: Dr Yes!!!
- Austin Powers: From Russia with Lovers
- Austin Powers: Thunderballs
- Austin Powers: You Only Live for Shag
- Austin Powers: On Her Majesty's secret Lover's List
- Austin Powers: Diamonds Are For Minks
- Austin Powers: Live and Let's Shag
- Austin Powers: The Man with the Golden Bum
- Austin Powers: Moonraiser
- Austin Powers: OctuplePussy
- Austin Powers: A View to A Shag
- Austin Powers: License to Shag
- Austin Powers: Tomorrow Never Bites (hard)
- Austin Powers: Never Say Lover again
It'd be better as (Score:3, Funny)
And ... (Score:3, Funny)
- Austin Powers: The Shag is Not Enough
Re:And ... (Score:2)
Re:In related news (Score:2)
Shoudn't that be "Austin Powers: Dr Ye Baby, Ye!"
Goldmember with Star Ballz? (Score:4, Interesting)
Re:Goldmember with Star Ballz? (Score:2)
I wonder if New Line Cinema can take any lessons from Star Ballz? If they can get away with a PORN parody it seems like a weak reference like "Goldmember" should be allowed too. Especially when New Line Cinema (with all that cash) is backing it...
Forget what is right and wrong, this case has nothing to do with what stuff. [avault.com]
No, New Line Cinema plans to release this movie in time for the Summer season and has already distributed huge amount of promotional material for the movie (with references to "goldmember"), if they want to fight this case out in court, they can forget all about this summer for the release.
MGM knows this and is simply trying to make a "quick buck" from New Line Cinema with some kind of compensation for the name.
So to speak MGM has New Line Cinema's "GoldMember" in a tight squeeze.
Re:Goldmember with Star Ballz? (Score:2)
Since Star Ballz creators are not members of the MPAA, they could really care less and sue under US law.
Somebody out there really dislikes Mike Myers (Score:2, Interesting)
The suit ended in a settlement in which Myers agreed to make a movie for Universal and Dreamworks would get a cut of the profit. Dreamworks entered the picture becase Spielberg and Katzenberg helped broker the deal between Myers and Universal. Today, we have MGM issuing a cease & desist to Goldmember. Well, MGM and Universal have had close ties before and have often collaborated in projects. I wouldn't be surprised if some people at Universal are still quite upset with Myers and are trying to make every thing he does quite difficult.
Here's a better article (Score:4, Redundant)
Here's an article with fuller details [yahoo.com]. I find the following paragraph particularly interesting: The "Goldmember" flap is not the first between MGM and New Line over Austin Powers titles. MGM initially challenged the use of "The Spy Who Shagged Me," an obvious play on the 1977 Bond title "The Spy Who Loved Me." But that dispute was settled when New Line agreed to include trailer play for MGM movies on its Austin Powers sequel.
MGM's past actions show that all MGM is interested in is profiting off anything halfway Bond-related, whether they thought of it or not. If they can leverage copyrights to accomplish that, they will do it. If it takes, as MGM's CEO says, having "a zero-tolerance policy toward anyone who tries to trade on the James Bond franchise without authorization", they will leverage that too.
This isn't primarily an issue about rights. It's primarily about money, and rights are only dragged into the picture when they are likely to bring in more money.
Re:Here's a better article (Score:4, Insightful)
Probably because any potential action's not based in copyright, but in trademark.
Goldmember (Score:5, Informative)
Movies.go.com [go.com]
Yahoo [yahoo.com]
BBC news [bbc.co.uk]
CNN [cnn.com]
From CNN: Rappers 2 Live Crew, for example, took their use of the Roy Orbison song "Pretty Woman" all the way to the Supreme Court, which then reached the explicit conclusion that a parody falls within the scope of the fair-use defense. It would, however, be impossible to market the film as "Goldmember" during that process.
This is a good thing. (Score:5, Funny)
- A.P.
Re:Fingers (Score:5, Funny)
Re:This is a good thing. (Score:3, Funny)
GTRacer
- z <cr> z <cr> z <cr> Look at tea <cr>
double entedre (Score:5, Funny)
Hmmm...I realise this may be a poor choice of words on behalf of the writer of the article, but if not, the people who gave us "Pussy Galore" and "Ivana Onatopp" better not be whining about use of double entendre!
