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Music Media

RIAA Chats With Song Swappers 796

einer writes "Orignally seen on Drudge; in reaction to their recent loss in court, an IM was sent to 'hundreds of thousands' of grokster and Kazaa users by the RIAA warning that they were NOT anonymous and that they could face legal consequences if they did not stop sharing copyrighted material. The IM was sent to users hosting copyrighted songs for download. Is this a scare tactic or an honest attempt to reform the p2p user community, or both?"
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RIAA Chats With Song Swappers

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  • Irony (Score:5, Interesting)

    by benna ( 614220 ) * <mimenarrator@g m a i l .com> on Wednesday April 30, 2003 @01:00AM (#5840734) Journal
    Ok, so first they argue in court that there are no legit uses for these services. Then they use them themeselves. Are they not admiting to doing something that they would claim is not legal?
    • Not really ... (Score:5, Insightful)

      by Tensor ( 102132 ) on Wednesday April 30, 2003 @01:04AM (#5840749)
      They claim the swapping of copywritten songs is illegal, using kazaa for chatting would be a perfectly legal way in RIAA's eyes.

      Now corecion, and harrasing people after a judge said that what was going on wasn't illegal ? that is another matter
      • Re:Not really ... (Score:5, Insightful)

        by benna ( 614220 ) * <mimenarrator@g m a i l .com> on Wednesday April 30, 2003 @01:05AM (#5840758) Journal
        No, thats the break down in their case. They DO argue there is no legit use for those services. Not that it is not legal to trade songs. The point is that the service is not at fault. So they argue that it has NO legit use so they can say they are at fault.
        • Re:Not really ... (Score:5, Insightful)

          by Tensor ( 102132 ) on Wednesday April 30, 2003 @01:14AM (#5840815)
          ROFL you are absolutely right. I stand corrected.

          I can't believe this guys have given the basis to dismiss all future lawsuits against p2p services. They themselves have shown that the p2p services have, at least, the legal use of contacting ppl breaking the law and "warning" (ok, threaten) them.
          • by trezor ( 555230 ) on Wednesday April 30, 2003 @03:04AM (#5841219) Homepage

            I find it even more amusing that the RIAA has replaced their people with bots. Heres why:

            We all claim the RIAA mainly is a representative for music-distributers that are no longer necasery. And then they start doing their dirty work (which is all they do, apperantly) with bots!

            They have thus proven our claim is correct, by employing technology to do their work, instead of doing it themselves :)

            Oh. And this is meant to be moderated funny, not insightfull, if anyone cares to spend modarator points on such a lousy post.

      • Re:Not really ... (Score:3, Insightful)

        by Kenshiro ( 6045 )

        Now corecion, and harrasing people after a judge said that what was going on wasn't illegal ?

        No judge said anything like that. Rather, he held that distributing software which can be used for illegal purposes does not hold you liable when it is used for those purposes.

      • Re:Not really ... (Score:5, Interesting)

        by reezle ( 239894 ) on Wednesday April 30, 2003 @04:17AM (#5841383) Homepage
        The judge said that the makers of the software were not responsible for the actions of it's users.
        He didn't say the user's actions were not illegal.

        The best point made in this article was that the RIAA was stressing that they could NOT contact the users themselves, therefore Verizon had to give up confidential information. By doing this {messaging scare tactic} they invalidated their own arguments, and weakened their position overall...
        • Re:Not really ... (Score:5, Informative)

          by bofkentucky ( 555107 ) <bofkentuckyNO@SPAMgmail.com> on Wednesday April 30, 2003 @08:16AM (#5842251) Homepage Journal
          The RIAA and MPAA have always had the ability to track the downloads of songs, using an IP address or some ungodly hostname like pool-2-246.manhattan.ny.ny.us.fooisp.com The RIAA is asking for Verizon to hand over who was using that IP/hostname at the timestamps specified. Verizon contends that you need a real warrant, signed by a judge, to get access to their logs. I agree with that totally, but apparently they have yet to find a judge with sufficent clue.
        • Re:Not really ... (Score:5, Insightful)

          by laird ( 2705 ) <lairdp@gmaSLACKWAREil.com minus distro> on Wednesday April 30, 2003 @08:19AM (#5842277) Journal
          "The best point made in this article was that the RIAA was stressing that they could NOT contact the users themselves, therefore Verizon had to give up confidential information. By doing this {messaging scare tactic} they invalidated their own arguments, and weakened their position overall...

          Not so. They're IMing people at their IP addresses -- they don't know who those people are, just where they happen to be right now. To file a suit to stop someone from sharing music (illegally), they have to know who the person actually is, which is something that only their ISP would know.
          • Re:Not really ... (Score:5, Interesting)

            by the_quark ( 101253 ) * on Wednesday April 30, 2003 @10:11AM (#5843162) Homepage
            That's not actually necessarily true, they could file a lawsuit against "John Doe" and then get a subpoena to force Verizon to tell the court who the John Doe is so they can serve papers on him.

            I haven't actually read the Verizon case (and so could be very wrong) but I've always assumed that they're trying for the middle ground of being able to send formal cease-and-desist letters to the users instead of having to file actual lawsuits to get names and addresses.

            There's also an important quirk of the law, here. The DMCA makes it pretty clear that, for the big awards, the violations need to be "willful," which means that you knew you were breaking the law when you did it. Proving willfullness is notoriously difficult - this is a case where ignorance of the law is an excuse, and most people can plausibly claim that they had no idea that they were breaking the law. Unless, of course, you got a cease-and-desist letter from the RIAA telling you it was illegal...

            If the cease-and-desist letters are then ignored, the RIAA would then obviously have the option of formally filing suit. But, I believe, even if they lose the Verizon case, the RIAA can still sue the sharers as "John Doe" defendents and probably get the court to force Verizon to give the information up, anyway, in that context.

            It's going to be interesting to see how this plays out. I've been predicting this phase for years. As on a lot of other things ($.99 major-label downloads) I was a bit ahead of the curve, but I think this is an inevitable development. Copyright law pretty clearly shows that what the users are doing by sharing is illegal. Napster and the first round of p2p were easy to shut down because they ran services, and were clearly complicit in the legal violations. The next round, as the RIAA is finding, are decentralized enough that they can reasonably claim they have no check on their users' behaviors, which means that the creation of those tools is not a violation of the law.

            That doesn't, of course, eliminate the problem that what users are doing is a clear violation of copyright law. And not just the much-hated DMCA; what users do under Naptser would've been perfectly illegal in 1992 (albeit the penalties would've been insignificant since it was not-for-profit). The big change in the DMCA was to make it clear that violating copyrights even when you didn't personally profit from it was still something you could get a big damage on.

