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Viacom Turns to Joost, Spurns YouTube 139

Vincenzo writes "Viacom has signed a deal with Joost that will see content from MTVI, Comedy Central, and CBS distributed on the new P2P distribution service. The move comes just two weeks after demanding YouTube pull over 100,000 videos offline. 'Joost's promise to protect their copyrights was a major factor in Viacom's decision, and also a stumbling block in their discussions with YouTube/Google. At the moment is it quite easy to download and store video content from YouTube, but no such exploit for Joost is known to exist.' It's also a 'secure' distribution medium in the eyes of many in the entertainment industry, since users can't upload content themselves.'"
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Viacom Turns to Joost, Spurns YouTube

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  • by AKAImBatman ( 238306 ) * <akaimbatman@gmaiBLUEl.com minus berry> on Tuesday February 20, 2007 @10:57AM (#18082238) Homepage Journal

    At the moment is it quite easy to download and store video content from YouTube, but no such exploit for Joost is known to exist.

    The lack of executive foresight never ceases to amaze me. Did they ever consider that no exploits exist for Joost because:

    1. Joost isn't yet available to the public at large. (You need to sign up for a beta.)

    2. No one cares about Joost?

    If Viacom signs a contract with Joost, the "security" of their distribution method will change in a hurry.

    The amazing part is that a simple trip down the hall to the IT department would have told these executives this. It's just too bad that execs never trust their own technology staff. As far as they're concerned, we're just a bunch of whiners and worry-warts. :-/

    Besides, someone might save that 2 minute Craig Ferguson clip to their hard drive. OMG, OMG, OMG! The world will end! What will they do?!? (Shh! No one tell them about VCRs!)

    That being said, I'm sure this move is actually more political than technical. Which only makes Viacoms position that much worse. Do they really want to cover over their political maneuvering by making themselves look uneducated?

    From the Joost website:

    Yesterday, we were The Venice Project(TM). Today, we're Joost(TM). Tomorrow, we're yours!

    And that would make us, YourJoost(TM)! Which you can watch on a tube. Sort of like a... YourTube(TM). Or something.

    Who writes this stuff?
    • by truthsearch ( 249536 ) on Tuesday February 20, 2007 @11:06AM (#18082390) Homepage Journal
      One of the nice things we see in music these days is the little guy creating and distributing high-quality audio. I'd like to see the same for video. The problem so far is that only these behemoth companies own the current content and can afford large production and distribution. If finally we'd see some significant competition from startups then Viacom and others might be forced to let go a little. If some hot new show distributed freely over the internet took eyeballs away from Viacom content maybe they'd be forced to come to their senses. Maybe.
      • The success of shows like Pure Pwnage tends to prove that significant competition *is* indeed starting to exist. Of course it's just a start but I believe that over time many more shows will follow.
      • I'm working on something that is exactly what you describe, but I need an answer to the question that will take this from hobby to Viacom-killing profession, and that question is "How do I see money?" Who pays for it? Sure, I can get investors once, but after they don't see their money back, I'm sunk. Is this the type of thing that I can pay for with Google ads? Only if people can't scrape the video and watch it offline. Only if they can't post it on YouTube.

        Nope, the distribution model is fucked. All
        • by truthsearch ( 249536 ) on Tuesday February 20, 2007 @12:06PM (#18083168) Homepage Journal
          Commercials and/or product placement. I can imagine some "internet shows" having commercials, but we know someone will cut them out and re-upload them. So I image they'll go the other route that currently pays: product placement within the show. If Coke will pay one of your actors to sip a soda during a show you get money and no one will cut it and redistribute. If the show needs a car, and Toyota is willing to pay to have it be one of their cars, then that's great. As long as it doesn't obstruct the actual presentation I believe product placements are the way to go for online content.
          • you might be surprised to hear that there aren't yet established currency amounts for online product-placement investments. It will work, and I'm hoping that it'll work with our product, but I'm not the businessman I'd probably need to be to make this work. As much as it hurts me to say this, it may be time to hire an MBA.
          • Re: (Score:2, Insightful)

            by lmpeters ( 892805 )

            Commercials and/or product placement.