Re:double entedre (Score:3, Insightful)
Re:double entedre (Score:2)
You forgot Plenty O'Toole, who Bond assumed was named after her father.
Read all about it (Score:5, Insightful)
For the benefit of the hordes who will post "I thought satire/fair use yadda yadda yadda", don't speculate, go and read [publaw.com] about it.
There is a specific codification of fair use for parody or satire, but satire alone is not automatically enough to protect you.
The factors relevant to this case are:
Prima facia, it's about 50-50. Mike is trading on someone else's idea for profit, but in a small way compared to his original content. Using the character in the title was rather asking for it though. Mel Brooks got away with that, and with significant use of Star Wars material in Spaceballs, because he also parodied at least another 21 sources, and used his borrowed characters to perform a fair amount of critical commentary ("moichandising, moichandising").
Remember that but fair use is an exception to the law, and as Mike is clear about where he's taking his material from, it really is up to him to prove his innocence. He shouldn't have much trouble doing so, and this is likely just a well timed gambit to land a quick out of court settlement, one that the Goldmember people really should have anticipated and prepared for. But heck, it lands them free publicity, so the only losers here are a few PR executives.
(Incidentally, I agree with other posters that this article really is -1 Offtopic. If we really care IP issues, then why not run my submission on how all the sound and fury about IP on Slashdot has failed to translate into actual support for the WIPOUT [wipout.net] essay competition. For gods' sake, all you have to do is CC your usual Slashdot rants to them!).
Re:Read all about it (Score:2)
-- I have a zero tolerance policy for zero tolerance policies.
Re:Read all about it (Score:2)
No, let me be clearer. Being satire or parody makes your derivative work eligible for fair use protection. The criteria that a court uses to decide whether it is fair use are: commercialism, type of work (creative/entertainment or informational), amount of copying, effect on the original. The judgement can focus on any or all of these, and the court can also consider other factors, if it is so minded.
There seems to be some confusion about the point I was making. All I'm doing is providing a link to a quick reference and saying that there is prima facia grounds for a case and an injunction. I find the Austin Powers franchise clumsy and not particularly funny, but I believe that it is very clearly fair use (including use of the name and character of Goldmember/Goldfinger), but it will have to prove that. You don't get a presumption of innocence in a civil case, it's all down to balance of probabilities, which is why it's a very good idea to at least ask the rights owners if you can use their work, to try and flush out any complaints early in the process.
Re:Weird Al. (Score:2)
Also, Wierd Al has quite a few songs which are not paraodies (completely original, but with the basic influence of a certain style, such as "Stuck in a Closet with Vanna White" or "Albequerque") Also he has a number of polkas which use the lyrics, but not the music from popular songs at the time (to point out just how wierd the lyrics are.)
He's also been turned down to do parodies, and well, you haven't seen any Prince ones out there.
Re:Weird Al. (Score:2)
Please do me the favour of going and reading the publaw link. Parody does not make it a non issue. It makes your derivative work eligible for protection. If you parody someone else's work, you'd better understand the issues: commercial nature of your work, intended audience of your work, degree of copying, and the effect on the sales or potential sales of the original. And the most important issue: do I have enough money to prove my innocence in a court that considers both parties to be starting off equally and deals in degrees of probability, rather than an assumption of "innocent until proven guilty beyond all reasonable doubt" in the defendent.
Wied Al has the clout to defend himself, which makes him far less liable to get sued. Goldmember does likewise, but the timing of the suit (after the title was fixed and promotional material had been produced) means that they have to come to a compromise, and quickly, rather than screw their release schedule fighting a case, even one that they can almost certainly win.
Re:Read all about it (Score:2)
That's a fully fledged bastard of a good point, and I accept your correction in good grace. It's possible to get so caught up in the letter of what the law says that it's easy to forget why the law exists, or what the need was that created it.