            Anyway, I've been saying for years that the RIAA's attacks against providers were going to run out and the were going to have to go after individual users. If they have the stomach for it, that'll solve the problem - after a few dozen people declare bankruptcy after receiving multi-million dollar damage awards, people will really begin to understand that when they share music, they're breaking the law, and they're not anonymous.

            The real question mark in all of this is what the political ramifications of this will be. Will there be enough public outcry to decriminalize the sharing of music? Personally I doubt it; there is too much money arrayed on the other side, and the long history of copyright in this country is an expansion of copyright. It's hard for me to imagine it going the other way.

            One way or another, though, this is finally moving to endgame. I see three possible outcomes:

            1) The RIAA fails to have the backbone to prosecute individual end-users. If this happens, the world as we know it today will exist indefinitely - lots of bluster from the RIAA and MPAA while users continue to ignore the law. This is the least likely outcome, in my opinion.

            2) The RIAA actually sues people and wins. Enourmous public outcry forces Congress to revisit the issue. Despite heavy lobbying from entertainment (and software!) interests, the portions of the DMCA that made not-for-profit distribution of copyrighted material punishable by large cash fines is rolled back, effectively decriminalizing fil
    • Re:Irony (Score:5, Interesting)

      by Mistlefoot ( 636417 ) on Wednesday April 30, 2003 @01:55AM (#5841013)
      This brings out a better question. A week or so ago when Madonna offered her "What the F*** do you think you are doing" mp3 I would assume that that were copyrighted material as well. Unless of course she went to the trouble of releasing it gpl it's pretty much copyrighted by default as I understand the laws. So if the RIAA and Madonna released this song with the expectation that users would share it were they not intentionaly contributing to break the same laws, effectively conspiring to have 1000's of users intentionaly share it? Logic would dictate that unless Madonna were expecting this file to NOT be shared that she would be in some ways complicit.
      • Re:Irony (Score:3, Interesting)

        by benna ( 614220 ) *
        Is it copyright by default though? This would lead to all sorts of weird problems.
      • Re:Irony (Score:5, Informative)

        by 1u3hr ( 530656 ) on Wednesday April 30, 2003 @03:12AM (#5841243)
        So if the RIAA and Madonna released this song with the expectation that users would share it were they not intentionaly contributing to break the same laws

        No, because Madonna owns the copyright of that "song" she can distribute however she wants. It still remains her copyright, which means no one else could publish it -- though she would have a hard time getting any damages if she tried to sue anyone after intentionally releasing it to P2P.

      • by Xenex ( 97062 ) * <xenex&opinionstick,com> on Wednesday April 30, 2003 @04:04AM (#5841353) Journal
        "Unless of course she went to the trouble of releasing it gpl it's pretty much copyrighted by default as I understand the laws".
        You realise the GPL is a copyright, don't you? As stated at gnu.org [gnu.org]:
        To copyleft a program, we first state that it is copyrighted; then we add distribution terms, which are a legal instrument that gives everyone the rights to use, modify, and redistribute the program's code or any program derived from it but only if the distribution terms are unchanged.
        Both the GPL and music licensing are forms of copyright, they are just very different uses of copyright.
        • by Gleef ( 86 ) * on Wednesday April 30, 2003 @08:58AM (#5842547) Homepage
          A copyright is any of the exclusive rights granted to the author of a work under the Berne Convention [cornell.edu], or under local copyright laws, such as USC Title 17 [findlaw.com] for those of us in the US. These exclusive rights can be transferred, as occurs with Copyright Assignment to the Free Software Foundation [fsf.org], but even such a transfer isn't the copyright itself, but a transfer of ownership of copyright.

          The GPL not a copyright, it is a license, and a non-exclusive one at that. A person who makes use of the GPL to redistribute or modify software doesn't have a copyright for the software, they have permission from the copyright holder to do certain things under certain conditions. The GPL makes use of copyright law, but that doesn't make it a copyright.

          Music licensing is more complicated. Sometimes a license is given to redistribute a work, or to use a sample in a recording; sometimes music is licensed en masse [ascap.com]. Sometimes copyright is assigned to various parties, sometimes it isn't, sometimes it is assumed as part of a "work-for-hire" contract. Sometimes the copyright is split, the songwriter having copyrights for the lyrics, the band having copyrights for the score, the producer having copyrights for the studio recording, and these can get licensed in whatever ways. But, again, the license is not the copyright.

          Disclaimer: I am not a lawyer, the above should not be interpreted as legal advice. Determining which parties own which copyrights can be a complicated issue demanding professional legal help.
      • Re:Irony (Score:5, Funny)

        by Wiwi Jumbo ( 105640 ) on Wednesday April 30, 2003 @08:18AM (#5842276) Homepage Journal
        I actually tried to find this, I downloaded American Life about 6 times and each one was the actual song.

        Trust me, *those* got deleted... I think Madonna cursing into a microphone would have been much better then what I recieved.

        There aught to be warning labels on this stuff...
      • Re:Irony (Score:5, Informative)

        by Gleef ( 86 ) * on Wednesday April 30, 2003 @09:42AM (#5842888) Homepage
        If Madonna creates a new recording, and it is not explicitly released to the Public Domain, it is copyrighted. Whether she owns the copyright or someone else does is a different question; as I understand it, the producer traditionally owns the copyright to a music recording, not the artist, but the industry is known for complicated contracts so it's anybody's guess who actually owns the copyrights.

        If the RIAA has a license with the right parties to redistribute this work without restriction, then I would think it would be perfectly legal for them to put up a Grokkster node and distribute it. Users downloading the file would be downloading it legally. The legality of such users redistributing it is a complex legal question that I'm not going to try to properly answer. I would presume that the RIAA would say redistribution was illegal, but your argument that under the circumstances, sharing was assumed and therefore allowed might hold real water here. If the RIAA is working in certain ways with the police, Entrapment may also be a defense.

        Disclaimer: I am not a lawyer, the above should not be interpreted as legal advice. Redistributing copyrighted works over the internet without a license carries with it a high risk of legal complications, I suggest getting professional legal advice before considering it.
      • Re:Irony (Score:5, Insightful)

        by jc42 ( 318812 ) on Wednesday April 30, 2003 @10:00AM (#5843065) Homepage Journal
        A week or so ago when Madonna offered her "What the F*** do you think you are doing" mp3 ...

        I wonder if Madonna got an IM from the RIAA for this?

