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Music Media

Best Buy Backs CD Copy Impairment 410

borkus writes: "Chief Operating Officer Allen Lenzmeier of Best Buy, Co, owner of Best Buy Stores and Musicland said that his company would support industry efforts at copyright protection, though he didn't specify any particular technology. Although Best Buy stores sell MP3 players, CD-Burners and tape decks, they aquired Musicland in 2001. According to the article, the 10% decrease in music sales in 2001 was caused mostly by Internet file swapping. As a major retailer of both electronics AND music, Best Buy could have a huge impact on the future format of music player hardware as well as software."
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Best Buy Backs CD Copy Impairment

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  • Counter productive (Score:3, Insightful)

    by FrostedWheat ( 172733 ) on Saturday April 13, 2002 @12:22PM (#3335201)
    And if people can't use CDR's for writing CD's then they are going to notice a far greater drop in profits than those caused by file-swapping systems.

  • Feh... (Score:5, Interesting)

    by GearheadX ( 414240 ) on Saturday April 13, 2002 @12:24PM (#3335211)
    Okay.. I'm going to say something snarly here. Have they actually given serious thought to the possibility that the reason sales are down is because the fanatical followers of bubblegum pop have started to grow up?

    Probably not.

    This is a supply/demand issue. It's quite possible that the listening audience demand has dropped because the supply is drek.
    • Re:Feh... (Score:3, Informative)

      by mfos.org ( 471768 )
      In times of a recession entertainment is generally the first thing people stop spending money on.
    • Re:Feh... (Score:5, Insightful)

      by ryanvm ( 247662 ) on Saturday April 13, 2002 @01:12PM (#3335438)
      Have they actually given serious thought to the possibility that the reason sales are down is because the fanatical followers of bubblegum pop have started to grow up?

      There's always been shitty music that only teenagers like. "Bubblegum pop" is not a new phenomenon. Hell, don't you remember New Kids on the Block?

      The reason demand is down is because the economy is down. It's Occam's freakin' razor.
      • There's always been shitty music that only teenagers like. "Bubblegum pop" is not a new phenomenon. Hell, don't you remember New Kids on the Block?


        The problem with this arguement is that this is all there is now. Back when NKOTB was the big thing, there was new kids, and there was... well... nothing. Now, all there is is bubblegum pop. It's not like the industry's one leading act is bad pop, the entire industry is bad pop.

        But I do agree with the economy being down as a principle cause of the drop in demand. I just also think that to raise demand they should focus more on the quality of their product.

        ~z
    • Re:Feh... (Score:4, Insightful)

      by kadehje ( 107385 ) <erick069@hotmail.com> on Saturday April 13, 2002 @01:27PM (#3335491) Homepage
      Have they actually given serious thought to the possibility that the reason sales are down is because the fanatical followers of bubblegum pop have started to grow up?
      (snip) This is a supply/demand issue. It's quite possible that the listening audience demand has dropped because the supply is drek.
      They know what's up right now. They know what they're selling is crap, but are just trying to get Congress to accept their piracy claims on blind faith so that the record labels' profits can be protected from the damage that a competitive marketplace can cause.

      There are two main reasons why CD sales have fallen in the past year: the slow economy, which has hurt sales of many other things besides Backstreet Britney CD's, and the fact that the "Next Big Thing" or "killer app" in the music industry hasn't revealed itself yet.

      It seems that this is the first time in 50 years that no replacement currently exists for a tiring music phenomenon. Since rock 'n roll came of age in the 1950's, it seems like there was always something ready to take the place of acts and genres that were losing their appeal. Motown and other genres of the early 60's replaced the first generation of major rock stars. Then Beatlemania took over. When the Beatles were on their way to breaking up, so-called classic rock acts took their place in the late 60's and the early to mid 70's. Then there was disco, followed by punk rock, then the pop revolution led by Madonna and Michael Jackson, then teen sensations like Debbie Gibson and the New Kids on the Block in the late 80's, grungers like Pearl Jam and Nirvana in the early to mid 90's, followed by Teen Sensations Part Deux starring 'NSync and Britney Spears. Of course this isn't a comprehensive history of popular music; there are certainly been stars outside of the genres I mentioned that have sold millions of copies of their acts. But I do think the ones I have listed are enough to illustrate the fact that the music industry's demand machine has been running essentially non-stop for half a century. Until now, where for some reason it has temporarily stopped. However, soon enough the industry will figure out what's broken, fix it, and then get it running again.

      Ten years ago, the industry was complaining about dual tape decks and DAT as major threats to the viability of the labels. They got some concessions from Congress and the DAT manufacturers, such as collecting taxes on recordable media to offset the effects of piracy and ensuring that digital tapes could be recorded at most to one additional copy before both the original and new copy could not be used as masters for a second-generation copy. Then the economy turned around, "Smells Like Teen Spirit" gave them a new way of milking money from the masses, and everything was all good again. I believe the same situation will occur again in the next year or two. Something new will become wildly popular, and the industry's wolf cry will suddenly become a lot fainter once the cash starts returning in droves.
      • The reason that the next big thing hasn't emerged this time is that there is no need for another big thing.


        Back when there were just a handful of channels, it was easy to trace the history of television through the major trends. People had nothing else to watch, so it was easy for something to dominate. Then, with cable and eventually satellite, people had dozens, even hundreds of choices. Suddenly, the major channels could no longer define television culture with major trend starting programs.


        The major television stations are still running just fine, but they no longer control the world of television.


        Similarly, the filesharing culture now allows people to easily find obscure music. With more things to choose from, less people listen to the biggest thing.


        The music industry isn't waiting around for the next big thing. It never has. It used to *make* the next big thing. Right now, it's trying very hard to make another big thing, and failing miserably.


        mlylecarlin

    • Re:Feh... (Score:2, Insightful)

      Right. And there are no people on earth under the age of fifteen anymore, just because you and your friends finally entered high school? Look beyond your nose, there are babies being born every day.
    • I'm going to say something snarly here. Have they actually given serious thought to the possibility that the reason sales are down is because the fanatical followers of bubblegum pop have started to grow up?

      STOP THE PRESSES: You mean music tastes move in cycles? Say it isn't so! I was so damn sure that all music was crap before my formative years, was brilliant during my formative years, then because crap again once I grew up.

      That songwriter written, star producer, studio manufactured, pretty boy/girl sung stuff nSync and Ms. Spears puts out is downright crap, while the songwriter written, start produced, studio manufactured, pretty boy/girl sung Wall of Sound goodness of the Philles Stable (The Ronnetts, The Crystals, Gene Pitney...) is classic man. CLASSIC.