Well, at least you Yanks know what shagging is now (Score:2, Funny)
Re:Well, at least you Yanks know what shagging is (Score:2)
Re:Well, at least you Yanks know what shagging is (Score:2)
Shag
Bollocks
Wanker
Find out what they mean before the American censors do.
Re:Well, at least you Yanks know what shagging is (Score:2)
Zero Tolerance? (Score:4, Funny)
Really? Veerrryy interesting.. So what about:
"The Spy who Shagged Me"
The Spy who Loved Me
"Random-Task"
"Oddjob"
"Dr. Evil"
Dr. No
"Alotta Fagina" / "Ivana Humpalot" / "Robin Swallows"
"Pussy Galore" / "Plenty O'Toole" / "Mary Goodnight"
"An unnesecarially slow moving device to which i'll leave them alone so i can't actually witness their deaths."
umm... pick any of the last 19 bond flicks..
This is actually a good point! (Score:2)
The post is funny, but it actually points to a good legal precedent. New Line could argue that MGM doesn't have a leg to stand on because they've let the Bond series be parodied explicitly twice before in the previous two Austin Powers movies. It's the responsibility of the person or organization that holds a copyright to enforce it in the courts. Thus, if you have been aware of previous copyright violations and failed to act, you've put yourself in a position where your copyright may be invalidated because you've tacitly allowed use of it before through your previous inaction.
Basically, MGM doesn't get to decide to enforce its copyright sometimes and not others. It either enforces it or not, and if it's chosen not to with the Powers movies then it may not legally have the option to now.
And already the recalled poster are on ebay (Score:5, Interesting)
New character suggestion... (Score:5, Funny)
Mixed Feelings (Score:2)
Oddly, I cracked a malicious smile when Star Ballz had and won its day in court against George Lucas. No mixed feelings there... anything that makes Georgie uncomfortable in the slightest is good news to me, especially after Ep. 1 and what I've seen of Ep 2.
Seriously, though, Hollywood is taking protection of copyrights just a little too far these days. But as we know, money talks. I'm waiting to be charged a licensing fee to wear a Bond costume on Halloween...
Re:Mixed Feelings (Score:2)
A tuxedo?
You could be Bond *and* the linux mascot at the same time.
-Legion
Old Article - I'm guessing it's no longer true (Score:3, Informative)
Meanwhile, a few weeks ago I saw a preview for Goldmember. It was still a ways off, but I'd assume they would have changed the name in the nearly 4 months since this article was written if there were still legal issues surrounding it.
Old news (Score:4, Informative)
This has beeen discussed ad infinitum on alt.fan.james-bond many times before. This isn't a copyright or trademark dispute. It's a standard part of the MPAA.
Basically, MGM has a problem with how Goldmember is being marketed (the trailer comes too close to some of the sight gags in Goldfinger, mainly). They're not suing New Line; they've complained to the MPAA panel that governs member's promotions and titling and so forth and convinced them to bar New Line from promoing the film until they work out their differences.
I think MGM/Danjaq/EON are being morons, but this is not a threat to parodies of Bond films outside the MPAA. If you want to make a homemade porn film titled "GoldenCock", you can.
That said, it is nice to see the Bond series getting some play on Slashdot. Enough of those crap Sci-Fi series like Star Trek and Star Wars...
Note this was Abitration (Score:2)
I would hope that if this came before a Court, they would dismiss the complaint. Parody is protected expression, and will necessarily involve mimicing sight-gags. But that may be meaningless if the MPAA has effective control over trailer distribution. OTOH, such monopoly control could be the basis for suit. IANAL.
Sneeky bastards (Score:2)
Sucks doesn't it but thats business.
Not a copyright case (Score:2, Insightful)
--Doug
Austin Powers: This Crap is All I have Left, Baby! (Score:2)
The theatrical trailer for the film certainly indicates that the new film will find a way to break new creative ground. The 2-minute short appears to be a parody of the original 1997 film.
We spoke with director Jay Roach. "It's a copy of the dance sequence from the first movie, but with all small actors. Get it? It's a mini Austin! The wig, the teeth, even a tiny sports car. Ha. Little people are funny."