        Joking aside, this does bring up an especially interesting question: How many of you have been using p2p to distribute your own music? Let's see a show of hands from people who have received warnings from the RIAA after using p2p to share your own music.

        This isn't a trivial point. One of the recording industry's real fears is that they are being made obsolete. In the past, they've had a stranglehold on music distribution channels. You and I couldn't distribute our own music; we had to sign it over to the corporations that control the distribution. This is ending, now that we can make our music available via the internet.

        This is what has the RIAA and MPAA running scared. They want monopoly control over this new distribution medium. The only way they can get this is if they can prevent you from distributing your own copyrighted material via the internet. Then you'll have to sign your files over to them, and they'll take all the profits and stick you with a bill like they do with commercial recordings.

        What we really need now is a few test cases in which the RIAA has threatened people who are putting their own music online. A few such cases could make for very useful legal precent ...

    • Re:Irony (Score:5, Funny)

      by redtail1 ( 603986 ) on Wednesday April 30, 2003 @05:07AM (#5841501)
      Being targetted by the RIAA might be seen as some kind of street cred. I know I'm going to leave my copy of Kazaa running all day, trading files with more people with usual, until I can brag about receiving my own instant message.
  • a/s/l/n (Score:5, Funny)

    by grimani ( 215677 ) on Wednesday April 30, 2003 @01:02AM (#5840739)
    i knew something was fishy when they starting asking "a/s/l/n"....

    i couldn't figure out what the n stood for until they asked me for a name!
  • don't reply (Score:5, Funny)

    by outsider007 ( 115534 ) on Wednesday April 30, 2003 @01:06AM (#5840760)
    I know it's hard to resist the urge to reply, but it's not a good move.
    I'm always getting IM's on kazaa that go something like:
    'is this a working copy of matrix 2?'
    and I think to myself:
    'nice try john ashcroft'.
    • by Loki_1929 ( 550940 ) on Wednesday April 30, 2003 @01:17AM (#5840828) Journal
      "I'm always getting IM's on kazaa that go something like:
      'is this a working copy of matrix 2?'
      and I think to myself:
      'nice try john ashcroft'."


      What's scary is when you think that and you suddenly hear a booming voice all around you that yells, "I'll get you! You just wait! Ahhhhh!"

    • Re:don't reply (Score:5, Insightful)

      by tankdilla ( 652987 ) on Wednesday April 30, 2003 @01:25AM (#5840875) Homepage Journal
      in the past there were a lot of Kazaa messages asking if something really works, and I think to myself, does this person really think I'm just sitting in front of my Kazaa window? And why are they trying to chat? So for everyone out there trying to chat on Kazaa or ask if something works, from now on cross your fingers and make up a ritual to do before a download, and just hope it'll work, cuz no one chats on Kazaa.

      ...except narcs.

      oh yeah kazaa should consider incorporating checksums.

  • Eh? (Score:4, Interesting)

    by Xenotionar ( 226921 ) on Wednesday April 30, 2003 @01:06AM (#5840762) Homepage
    I'm not sure I get this... they say that there's no legit use for these programs, but they only send messages out to people who are "breaking the law." Not sure about this, but if they have to single out those people, doesn't that prove that there are legal and legit uses for these products?

    I don't think I have a sig.
  • It seems to me (Score:5, Insightful)

    by egg troll ( 515396 ) on Wednesday April 30, 2003 @01:06AM (#5840765) Homepage Journal
    Is this a scare tactic or an honest attempt to reform the p2p user community, or both?"


    Scare tactic. Next question please.

    • Scare tactic. Next question please.

      True enough, but a pretty good scare tactic for 95%+ of the population. The average computer user knows little or nothing about how their online activities can be tracked and prosecuted.

      And it must have been disturbing as hell to get one of those messages, at your own computer, in your own office or bedroom, from a weird quasi-government body who may or may not have the wherewithall to arrest you/fine you/harass you.

      The anonymity of the internet is what empowers p

  • by Tensor ( 102132 ) on Wednesday April 30, 2003 @01:10AM (#5840785)
    I bet that this worked for them. At least for a few days.

    I know a lot of ppl who would stop trading songs online and be a bit scared after that. Specially if they live in the us where personal liberties are not in an all time high, and the riaa/mpaa hold a lot of sway.

    I guess that after a few days of reading online how the courts ruled agaist them and yadda yadda trading would resume.

    I use kazaa for trading of tv shows because as i am not in the us i can't enjoy the pleasures of PVRs and building my own for a few shows is not worth it. I used audiogalaxy for music as i could find there the stuff i like, but not kazaa so i don't have a normal paramater with which to check against. But i bet that similar searches on popular music a few days ago and tomorrow will show significant difference in found sources
  • by DarwinDan ( 596565 ) * on Wednesday April 30, 2003 @01:10AM (#5840788) Homepage
    The RIAA is doing this out of utter desparation.

    They simply cannot subpoena Grokster or KaZaA (thanks to the recent ruling) for users' names -- let alone actually find their e-mail address to send a nastier C&D 'letter'.

    By doing this, the RIAA is basically admitting to the fact that they have lost their stranglehold on the music industry's implementation of non-DRM (or DRM lite) technology.



    • by Loki_1929 ( 550940 ) on Wednesday April 30, 2003 @01:22AM (#5840854) Journal
      "They simply cannot subpoena Grokster or KaZaA (thanks to the recent ruling) for users' names -- let alone actually find their e-mail address to send a nastier C&D 'letter'."

      Forgetting the Verizon rulings so quickly? They just wanted to sue the companies that make the software out of business. In terms of going after the users, they've got court backing on that one - they simply go to the ISP. Heck, they don't even need a warrant, judge's order, or even probable cause.

      • In terms of going after the users, they've got court backing on that one - they simply go to the ISP. Heck, they don't even need a warrant, judge's order, or even probable cause.

        Even if the information is so readily available (sigh), RIAA still has to do something with it. I think the point the grandparent post was trying to make is that even the RIAA isn't about to send snailmail C&Ds to - much less file lawsuits against - hundreds of thousands of people. Using the messaging systems of the filesharing

  • Sadly (Score:5, Insightful)

    by andy_fish ( 557104 ) on Wednesday April 30, 2003 @01:12AM (#5840800)
    ..this move of theirs will probably be effective with some people. It'll work for the same reason that the "buying marijuana fuels terrorism" ad campaign works, because the average person is dumb.
  • my response (Score:5, Funny)

    by GregoryD ( 646395 ) on Wednesday April 30, 2003 @01:12AM (#5840808)
    RIAA: "It appears that you are offering copyrighted music to others from your computer. ...When you break the law, you risk legal penalties. There is a simple way to avoid that risk: DON'T STEAL MUSIC either by offering it to others to copy or downloading it on a 'file-sharing' system like this. When you offer music on these systems, you are not anonymous and you can easily be identified."