            I have two thoughts. First, if an online show (on YouTube or elsewhere) is popular enough, maybe viewers would want to (try to) produce their own online shows (remember, imitation is the most sincere form of flattery)? If so, you might argue that the show implicitly advertises whatever equipment is used to produce it, and assuming the imitators would want to have the same equipment as is used by the original show (to achieve the same level of technical quality), the

          • As long as it doesn't obstruct the actual presentation I believe product placements are the way to go for online content.

            You mean like that part in Wayne's World? [youtube.com]

            -metric
          • I don't think you're right about people stripping away commercials meaning the model fails. You're never going to have a situation as bad as TiVo - where nontechnical people can watch stuff directly from your official network, using the front-end you intended, and still automatically strip away ads without doing anything, and do it forever. Because if that happens in the Internet world, you release a new slightly-different version of your client and a slightly different API. And then the people making th
        • I've seen a couple YouTube videos with very short (10, maybe 15 second) intro commercials that I found acceptable. If I'm watching a couple minute clip from the Daily Show or Comedy Central, I don't mind a ten second ad, and the majority of viewers probably won't either. An ad in front of some crappy homemade video? That won't fly.

          Yes, people could recut the video and post it elsewhere, but is it really going to be worth the time and effort? If the video is already on a top tier video site (YouTube, Goo
          • Re: (Score:3, Interesting)

            by LilGuy ( 150110 )
            I agree with your post. I watch all my Daily Show and Colbert Report online at comedycentral.com but up until recently I was very disinclined to do so because of the 30 - 45 second commercial in between each 2 minute clip. Thankfully now you can almost watch an entire show without a single commercial... why? I don't know, but I like it.
        • by Deagol ( 323173 )
          Nope, the distribution model is fucked. All hail technology, making it easier and easier to distribute content for which there's no commercial incentive!

          How short-sighted! If Sarah Michelle Gellar never got a dime for doing Buffy, she's still rakin' in the bucks for whatever cosmetic company she does commercials for all the time. Sure she won't be rolling naked in quite as large a pile of money as before, but shit, it's still good coin.

          Oh, you mean financial incentive for the *producers*? Well, maybe

          • Sarah Michelle Gellar is paid to do commercials soley because she is well-known through TV and movies that used the old revenue models. How many actors are getting big bucks doing commercials just on the basis of a YouTube video?
            • by Deagol ( 323173 )
              The advertisers who use Ms. Gellar's image for pimping their products don't give a rat's ass about the revenue model of the medium that gave her stardom. All they care about is that she's a "famous" person and that she can push their products.

              If, for example, Jolt Cola wanted to pay Star Wars Kid up for commercial appearances, they'd do so solely because he was perceived as a "famous" person that could push a product, in spite of the fact that he's not an actor or earned money elsewhere.

              Now.... if your

              • "The advertisers who use Ms. Gellar's image for pimping their products don't give a rat's ass about the revenue model of the medium that gave her stardom."

                I never said they did. The point is that she's famous because millions of dollars have been spent directly or indirectly to make it so.

                "If, for example, Jolt Cola wanted to pay Star Wars Kid up for commercial appearances, they'd do so solely because he was perceived as a "famous" person that could push a product, in spite of the fact that he's not an acto
                • by rtb61 ( 674572 )
                  Truth be told that whole advertising model is falling over. Now that the counter message from users who are pissed off with cheap crap overpriced products with multi million dollar advertising budgets, is louder than the advertising, now matter how much they spend on the advertising, that whole marketing model is screwed.

                  So the whole concept of mass media screaming about individuals of no great worth being the greatest or of being famous for being famous is pointless. The whole point of advertising as ne

      • Eh...er... (Score:3, Interesting)

        by KKlaus ( 1012919 )
        Sure but that show would be lonelygirl15, and uh... all I'm saying is that because of what's catchy to males on the internet, the transition is going to be embarrassing.
        • Re: (Score:3, Interesting)

          by Cylix ( 55374 )
          She managed to get noticed...

