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Lord of the Rings Media Movies

Nit-Pickers Guide to Deviations in Jackson's LotR 712

bcolflesh submits "A lengthy list of deviations to be found when comparing the text of The Lord of the Rings by J.R.R. Tolkien and the translation of those texts to film as undertaken by Peter Jackson, et.al."
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Nit-Pickers Guide to Deviations in Jackson's LotR

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  • by grub ( 11606 ) <slashdot@grub.net> on Thursday January 29, 2004 @05:17PM (#8128495) Homepage Journal

    That dude missed a few glaring deviations.

    Fellowship of the Ring
    75. In the book, Gandalf isn't the one saying "You shall not pass!", It's the Black Knight. King Arthur subsequently hacks off all of the Knight's arms and legs leaving a limbless knight protesting on the ground.

    The Two Towers
    107. In the book it isn't an army of Orcs that decimate the army of the good guys, it's a bunny with "a vicious streak a mile wide". Also, the magical fellow warning them in the book is an Enchanter named Tim, not a Wizard named Gandalf.

    The Return of the King
    77. In the movie, Gollum falls into the lava of Mt. Doom and dies. The book clearly states that John Cleese carries him to a cart while Gollum protests "I'm not dead!" Eric Idle then crushes his skull with a club then runs off to the Robinsons' as "they've lost nine today."

    damn slacker..
    • 404 - Funny Not Found
    • by Gr33nNight ( 679837 ) on Thursday January 29, 2004 @05:34PM (#8128705)
      Gollum dies?!?! DAMN, THANKS FOR RUINING IT :(

      ...was gonna go see it next week too
  • by dswensen ( 252552 ) * on Thursday January 29, 2004 @05:17PM (#8128502) Homepage
    This is great work, but you could make this article much shorter in one easy step:

    1) Peter Jackson's work is a movie, not a book.

    Done.
    • by Golias ( 176380 ) on Thursday January 29, 2004 @05:28PM (#8128644)
      The question I have is this: Is there any change from the book that actually bothers people?

      Nobody I've spoken to is even the least bit troubled by the skipping of Tom Bombadil's chapters, the compressing of a couple dozen elf jobs into Arwen's character, the burning of the shire becoming a dream sequence, etc. What few nit-picks I thought I had about TTT turned out to be included in the Special Edition after all. Frankly, I think the majority of the changes were slight improvements, and all very faithful to the spirit of the work.

      So, is there anybody out there that can name a change or two that they actually considered a major let-down?

      • by fireduck ( 197000 ) on Thursday January 29, 2004 @05:32PM (#8128687)
        So, is there anybody out there that can name a change or two that they actually considered a major let-down?

        yes. Aragorn falling off the cliff in TTT and "dieing" was pointless. We already had enough "fake-out" deaths in the first movie that were actually in the text (frodo w/ the cave troll, gandalf at the bridge) that Aragon's "death" just seemed like too much cliche. Especially since it was no where to be found in the text.

        I'm still unsure whether the whole "take Frodo to Osgilith" scene was necessary or not. I understand Jackson's purpose (Faramir is human and corruptable by the ring, so that *needs* to be shown explicitly to drive the point home), I'm just not sure if I liked how it was handled.
        • by jallison ( 693397 ) on Thursday January 29, 2004 @05:54PM (#8128914) Journal
          I'm still unsure whether the whole "take Frodo to Osgilith" scene was necessary or not. I understand Jackson's purpose (Faramir is human and corruptable by the ring, so that *needs* to be shown explicitly to drive the point home), I'm just not sure if I liked how it was handled.

          I didn't like it, myself. In the book Faramir is corruptible but not corrupted. I thought Faramir was a much better character in the book than in the movie. Ditto for Denother, who is just a crazy old man in the movie. He's much more tragic in the book.

          • by Rallion ( 711805 ) on Thursday January 29, 2004 @06:13PM (#8129100) Journal
            A lot of the reason he's more tragic in the book comes from the Palantir and Sauron's manipulation. I'm pretty sure that's one of the things they cut, so...extended edition.
          • Denother was my most hated aspect of the film. The omission of the Palantir made his character make little or no sense.

            in the EVDVD of TTT, you see more of faramir and have his actions explained: Faramir is a flat character in the book, which i agree with. Having him grow, pass the test like all the other respectable characters in the movie was just showing the fault of all people and the power of the ring. A nice tough, i thought. also, the EVDVD shows good stuff with that whole family. not in the b

        • by Khomar ( 529552 ) on Thursday January 29, 2004 @06:26PM (#8129213) Journal

          Agreed. I might add one more thing: Sam turning around in Mordor in ROTK. Not only was this not in the book, but it is a complete reversal in the character developed so well in the movies themselves. I do not feel that it is true to Sam's character in the least. If you are going to have a rift between Frodo and Sam, at least have Sam wait for a bit and then follow from a distance.

          Imagine this scene if you will. Frodo tells Sam to leave and continues up the stair. Sam sits down and cries. He finally gets up and starts to look down the stairs. He stiffens and mutters, "I made a promise." He then sets his shoulders and begins the climb up the stairs. You still have the rift, but at least Sam stays true to himself. While this is certainly not from the book, it would at least lend consistency within the movies.

          • by MuParadigm ( 687680 ) <jgabriel66@yahoo.com> on Thursday January 29, 2004 @06:44PM (#8129416) Homepage Journal

            You're not far wrong. "I made a promise," would have been a good line for Sam to use, but perhaps it would have been best while he was crying, after Frodo left. Then we would have felt even more strongly how beaten Sam was by Frodo's rejection of him, how rejected he felt.

            Furthemore, it's not strictly out of character for Sam to place Frodo's judgement over his own, to feel doubt, to wonder if maybe Mr. Frodo is right and the ring is getting to Sam. So, to have Sam say "I made a promise" *before* heading downhill would have dramatized that self-conflict very effectively. Pity Jackson, et. al. didn't think of it.