    • Re:Feh... (Score:2, Interesting)

      Maybe the music industry's problems are the result of declaring war on its customers. Maybe I haven't heard anything interesting in a while. Maybe it's because the buzz in the music industry died with Napster. (Nowadays the buzz is all 'sue this' and 'sue that'.) Maybe it's because I am too concerned that I will unintentionally purchase a corrupted non-CD CD if I go to a record store. Maybe it's because the RIAA is an illegal cartel that has set prices too high for too long. Maybe it is because, as many others have said, they have been producing mostly drek for the past couple of years.

      If there was an official site where I could legally download professionally made MP3 or OGGs of all of my favorite tracks for two bucks a pop, I would be all over it in a second. Maybe the next generation of music executive will figure out what I want. Until then, fuck 'em!
    • Re:Feh... (Score:3, Insightful)

      by FFFish ( 7567 )
      Further to supply-and-demand, one only needs to look at the population curves to see that there was a massive "baby boom" that's now entered its fifties and sixties; a mini-boom formed by the boomer's kids, who are now in their late twenties/early thirties; and a substantial decline in younger populations. Look at what's happening in public schools: elementary schools are being shut down and amalgamated, because there simply isn't enough student population to support them.

      So, yes, of *course* there's been a decline in sales: there are fewer buyers. And there are especially fewer buyers of the crap pop that BS and her ilk have been pumping out.
  • by thing12 ( 45050 ) on Saturday April 13, 2002 @12:26PM (#3335219) Homepage
    BestBuy was just eliminating a competitor when they bought Musicland. They were already one of the largest sellers of cd's in 2001. The real issue behind this is that BestBuy owns a record label (can't remember the name, Red Line Records?) and as such they are indirectly member of the RIAA.
    • Yeah, here it is -- Redline Entertainment [redline-en...inment.com].
      • Explains why last season whenever you went into best buy, you were bombarded with ads for that tony hawk tricks and tips vol. 1 and for the band Sprung Monkey. I never heard anything about sprung monkey outside of best buy, but to go in there, you'd think that that album with the lollipop on the front was the most popular album at the time. Just goes to show that it wasn't a quality product, it was a venture capital risk that they thougt could bring income if the demand was artificially inflated.

        ~z
    • by greatsasuke ( 315751 ) on Saturday April 13, 2002 @12:38PM (#3335295)
      Actually, I was a Musicland employee at the time of the acquisition. The reason we were acquired wasn't so much because we were competition, but because Best Buy only had stores in bigger cities. Musicland has a branch called On Cue (this is where I was employed) that was especially targeted at smaller towns; this was a (the) main reason behind the purchase. Also, our warehousing techniques were much more efficient than theirs and they wanted a part of that.

      At the same time they bought us, they bought two other companies whose names elude me (one was a dealer in ultra-high-tech home stereo systems). Neither of these were direct competitors with Best Buy (they didn't/don't offer stereo equipment on the level that the company they purchased does).

      So they weren't really acquiring solely based on competition, but I imagine that was a part of it. Probably off topic, but just a bit of insight .
    • HERE's a REPLY (Score:5, Informative)

      by furiousgeorge ( 30912 ) on Saturday April 13, 2002 @02:28PM (#3335739)
      When i saw this article, I immediately wrote a note to BB letting them know that they had just lost my business (along with anybody else I could convince) until they decided to stop treating their customers like criminals. Here's the reply I got:

      "Thank you for contacting Best Buy about copy protected CDs. I'm Val with
      Customer Care.

      We apologize for any disappointment caused by copy protection. Copy
      protection is a decision made by the label to protect them and their artists
      from copyright violation. We encourage you to contact the label directly if
      you would like to offer opinions about this practice.

      Thank you for sharing your comments with Best Buy. Please don't hesitate to
      contact us with any questions or concerns.

      Best wishes from Best Buy,
      Val and the Customer Care Team

      TRACKING NUMBER: A00000970333-00003433404
      "

      BLAH BLAH BLAH. Decision 'by the labels' huh? It's very different if the labels are trying to push it vs. the labels pushing it AND you helping them. Sorry BB, you've sunk even lower....
  • A 10% drop?!? (Score:3, Insightful)

    by eyegor ( 148503 ) on Saturday April 13, 2002 @12:26PM (#3335225)

    Geez... Instead of assuming that the loses are because of us evil consumers, they should look at the feeble economy. People who are scared they might not have jobs (or actually don't have jobs) usually don't run right out and get the latest treasures from N'Sync and Britney. Survival is more of a concern.
  • by crovira ( 10242 ) on Saturday April 13, 2002 @12:26PM (#3335226) Homepage
    I'll get my stuff off the net from people who don't assume that I'm a criminal.
    • from people who don't assume that I'm a criminal.

      This is exactly what they are trying to do. By making it difficult to copy individual cd's they are trying to make it easier to paint those who have digital copies as criminals. Right now it is very difficult to point the finger. The more difficult something illegal is to do, the easier it is to point the finger. For example evaluate these statements:

      1. "Here's a copied DVD of the Matrix"
      2. "Here's a DVD of Episode II"
      3. "Here's a copy of John Tesh's latest"

      I bet in general people think that 2 is the most serious and 3 is the least.

      -Sean
    • Straight up! From now on, I'm done with Best Buy! I'm shopping at Fry's, where they don't assume I'm a crim...oh, wait.
  • Yeah (Score:5, Insightful)

    by GigsVT ( 208848 ) on Saturday April 13, 2002 @12:27PM (#3335227) Journal
    Just like Circuit City had a huge impact on the way we watch DVDs.
  • by bmooney28 ( 537716 ) on Saturday April 13, 2002 @12:30PM (#3335243) Homepage
    I just love to see stupidity in action. People have an incredibly powerful urge to assume that just because when A happens followed by B, then B must be caused by A... File trading came first, then CD sales dropped... never mind that we had that little recession incident.... throwing that into the mix would be a little too complex I suppose.

    This reminds me of a hilarious study I read about in college... Several pigeons were put into identical boxes that would spit out a food pellet once every minute. Within a few minutes one pigeon was hopping up and down constantly, the second was continually spinning, and another wouldn't stop bobbing his head... It turns out that they were assuming that whatever action they were doing when the food first was dispensed was causing the food to be released, so they would continue to do it indefinitely to keep the food coming! If A is happening, then it MUST be a result of B....

    so... yeah... um.. it must be the file trading!

    • That's obvious (in hindsight) but has it occured to you that these people aren't stupid? On the face of it, it seems like a pretty dumb thing to do, but there may be method in their madness. If they blamed slumping sales on poor product and the economy, they couldn't do anything about the problem.