          Can't say the same thing for a 100,000 other actresses.

          Time will tell if she gets paid well for her time.
    • by Philip K Dickhead ( 906971 ) <folderol@fancypants.org> on Tuesday February 20, 2007 @11:08AM (#18082410) Journal
      The idea here, is to block Google as the emerging media powerhouse.

      I know it is probably ill-conceived, and the touted 'intellectual property' reasons are more secondary cover - than they are prime motivator.

      Everyone is afraid of GOOG - telcos, TV and Cable channels, Hollywood and Microsoft. Watch them position and align to marginalize and even criminalize them. It is pretty pathetic. The 'content providers' especially. They want a 'pay at the gate' scenario, and will compromise/misunderstand every technology to get there.
      • It's typical for companies to be fearful when a new competitor comes along, but the fear is usually unreasonably strong. Remember how brick-and-motar businesses were going to go belly-up because of Internet stores? Remember how thin clients, Java, Lotus Notes, etc were going to wipe out MS? Remember "Push" technology?

        In ten years we'll look back at Google and wonder what all the fuss was about.
    • by HTH NE1 ( 675604 ) on Tuesday February 20, 2007 @11:11AM (#18082452)
      Many video cards include an S-Video output. Coupled with an available audio output, it is a simple matter to run the pair through an external digital video encoder to get it into DV, then crop it to get an unencumbered copy. I've done it for my employer (I was assured we had permission for the purpose for which it was used).

      The video was below SD quality, but if it was greater I could have done multiple captures and stitched the frames together given enough overlap. You don't even need timecodes when you have jump cuts.
      • I've seem programs that do frame averaging for microscopes or telescopes, but not yet one that would take multiple capture passes and average them to reduce noise-- I've got some old VHS camera shots I'd like to clean up as much as possible, and have done an S-Video grab but if I could grab it multiple times and average, that would be great-- what's out there that could help to facilitate that? Getting them in sync could be tricky as I don't have either timecode or jump cuts-- it's just a continuous clip o
    • by gEvil (beta) ( 945888 ) on Tuesday February 20, 2007 @11:24AM (#18082634)
      (Shh! No one tell them about VCRs!)

      You're forgetting that their response was almost identical when VCRs first came out.
      • I'm not forgetting. I'm being incredibly sarcastic. The world didn't end with the invention of the VCR, and the world won't end with users being able to record Youtube content.

        Thanks for trying to point that out, though. :)
    • by morgan_greywolf ( 835522 ) on Tuesday February 20, 2007 @11:27AM (#18082670) Homepage Journal
      As you know, it's not about copyrights or money. It's about control. The media industry doesn't want to lose control of content. If anyone can upload, then anyone can upload content -- it doesn't even matter who's it is. They've been calling the shots, deciding what people should see and how the pairs of eyeballs should be divided up amongst them. Google/YouTube creates anarchy and chaos where they no longer have control over what people see and what people do with what they see.

      Mass media isn't so profitable if everyone can participate. That's what it's all about and that's what it's always been all about. Everything else is misdirection.
      • Re: (Score:3, Interesting)

        by 14erCleaner ( 745600 )
        Actually, it's all about money. They want control of their own media artifacts so that they can make money off of them. Whether that will actually come to pass is extremely unlikely. Nobody is going to care about Joost for the exact reason that Viacom likes it: because random people can't post videos there.
        • by rtb61 ( 674572 )
          More specifically nobody will want joost because you will have to install software to watch it. Not that installing software from the net is always bad, but hey you would have to be pretty gullible to install software approved by mass media companies who spend their whole lives lying.

          They lie about the products they market. They lie about the quality of the content they produce. The lie about the the true nature of the people they use to present those products.

          They lie about politicians that will suppor

      • "...it's not about copyrights or money. It's about control."

        Uh... the control is about the money. The copyrights are about the money. Even the money is about more damn money. Maybe that's what you meant by "mass media isn't so profitable if everyone can participate"... but that's not what you started out to say.