            And then the turn-around when he discovers the lembas Gollum threw over the cliff would have made more sense as a confirmation to Sam that he wasn't losing his marbles, which would provide further motivation to his decision to turn-around and follow Frodo.

        • I'm still unsure whether the whole "take Frodo to Osgilith" scene was necessary or not. I understand Jackson's purpose (Faramir is human and corruptable by the ring, so that *needs* to be shown explicitly to drive the point home), I'm just not sure if I liked how it was handled.

          The whole point of having the Faramir/Boromir combo in the book was to contrast them - one brother who tries to steal the ring (and pays for it), and the other who has an opportunity to take the ring and purposely does not.

          The way

      • This is extremely minor, but I was bummed that Strider wasn't carrying the broken blade in Bree. It said so much about that character that his line had been carrying it for generations...
        • by Phexro ( 9814 ) on Thursday January 29, 2004 @05:51PM (#8128897)
          Yeah... In the FOTR commentary, Jackson says that he thought it would be 'silly' for him to be carrying a broken blade around for two and a half movies.

          Which was fine with me, until I read the book and saw that the blade was re-forged at the Council of Elrond, before the bulk of the journey began.
      • I wanted to see the Scouring of the Shire merely because it wraps up Sauruman and Wormtongue's characters. WIthout that you have no idea what happens to them, and you miss out on the sort of grim justice that Saruman gets in the end.
      • by shystershep ( 643874 ) * <.moc.liamg. .ta. .drehpehsdb.> on Thursday January 29, 2004 @05:45PM (#8128850) Homepage Journal
        I'll give you four (all of which bothered me), and there are several others.

        (1) Arwen -- very minor and peripheral character in the book with, as the article mentions, only one line in the entire saga (not that I mind seeing Liv Tyler, but I found that whole subplot extremely contrived).
        (2) Aragorn -- he has been working toward his 'destiny' his entire life; there is no "Oh, I'm not good enough" angst in the books.
        (3) Faramir -- was struck by a poisoned dart riding back toward the citadel, and was carried back by another warrior (and to begin with was never sent on a suicide mission by his father).
        (4) Sam -- was never sent away by Frodo, who never trusted Gollum but knew he may be of use.

        The omissions -- like the Scouring of the Shire -- were a little disappointing but necessary. All of the changes, however, were gratuitous Hollywood and detracted from the story IMHO.
        • by acroyear ( 5882 ) <jws-slashdot@javaclientcookbook.net> on Thursday January 29, 2004 @06:30PM (#8129271) Homepage Journal
          Spoiler warnings apply:

          1) The appendix gives enough of the plotline to support most of the films rendition (the "her fate is tied to the ring" b.s. from RotK is full of it, of course).

          One of the issues (and I wrote about it here a year ago) is that in the book, much of Aragorn's growth from ranger to king happens before the hobbits ever meet him. he knows what he has to do, now its just a matter of finding the right time.

          it actually makes for a relatively flat character on film, because film doesn't give enough room to build backstory without too many flashbacks, which isn't a good film device the way its a very expressive novel device. The alternative would require a "Lord of the Rings 1 1/2" (nee: The Lion King prequel coming out on video this month).

          2) "working towards his destiny" -- again, there's much extending that in the appendices. Denathor had heard of him (though not as succinctly as the movie depicts) and developed an opinion of his perceived immaturity, a reputation that had to come from somewhere. Aragorn's angst at accepting his role is there, in backstory and in the appendix.

          having aragorn grow to accept his destiny in "realtime" on screen makes for a much more interesting character on film.

          The cliff crap in TTT I would rather have done without. There are better ways to show 1) that there was a 10000 orc army coming, and 2) that Eowyn has the hots for him.

          3) most of the Faramir I could have lived without. Denethor on screen is much weaker than he should have been. Denethor in the book is a masterful politician. On screen he is a slothful wretch. In the book, we can build up a sympathy for the betrayal and pain he's faced; he's a complex character with conflict between his compassion for his people and the dread he's seen in the Palantir. In the film, we only feel anger at him for not trying harder to have some compassion at all.

          He's a jerk on film. when he dies its, "finally, and good ridance", which is not the emotion Tolkien wanted us to feel.

          4) i didn't mind the Sam changes as much; yes, Frodo comes out more affected by the ring than the books, but Sam himself isn't changed as such. He still had the decision of go back to Frodo or go forward with the ring himself; the additional option of going home alone doesn't really hurt the story.

          I *DID* dislike that Gollum was "pushed" by Frodo into the lava instead of falling in by his own greed and carelessness. In the end, on film he wasn't the victim of his addiction as it should have been portrayed. Even the Rankin/Bass version got THAT part right.
          • by WotanKhan ( 150429 ) on Thursday January 29, 2004 @07:39PM (#8129941) Homepage
            I *DID* dislike that Gollum was "pushed" by Frodo into the lava instead of falling in by his own greed and carelessness. In the end, on film he wasn't the victim of his addiction as it should have been portrayed. Even the Rankin/Bass version got THAT part right.

            I saw it twice, and I'm fairly certain that Gollum wasn't pushed. He was dancing about with glee at recovering "his precious" just as in the book.

            I agree with you completely about Denethor. Its really the only grievance I have left about the movies. Every other complaint I had (and I was seriously unhappy with the Two Towers theatrical version) has been mollified by the extended versions. In the extended editions, deviations like Aragorn's fall, and Faramir's Osgiliath make much more sense and flow better. In nearly every case I found that, while the movies departed from the narrative of the book, the purpose was usually to reveal some facet of the characters that was true to the book, such as Aragorn's facility with animals, or Faramir's conflicted sense of duty.

            I'm quite confident that Denethor's character will be much more developed in the Extended RotK.

          • One of the issues (and I wrote about it here a year ago) is that in the book, much of Aragorn's growth from ranger to king happens before the hobbits ever meet him. he knows what he has to do, now its just a matter of finding the right time.