      However, if they blame their sagging sales on file trading and say copy protection is the answer (which we all know it isn't), then they can be perceived as 'pro-active' in the eyes of their shareholders.

      Even if you can't do anything about the problem, it's better to look busy. Throwing up your hands and saying 'the economy sucks' may not be acceptable to these guys.
  • No surpise, really, considering that Best Buy and the RIAA are both on the retail side of things. What I find interesting is that both sectors care little for the artist or the listener... boiling down their influence on music to making it shiny and flashy.

    Sooner or later, musicians and audiophiles will have enough technology to bypass all this ridulousness. Let's just hope it doesn't end up being illegal for me to buy listening rights to a song directly from whoever wrote and recorded it!

  • by AnimeFreak ( 223792 ) on Saturday April 13, 2002 @12:34PM (#3335270) Homepage
    Excuse me? 10% drop in music sales over the past year? Lets be a little level headed here and realise that the economy hasn't been that stellar for the past bit and I can see a 10% drop in the purchasing of Compact Discs that cost $15-$25 a piece.

    Lets also put this into context. How many people are on GNUtella or Kazza? Well, on GNUtella it is hard to tell due to how the system works, but I wouldn't be suprised if it was in the 50,000 - 100,000 range. KaZaA is probably at a similar level. How many people out there listen to CDs they buy legitimately? I am sure there are more people with legit CDs than those who have burned MP3s or OGG Vorbis files on to CD-ROMS.

    Utter bullshit.
    • Blockquoth the parent: "but I wouldn't be suprised if it was in the 50,000 - 100,000 range. KaZaA is probably at a similar level"

      Whoa... you're missing at least an order of magnitude there. On KaZaA (stripped of the spyware, of course. :) ), I regularly see 1.4 million users online. In fact, as I write this, KaZaA is reporting 1,650,044 users online, sharing 1,703,008GB.

      I agree with your reasoning re: the economy, but the marketroids probably thought it too expensive to actually do research into the matter... plus, it provides "proof" (haha) that P2P is evil, hence securing such legislation as the DMCA and SSSCA (or whatever it's called this week).

      - Jester
  • by the_skywise ( 189793 ) on Saturday April 13, 2002 @12:37PM (#3335289)
    Was caused by internet piracy then because people were discovering all sorts of new music they had never heard and were rushing out to purchase CD's of the good stuff...

    Right?

    Right?

    oh no no no, that was brilliant marketing on the part of RIAA and besides it would've been... uh...28% growth, yeah, 30% even if it hadn't been for those EVIL CHEATING INTERNET PIRACY SCUM who are STEALING money away from these poor starving artsts they represent!

    Courtney Love: I want the money you owe me!

    RIAA: Shut up! Oh Mr. Clintttooonnnnn... would you mind signing this bill into law that says musicians are really contractors to us and don't really deserve any money for their creations except for an hourly wage, but extend copyright law so we can sell the same disc at 1500% mark-up for 100 years? Thaaanksss... Oh, here's some money for your wife's campaign...

  • Best Buy could have a huge impact on the future format of music player hardware as well as software."

    I was going to buy some CDs today. I usually shop at Best Buy. Now I wouldn't be going to Best Buy even if they have the best price. I want value for my purchasing dollar. Limiting my future choices is not value. I didn't buy an iPod to have Best Buy dictate how I use it in the future.

    Don't let companies pull this garbage. Don't buy from them. Best Buy just screwed themselves permanently with me. It will be very hard for them to dictate to customers if they don't have any.

    • by Anonymous Coward on Saturday April 13, 2002 @04:19PM (#3336145)
      I agree 100%. I'm boycotting a lot of companies on this priciple. The problem isn't the boycott itself (very few companies really sell anything that I NEED, other than say the grocery store). The problem is keeping track of who I'm not buying from and why. A really cool website would be one that tracked companies that have come down on one side or another, so people could keep a handle on who the assholes are, and who the consumer-friendly companies are.

      Extend the concept a bit, and you could allow users to create a profile where they track who they specifically are boycotting. Then every so often, the website could email that companys' marketing department and say:

      "Dear Best Buy:

      Your policy of supporting the RIAA has resulted in xxxx consumers boycotting your store. blah blah blah"

      and then attach any personal "messages" from the consumers in the boycott...

      Man, what a cool way to make a difference. I wish I had the time.
  • Analysts expect downloading of Internet music files to lead to another year of declining sales after U.S. music shipments slumped 10.3 percent in 2001.

    Which was in no way affected by the recession we're still seeing in many states. The reason why they only dropped 10% is because of internet advertizement.
    • It most certainly was not. You see, when hard times hit, people first give up food, then housing, new clothing, and finally, as a last resort, entertainment. Wait, do I have that backward?
      • Actually, in 1932, during the what would be the height of the great depression, President Hoover finally got off his ass and started distributing food, clothing, money for rent and medical bills, and movie tickets. Apparently, entertainment was seen as vital to the well being of the people (Muscio, Giuliana; Hollywood's New Deal; 1997). Obviously, BestBuy is running on the same platform and compact discs are similarly necessary for every day life.
  • by ZaneMcAuley ( 266747 ) on Saturday April 13, 2002 @12:40PM (#3335306) Homepage Journal
    Does these copy protect CDs specify on the package what hardware they play on or what hardware they DO NOT work on? Product description laws? What about fair use laws? Does these products infringe these laws? I dont know about laws in the US, but in Europe, WE HAVE GOOD LAWS for protecting consumers.
  • by Anonymous Coward
    I remember back when Napster being shut down was a hot button issue rather than history, sales were up 6% across the board.

    Regardless of that, I think the main issue is you can only recycle things so many times before it deteriorates into nothing. Go buy an original VHS tape, copy it, then copy that copy, and then copy it one or two more times for good measure. It'll be so warped by then it's a waste of a tape.

    Same thing with this music. Notice that sales for Britney Spears' new album are much lower than her previous efforts. Why? Not because 14 year old girls are pirating it, but because if you've got 1, you've got them all, fundamentally.

    Perhaps people are just sick and tired of 20 year old musicians singing about love and relationships(pop), who has the most expensive car and who's the biggest "playa" (rap), being angry for the sake of being angry (nu-metal), and claiming to be unique when everyone dresses the same with let's say, a red baseball hat on backwards (rock).