    Me: "Man the desperate things you try... How does it feel to be obsolete? Artists don't need you anymore. Consumers don't need you anymore. I hear your industry fading. Better brush up on your customer service skills, your gonna need them in your new job at Mcdonalds. If they hire form scum sucking executive types. ah... I hear the clock... tick tick tick tick"

    • Oh BS (Score:5, Insightful)

      by FallLine ( 12211 ) on Wednesday April 30, 2003 @10:35AM (#5843421)
      RIAA: "It appears that you are offering copyrighted music to others from your computer. ...When you break the law, you risk legal penalties. There is a simple way to avoid that risk: DON'T STEAL MUSIC either by offering it to others to copy or downloading it on a 'file-sharing' system like this. When you offer music on these systems, you are not anonymous and you can easily be identified."

      Me: "Man the desperate things you try... How does it feel to be obsolete? Artists don't need you anymore. Consumers don't need you anymore. I hear your industry fading. Better brush up on your customer service skills, your gonna need them in your new job at Mcdonalds. If they hire form scum sucking executive types. ah... I hear the clock... tick tick tick tick"
      What exactly is the industry doing wrong here? They're providing violators of their copyright ample opportunity to correct the situation before they attempt to address the matter legally. While this may be the easy way out for the industry, it is also beneficial to the user that just might arguably be unaware that he had copyrighted material or that he can be held to account for it.

      What part of P2P makes the industry obsolete exactly? Just because P2P makes possible blatant violation of copyright that was previously much harder does not make the industry any less necessary. What you are trying to imply is sort of like arguing that because I can steal from, say, Nordstrom's that clothing retailers are no longer necessary. Even if we completely ignore the (misleading) distinction between these two forms of theft, you're taking still does not answer the tough questions, namely, what is going to secure the continued production by the originators (read: artists or clothing makers) or what is going to replace the marketing and publicity function that both you and the artist ultimately depend on.

      I have no problem if you wish to completely cut RIAA out of the loop. However, the fact of the matter is that you're not. You're trying to have your cake and eat it too--you want to enjoy the services without paying for them. You're taking music for which RIAA owns the copyright, which they own because they perform a multitude of functions and which is the reason why you're downloading the music in the first place. If you want to do P2P and claim that neither you nor the artist "need" RIAA, then do it without misappropriating copyrighted material.

      You guys assert that P2P can somehow replace the current function of RIAA. Maybe, but probably not in the form that it exists today on Kazaa and numerous other networks, and you certainly have not demonstrated it. P2P has been around for a couple years now and yet you'd be hard pressed to point to a single major artist that can really credit their success to these services. Record sales may be slumping today, but up and coming artists are still signing with major record labels by and large, despite the existance of the P2P that you claim makes the industry irrelevant. The proof is in the pudding, or should I say...NOT?
  • by zutroy ( 542820 ) on Wednesday April 30, 2003 @01:13AM (#5840811) Homepage
    I'm no fan of the RIAA, but if they want to destroy the fileswapping systems, this is the way to do it. Sue some kids with gigs of shared songs and send warnings to everyone else telling them "It could happen to you!" What's more, the latest legal judgements make this method pretty much the only way the RIAA can fight back. Now it's our job to make the connections completely untraceable, sending the RIAA back to the drawing boards. All this is doing is forcing the software community to innovate even more. Don't think of it as a bad thing, it's software evolution in action!
  • FreeNet (Score:5, Insightful)

    by Anonymous Coward on Wednesday April 30, 2003 @01:13AM (#5840812)
    So, it would seem that we need a peer-to-peer service that is built with the following attributes:

    -completely anonymous users, file transfers, hosts, etc.
    -reliable and stable structure
    -decentralized topology
    -efficient data management
    -and complete deniability (I didn't host that file, or I didn't download that file, as member's cant control content on the network)

    Well, I don't work for FreeNet, or their developers, but I did have to read a paper on FreeNet for school, and FreeNet does do all that.

    I guess it's time to make the switch to FreeNet [freenet.org].
    • Link (Score:5, Informative)

      by Anonymous Coward on Wednesday April 30, 2003 @02:46AM (#5841174)
      I think you meant to link here [freenetproject.org].

      -completely anonymous users, file transfers, hosts, etc.

      Freenet is still suseptable to a man-in-the-middle attack. Your ISP could log everything you insert. Also, it won't protect you from your own software. For example if you publish a word document with your name and LAN address embedded in it, you've pretty much given up your privacy.

    • Re:FreeNet (Score:3, Insightful)

      by caluml ( 551744 )
      Something completely anonymous [sourceforge.net]? Care to help us out?
    • Re:FreeNet (Score:4, Informative)

      by blibbleblobble ( 526872 ) on Wednesday April 30, 2003 @07:26AM (#5841936)
      So, it would seem that we need a peer-to-peer service that is built with the following attributes:

      -completely anonymous users, file transfers, hosts, etc.
      -reliable and stable structure
      -decentralized topology
      -efficient data management
      -and complete deniability (I didn't host that file, or I didn't download that file, as member's cant control content on the network)


      We do. We have several.
      - FreeNet [freenetproject.org], and similar projects (Publius [nyu.edu], FreeHaven [freehaven.net]) for distributing anonymous files
      - The Invisible IRC Project [invisiblenet.net] for anonymous, deniable instant messaging
      - InvisiBlog [invisiblog.com] for blogging
      - MixMaster [sourceforge.net] and Hushmail [hushmail.com] for email
      - Anonymizer [anonymizer.com] and Peek-a-booty [peek-a-booty.org] for browsing

      Anyone care to add to this list? I've only put the ones that immediately spring to mind, but I know there are more distributed anonymous deniable chaffed encrypted file-share programs that I've not tried.
  • Idle threat (Score:5, Insightful)

    by sssmashy ( 612587 ) on Wednesday April 30, 2003 @01:18AM (#5840834)

    The RIAA will continue the only possible strategy for prosecuting illegal music-swappers: hammer a few "extreme offenders" college students to set an example for the many.

    IM warning notwithstanding, Joe Blow from Iowa who downloads a few Celine Dion songs has as good a chance of being prosecuted as he does replacing Rene Angelil. The RIAA must prosecute copyright violators individually, and out of necessity they will focus on the select few worst abusers, at least those who are easy targets.