            I'm not gonna pull out a book, but if you go back you will see Aragorn's indecision and self doubt in a number of places. The first is after the fall of Gandalf while they rest in Lorien. The second is the death of Boromir and the breaking of the Fellowship. The thi
          • In the end, on film he wasn't the victim of his addiction as it should have been portrayed.

            How did that not come across? He and Frodo struggled with each other for the ring, and that's how they fell off the cliff. All Jackson did was put Frodo in there too--so now BOTH of them were victims of their addiction.

            You even see Gollum staring at the ring, oblivious to pain, as he sinks into the burning lava. Come on.
      • he question I have is this: Is there any change from the book that actually bothers people?

        Let's see:

        • Fundamental changes to Arwen's character - totally unnecessary
        • Changes to Theodan's character - didn't hurt too much, but unnecessary and disruptive to the plot

          Changes to Denthenor's character - turned him from King Lear into something far less tragic and meaningful

          Wasting of Galadrial's encounter with Frodo - key point in the book where the Elves show they have learned something after 3000 years of stupid

        • You know, I wonder about "devout fans of the books" who can't even spell the names of major characters correctly:

          Theoden not Theodan
          Galadriel not Galadrial

          And I would have to look up the correct spelling for Dol Guldur(sp?) But I do know that what you have "Dol Guilder" is patently wrong.

          I wouldn't mind save for the fact that the people doing this are claiming to huge fans of the book, and being remarkably pedantic.

          Jedidiah.
      • by bpo ( 628131 ) on Thursday January 29, 2004 @05:53PM (#8128912) Homepage
        Yeah, there is one that really bothers me.

        In TTT, why do the Ents decide not to go to war at the Entmoot? It is even less believable that when the hobbits show them a lot of tree stumps, that they suddenly change their mind (and just happened to be standing at the edge of the forest to respond to TreeBeard's call). If Treebeard didn't know how much his own forest was being cut down, well, pretty bad tree-herder IMHO.

        With dramatic music and sound effects etc, Peter Jackson could probably have done a fairly good job of the tension in the hobbits while waiting(will they help or not?), then the cry for war coming from the Ents.

        Such a simple change, with large repercussions. Why did he have to make it?
      • by Michael Woodhams ( 112247 ) on Thursday January 29, 2004 @05:58PM (#8128964) Journal
        Good changes:

        Skipping the old forest and scouring of the Shire (although I'd have liked a direct-to-video version of those), greater role for Arwen. In the context of a movie, these changes work really well.

        My really major peave:
        The dead turn up to win the battle at Minas Tirith, (ROTK nitpick 40). This has two major bad effects:
        (1) It completely devalues all of the heroism of the soldiers of Gondor and Rohan - the only effect they had was to delay the outcome long enough for the dead to arrive, and that could have happened in time without them had Aragon just left for the paths of the dead a day earlier.
        (2) The structure of TLoTR has a climax that is locatable to a single sentence: the good guys are disparing when the corsair's ships come up the river, thinking that Pelagir has fallen, and reinforcements are coming for the enemy. Then the clouds break and Aragon's royal banner is unfurled on the lead ship. There was much rejoicing. This should have made for a hugely cinematic moment, but instead we got light humour (Aragon, Gimli, Legolas jumping on to the dock and making a comment about 'plenty of orcs for everyone.')
  • by superpulpsicle ( 533373 ) on Thursday January 29, 2004 @05:18PM (#8128512)
    I can't think of a perfect translation from book to movie or video game to movie etc. Give Jackson some credit, he came pretty damn close to perfection.

    Worst translations ever is still mortal kombat2 and double dragon the movie. LOTR could have ended up that bad, thank god it didn't.
  • Another site... (Score:4, Informative)

    by ERJ ( 600451 ) on Thursday January 29, 2004 @05:19PM (#8128518)
    Here is another site which lists out the differences:

    Linky [appenzeller.net]

    Links are at the bottom for differences in each of the three movies.
  • by MrLint ( 519792 ) on Thursday January 29, 2004 @05:19PM (#8128525) Journal
    I suppose this was bound to happen but frankly, the movies are long enough already, if they added in all this other crap you'd need a damned diaper to make it thru 1 movie.
  • Who cares (Score:3, Insightful)

    by Space cowboy ( 13680 ) on Thursday January 29, 2004 @05:20PM (#8128535) Journal
    The films were excellent. They were the best I've ever seen combine live action, 2D compositing, 3D rendering and absolutely fantastic special effects. And the army scenes. Wow!

    In fact I think the LotR trilogy adhered more to the books on which they're based than any other film I can care to mention, but not for a moment in the cinema did I think to myself "ah, they've left a bit out there". I was too caught up in the story, and that's what I go to the cinema for. I'm not a professional critic... (Grin: I'm just very critical :-)

    Simon

    • Re:Who cares (Score:5, Insightful)

      by Hektor_Troy ( 262592 ) on Thursday January 29, 2004 @05:36PM (#8128726)
      I think the LotR trilogy adhered more to the books on which they're based than any other film I can care to mention
      Then I'll care to mention Harry Potter. Most. Boring. Movies. Ever.

      They don't diviate from the books - at all, except skipping entire chapters, and leaving out lots of Quiditch (+/- spelling). VERY boring. At the premiere of the first movie, I was reciting lines for the characters, before they did themselves - it's that bad. If you want something that sticks that close to the books - READ THE DAMN BOOKS!!!

      So LotR doesn't follow the books like canon. They take liberties. They interpret. Good! Books are NOT the same media as films, just as radio is not the same media as books. Look at the H2G2 discussion for what I mean. "Waa waa waa, they won't follow the books to the letter, waa waa waa." Get a grip - the books didn't even follow the radio show that closely, as Douglas Adams, creator of both, knew that they are entirely different media.