    Perhaps sales are diminished not because of new technologies, but because of lack of creativity. The entertainment industry is in such a horrible state and has been stagnating as such. It's just bad timing for technology that as movies and music gets worse, technology progresses at the same fashion, leaving a perfect scapegoat to use as an excuse to wonder why the public is buying the excrement they dish out.
  • by SocialWorm ( 316263 ) on Saturday April 13, 2002 @12:42PM (#3335319) Homepage
    Perhaps a polite notice that what they're doing is very, very wrong would be appropriate. The EFF has already asked its member to mail a thank you note to Gateway [eff.org]. Best Buy has an address to send "general comments [bestbuy.com]" to. I believe I'll be sending them a piece of my mind on this issue quite soon.
  • by Bowie J. Poag ( 16898 ) on Saturday April 13, 2002 @12:45PM (#3335323) Homepage


    tar zxvf bag.tar.gz ; cd bag ; mv $feline ../

    Everything worth getting is already available in MP3 format..And nothing thats currently being put out by the recording industry is worth listening to. It would be a far easier endeavor for the industry to understand and deal with the past two sentences than it would be to write endless piles of additional legislation and licensing agreements.

    Cheers,
    • And nothing thats currently being put out by the recording industry is worth listening to.

      Arguably, this was already valid 10 years ago (many would say even 20-25, but I'm not that drastic). Don't buy crap at ever increasing price.
      • Arguably, this was already valid 10 years ago (many would say even 20-25, but I'm not that drastic)

        That's because people tend to equate "what's good" with what they grew up with. Music today is no better or worse than music 10 years ago, 20 years ago, or 200 years ago. Its just different.
  • by furiousgeorge ( 30912 ) on Saturday April 13, 2002 @12:50PM (#3335348)
    Don't just boycott the bastards.... take 2 minutes and go to their website and give them a note telling them you're no longer a customer.... AND WHY.

    It'll make much more of an impact.
  • ...that the 10% decrease in sales could be because consumers have finally realized what SHITTY PIECES OF CRAP THE MUSIC INDUSTRY SELLS?
  • by crimoid ( 27373 ) on Saturday April 13, 2002 @12:56PM (#3335375)
    I'm a techie. When I want music I find the mp3 and add it to my collection. I own hundreds of CDs... from a few years ago. I haven't bought a CD in ages. There is no technical need to do so. My father is a computer newbie. When he wants music even he finds the mp3 version. Same goes for my sisters. The only person in my family that still buys CDs is my brother. He likes music stores and like having "real" CDs.

    There is no doubt in my mind that mp3's are destroying potential CD sales.

    There is also no doubt in my mind that the RIAA is fighting the mp3 threat in the wrong way. They are hurting people that buy CDs! They are tartgeting their own customers! Rather than fighting the format, or better yet, positioning themselves to control the format they actually think that CD sales will improve with more restrictive CDs.

    Its hilarious.

    The VPs and Money-mongers are so wildly out of touch with their customers that they are willing to cripple their own product to control the situation.

    How about monthly mp3 download subscriptions? I'd pay $10 a month to get a mp3 version of new releases as they happen.

    How about cheaper CDs. $9 with more content. Better yet, include the mp3's on the CD itself. Or treat the CD as a license to download the mp3 version... no ripping/searching required.

    How about a website where I can create my own CD complitation and have it mailed to me... or download the .iso?

    How about some friggin creativity...

    The RIAA and the music industry is sitting on a vast pile of money-potential and THEY DON'T EVEN SEE IT. They are so stuck "in the box" that they can't imagine that there is any other way of capitalizing on their investments.

    I hope that someone in the "industry" wakes up and smells the cash. I'm willing to fork over a ton of $$ to get music, I simply don't want $15 CDs anymore. They're bulky, prone to scratches and a poor "investment" for my entertainment dollar. Give me access to clean, high-bitrate mp3's (no crippleware, special players, ads, and other BS) and I'll for over serious cash.
    • by dachshund ( 300733 ) on Saturday April 13, 2002 @01:38PM (#3335532)
      How about monthly mp3 download subscriptions? I'd pay $10 a month to get a mp3 version of new releases as they happen.

      Nobody wants to offer this service because the record companies make more money doing what they do now: namely, packaging one or two hit songs onto an $18 disc and convincing consumers to buy two or more per month. Do the math and you'll see why they don't like the idea of a $10 or even $20 subscription-- at least, one that gives you a large number of new releases that don't expire.

      The problem is, for them to make money selling CDs online, they'd have to charge much higher prices than what you propose, just to keep their revenue flat. People don't want to pay what the record companies would have to charge, especially with all of the free alternatives out there.

      What we're seeing is a classic example of executive punting. Whether they realize it or not, the label executives have put their business on a course of nearly guaranteed disaster. Their customers will hate them, those affected by draconian copyright legislation will hate them, and in the end it will all fail. However, no executive wants to be the guy who embraced online music at a reasonable price, and consequently reduced earnings by 30-50% over the golden-goose CD model. They'd never work again. (I've heard various industry professionals acknowledge the gist of this argument in private, though few yet acknowledge the contention that sharing-prevention efforts are doomed to failure.)

      In other words, any exec who does the long-term intelligent thing for the industry, namely putting its long-term survival over short-term profits, would be destroying his or her career. So it won't happen, and the idiots will get high-paying jobs elsewhere while the recording industry suffers the fallout of those short-sighted decisions.

      • I completely agree with regarding exec not wanting to put their ass on the line... I disagree with the following:

        Nobody wants to offer this service because the record companies make more money doing what they do now: namely, packaging one or two hit songs onto an $18 disc and convincing consumers to buy two or more per month.

        People who currently get mp3's for free aren't buying CDs. People who buy CDs probably aren't going to stop. If the Industry would offer a for-pay mp3 service they could (possibly) pull some of the free mp3 people over to the paying side.

        I know that I would. If I could go to a website, log in and download a zip file of an entire album... in a pure, player-agnostic format I would gladly pay for it. The time/energy saved and the quality and consistency of the mp3s (normalized, etc) would be incentive to pay a price.

        Sure, I could theoretically give all of those to my friends, etc. etc. Piracy would not be reduced. BUT they'd have my payment and they'd know that I'd pay again. Bottom line is that they'd make more money than they do now.

        Unless, of course, I'm the only one who is willing to pay a reasonable price for online music.
  • They blame a 10% sales slump on piracy, when you can't swing a dead cat without hearing that we've been in a moderately serious recession? Who are they kidding?
    • without hearing that we've been in a moderately serious recession?

      Recession? Not according to any real economic data. The technical definition of a recession is two consecutive quarters of declining GDP. Didn't happen. The economy actually grew by 2% last year.

      http://frwebgate.access.gpo.gov/cgi-bin/getdoc.c gi ?dbname=economic_indicators&docid=01ja02.txt

  • "[Best Buy] said it is looking to team up with record labels and technology groups to devise ways to prevent wholesale copying of CDs without antagonizing customers. "

    We've already been antagonized, and in us they have an adversary for the rest of their grasping, niggardly lives.