Full Story [ridiculopathy.com]
Trailer still online ... (Score:2)
Sort of unusual, considering.. (Score:2)
The whole Austin Powers franchise is basically a spoof
Go figure.
Protected parody or actionable satire? Who Knows? (Score:3, Informative)
Clearly, we know that a rap reworking of O Pretty Woman, parodizing the song as an unrealisticly romanticized account of the horrific life of a prostitute on the street is fair use, for the Supremes told us so in Campbell v. Acuff Rose. [cornell.edu]
Alas, the Courts in infinite wisdom have distinguished with a fine hair the parodizing of a work of authorship with the satirizing of a societal issue by reference to a work, for example the Dr. Seuss-esque storybook about the O.J. Simpson Trial, the "Cat NOT in the hat, which was held NOT to be fair use. There was an interesting article about this case in the Cardozo Law Journal. [yu.edu] (big pdf file)
Finally, we have the recent reworking of the civil war epic "The Wind Done Gone," which led to one of the more important recent copyright and parody decisions, and an excellent Eleventh Circuit opinion. [harvard.edu]
And that's just the Copyright issues. There remain the trademark parody cases, which have an even odder range of uncertainty. Certainly, there are a host of cases where trademark parodies have been found permissible and protected (I think "Off the wall-street journal" was an example of one that passed), but apparently there is an invisible (or at least very gray at the fringe) line of cases where the use is so offensive to the trademark that it borders on unfair competition. (I think Jordache with a depicted butt and Cocaine with the Coca-cola commercial style failed, but again, I may be misremembering).
I had a case not too long ago when I analyzed these issues and this absolutely murky hunk of case law. The best I could approximate is the SDR&R standard: "it is ok to parody a trademark, unless you make reference to sex, drugs or rock & roll."
Interestingly, these standards (trademark and copyright) are NOT consistent. The Campbell Copyright case was a fact pattern as egregiously offensive to the Orbison estate as Cocaine was to the Coca Cola Company. Yet there, it was protected expression.
It would be interesting to see a case well-resolved that addresses these conflicting areas of law clearly. But at any rate, I wouldn't presume without seeing ALL the facts and ALL the arguments that either side has a clear win. This is one of the truly gray margins of the law, except in the few arenas where the conduct has already been litigated. Unless your case lies foursquare on the facts of an existing, controlling case, this is as uncertain an area as it gets.
MGM seems to think I'm an idiot. (Score:2)
I guess another option is that MGM is thinking "Hmm... these guys are going to have a hit on their hands. I bet we can make really good money off this movie if we get a settlement out of them...". That's just plain evil. This type of legal crap is silly. It'd be far better if the next James Bond film took a poke at Austin Powers instead. Imagine if it was a ritual for an Austin Power movie to come out after every James Bond movie, and each on is slinging mud at each other. Now that would be far funnier. Now an Austin Powers fan would watch James Bond, and the other way around. (It probably happens anyway, but I think it's a fun idea.)
So either MGM thinks I'm a total moron who can't distinguish an over the top parody from James Bond, or MGM is illegitimately suing for the title. I tell you what, it's enough for me to boycott any more James Bond films.
In this nation... (Score:2)
Call off the hounds! This is not a fair use issue! (Score:3, Informative)
MGM and Danjaq, the British company that controls the Bond film license, have obtained a cease-and-desist order from an Industry panel that prohibits New Line from calling the latest installment of Mike Myers' shagadelic spy series Austin Powers in Goldmember.
See the bold part there? They didn't get the cease-and-desist from the Government. This is a private business issue.
And a Motion Picture Association of America arbitration panel sided with MGM.
Ayep. Your friends, the MPAA at work.
If New Line is taking it seriously, then there's probably a contract issue in place here. Chances are, New Line is un-titling their movie because MGM would sue the pants off New Line for releasing it as is, probably a breach-of-contract suit; I would guess stemming from some rules of membership in the MPAA.
While I personally think it's pretty stupid of MGM to push this, it's _entirely legal_. This has nothing to do with copyright law or fair use.