      Sometimes I wonder if the universe wouldn't be better off, if the Vogons actually destroyed earth.
  • by lightspawn ( 155347 ) on Thursday January 29, 2004 @05:20PM (#8128542) Homepage
    If you're wondering how he eats and breathes
    and other science facts (la la la),
    Then repeat to yourself, "It's just a show,
    I should really just relax"
  • by neiffer ( 698776 ) * on Thursday January 29, 2004 @05:20PM (#8128547) Homepage
    Who cares? Name me a movie that really does follow a text adaptation tried and true? It's nearly impossible because most great books are rarely good screenplays automatically.
    • by Gulthek ( 12570 )
      Ahh, "The Princess Bride" was the essence of the book. Dead on. Of course the book has more scenes and depth, but it captures the essence of the book very well. I think that, except for Fellowship, Jackson missed the target.
  • by Anonymous Coward on Thursday January 29, 2004 @05:21PM (#8128555)
    This story has an amazingly low number of posts, given its topic and age. Then I realized: These geeks are actually reading it!
  • well... (Score:5, Insightful)

    by CGP314 ( 672613 ) <CGP@NOSpAM.ColinGregoryPalmer.net> on Thursday January 29, 2004 @05:22PM (#8128563) Homepage
    Gandalf first grabs Sam by the shoulders outside the window of Bag End and scolds him, then he carefully lifts him through the window (FOTR p.97-98). Jackson has Gandalf pull Sam quickly through the window and onto a table. Unnecessary and poorly handled. Why did Gandalf need to treat poor Sam so violently? It was also an obvious stuffed dummy prop.

    I think because this is a movie, and we need to quickly show that this is a very serious matter that Gandalf is talking about. Plus it gives more punch to the '...and something about the end of the world.' line.

    --
    In London? Need a Physics Tutor? [colingregorypalmer.net]

    American Weblog in London [colingregorypalmer.net]
  • for a pretty funny political photoshop ;-)

    (if the page is slashdotted, it is president bush wearing the ring of doom)
  • Incredible! (Score:5, Funny)

    by KFK - Wildcat ( 512842 ) on Thursday January 29, 2004 @05:23PM (#8128579)
    Who would have thought? The book had to be adapted so it can be shot as a movie! I'm speechless.
  • by Mr Smidge ( 668120 ) on Thursday January 29, 2004 @05:23PM (#8128582) Homepage
    Tom Bombadil is the one who suggests the Hobbits make for Bree. Jackson has Gandalf make this suggestion though, having left Bombadil out of the film entirely, this is somewhat understandable.

    Erm, yes of course. Because a character has been completely removed from a theatrical adaptation of the book, then his absense in making a small suggestion elsewhere in the book is only somewhat understandable...

    By the sounds of these, I feel they were on a mission to reach point number 1000 or somewhere near that. Pedants! Bah!
  • by plams ( 744927 ) on Thursday January 29, 2004 @05:24PM (#8128597) Homepage
    ..the books don't start with the words: "based on the book by J.R.R. Tolkien"
  • by sdukaric ( 640170 ) <sinisa&sinisa,org> on Thursday January 29, 2004 @05:25PM (#8128609) Homepage Journal
    I mean, c'mon, there is at least dozen other things to do instead of movie forensics. _IT IS_ movie after all. If somebody wants to read the book, so be it, but please don't ruin the magic for those who didn't read it. IMHO, Jackson was quite good at compresing the story and I'm shure he read the book at least twice, but that should not restrain him to add some extra and remove some, right?
  • by CGP314 ( 672613 ) <CGP@NOSpAM.ColinGregoryPalmer.net> on Thursday January 29, 2004 @05:27PM (#8128632) Homepage
    All that and he didn't mention the ommission of my favorate minor character: Radagast the Brown.

    I swear, the first one who calls him simple or a fool or a bird-tamer is getting a punch in the mouth. : )

    --
    In London? Need a Physics Tutor? [colingregorypalmer.net]

    American Weblog in London [colingregorypalmer.net]
  • My $0.02 (Score:3, Insightful)

    by shystershep ( 643874 ) * <.moc.liamg. .ta. .drehpehsdb.> on Thursday January 29, 2004 @05:27PM (#8128636) Homepage Journal
    I have to agree with the author of the article in wishing that Jackson has spent as much time and attention to detail on the story as he did on the visuals. Yes, yes, I know there had to be omissions and none of those bothered me -- it was the changes to the story that I found disappointing and completely unnecessary
  • Return of the King (Score:3, Informative)

    by A Bugg ( 115871 ) on Thursday January 29, 2004 @05:28PM (#8128645)
    I would swear that #69 for the Return of the King is incorrect and that in the movie Frodo DID tell Bilbo that he had lost the ring after Bilbo inquired about it, and Bilbo says something like "I really would have liked to touch it one more time". Can someone please correct me if I am wrong.
    A Bugg
    • It did happen -- just the timing and location was different. In the books, the Hobbits stop at Rivendell on the way back, I believe, and that's when Frodo tells Bilbo it's gone. Minor change, and understandable.
  • by sphealey ( 2855 ) on Thursday January 29, 2004 @05:31PM (#8128675)
    While Jackson generally did a good job with LotR, I just don't understand WHY he felt the need to make many of the changes he made. Arwen could have been given more screen time without changing her character entirely, for example. And there was no need to make gratuitous changes to the events leading up to the battle of Helm's Deep - they are quite convincing as written.

    So why did Jackson make the changes? Just to prove that he was the man in charge?

    And by the way, I have a hard time imagining that any woman or child of Rohan would have run screaming helplessly from a band of invading Orcs. Cried, sure. While picking up the closest sword/wooodaxe/sycthe and charging toward the orcs.

    sPh

  • by WIAKywbfatw ( 307557 ) on Thursday January 29, 2004 @05:32PM (#8128679) Journal
    Is a dissection always necessary? The films aren't verbatim renditions of the books and I don't think there are too many people that would have wanted them so. I for one am glad that some things were dropped (eg, Tom Bombadil) and that other things were added.