  • Real Irony (Score:5, Interesting)

    by Ieshan ( 409693 ) <{moc.liamg} {ta} {nahsei}> on Wednesday April 30, 2003 @01:21AM (#5840848) Homepage Journal
    The basis for the RIAA case against Verizon, as pointed out in the article, is that Verizon must release contact info for customers because the RIAA has no way to contact these customers without Verizon's help.

    The Verizon lawyer just said: "Wait a minute. You just contacted millions of people."

    Also, about "the messaging": it appears that the RIAA is "logging on" to popular file sharing services and using simple scripting to message users through the system. Kazaa provides this functionality.

    See, the thing I don't understand, is that to do this sort of thing *legitimately* - that is, prove the user who they're messaging IS distributing copywrited content - the RIAA must log on, search, download, and play a potentially infringing file. Then, the RIAA has to send out the message.

    No matter what the speed of the RIAA connection, something tells me that it's going to be very difficult for them to download millions of songs, check them by hand, and then send out messages - since it simply isn't possible. Perhaps they could hash files, sure, but they're STILL downloading thousands of songs. In other words, this is what this says: "I just used this file sharing service to illegally copy a song - and if I want to, I can sue you for it." In previous suits, the RIAA has said things to the tune of: "Since you didn't own copyright to this and my computer made a copy, regardless of whether or not I own copyright, the file isn't legally mine." Or, translation: "I committed a crime to prove your guilt."

    I'm pretty sure that isn't legal.
  • Blacklist RIAA/MPAA? (Score:3, Interesting)

    by evilviper ( 135110 ) on Wednesday April 30, 2003 @01:25AM (#5840880) Journal
    Anyone know of a list of the netblocks owned by the RIAA/MPAA and any member organizations, contracted companies, etc?

    I've been building up a fairly large blacklist of hosts returning bogus search results, but that only works so well. If there was a good blacklist, P2P programs could include it, and deny all connections from those ``nasty" hosts.
    • by Anonymous Coward

      Anyone know of a list of the netblocks owned by the RIAA/MPAA and any member organizations, contracted companies, etc?

      Unfortunately, this will get you nowhere. I can tell you for a fact (alas as an AC) that much of the "scanning" that takes place on P2P networks on behalf of copyright owners happens from ordinary ISP accounts. Don't expect to see, e.g. copyrightspider41.riaa.org or dmcabot.columbiarecords.com crawling Kazaa looking for shared files. Network traversal is done primarily from DHCP DSL connecti

    • Peer Guardian (Score:3, Informative)

      by martissimo ( 515886 )
      its a win only app available here [xs.tech.nu]

      OverPeer:65.174.255.255
      OverPeer:65.160.0.0-65. 160.127.255
      Ranger:216.122.0.0-216.122.255.255
      R anger:204.92.244.0-204.92.244.255
      MediaForce:65.1 92.0.0-65.192.0.255
      MediaForce:65.223.0.0-65.223. 255.255
      MediaForce:4.43.96.0-4.43.96.255
      MediaDe fender:66.79.0.0-66.79.255.255
      MediaDefender:64.2 25.292.0-64.225.292.127
      RIAA:208.192.0.0-208.255. 255.255
      RIAA:208.225.90.0-208.225.90.255
      RIAA:12 .150.191.0-12.150.191.255
      MPAA:63.199.57.96-63.19 9.57.128
      MPAA:64.166.187.128-64.166.187.192
      MP
  • Scared of scaring... (Score:5, Interesting)

    by nick_davison ( 217681 ) on Wednesday April 30, 2003 @01:26AM (#5840882)
    Is this a scare tactic or an honest attempt to reform the p2p user community, or both?"

    Both...

    The RIAA are treading a thin line. They want music trading to go away but they're also very aware they run the risk of alienating their customers.

    Commercial music's success comes from it being something "cool". The last thing they want is for it to be seen by the masses as Big Brother's tool. And before anyone says it, yes, fair enough it already seems like that to most of us on Slashdot but then Linux seems like an easy OS to us - we're not the general public.

    So far the RIAA has gone after the companies. They've been trying to tread the thin line of "These companies are evil. We know it's just them leading you astray. So we'll kill them off and we can all be friends again." Except that's not really all that legally enforcable a position as this week's ruling pointed out. Just as you don't go after the gun makers for a murder, they're being told they can't go after the software makers for what their users do with it.

    Whether you agree that it should be illegal or not, sharing music with thousands of strangers isn't personal use and isn't currently legal. If the RIAA want to use the law to stamp out online sharing, they have to go after the users. They're just scared shitless of what'll happen to them if they really do.

    So, is this a scare tactic or an honest attempt at reforming the p2p community? I think it's a bit of both. They're desperately trying every last ploy to get their way before they have to come down as the evil big brother. If they can simply reform the p2p community, they'd love that. If not, they're going to be forced to use scare tactics and then, after that, be forced to back up their threats.

    At the moment they're suing for insane amounts (what was it, $90billion?) against a few isolated, publicised cases, hoping they can leave people with the feeling that "they're not really evil and don't really go after everyone - but I can't take the risk, so I'll stop."

    It may not seem like it's working to us but then, like I said earlier with the Linux example, we're not the masses. Most music buyers are teens and pre-teens (Don't believe me? Try explaining N-Sync). They're nowhere near as well informed as the slashdot crowd and, who knows, maybe it is working with them.
    • by Soko ( 17987 ) on Wednesday April 30, 2003 @02:21AM (#5841098) Homepage
      (Don't believe me? Try explaining N-Sync).

      K.

      N-Sync is merely a front whose true intentions are to get Lance Bass into outer space [cnn.com].

      Do I win?

      Soko
    • Another thin line (Score:4, Informative)

      by smiff ( 578693 ) on Wednesday April 30, 2003 @02:58AM (#5841202)
      The RIAA are treading a thin line. They want music trading to go away but they're also very aware they run the risk of alienating their customers.

      That's not the only thin line they're treading. The biggest obstacle to becoming popular is getting exposure. Exposure is what the major record labels offer to artists.

      Right now, p2p networks are swamped with music from the major labels. If the major labels manage to remove their own music from the networks, their competitors will become far more salient.

      What the RIAA really needs to do, is guilt people into buying the music they download, or guilt people into not posting any music, including music from their competitors. The last thing the RIAA wants is for independent artists to get all the attention.