-JDF
Re:Everyone will hate me for this, but (Score:3, Informative)
The characters and the plot do not need to be changed, even though there is a character in the movie called Goldmember.
It is strange how the film companies only want the title changed but not the character that infringes the copyright
Re:Everyone will hate me for this, but (Score:3, Interesting)
If this is in fact copyright, then MGM is in the wrong as parody is fair use in US law from what I understand of it. As an earlier poster mentioned, there's a ton of porn movies that take advantage of this. You can make fun of an original work all you like. If this is British law, who knows?
If we're talking a trademark issue, different rules apply. Again, I don't see how MGM has a legal leg to stand on as this obviously isn't going to create any more confusion in the market place then the last Austin Powers flick.
There's a stack of unanswered questions this article raises but doesn't address. Anybody know where more information on this might be located?
Re:Everyone will hate me for this, but (Score:2, Informative)
You're right, it doesn't. This article [yahoo.com] does. It's a copyright issue.
Re:Everyone will hate me for this, but (Score:2)
Re:Guess what I did! (Score:2)
Re:Everyone will hate me for this, but (Score:3, Funny)
If it's just a title change, how about Goldphallus, Goldshlong, Golddong, Goldhairybanana, Goldbigchap, GoldflyingScotsman or something to that effect.
But then if the call it GoldflyingScotsman they could get sued for damaging the reputation of Scots.
Re:Everyone will hate me for this, but (Score:2)
And hasn't Fat Bastard done enough to warrant such a case already?
Immature comment (Score:2)
They aren't suing because you don't like the austin powers movies, anyways. They just want money for someone else's work.
Re:why on earth (Score:2, Insightful)
Well, I'm not sure that it's "new" at all.....
And let's forget for a minute that this might be an appropriate topic for slashdot (think think think.. owwww), just consider that a site like this is popular because of one thing. It continues to draw visitors. Do you see a lack of visitors? Content must be ok... If you aren't pleased with the direction the content has taken, then you could just
Re:why on earth (Score:3, Insightful)
IAMNAE (editor), but if IMC was your only source then I probably would have rejected it too. IMC is about the most twisted source of information I've ever seen on the net. I can't figure out why there are a couple of people on
IMC calling itself Journalism and NewsMedia is good for a laugh though. They make SlashDot look like CNN.
Finding an actual news report on the incident would probably get the story accepted.
-
It's about popularity. (Score:2)
This however is a sequel to a hit movie. The 1st rool of such sequels is that they don't have to be good to make oodles of money. This will be super popular even if it totaly sucks.
Re:It's about popularity. (Score:2)
Hardly. "Austin Powers, International Man of Mystery" grossed $54 mil(US) at the box office, and another $24 mil in rentals. Thus, the $70 mil that AP2 grossed at the box office could hardly be considered "unexpected", or a sum that "nocked down" box offices.
Re:Of course, parody is protected by fair use... (Score:4, Informative)
Somehow, both MGM and Dunjaq seem to have forgotten that the entire Austin Powers concept is a parody on the whole idea of spy movies in the first place! (rolling eyes skyward)
Re:Of course, parody is protected by fair use... (Score:2)
Well, what about the other big media company? The one that would have to pay a shitload of money to remake and edit AP3?
Actualy, a settlement will probably end up taking place. Legaly, I don't see how Goldmember couldn't go forward, Austin Powers as always been a parody of James Bond type movies...
Re:Of course, parody is protected by fair use... (Score:2)
We are currently in the arbitration process and trying to resolve this matter under the MPAA guidelines
I think we all know how the MPAA feels about fair use, and arbitration is extralegal, so the results are rarely about the law. It really comes down to who bought the arbiters.
Re:Of course, parody is protected by fair use... (Score:4, Informative)
The idea of "conjuring up" the original work has become both a basis for protection, and a limitation. You can use enough of the original so that the target of your parody is obvious, but you can't simply copy the original, hoping to benefit from its success, and then throw in a few jokes in order to gain protection. Commercial parodies are just as entitled to this protection as non-commercial ones, as well.
Re:Why no action against Austin Powers 2? (Score:2)
I wouldn't want to piss off his wife.... (Score:2)