    • by krotkruton ( 967718 ) on Tuesday February 20, 2007 @11:37AM (#18082788)
      2. No one cares about Joost?

      You're looking at it from the wrong angle. See, they know it will be secure because no one cares about Joost. What better way to keep people from "stealing" your IP than to create a new service that is a clone of already popular and well-established services so that no one cares to use it? Genius, I tell ya.
    • Re: (Score:2, Funny)

      by loganrapp ( 975327 )
      Don't worry. Google is going to buy Joost and then Viacom will really be fucked.
    • As far as they're concerned, we're just a bunch of whiners and worry-warts. :-

      Isn't completely unfounded. Many IT people are just that unfortunately. People on a power trip who want to call anything and everything a security hole without first stopping to think that not every network resource be as tight as a nun's twat. Case and point, I ( and others I know ) have had conversations with IT people something like:

      "I need an FTP server set up so someone can send me some data".

      "No, it's a security hole" say
      • I've had this conversation - it usually goes something like this:

        "We need to have an FTP server to get some files from an outside company."

        "Ok, we already have something set up to do that. Here's how to use it."

        "That's too much trouble. We want to use our own."

        "Well, we don't usually do that, but if you really need it, we'll need to get authorization to place it in our DMZ - it'll take about two weeks."

        "Why do I need to put it there? We're already running one here - why can't you just let our customer co

    • Actually, I doubt it matters. If they have a deal in place, and they legally upload to Joost, I am sure they will include commercials. They are banking that the open tap means that viewers will watch the easily available copy with commercials instead of pirating one just to take the commercials out.
  • by HarryCaul ( 25943 ) on Tuesday February 20, 2007 @10:58AM (#18082266)

    Enough to make one. If there's content people want, they'll break joost too.

    It's as if they never learn...
    • Re: (Score:3, Insightful)

      by pla ( 258480 )
      Enough to make one. If there's content people want, they'll break joost too

      Why bother?

      This doesn't mean you won't get the same content on YouTube, exactly like you can today. It just makes an alternative source for one type of content, namely, music videos.

      This doesn't even relieve Viacom of their burden under the DMCA to find and fire off a takedown to Google for each infringing video. They apparently have confused "we won't license this to you" with "people will stop uploading infringing material
  • Of grainy videos and horrible low bitrate audio? I just don't get the point of watching music videos over the net. For me, audio quality is paramount, and 32kbps WMA doesn't cut it.

    That and most music videos are shite anyways. Just some half-naked plastic whore dancing around to music that other people wrote. The actual quality song and accompanying video are fairly rare nowadays...

    If I wanted to look at naked women via the web, I wouldn't turn to shitty music videos.

    Tom
    • I've been watching the lectures from Beyond Belief 2006 [beyondbelief2006.org] using Google Video and the audio and video quality are pretty good, and are very interesting and intellectually stimulating. If it hadn't been for Google Video, I probably wouldn't have seen this footage. Hosting video is extremely expensive and

      In other words, there's more to internet video than naked women.

      /me waits for the inevitable "You must be new here" reply.

    • by eln ( 21727 )
      Music videos? Who's talking about music videos? MTV hasn't played music videos in more than a decade. We're talking about TV shows here.
      • I've seen MTV shows [Ice-T's rap school] ... whoa people watch that shit? No offense to Ice T, but that show is retarded. A bunch of honky prep kids can't rap without years of training. First, they have no musical training, they can't hold a beat, have no tune, etc. Second, they're 12 years old. They're not even mentally developed enough to think up a proper rap, etc.

        Then you got the other shows, one with a bunch of people at a beachside house, I don't even get what that show is about.

        Oh then pimp my r
    • Pic [wikimedia.org]

      Since the bandwith costs for the uploader don't scale with number of users, you can easily stream video with the same quality as the average DVD rip.
  • What does Google have in its YouTube acquisition?

    Probably a lot of angry stock holders is my future bet.