  • by ramzak2k ( 596734 ) on Wednesday April 30, 2003 @01:27AM (#5840886)
    From the Kazaa terms and conditions :

    You agree not to use the Software to:
    2.1 Transmit or communicate any data that is unlawful, harmful, threatening, abusive, harassing, defamatory, vulgar, obscene, invasive
    of another's privacy, hateful, or racially, ethnically or otherwise
    objectionable.

    Isnt that basis enough to sue the RIAA ?
  • Battery? (Score:5, Interesting)

    by evilviper ( 135110 ) on Wednesday April 30, 2003 @01:28AM (#5840893) Journal
    Everyone should remember that repeated threats of legal action qualify as battery... If RIAA oversteps their bounds here, there could be a nice big class-action lawsuit over it.
  • by G3ek ( 589803 ) <iclintb AT mac DOT com> on Wednesday April 30, 2003 @01:33AM (#5840909) Homepage
    from the article: '"Way to go, RIAA. Sue and threaten the public, your customers. I think I'll go and download," one posting on Yahoo said.'

    This is not the answer. I'm not saying that the RIAA is right in claiming that the MASSIVE amount of pirating is hurting their business, but if this is the response we all start taking eventually it will. We do have to realize that it is the recording industry that signs artists, produces and records their work, and markets them to a vast audience. In a round about way, pirating music is eventually going to end up hurting us. I'm not exempt, nor do I plan to stop downloading free music period, but we can't just fight back by stealing more music. IF we continue to ramp up our efforts in a big "fuck you" to the RIAA and recording industry we'll end up with a world FULL or DRM and Longhorn/Itanium like shit. I, for one, shiver at that thought.

    from the articel: 'The RIAA argued that Verizon is obligated under the 1998 Digital Millennium Copyright Act to help the music industry protect its copyrights. Verizon says it is willing to help, but argued that the law only applies to Web pages stored on its computers, not traffic on the "peer-to-peer" networks that merely travel across its wires.'

    Here we see the DMCA being wielded again. We have to face it, the law is here now and they're going to use it. We have a couple of choices: accept it and learn to play by the rules it outlines, or band together (there's a hell of a lot of people that read Slashdot) and strike it down, or AT LEAST reform it. The DMCA is pure evil and until we change or destroy it we're not going to make any progress in regards to the current state of affairs. It was a way of treating a symptom (like so many things in America) and NOT a solution to the problem. BUT all of us bitching about it online and on Slashdot DOES NOTHING. We have to take action on this.

    "I think a small number of users will be deterred by this effort. It's not going to come as a surprise to them the RIAA finds it unlawful," said Jonathan Band, a copyright lawyer for Morrison & Foerster.

    I have a fifteen year old sister. Think about it, these kids start getting online around 10-12 and all they've EVER known is FREE MUSIC. Most of them don't know or even consider that it IS stealing. DON'T STEAL MUSIC was part of the message sent buy the RIAA (Apple is still innovating the industry, in more ways than one. Remember when the iPod first came out....) and this is something we should really think about. Are we justified in demanding lower prices? Yes. How about calling foul on the DMCA? Yes. Figuring out a new model that is beneficial to artists, consumers, and the corporations providing the content? Yes. As the law stands though, downloading music from p2p IS ILLEGAL. Are we justified in stealing? No.

    Look at the new service from Apple, iTunes Music Store. I don't think Apple got it 100% correct but they've come a HELL of a lot closer than anyone else so far. Unlimited burns of tracks to CD, burn a playlist 10 times, register 3 Macs to play purchased files and be able to change which 3 Macs you have registered, unlimited ability to put your music on as many iPods as you like, and Rendezvous streaming of your entire library both on your network and across the internet. I feel the price points are pretty damn close to right....and maybe we'll see them get a little better.

    I don't know exactly what point I'm trying to make but it just seems like we're all screaming "foul" on this and maybe we should re-examine the whole situation. Escalating this to an epic battle of theft, rights infringement, lawsuit, counter lawsuit, destruction of an industry just doesn't seem like the only option.

    The Slashdot community could have a lot of power and a lot of voice if we could agree on something that was fair to BOTH sides and then get out in the real world and make that voice heard.
    • Figuring out a new model that is beneficial to artists, consumers, and the corporations providing the content?

      Artists? Definitely. Consumers? Absolutely. Corporations? WHY?!

      The RIAA isn't fighting P2P because of lost record sales. They're fighting it because it hints at a new model, where artists bring their music directly to their fans. No "breakage" clause in record contracts. No payola to Clearchannel. Just musicians making music and consumers supporting them while they do it.

      Just wait until Apple

  • by Ryan Amos ( 16972 ) on Wednesday April 30, 2003 @01:57AM (#5841019)
    <RIAA> You are participating in the piracy of copyrighted materials. You are not anonymous, and further violations can result in legal action being taken.

    <l4m0rman2000X> omg wtf

    <RIAA> Please remove all copyrighted material from your shared folder and refrain from downloading copyrighted material in the future.

    <l4m0rman2000X> gimme the new limp bizkit faggot

    <l4m0rman2000X> fuck u

    <RIAA> I am attempting to converse in a civil manner. You have been given a warning to cease your illegal activities. Failure to do so could result in legal action being taken.

    <l4m0rman2000X> shut up b4 i ddos u!!!!!1 take ur jewish lawyer crp back 2 israel!!!!1

    *** Quits: l4m0rman2000X (Leaving)
  • by Captain Beefheart ( 628365 ) on Wednesday April 30, 2003 @01:57AM (#5841021)
    Respectfully, I don't think the RIAA looks upon the mass of file sharers as a community. No one I know who shares considers themselves part of a community. Besides, that kind of approach would make the RIAA look soft. They don't want to reform anyone, I don't think. They just want them to stop and will send lawyers if their demands aren't met. The infringers are seen as nothing more complex than an army of shameless theives.
  • by deus_X_machina ( 413485 ) on Wednesday April 30, 2003 @01:59AM (#5841024)
    ...but maybe if the RIAA spent more time producing products people wanted to purchase and less time alienating their users they wouldn't have this problem!

    Justin Timberlake, Christina Agularia, Kelly Clarkson, 50 Cent, and Linkin Park are being shoved down the throats of their listeners with their preprocessed, $18 garbage, its no goddamned wonder CD sales are down! In one quick swoop, Napster made available all of the "good" music people want to hear AND made the CD format obsolete.

    I'm sorry, but I believe it's time for the RIAA to buckle down and try and change their business model if they want to stick around.
  • by Anonymous Coward on Wednesday April 30, 2003 @02:02AM (#5841035)
    I don't know about you... but I have a wireless basestation.... no password... soooooo I suppose someone else from my IP MUST have been d/ling all the copywritten stuff... I just use KAZAA for the *significant* non-infringing uses... /Sounds like reasonable doubt to me...