    Quite frankly, the LOTR trilogy is perhaps the best fantasy/sci-fi book to film adaptation of all time. I mean, you only have to look at how Hollywood managed to screw up Dune to see how bad it can get: nobody who hasn't already read the book has a chance of following what's going on and why because the film leaves out vital chunks of the storyline. (Yes, I know about the history behind the making of that film. Let's not go into that here please.)

    In contrast, Peter Jackson's adaptation left out few things that anyone but a die-hard fan would call vital. Where he did cull the story was where it was needed if the story was to translate onto the silver screen successfully. And when he did cull, he culled gently.

    Remember, the Extended Editions contain a lot of extra scenes and footage and flesh out the story further, but even then they aren't everything Tolkien wrote; if they had been then the films would have lasted five to six hours minimum, at which point they become more tour de force and less entertainment.

    As I said, Jackson's trilogy is fantastic. Personally, I'd like to thank him for giving a literary classic the respectful treatment it deserves.
    • by dswensen ( 252552 ) * on Thursday January 29, 2004 @05:59PM (#8128974) Homepage
      I don't speak for myself personally, but dissection is enjoyment for some people.

      I have a friend who is a big movie enthusiast, who loves to predict exactly what will happen, 20, 40, and 60 minutes into the future of the film. Then he sits back, utterly unsurprised by the plot twists he saw coming a mile off, and crows about how he saw it all coming. This strikes me as really perverse, but it's how he enjoys movies.

      Other people get off on finding flaws that people like me would never be able to spot in a hundred viewings. It's just the way some people are wired up.
    • Quite frankly, the LOTR trilogy is perhaps the best fantasy/sci-fi book to film adaptation of all time.
      If something is the best piece of crap ever, it's still a piece of crap.
  • No, I didnt RTFA (Score:4, Insightful)

    by mcmonkey ( 96054 ) on Thursday January 29, 2004 @05:32PM (#8128688) Homepage
    Why bother?

    1 - As has been posted, there are books, and there are movies. They aren't the same.

    2 - You really don't want a faithful movie version of the book you love. I've read through The Hobbit and LotR books many times. Re-read them every couple of years, love them, think of them as old friends. Peter Jackson's movies were something new and something I, and many fans, enjoyed.

    I'll contrast those movies with the Harry Potter movies, which are about as faithful an adaptation as could be made. And they are as boring and stiff as could be. 'Oh look...it's everything I've read in the book up on a big screen...just as I read it...yawn.'

    I'd compare it to making a radio play or audio book version. You can be faithful to the original to the extreme, and end up with a recording of someone reading the book. Or you can do some adapting and interpreting for a new format an up with something that isn't 100% of the original, but brings something new, and hopefully entertaining, to the table.

    • I mentioned this over here [slashdot.org]. There are at least two versions of RotK running in theatres.

      It's not that particular change that bothers me, it's the idea that there could be other variations as well, and that we're missing out on good stuff. :-) I assume the variations are to try and track where the pirated versions come from.

  • by bilbobuggins ( 535860 ) <bilbobuggins@[ ]tjunt.com ['jun' in gap]> on Thursday January 29, 2004 @05:33PM (#8128696)
    i think the list for us real world people reads something more like:

    1) inviting a girl to the book is usually a bad idea
    2) the text version is recommended if you plan on wearing nothing but your boxers all day
    3) if you've been at the bar all night, keep in mind that the books are significantly less enjoyable for illiterate people (temporary or not)

  • by bnavarro ( 172692 ) on Thursday January 29, 2004 @05:35PM (#8128715)
    These also include the Extended Edition DVDs, and are in handy table format.

    Fellowship of the Ring [appenzeller.net]

    The Two Towers [appenzeller.net]

    Return of the King [appenzeller.net]
  • by TexTex ( 323298 ) * on Thursday January 29, 2004 @05:35PM (#8128719)
    I just think it's fantastic that people like Tolkien are finally writing books based on movies these days. It really helps out people who leave a movie wanting more.

  • Text? (Score:5, Funny)

    by utahjazz ( 177190 ) on Thursday January 29, 2004 @05:35PM (#8128721)
    You mean LoTR was based on a book or something?
  • Thanks!!! (Score:3, Funny)

    by I'm Spartacus! ( 238085 ) on Thursday January 29, 2004 @05:36PM (#8128738)
    I knew there was something that bugged me about these movies. Now I know!

    "76. Bilbo rides to the Grey Havens on a pony (ROTK p.381). Jackson has Bilbo ride to the Grey Havens in a covered wagon."

    Thanks Nit-Picker!!!
  • by TeachingMachines ( 519187 ) on Thursday January 29, 2004 @05:36PM (#8128742) Homepage Journal
    1. Why was Sauron visible when he wore the ring in the opening sequence of the Fellowship of the Rings?
    2. What is so great about the ring? Sauron wore the ring, and his hand was cut off. I think Sauron should have gotten a refund.
    3. Bilbo loved the ring, and had a good time with it. It scared the beejezus out of Frodo when he wore it. Why the difference?
    4. If anyone deserved the ring, it was Boromir: "By the blood of our people are your lands kept free." Naw, give it to the cute little hobbits. No way.

    STeve
  • Aragorn an archer? (Score:3, Interesting)

    by tangent3 ( 449222 ) on Thursday January 29, 2004 @05:38PM (#8128763)
    One thing I've always wondered about, and wasn't mentioned in the nitpickers guide was Aragorn bearing a bow and using it expertly in FotR. Don't remember anything mentioned about Aragorn being skilled with the bow in the book. And we never see him with a bow again after FotR? Perhaps he left it in Emyn Muil so that the three hunters can travel light.
  • by pizzaman100 ( 588500 ) on Thursday January 29, 2004 @05:39PM (#8128773) Journal
    # There is a 17 year span of time between Bilbo's departure and Frodo's departure from Hobbiton (FOTR p.72). Jackson makes it seem like, at most, a year has passed. Forgivable, yet that cuts out all the time during which Aragorn and Gandalf track down Gollum, Gandalf searches the archives of Denethor, the White Council drives the Necromancer (Sauron) from Dol Guldur, etc.