    Thank you very much, jackasses, for not referring to us as "consumers."
  • by Joe Rumsey ( 2194 ) on Saturday April 13, 2002 @01:01PM (#3335400)
    Here's the thing. We'd all like to be able to buy music on-line. The RIAA probably even wants to sell us music on-line (There are at least hypothetical situations in which the RIAA would embrace online sales of music. Their current hypotheticals may be technologically, legally, and/or economically unsound, but they exist). But how is that ever going to help Best-Buy? Their entire business, as far as music sales go, is based on getting physical copies of CDs from a manufacturer to you.

    Online downloads, legal and pirated alike, ruin that business model, so Best Buy naturally feels that it's in their best interests to oppose anything that lets you acquire music on a non-physical medium.

    It seems unlikely that there's room for a middleman like Best Buy in online distribution of music. If you were able to purchase and download music direcly from an artist's or label's website, why would you want to pay Best Buy extra money on top of that? Best Buy probably feels they have a lot more to lose than the record companies do.

      • It seems unlikely that there's room for a middleman like Best Buy in online distribution of music.

      It may well be that Best Buy is getting favorable treatment from RIAA members on distribution because by doing so, the RIAA has effectively coopted a major distributor of devices used to make digital music work (MP3 players, Computers, CDR media).

      Not unlike Sony is both a primary manufacturer of devices and also a prominent RIAA member.

  • According to the article, the 10% decrease in music sales in 2001 was caused mostly by Internet file swapping.

    Interesting...just yesterday, my friend George Scriban posted a piece on his (for lack of a better phrase) obsessively Big Content focused blog [scriban.com] that, among other things, charts CD unit sales against average per-unit price. His data indicates that CD sales slow during periods when per-unit price increases...periods such as the year 2001, when the average price of a CD increased by about 62 cents.

    He doesn't indicate the specific source for his data (I don't think he does, anyway), and I haven't gotten around to asking him yet. If he sees his server load getting out of hand, he may check to see what's going on, find this reference, and post some more information on the topic... =)

    For your daily dose of irony, note also that George correlates the most dramatic increase in volume of CD sales to "cut-throat price competition" involving discount retailers such as Best Buy.

  • "the 10% decrease in music sales in 2001 was caused mostly by crappy bands playing the same shit you heard in 2000. No innovation or new styles were introduced which was believed to have led to the decline. The Celine Dion cd was also alleged to be a major contributor"

  • I live in a town where there are half a dozen good alternatives to Best Buy. If they think I'm a pirate, they don't deserve my money.

    Boycott.

  • by Y-Crate ( 540566 ) on Saturday April 13, 2002 @01:09PM (#3335425)
    The RIAA, BestBuy and others continue to make two, essential false assumptions about the music industry.

    - The decline in sales has nothing to do with the content being produced by the music industry.

    Sorry, try again. Many, many people who download songs end up buying the albums, however there is a severe lack of anything new or remotely innovative in popular music, right now. Record companies are STILL placing all their bets on Teen Pop, Metal, Rap and a stunning number of bands who have decided to get Eddie Vedder impersonators as their vocalists. Sure, there are a few exceptions, but really, the catagories I mentioned are the sum total of 99.9% of the music industry right now.

    If people don't buy CDs, the record company mentality goes, it must be because of something wrong with the customer. They are unwilling to admit that they have alltogether tightened the reigns on the industry to the point where it is being choked. Radio playlists across the country are exactly the same, paid for by corprate moolah (indirectly, of course) and some DJs are not even permitted to play ANY songs of their own choosinig.

    MTV has descended to the point where you get one, single video show per day and that's it. (if you are lucky)

    TRL is a pressure cooker for sales. Videos are premiered on the show and since that is for many the only exposure to videos they have, they simply vote for the video they have been spoonfed. The result is a never-changing block of videos that are fed to the masses in a trickle so the minimum amount of variety can be used to gain the maximum amount of exposure for an "artist". This extremly tightly focused enviornment is used to force an artist on as many impressionable people as once, and give them few other musical options.

    Now, for the second false assumption:

    - That BestBuy, and any company that supports such measures will ever receive my business again.

    I've spent thousands upon thousands at particular stores or products by particualr companies over many years. However, their business practices mean that my disposible income will cease to flow into their cash registers.

    And I'm not alone.

    The music industry has shown their utter contempt for me and I see no reason to give them a dime of my money any longer. I would like to support the artists I like, but even buying a CD now means risking buying crippled media. It doesn't matter WHY I would want to use a non-copy prevented CD, I'm sure it would surprise them that I would be doing nothing remotely illegal, just keeping one CD in the car and a couple of MP3s in my playlist.

    But they don't care, and therefore, neither do I.

    There are countless others like me now, and there are more all the time. I really hope the record industry likes what they've done.

    You reap what you sow, and believe me, the record company better count it's blessings that a 10% drop in sales is all they have to deal with right now.

    It's going to get much worse, and their strong-arm tactics are the only reason why.
  • by bildstorm ( 129924 ) <(if.hhs) (ta) (yhcub.retep)> on Saturday April 13, 2002 @01:09PM (#3335426) Homepage Journal

    As an avid music fan who lives effectively between the US and Europe, let me put my two cents in.

    I think there are numerous factors going into this. Does illegal copying affect sales? Sure! I have friends who think that it's perfectly ok to go hunt after music online because they can't find in a store here in Finland. Or better yet, one person will have the original and the rest will copy it. I rant and rave about IP laws, and get stared at.

    On the other hand, I've noticed that a LOT of people upon reaching their 20's just couldn't care less about downloading the music. Most of the people I see downloading now are those teen pop trash fans. So that is probably hurting sales to some degree.

    However, I'm the kind of person who is perfectly willing to buy good music. I'll buy good releases, but I won't rush to get them the instant they come out. The problem for me is being aware of what's good out there. There's too much hype about the latest teen sensations and no enough real coverage of good music.

    Conscientiously, I've decided to not necessarily rush out and buy big-label records. I'll often get them used. I will buy small-label records at retail, as they're less likely to abuse artists.

    Lastly, hey, the future ain't looking as bright as in the middle of the dot-com bubble. I incurred plenty of debt then and so did a lot of other people. With the joys of interest and shaky jobs, I reckon that quite a few others are working hard to pay of debts quickly and save some money for the anticipated 'rainy day'.

    Suggestion for recording industry? Put something worthwhile in the CDs for the kiddies who download all the time so they might buy that bubble-gum pop crap, and find some quality artists that you don't abuse and let them get some press coverage.