  • by pyrit ( 467978 ) on Wednesday April 30, 2003 @02:35AM (#5841145)
    Hi there

    I am from Cape Town, South Africa and I personally think one of the many reasons why people p2p for music is because of the price of CDs nowadays. Here, we are paying about R130-R150 a CD which averages about $17. It may not sound much for the Americans out there, but for us here in SA, it is a lot of money to spend on a CD.

    Compare to a Large McDonalds Big Mac meal, fries and a Coke for R22.

    Many people out there would rather own the original CD because of the quality advantage and CD sleeve, etc, but people are only prepared to pay for CDs rather than to p2p if they were cheaper. Doesn't the RIAA realise this? Don't they think that if they had to bring the price down by 50% or so that they would sell more CDs, and so in turn make more money?

    But nowadays commerce doesn't think like this. For example, bring the price of plasma television screens down by a huge amount and BELIEVE ME, people will storm each and every Circuit City, Best Buy, etc and buy them.

    I would love to hear your comments on this.

    Thanks
  • seems OK to me (Score:5, Insightful)

    by g4dget ( 579145 ) on Wednesday April 30, 2003 @03:13AM (#5841247)
    I don't see why people would get upset about it. Presumably, you got both the P2P and the IM software and service for free. The RIAA can participate in it as much as you can, and it's not like they are lying or threatening violence.

    I shudder to think on what legal basis the RIAA could be prohibited from doing this. If anything like that existed, it would probably be sweeping and be a threat to P2P and IM in general. However, the creator of the P2P software might be able to do something if it bugs enough users.

    If you aren't offering copyrighted songs and they still keep bothering you, maybe you can sue them for some kind of harrassment. If you are offering copyrighted songs, just live with it, or, alternatively, perhaps you should just stop.

  • by gad_zuki! ( 70830 ) on Wednesday April 30, 2003 @03:16AM (#5841255)
    Am I the only one who just fired up Kazaalite, hoping to get one of these messages? The firewall is all set, I'd love an authentic RIAA tongue-lashing to screencap.

    Maybe it'll be worth something twenty years from now on ebay.

    ---

    "Dude, I'll trade you a cease-and-desist by Harry Fox for that"

    "Deal!"
  • by mabhatter654 ( 561290 ) on Wednesday April 30, 2003 @03:21AM (#5841265)
    If they download a song, can't they figure out the IP it came from? Then send said nasty letter to your ISP and kick you off? Most of the file sharers are kids anyway. If they got Mom & Dad kick off their ISP just once [and have to deal with finding another ISP to hook-up] a great deal of file trading would drop off in weeks.

    On the flip side--if they set up downloads and people bite can't they also find you and send nasty letter?

    I don't see that as a problem. Kazza is a publik network after all! No one really has any "protection" for their actions using their network. If they want to look you up they are more that right to do so. Try kiddy pr0n on Kazza and I'll guaranty you'll have someone at your door in a hurry! The only problem is that going after every music downloader is time consuming. Again, go after the kids at home-upset the parents and you'll get results. A little sabotage of the CDDB would be good too. If they embeded a tracker number in the database tags everyone would download them to their mp3's! You could track at least the stupid users back home with it.

    As for college students, they need to offer a more reasonable alternative. If the college gets a kick-back for sharing the network they'd be more likely to keep the kids straight too! Funny how a little money in Deans hands fixes lots of things! [Take a page from the MS playbook here!]

    To throw some more fuel on the flames I'll be a-getting [but that's OK, I've got marshmellows!]..I use AOL DSL and love it. They've got radio stations that play just about anything you'd want. [Music videos too] or you can go to the other legal music sites at decent bandwidth too. There's enough stuff on there you don't have to steal to get it! More ISPs need to follow that example. [and AOL needs to support Linux!]

  • Recurring Problem (Score:4, Insightful)

    by MjDascombe ( 549226 ) on Wednesday April 30, 2003 @03:31AM (#5841288) Journal
    You can't have a completely anonymous peer2peer system. Any system that requires your peer to connect to another will always comprimise your anonymity.
  • by MillionthMonkey ( 240664 ) on Wednesday April 30, 2003 @03:41AM (#5841305)
    OK, I have to play devil's advocate here.

    I am no fan of the RIAA. But the reactions here are surprisingly hostile for what they're doing. If I'm reading this article correctly, they're sending instant messages to people who are offering files to upload (based on song titles), warning them about their traceability and legal liability.

    So what?

    This is rotten behavior but it is an improvement. Remember, these are people who would much rather communicate with you via certified mail on legal letterhead. If I get an instant message on Kazaa I don't start pacing around in a sweat wondering if I should contact a lawyer.

    Presumably, anyone using Kazaa for non-infringing uses shouldn't get one of these instant messages anyway (unless the RIAA is lying about examining song titles first, or there's a name collision with a copyrighted work in a user's upload directory). Running a file sharing node doesn't expose you to liability unless you've got copyrighted stuff on it. We always emphasize how file sharing networks have non-infringing uses. I don't see how this would have a chilling effect on such use unless the messages are sent to people in error, are used for DoS attacks, or are indiscriminately sent to all users of the network whether their node contains copyrighted content or not.

    Frankly I would almost give them points for cleverness. Compared to their typical antics this is quite tame. It will probably be more effective for them, too. Most people probably don't care enough about file sharing to risk liability, and it's only natural for the average user to presume his own anonymity on Kazaa. In fact I bet most people who use Kazaa aren't even conscious of the fact that their IP is exposed and traceable to them, and might very well stop using Kazaa once they realize it. The message is clearly targeted at such people. The RIAA might just effect a greater dent in file sharing with this stupid instant messaging than they have so far with all their lawyers, lobbyists, and hired network saboteurs. If so, we should only hope the lesson sinks into their thick heads. This is the best behavior we can realistically expect from them. They don't understand anything but threats and intimidation. Let's all hope they stick to instant messaging.

    Yes they're corporate vultures, cultural parasites, etc., and this is clearly an act of a desperate industry that just lost a huge court case and has sunk to the point of threatening individual file traders, but the shrill tone and accusations of hypocrisy is a bit much for what they're doing here. It's a frigging instant message. What do you expect from the RIAA, a love letter? You should already be aware of the risks you're taking. If you didn't know before, now you do. Just click OK and keep downloading.

  • by varjag ( 415848 ) on Wednesday April 30, 2003 @03:58AM (#5841344)
    RIAA> We've noticed that you host copyrighted material on your PC. You are not anonymous. Please cease and desist.