    The White council drives Sauron from Dol Guldur at the epilogue of The Hobbit. That would have been before Frodo was born.

  • by redtail1 ( 603986 ) on Thursday January 29, 2004 @05:40PM (#8128787)
    I know a guy who is so upset at Peter Jackson for bastardizing the books that he refuses to enjoy them on any level or understand why people like the movies. I've seen him attempt to use this overly critical and encyclopedic knowledge of the mundane to pick up chicks and believe me, it isn't a pretty sight.

    After the women left he was sulking in a corner and said something cruel and sexist about them. When I finally lost my patience and told him he reminded me of Denethor he stopped talking to me! Blessing in disguise, really.

  • by puusism ( 136657 ) on Thursday January 29, 2004 @06:10PM (#8129069) Homepage
    "But as the theme progressed, it came into the heart of Melkor to interweave matters of his own imagining that were not in accord with the theme of Iluvatar; for he sought therein to increase the power and the glory of the part assigned to himself."

    "He now wove the new thoughts into his music, and straightway discord arose about him, and many that sang nigh him grew dispondent, and their thought was disturbed and their music faltered; but some began to attune their music to his rather than to the thought which they had first."

    -- J.R.R Tolkien, The Silmarillion

    I honestly do not undestand the apolegtic attitude for Peter Jackson expressed here on Slashdot. Especially I do not understand the claim that all the changes Jackson made were neccessary for the film to be succesful. In fact I say that most of the changes were not needed: Peter Jackson just had to make the story "more American" and "more dramatic" by changing the delicate web of characters, events and themes created by J.R.R. Tolkien. It appears that Jackson thought that he could create a better LotR than Tolkien by introducing exaggerated battle scenes and gut-wrenching folk psychology -- the problem is Jackson's overgrown ego, not the structure of the book.

    It is obvious that the book needed to be edited into a script, and that is OK to me. That editing, however, should have taken place by cutting away some scenes and spoken lines from the book. To corrupt the basic ideas and themes of an original work can not be forgiven. Peter Jackson made (especially in TTT) compeletely inexplicable choices, and for instance perverted Theoden's character from a great warrior king to a mindless follower of others.

    Tolkien himself commented [66.102.11.104] an early non-filmed script (1958) by Zimmerman in his letter to Forrest J. Ackerman. Some of his comments are very thought-provoking, and seem to be directed straight to Peter Jackson. I urge everyone to read the letter and see what Tolkien really thought about movies based on his books.

    • by GMFTatsujin ( 239569 ) on Thursday January 29, 2004 @07:12PM (#8129703) Homepage
      I had the good fortune to attend a lecture at Local University by Professor Tom Shippey, author of The Road to Middle Earth and Tolkien: Author of the Century. He currently sits in St. Louis, but in times past he held the same chair as Tolkien did academically. The topic of the lecture was exclusively directed at what Tolkien might have thought of Jackson's work. Shippey served an advisory role during the making of the RotK film.

      Shippey's treatment was incisive, particular, thoughtful, and thoroughly illuminating. He mentioned a couple of specific points that Tolkien, in his estimation, would have focussed on to judge the quality.

      First, Tolkien would have disliked habitual carelessness. Mispellings in the script, etc. Not a big deal in the movie, but there you have it.

      Second, Tolkien would have been most concerned with what Shippey called "failing to adhere to the narrative core of the original." He noted that there was a great expansion of Aragorn et al's adventures after the Fellowship split up, but that on the whole the story remained faithful to the core of Frodo, Sam and Gollum's journey.

      Third, it was noted that Tolkien had no objection to abridgement, as he understood to some extent the limitations of the different medium of film. Some things work on film, some don't -- internal monologue is one example I can think of. In a book, you can have a lot of it. In a film, you have to do it right, or drop it completely and express the core another way.

      In relation #3, Tolkien objected to *compression* -- crushing thousands of years of history into a single chunk, whipping through it for only the sake of mentioning it, and moving on without it having impact. In this case, Shippey thought (and reflecting on it, I agree) that having the ring's history explained at the very start was a really smart move for the films.

      This is not to say that Shippey wasn't confused at some of Jackson's inclusions. Legolas skateboarding and the multiple dwarf-tossing jokes were eyebrow raisers for a lot of people, I think. The weird death/ressurrection of Aragorn in TTT was described as a "narrative zag" in that it had no effect on the plot or character. You make a good point on theme, but depending on what you consider to be the vital them of the trilogy... well. Shippey said that one theme that didn't make it was the role of providence. I'd like to go more into that, but this is getting long and I need to wrap it up.

      Shippey mentioned Tolkien's observations on the scripts for the animated films. I didn't know he had lived long enough to see them, so that's a new one on me. Something to keep in mind though is that even the medium of film has changed dramatically over the past 30 years. It's hard to take the critique of three-generations-back and apply it to what Jackson did. The scales are just too disperate.

      In the end, I think Shippey's opinion was favorable overall.

      Finally -- I appreciate the Silmarillion quote. But you should remember yourself that no artist creates in a vaccuum. Tolkien claimed, twisted, adjusted, and applied numerous myths and themes from stories past in order to create LotR. I find LotR to be a more engaging read than, say, Beowulf or the Viking Sagas, so I guess you can count me as one of those detracting voices in the song. I guess it depends on which song you sing first.
    • I honestly do not undestand the apolegtic attitude for Peter Jackson expressed here on Slashdot.
      I do not understand what is so difficult for you to comprehend. It seems obvious to me. Lots of us, even fans of the books, watched the movies and found that the changes did not significantly detract from our enjoyment of the story. So naturally when people claim that Jackson ruined everything and all the changes were unnecessary or worse we defend him.
    • I honestly do not undestand the apolegtic attitude for Peter Jackson expressed here on Slashdot.