  • The 10% drop has something to do with the sharp
    decline in music quality over the past few years?
    Come on, I'm getting tired of all these
    one-hit boy bands and 16 year-old pop stars.
    Give me something worth buying, and I will.
    • Come on, I'm getting tired of all these one-hit boy bands and 16 year-old pop stars. Give me something worth buying, and I will.

      Sentiments like the above floor me time and again. "Give" you something? Is that the sort of relationship you want with the music to which you (eventually) listen? If all you see (and, judging from your comments, know) are one-hit, underage acts, you're not really rummaging around much. Since when has music appealing to your (or my, or anyone's) own tastes been something that appears from on high, without fail, in the absence of active interest and searching?

  • So, was the decline in auto sales last year due to piracy? How about decline in real estate sales? Piracy? Durable goods? Airline travel? Must have been piracy!

    Good glub, do any of these idiots understand we were in a recession, and the *entire* economy was in the pits? That CDs are a highly discretionary item, far down the list from things such as food and rent?

    A 10% dip sounds like their business did really well, in comparison to other areas of the economy -- I'm sure companies such as Cisco and JDS Uniphase would be deliriously happy had their sales for last year only dropped 10%.
  • by dinotrac ( 18304 ) on Saturday April 13, 2002 @01:14PM (#3335446) Journal
    This is offensive in so many ways, it seems like a shame to let facts enter into the equation, but...

    1. Much of the copying the RIAA complains about is completely legal under the Home Recording Act. As such, it isn't piracy at all.
    2. It is amazing that the record industry seems to think it has a right to be immune to the economy. 2001 was a year of massive layoffs and dot.com implosion. IT workers, people who ordinarily have the kind of discretionary income to support large CD collections were especially hard-hit.
    3. Napster, the largest and most visible source for swapped files spent much of 2001 under an injunction that severely hobbled it. If anything, 2001 should have brought less so-called piracy than 2000.
    4. C'mon now. Weren't boy bands and teeny-girls starting to grow a little stale in 2001? To generate sales, you gotta deliver product worth buying.

    But, the biggest kicker of all:
    2. The RIAA very politely posts sales figures for the last ten years on its web site. Some interesting nuggets:

    Total CD volume in 2000 (a year with Napster in full force, by the way) were the highest level in history and nearly 3 times the level of 1991.
    However, from 1991-2000, sales of cassettes dropped off about 80%,
    Sales of vinyl LPs continued their slide into oblivion, at about 45% of the 1991 levels.

    Sales of CDs increased every single year except for 1997, covering all of the years in which Napster was unencumbered by injunctions. Sales rebounded to record high levels in 1998, by the way, hitting new records in 1999 and 2000.

    One more thing: 2001 mid-year volume, in a recession, was 397.9 units. That may be 22.7 units lower than the same period in 2000, but it is 1.1 units higher than in 1999. In fact, those recession-year statistics represent the SECOND HIGHEST volume from 1991 to the present.

    I'll bet a lot of businesses would have been thrilled to book their second-best year in history during 2001.
    • >>>1. Much of the copying the RIAA complains about is completely legal under the Home Recording Act. As such, it isn't piracy at all.

      No, the RIAA is complaining about file swapping and album swapping on the internet. This is simply not legal.

      >>>2. It is amazing that the record industry seems to think it has a right to be immune to the economy. 2001 was a year of massive layoffs and dot.com implosion. IT workers, people who ordinarily have the kind of discretionary income to support large CD collections were especially hard-hit.

      True. The economy did suck, it affected everyone. 10% is still a huge decrease though, so they need to justify it SOMEHOW.

      >>>3. Napster, the largest and most visible source for swapped files spent much of 2001 under an injunction that severely hobbled it. If anything, 2001 should have brought less so-called piracy than 2000.

      Good point, but there are even more choices for people now in post-napster world.

      >>>4. C'mon now. Weren't boy bands and teeny-girls starting to grow a little stale in 2001? To generate sales, you gotta deliver product worth buying.

      Yeah, pop music is wretched now. But there are a lot of smaller bands that are getting hurt by the MP3 internet thing. If a good band does not get good sales, they are not going to get signed again. This has to have happened...

      File-sharing is the RIAA's scapegoat for bad record sales. Can you blame them though?

      Also, this article was a bit of fluff. Who honestly does not support copyright protection? We are all fans of the GPL or BSD liscence here. The Best Buy guy did not say that he supported any current methods, but said that he believes they can work together with the RIAA to come up with a good solution. Hey, more power to them. As long as I can listen to music on my iPod, I'm happy. I support bands, I buy music. I am confident that I will still be able to listen to the music I legally own on a device of my choosing, and I believe stores and artists recognize this fact.
      • >No, the RIAA is complaining about file swapping and album swapping on the internet. This is simply not legal.

        That's what they say and you are entitled to take them at their word. The laws they back, however, strike at all copying, including that which is perfectly legal. That includes the DMCA, which is law, and the CBDTPA, which, for now, is not.

        >True. The economy did suck, it affected everyone. 10% is still a huge decrease though, so they need to justify it SOMEHOW.

        Actually, the decline in CD sales was only 5.3%, which is actually smaller than the 7.2% decline from 1996-1997.
        Other formats, such as cassettes have been declining for years. Cassettes, hardly a prime source for internet piracy due to their rather low-quality anolog recordings, declined 42.9% between 2000 and 2001 midyear marks. Could it be that the legal recording enabled by the Home Recording Act, coupled with auto CD players, portable CD players, etc. is having a bigger on total shipments than "piracy"?

        >Yeah, pop music is wretched now.

        Fun statistic with regard to quality of product and consumer reaction: Latin CD sales were up 7% in the same period that the overall CD sales went down 5.3%. Might be a lesson in there.

        >But there are a lot of smaller bands that are getting hurt by the MP3 internet thing.

        I don't doubt it, I just don't how big the impact is. I do not support internet file-swapping and am quite happy that Napster was shut down.

        An important note on this topic. Did you notice that Judge Patel (judge in the Napster case) has been far less sympathetic to the music industry of late? She has expressed the belief that the music industry is doing all it can to lock up its own monopoly in digitally downloaded music.

        Wonder what that'll do to small bands?


    • 3. Napster, the largest and most visible source for swapped files spent much of 2001 under an injunction that severely hobbled it. If anything, 2001 should have brought less so-called piracy than 2000.

      Unless the pirates simply switched to Morpheus or Kazaa or Gnutella or were content to listen to their 80 gig collection of ripped music or even legal services such as Internet radio.