    Eliza> What makes you think You are not anonymous?

    RIAA> Eh?

    Eliza> Please go on.

    RIAA> Are you kidding me?

    Elia> Has it something to do with your childhood?

    RIAA> Oh.. now as you said that I recall my parents being very cruel to me. They refused to buy me a Walkman for my 13th birthday..
  • by -Unholy-Infidel- ( 669728 ) on Wednesday April 30, 2003 @04:29AM (#5841415)
    I think it's real slick that they are threating people now. This means they are getting desperate to maintain their stranglehold on music artists. It's almost Darwinian. Natural selection has snuck up and bit the Music industry dinosaur in the butt. They are big, slow and ponderous. Like Microsoft they stifle innovation. Filesharing is the Velociraptor of the music world. It's predatory and ruthless.

    Why do you think we have such corporate sponsored pop-music travesties such as Britney "Pepsi" Spears? Because people actually buy their garbage! With file-sharing only the strong will survive, and the RIAA and Music labels cannot continue to put one or two good songs on a CD with 16-17 "filler tracks" and make billions. The crap will not get listened to. People will download and burn only the good stuff and this will force the no-talent pop-stars on the shortbus back to Creative Inspiration special education school.

    If you want people to pay 15 bucks for a CD you had damn well better put $15 worth of decent music on it. In the end we must realise that we have created this monster. We, the consumers, financed and permitted these people to build this empire and in the end we can only strive to take back what we have allowed them to annex from us. filesharing is one way of telling these people that enough is enough.

    I am now off to download all of Madonna's work just for the hell of it. In the end she, and the greedy alcoholic neanderthals of Metallica have shown us the depths of greed that a person can sink to once you give them a taste for money and popularity.

  • NOT anonymous, eh? (Score:5, Informative)

    by Tracy Reed ( 3563 ) <treed@ultra v i o l e t . org> on Wednesday April 30, 2003 @04:33AM (#5841423) Homepage
    They are right, of course. Which is precisely why you should all use Freenet [freenetproject.org] which IS anonymous, totally distributed, and has a much better distribution model in that popular content is automatically cached all over the net and all downloads are automatically "swarmed" so you don't get stuck downloading Madonna's music off of someones 56k modem. Using 60 download threads I can consistantly get 90k/s on recently inserted files, no matter what the connection speed of the person who made them available.
  • by ortholattice ( 175065 ) on Wednesday April 30, 2003 @05:18AM (#5841530)
    Contrary to what the RIAA wants you to believe, it appears that making a copy of an audio recording may be perfectly legal in the US, even if you don't own the original recording, as long as it is for noncommercial purposes. The reason for this is the Audio Home Recording Act (AHRA).

    Since 1992, the U.S. Government has collected a tax on all digital audio recorders and blank digital audio media manufactured in or imported into the US, and gives the money directly to the RIAA companies, which is distributed as royalties to recording artists, copyright owners, music publishers, and music writers:

    In exchange for those royalties, a special exemption to the copyright law was made for the specific case of audio recordings, and as a result *all* noncommercial copying of musical recordings by consumers is now legal in the US, regardless of media:

    "No action may be brought under this title alleging infringement of copyright based on the manufacture, importation, or distribution of a digital audio recording device, a digital audio recording medium, an analog recording device, or an analog recording medium, or based on the noncommercial use by a consumer of such a device or medium for making digital musical recordings or analog musical recordings."
    The intent of Congress was clear when this law was passed (http://www.cni.org/Hforums/cni-copyright/1993-01/ 0018.html [cni.org]):

    From House Report No. 102-873(I), September 17, 1992:

    "In the case of home taping, the [Section 1008] exemption protects all noncommercial copying by consumers of digital and analog musical recordings."
    From House Report No. 102-780(I), August 4, 1992:
    "In short, the reported legislation [Section 1008] would clearly establish that consumers cannot be sued for making analog or digital audio copies for private noncommercial use."
    Therefore, when you copy an MP3 the royalties have already been paid for with tax dollars in accordance with the law. If you are a musician whose recordings are publicly distributed, then you are entitled to your share of these royalties by filing a claim under Section 1006 (http://www4.law.cornell.edu/uscode/17/1006.html [cornell.edu]).

    Napster tried to use this law to defend their case, and the court ruled this law did not apply to them because they are a commercial company. But as a consumer it seems to me you are perfectly within your rights when you make a copy for noncommercial private use.

    • by angle_slam ( 623817 ) on Wednesday April 30, 2003 @08:40AM (#5842420)
      You are missing are a large portion of the AHRA: the definitions. From section 1001 [cornell.edu]:
      A ''digital audio recording device'' is any machine or device of a type commonly distributed to individuals for use by individuals, whether or not included with or as part of some other machine or device, the digital recording function of which is designed or marketed for the primary purpose of, and that is capable of, making a digital audio copied recording for private use
      Section 1008 (the exemption section) only applies to analog recordings and the defined digital audio recording devices. In essence, it means only standalone consumer DAT and CD-R machines and does not include computer CD-R drives. That leads to the incongruity that, if I borrow a CD from a friend or a library, I am allowed to make an analog recording of it, I am allowed to use a standalone CD recorder, but I am not allowed to use a computer CD recorder.

      That is why there are separate music CD-Rs and data CD-Rs. The music CD-Rs have the built-in tax, the Data CD-Rs do not.

      The original basis of the AHRA was because the record companies were so scared of DAT (how prescient of them). The compromise was the Serial Copy Management System which is built into consumer digital recorders. You can make any number of copies of an original CD. But you can't make a digital copy of another copy. Because SCMS is not built into computer CD-recorders, it is not included in that definition.

  • by coldcity ( 657243 ) on Wednesday April 30, 2003 @05:47AM (#5841620) Homepage
    To my mind the best way to protect the future of P2P software is to show that Judge Stephen Wilson was correct in his ruling [theregister.co.uk] last Friday:
    "It is undisputed that there are substantial noninfringing uses for defendants' software. For instance, StreamCast has adduced evidence that the Morpheus program is regularly used to facilitate and search for public domain materials, government documents, media content for which distribution is authorized, media content as to which the rights owners do not object to distribution, and computer software for which distribution is permitted."
    So, in between downloading files they can bitch about, consider using your favourite P2P app any time you want to download a Paint Shop Pro trial or whatever; ie, any file you'd automatically turn to the web to download. This is a small thing that everyone can do to help, and means that no-one can make the "no legitimate use" case.

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