      I honestly do not understand why some people have to revere Tolkien's works as being sacred. Hey, I like the books. It may be my favorite fantasy series (though Song of Ice and Fire is making a damn good run). And I still though the movies were brilliant. Heck, I think there were some things in the movies that were better than the books. (gasp)

      To corrupt the basic ideas and themes of an original work can
  • Crowd estimation? (Score:3, Interesting)

    by lawpoop ( 604919 ) on Thursday January 29, 2004 @06:11PM (#8129079) Homepage Journal
    A buddy and me had an argument about the head count of the armies. Although the 'proclaimed' values were true to Tolkien ("An army of 10,00- Uruk-hai!"), my buddy thinks that they actually greatly increased the numbers in the armies for dramatic visual effect.

    After hearing back-and-forth about the numbers involving the million man march [bu.edu], finding out that there is currently no scientific method for crowd estimation [gaspee.com], I told him he has no basis for judging how many humanoids were in any army, and his untrained eye is probably way off.

    Can anyone shed light on this conversation?

  • by puppetman ( 131489 ) on Thursday January 29, 2004 @06:12PM (#8129083) Homepage
    but funny. Don't remember where I grabbed this list, but here's 12 Things Not To Say Watching ROTK in the theatre:

    1. Stand up halfway through the movie and yell loudly, "Wait...where the hell is Harry Potter?"
    2. Block the entrance to the theater while screaming, "YOU.....SHALL....NOT..... PASS!" - After the movie, say "Lucas could have done it better."
    3. Play a drinking game where you have to take a sip every time someone says, "the Ring."
    4. Point and laugh whenever someone dies.
    5. Ask everyone around you if they think Gandalf went to Hogwarts.
    6. Finish off every one of Elrond's lines with "Mis..ter Ander-sonnn."
    7. When Aragorn is crowned king, stand up and at the top of your lungs sing, "And I did it.... MY way...!"
    8. Talk like Gollum all through the movie. At the end, bite off someone's finger and fall down the stairs.
    9. Dress up as old ladies and reenact "The Battle of Helms Deep," Monty Python style.
    10. When Denethor lights the fire, shout "Barbecue!"
    11. In TTT when the Ents decide to march to war, stand up and shout, "RUN FOREST, RUN!"
    12. Every time someone kills an Orc, yell: "That's what I'm Tolkien about!" See how long it takes before you get kicked out of the theatre.
    13. During a wide shot of a battle, inquire, "Where's Waldo?"
    14. Talk loudly about how you heard that there is a single frame of a nude Elf hidden somewhere in the movie.
    15. Start an Orc sing-a-long.
    16. Come to the premiere dressed as Frankenfurter and wander around looking terribly confused.
    17 When they go in the paths of the dead, wait for a tense moment and shout, "I see dead people!"
    18. Imitate what you think a conversation between Gollum, Dobby and Yoda would be like.
    19. Release a jar of daddy-long-legs into the theater during the Shelob scene.
    20. Wonder out loud if Aragorn is going to run for governor of California.
    21. When Shelob comes on, exclaim, "Man!Charlotte's really let herself go!"
  • by mariox19 ( 632969 ) on Thursday January 29, 2004 @06:26PM (#8129223)

    For me, I was only bothered in the first movie by what I would term 64.1: the scene when Frodo offers the Ring to Galadriel.

    In the book, Galadriel remains in full control of herself and deliberately shows herself to Frodo as a terrible and powerful queen to illustrate what the Ring would make her into. In the movie, by contrast, it seems as if she is half-swept away by the temptation of the Ring, as she turns into some kind of bogey-monster.

    The movie just made her seem a touch too out of control, and it violated her character, for me, as being one of the wisest and fairest of elves.

    Other than that, I absolutely loved the first movie and think it the best of the three.

    • Wisest?

      It was her lack of wisdom---her willfulness and seeking of power, that led her to leave the West and visit Middle-Earth.

      Likewise, Arwen is more fair, (consistent with the constant echoes of Beren/Luthien in the Aragorn/Arwen story.).

      What Galadriel is is amazingly powerful. Close kin to Feanor, more powerful than any other in Middle Earth save Sauron. More powerful than Elrond (the lore master, the 'wise elf' if you will). More powerful than the Wizards (who were forbidden to use power in their missio

  • by raider_red ( 156642 ) on Thursday January 29, 2004 @06:36PM (#8129331) Journal
    Look, they even took liberties with the story when they made "The Ten Commandments" and no one complained about that. If you can get away with not following the Bible exactly, I think we can forgive a few liberties with LOTR.

    Of course, Christians and Jews aren't nearly as fanatical as some of Tolkien's fans.

  • by danila ( 69889 ) on Thursday January 29, 2004 @07:01PM (#8129587) Homepage
    The Two Towers: The Purist Edit is a re-edit of the theatrical version that deals with most of the changes that people disliked to make a film that follows the book plot more closely. This new version is available on the eDonkey2000 network.

    The purpose of the edit is to make the movie follow more closely to the original books. "It's amazing the work the editor has done by selectively removing scenes and rearranging them - without messing up the sound synchronisation. Now there are no longer any elves in Helm's Deep, Faramir is a good guy again, and the ents aren't idiots anymore." (tangent3 [slashdot.org])

    Major changes (out of about 30 changes totally):

    Ents don't refuse to attack Isengard

    Elves do not come to Helm's Deep

    Gimli is no longer a dwarf clown

    Faramir does not decide to take the Ring to Gondor as a "mighty gift"

    Frodo does not attempt to give the Ring to Nazgul

    Arwen stays in Middle-Earth

    Aragorn doesn't fall from a cliff

    Here's the ed2k link:
    ed2k://|file|Lord_of_the_Rings-The_Two_Towe rs-The_ Purist_Edit.avi|729462784|ec0671172619e490d7b0ea6b 5278468c|/

    Here is the trailer:
    ed2k://|file|The_Two_Towers-The_Purist_E dit-Traile r.avi|14997504|965c013e991ee246d63d45ea71954c4d|/

    Alternatively, get the trailer from here [www.lut.fi].