      Sales of CDs increased every single year except for 1997, covering all of the years in which Napster was unencumbered by injunctions. Sales rebounded to record high levels in 1998, by the way, hitting new records in 1999 and 2000.

      One more thing: 2001 mid-year volume, in a recession, was 397.9 units. That may be 22.7 units lower than the same period in 2000, but it is 1.1 units higher than in 1999. In fact, those recession-year statistics represent the SECOND HIGHEST volume from 1991 to the present.

      As we all know, statistics can usually be manipulated to say whatever you want. When analyzing statistics, people often neglect to account for the possible effect of lag. Ridiculous claims, such as the assertion that the correlation between the advent of Napster and the increase in sales is in fact a causation, simply defy common sense. What the RIAA realizes is that CD sales are going to drop again this year, and next year. Maybe instead of looking at the first derivative of sales, you should look at the second derivative instead.

      -a
      • >As we all know, statistics can usually be manipulated to say whatever you want.

        Which is my point. The RIAA looks at a one year drop (by the way -- no more severe than 1997) and tries to turn that into rampant piracy killing the music business. There is no basis for that conclusion in their own figures, especially considering factos such as the economy and ordinary fluctuations in taste and compelling product.

        To put it in technical terms, using whichever derivative you prefer, the RIAA is passing gas and asking that we not comment on the smell.

  • by zapfie ( 560589 )

    When all is said and done, music is still a luxury product. Even if Best Buy changed its policy, the fact would still remain the large labels are still shoving copy protection down our throats.

    Know what? Screw them. Go support other artists. There is plenty of great music out there not published by the big labels (indie music, for example- and you can feel better knowing you are funding musicians when you buy their cds, and that you are not funding the purchase of DMCA-type laws.) Yeah, even if all the ./ers stopped buying big label music, they would still be fine. But at least then you, personally, can feel better knowing that you're supporting and encouraging the way YOU deserve to listen to music.
  • I've never once pirated music. However, I play most of my music CDs on a computer. If they continue to implement "play prevention" schemes into CDs, I will be forced to pirate any music I want to be able to play it on my computer.
  • by camusflage ( 65105 ) on Saturday April 13, 2002 @01:28PM (#3335495)
    Don't shop there. Better yet, buy your copy protected CD's there, and when they sound like crap in your computer, dvd-rom based dvd player, or anything else that will choke on it, take it back and demand your money back. By being the RIAA's face to the customers, they get to directly feel what happens from moving in lockstep with them.
    • Especially when you can say- 'yeah, I bought this CD-ROM drive on one side of your store, and this CD on the other side of your store.
      They don't work together, so you have to take one of them back.'

      I think any manager with half a wit would take the CD back, instead of facing a cd-rom drive being bought and returned numerous times. just a thought.

  • What about... (Score:2, Interesting)

    by Jaysyn ( 203771 )
    ..if stores like Wal-Mart & MediaPlay don't back these "damaged" goods, Best Buy could go quietly the way of the Dodo. I see one hell of an ad-campaign for thier competitors.

    Jaysyn
  • by NanoGator ( 522640 ) on Saturday April 13, 2002 @01:41PM (#3335546) Homepage Journal
    If I can't do as much with a CD, and if they're using it to thwart copying, they're reducing 'unauthorized copying' of their music. This means they can't possibly b losing as much money due to piracy, right? So make these CD's cheaper! Give me INCENTIVE to buy these instead of giving me incentive to BOYCOTT.

  • I went into best buy the other day,
    A big poster in the Computer Department that says:

    "I bought my computer at best buy, now I can download music from the internet and put it on a cd to listen in my car" (Or something like that).

    Great.

    • That's not the worst of it. You can actually go into Best Buy and purchase spools of CD-Rs! Every one of which is going to be used to pirate Britney songs! Clearly, Best Buy is making a profit out of encouraging piracy! Just like those evil computer companies!

      (Hyperbole courtesy of Michael Eisner.)
  • could be right (Score:2, Interesting)

    by bm_luethke ( 253362 )
    Yes, at least indirectly internet file swapping could be one of the causes, though I don't think for the reasons they mean.

    Take me for example. Before MP3's were starting to get big I consistently bought 2-4 cd's a year. I had for years. Now comes MP3's and I could both listen to an album for a few days/weeks before I bought and could listen to unknowns for me. I found out I like some bands with names that had really turned me off before. I started buying 10-15 CD's a year. During this time the sales of cd's was consistently rising so I would be willing to bet I was not the only one.

    Next the RIAA/MPAA began an insane journey to not only stop me from getting MP3's (which is thier right to do) but they did it in a way that was going to destroy much of the things that I should/am allowed to do (DMCA and it's ilk). Well, I pretty much said screw them and quit buying.

    While of course I am only one person most of my friends have done this and they have "spread the word". I would be willing to bet this is not that uncommon. I still occasionaly buy a cd (back to the 1-2 a year deal) because a few cd's I want something more than an MP3 for quality. Also since much of this has now moved outside of the geek sector (it now no longer takes knowlege of technology to see the effects, my parents fuss about not being able to fast-forward through the FBI warnings) they should start seeing effects like this more often.

    Unfortunatly I think this will cause them to get even wilder and give them more evidence to use for congressional battles. It will take an act of congress or the judicial branch (much like the VCR crap they tried way back when) to force them to embrace a new profit strategy. No matter what congress passes it will always be ineffective and some day they'll realize that.
  • You don't like broken CD formats, do you? Nor do I. So I let BestBuy know with this letter
    It is my understanding from comments made by Mr Lenzmeier, your COO, that BestBuy supports broken CD formats [aka copy protected]. Thank you for the notice, but I must now cease all music purchases at BestBuy because your products do not fit my needs. I listen to CDs on my computer and sometimes make fairuse copies for my own use on other media. Furthermore, your support for broken CD formats is contrary to my interests and I am compelled to stop supporting you. I have purchased a great deal of electronic equipment in your stores, and must now find alternative suppliers. This will be troublesome for me, but your policy leaves me no choice. Please advise me if and when you change your policies.
  • According to the article, the 10% decrease in music sales in 2001 was caused mostly by Internet file swapping.
    This quote is wrong. I used to download music to try it out (it is available for free on the radio after all, so if you wanted to make it perfectly legal you could put in a tape recorder and then just time shift it) and bought more CDs than I ever used to because of this.

    Now that the RIAA treats me like a criminal, and I discovered that they treat their musicians like indentured servants who barely get a penny from CD sales (google search for Courtney Love and RIAA), I no longer care to contribute to their business.