    More information in the ShareReactor forum [sharereactor.com].

  • by tverbeek ( 457094 ) on Thursday January 29, 2004 @07:23PM (#8129803) Homepage
    ObDisclaimers: Yes, of course it's "nit-picking", and taken in that context, most of his complaints make sense. Even the harping about Arwin is legitimate nit-picking (or even criticism).

    But I understand why Jackson gave Arwen such an expanded role, and I think it was justified. I adore Tolkein as much as the next nerd, but he really had a blind spot for female characters. You could count the number of significant female characters in The Hobbit and The Rings combined on the fingers of one hand. As the article writer himself points out, Arwen only had one line in the books. And the women weren't exactly well-rounded I-can-identify-with-her characters. They were mostly just archetypes. (Yeah, a lot of the men were too, but the key (male) protagonists had some depth to them.)

    I'll grant you that getting to see Orlando and Viggo strut about gives the films some female appeal. (They were certainly a treat to these guy-loving eyes.) But having another substantial woman character acting among the men makes it seem less like Middle Earth is a world where not only the dwarves' women look like men, but the other races' as well.

    • by Xpilot ( 117961 ) on Friday January 30, 2004 @12:26AM (#8131983) Homepage
      I adore Tolkein as much as the next nerd, but he really had a blind spot for female characters.

      Eh? I never understood people who claimed this. What about Luthien Tinuviel? Not only was she an important character in the first age, but she was the only one to have confronted MORGOTH (yes, the Big Evil One himself), knocked him out, helped Beren steal a silmaril from his crown AND appealed to the Valar to bring them both to life again! She defeated MORGOTH, for crying out loud. Sauron was just Morgoth's flunkie, and she totally kicked his sorry ass too! If that's not a powerful female character, I don't know what else to say.

  • by sjwaddington ( 213958 ) <stevew@onet.com.au> on Thursday January 29, 2004 @07:26PM (#8129841) Homepage
    The biggest plot deviation, and disappointment of ROTK to my mind is the treatment of Denethor. In the book he is a noble lord of ancient linage, who knows full well the history of the ring, and in his pride thinks he is equal to the task of matching wills with the dark lord. And it is his inability to put aside his pride (like Farimir and Borimir is the end) that dooms him.

    In the movie he just seems like a mean old fool. And what where the city guard doing when Gandalf conked Denethor on the head? All looking the other way? Obviously their opinion of their lord wasn't that much higher than Jackson's.

    I forgave the many changes of the first two movies (made particularly better by the extended editions), some where necessary to adapt the book to a movie, a few even enhanced the story to some degree (as far as a movie going audience was concerned). But the third movie just really bugged me every time I watched it. I am hoping it can be redeemed by the extended edition, but I expect it wont.
  • by lunenburg ( 37393 ) on Thursday January 29, 2004 @09:30PM (#8130804) Homepage
    The next time my wife dares to tell me "You have too much free time on your hands," I will show her this guy's site.

    She will never be able to use that line again, for it will have lost all meaning.
  • by inkswamp ( 233692 ) on Thursday January 29, 2004 @09:46PM (#8130925)
    Gandalf first grabs Sam by the shoulders outside the window of Bag End and scolds him, then he carefully lifts him through the window (FOTR p.97-98). Jackson has Gandalf pull Sam quickly through the window and onto a table. Unnecessary and poorly handled. Why did Gandalf need to treat poor Sam so violently? It was also an obvious stuffed dummy prop.

    The silly thing about a list like this is that it's just pointing out the inevitable. When a story goes from one medium to another, from words to action, you have to abbreviate things and get certain points across about characters in a different way. In the book, it's clear that Gandalf is powerful and not to be triffled with and we know this because Tolkien has page after page to get that point across. In the film, where action is key not words, it must be demonstrated and in a way that doesn't seem too pedantic. So, Gandalf reaching through the window and pulling Sam through violently demonstrates that he's far more powerful than he looks. In a sense, doing it that way remains more faithful to what Tolkien wrote than slavishly adhering to each and every detail.

  • Unnatural Elves (Score:4, Interesting)

    by Boawk ( 525582 ) on Thursday January 29, 2004 @10:43PM (#8131350)
    What bothered me the most was that in the movies the elves are portrayed as being alien--a sort of unnatural creature of Middle-Earth. Even the cadence of their speech in the movies is unnatural.

    By contrast in the book the elves are "supernatural" meaning that they are extremely natural. Their magic is one that is in concert with the earth, not alien to it. In the books the elves are characterized as more at home in Middle Earth than other races.
  • Much Too Hasty... (Score:4, Informative)

    by windside ( 112784 ) <pmjboyle.gmail@com> on Thursday January 29, 2004 @11:41PM (#8131735)

    From the article: 69. Saruman enjoys the pipeweed of the Halflings (ROTK p.324). Jackson has Saruman tell Gandalf that his wits have been dulled by Halfling leaf as if he doesn't smoke it himself and, it might be added, even though there is pipeweed amongst the flotsam and jetsam of Isengard.

    If I'm not mistaken, this line was actually lifted from Unfinished Tales, the rambling colletion of bits and pieces that Tokien never hammered into stories worthy of publication. I recall this line being spoken by Saruman to Gandalf in the presence of the other members of the Council of the Wise when they were meeting to discuss the matter of the Rings of Power.

    From The Encyclopedia of Arda [glyphweb.com]: When the Council debated the Rings of Power, Saruman claimed that his researches showed that the One Ring had been lost forever. It was later shown that he did not believe this, however, and was searching for it himself, having secretly rebelled against the Council.

    Saruman was attempting to discredit Gandalf (they were in disagreement on this matter) by exposing his affinity for hobbits. The quotation was something like: "Your wits have been dulled by your love of the halflings' leaf."

    I might be wrong about the timing, but I'm pretty sure I had read the line before I heard it delivered in FOTR. In the end, it ended up being one of my favourite lines :)

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