    If you want to support the musicians, download their music and send the money for CDs you would have bought directly to them.
  • Stores are supposed to be places that sell you anything that you are willing to buy. At least, capitalism and market economy gently suggest that.

    But this "Best Buy" entity, instead of being a good store, decided to meddle with politics. Now it dictates what the customers should buy! This is one efficient way to go out of business. Who do they think they are, The State? God? Where is demand, there is supply, and people will -easily- find the supply, especially when Internet makes it so easy.

    This is, I presume, just another step in the life cycle of a company. Companies start young and aggressive, then become middle-aged and conservative, then become old and senile. Then they die. No reward for guessing correctly which step of its life Best Buy is at.

  • According to the article, the 10% decrease in music sales in 2001 was caused mostly by Internet file swapping

    Gee, I guess there's not a chance in hell that the decrease in music sales in 2001 was caused mostly by THE ECONOMY GOING INTO A RECESSION, now, could it?
  • As a major retailer of both electronics AND music, Best Buy could have a huge impact on the future format of music player hardware as well as software."

    Yeah, they said that about proprietary DVD formats, too. How many people remember was DIVX used to be, and who financed its development?
  • Guess that means don't shop at Best Buy. Which won't be too hard. Good hardware can be found cheaper, and I'd much rather go to a local record store then some big corporate chain.

    Big chain stores love to make arangements with record companies. Remember a few years back when they would cut out the dirty words on CDs sent to some big chains and not tell anyone about it?

    Music is art. Big business has no place in that world. (P.S., your local record store has a better chance of having that obscure but good CD then Best Buy... they just might be a little short on the latest J-Lo release)
  • I look at music copy protection this way:

    True: Most new music is targeted at the teeniebopper age group, and is therefore (mostly) unlistenable to other people.

    True: There's no point in copy protecting a band no one's heard about. Celine Dion? Sure. Mike Errico? Jude Christodal? Accoustic Junction? Uhhhh...Who?

    Therefore: any copy protected disc that hits the market is going to be from a HUGE artist, a HUGE label and be unlistenable.

    I know the arguments - it's a stepping stone to universal copy protection, it's a violation of our rights, etc. I agree with all of that. BUT. For now it has less of a (musical) effect, so I prefer to see it as less dire. When they protect (insert favorite indie artist here) I'll throw a fit. But Backstreet? Sell it in a steel case that can't be opened without a blowtorch. I'd prefer ithat kind of protection anyway.

    Triv
  • I'm not 100% sure, but I've heard Microsoft has a large interest in Best Buy, or a controlling interest. Does anyone have accurate data on this?

    I did not fail to notice the MSN posters hanging from the roof the last time I was there.
  • According to the article, the 10% decrease in music sales in 2001 was caused mostly by Internet file swapping.

    Perhaps it's because we're in the middle of a gigantic recession, the people who used to buy lots of albums (geeks, who were flush with cash) are now unemployed or working for burger king, and because there hasn't been any really good music release since the nineties?

    Of course, the RIAA knows exactly why sales are dropping, but they can lie and make up anything they want. Remember, lies, damn lies, and statistics.

  • ... that I just signed up for emusic.com [emusic.com]. You won't find Britney Spears or the like there, but then again, that may be a good thing depending on your point of view. I've found all sorts of good stuff on there from independent artists, things the RIAA doesn't seem inclined to try and sell. $15 a month is a little steep, but then again, that's cheaper than a single CD with the latest shovel-songs courtesy of the RIAA... And there's a free trial, too. :)

    </plug>
  • I would buy their music if I could get it online via the internet. These are also required:

    • Low quality, monophonic, part of song for free sample.
    • Sold by the song (e.g. not forced to buy a whole bunch of songs to get the one I want).
    • Choice of retailer to buy from.
    • Absolutely everything a producer has is available to retailer, and if the producer also offers direct sale to consumer on their own, then absolutely everything they have is available.
    • Choice of quality level at the same price (mp3, ogg, wav).
    • Opportunity to retry failed downloads.
    • Can be downloaded on BSD, Linux, and Solaris without special software (e.g. I can use curl, konquerer, lynx, mozilla, opera, etc).
    • Can be played on BSD, Linux, and Solaris without special software, or software I can compile (in C or C++) and verify the security and privacy aspects of.
    • Fair use rights acknowledged by seller.

    Then I would be willing to:

    • Pay for what I get.
    • Acknowledge copyright owner's rights.
    • Agree not to participate in infringing sharing of copyrighted material.

    I'm sure one of the reasons the CD sales have dipped (aside from the obvious which the music industry wants to play down regarding the economy, which has particularly hit hardest those most knowledgeable about how to share music over the internet), is simply the fact that the music industry has avoided selling music online so far. Of course people pirate music by swapping it online. But if the music industry starts selling it online, that is not going to cause the swapping piracy to increase. No sir, it will go down. Maybe a lot, maybe just a little. But tell me who can't swap music now that will be able to when the option to buy comes along? Instead, many honest people will be willing to buy online and won't have to pirate anymore.

    Of course, piracy will never disappear. It's foolish to think it can be eliminated, and futile (and costly) to even try. But once you have genuine availability of all music to all people online, then we'll at least have an honest and accurate figure of what the true level of piracy really is (and not the forced piracy caused by the unavailability of a legitimate means to get music online).

  • Wouldn't it be ironic if the RIAA was *charging* artists for the increased cost to press a copy impaired disk? After all, why should the RIAA have foot the bill for looking after the artists' interests? Oh boy, wouldn't *that* just be a hoot?
  • by Cinematique ( 167333 ) on Saturday April 13, 2002 @08:58PM (#3337122)
    Top Three Guaranteed ways to earn unwarranted karma:

    ~#3~

    "MTV (TRL) / VH1(Top20) contribute to the downward spiral the industry is in..."

    The last time I checked, Viacom [viacom.com] didn't own any record labels. For being such an integral part of the devolution of music, they aren't that attached to it.

    ~#2~

    "... the music industry only offers pre-selected artists... making a mockery of the whole system..."

    The record labels can use their marketing muscle to promote the hell out of an artist, but if music listeners (consumers) deem the music to be bad, no amount of marketing can keep said artist in the limelight for too long. Artists may artificially be placed at the top, but without sales & popularity, they don't stick around.

    ~#1~

    "...the music out there today sucks... no wonder music sales aren't stellar anymore..."

    Easy to say when you think myopically. Yet, Slashdotters like to mod this kind of trite comment up. Why? I have yet to figure this out. This sort of comment is simply a stab at the mainstream, spoken from someone high upon a perch of musical elitism.

    Typical American cheering for the underdog... until the underdog gets too popular. (insert eye-roll here)

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