    I hope they have something big in the works because its sure a lot to pay for a site that is suddenly looking mighty bare.
    • Re: (Score:3, Insightful)

      by truthsearch ( 249536 )
      My guess is Google is betting on real user content. If they get enough high quality "home-made videos" they believe they'll still get a huge viewership without any copyright infringement issues. And some shows will still put up some limited content to get people interested in tuning in on traditional TV.
    • by MrAnnoyanceToYou ( 654053 ) <dylan@NOsPam.dylanbrams.com> on Tuesday February 20, 2007 @11:21AM (#18082592) Homepage Journal
      Um.... A little publicity, a little goodwill, ads next to the YouTube content, good programmers, and a method of distribution they consider the future. Not so good on a cash-on-a-barrel level, but quite good for a company with some vision....
    • Re: (Score:2, Interesting)

      by tim90402 ( 1040444 )

      What does Google have in its YouTube acquisition?
      By overpaying for YouTube, Google unleashed millions in VC capital and entrepreneural energy toward becoming the next Google acquisition. People love to gamble. Offering a giant prize for a few winners will generate more vigorous effort than paying the same amount out in salaries. Plus, all those new companies trying to make a name will spend a lot on Internet advertising, contributing directly to Google's bottom line.
    • Re: (Score:3, Insightful)

      by anothy ( 83176 )

      Probably a lot of angry stock holders is my future bet.

      because, y'know, google stockholders hate making money.

      when google announced their intention to purchase YouTube (including the cost), GOOG was at about $426. by the time the acquisition closed, GOOG was a $489; most of that jump was in the two weeks after the announcement, around the middle of october - a period during which there was no other significant news. granted, things have slowed down a bit since then, but the trend still remains significantl

      • Well, if the shareholders bought Google stock just before the announcement and sold after the acquisition closed they made about 14% profit. Note that you could have made much, much more money selling "worthless" dot-bomb stocks at the right time in the boom years. Long-term shareholders are going to be angry if the acquisition doesn't actually lead to real profits.
  • by rizzo320 ( 911761 ) on Tuesday February 20, 2007 @11:04AM (#18082362)
    You have to wonder what Viacom is thinking here. Joost's market share is much smaller than the other video services (Google, YouTube, Yahoo, etc). Is copyright protection such an issue that they would shun the market leaders?

    I'm still not sure why there is such a big deal about copyrighted video on YouTube. The advertising you get for your show being uploaded to the site is probably worth much more than the marginal lost you may have incurred from it being uploaded. I don't anyone is interested in archiving the lower quality flash video files from their site. Pirates will always get the shows from bittorent or other P2P services. The only thing I can think of is they are worried about loosing web traffic from each shows website. Why not cross link to the videos on YouTube from their websites?

    The entertainment industry really needs to start getting creative. They need to learn to work with these new technologies and trends, rather than against them.
    • You have to wonder what Viacom is thinking here. Is copyright protection such an issue that they would shun the market leaders?

      Realisticly, it's an attempt by Viacom to place pressure on GooTube to do what they want. What they want is for Google to offer ultra-restrictive access to their... [my] precious... video content. Furthermore, they want Google to invent a foolproof copyright checker (as if such a thing is possible) to prevent average users from uploading Daily Show and Stephen Colbert clips. They're using the Joost deal as a bargaining chip to make Google do what they want.

      In reality, this will end one of two ways:

      1. Google will reply with a big, "So what?" and Viacom will only pay lip service to their Joost contract. A year down the road, Viacom will come back to YouTube with a cry of "me too!" when they notice how well the advertising is working for their competitors.

      2. Google will appease Viacom with special features like: Prominent display of their content on the YouTube front page. Viacom will gruffly agree (when that's really one of the outcomes they were hoping for), but "only if you guys crack down harder on copyright violations!" Joost will get dropped like a rock.

      Now if this was the Google of old, I'd say they will go with the first option. But given the slow progress of Google toward becoming Just Another Big Business(TM), I'd say it's just as likely that they'll take door #2.
    • We've seen them do this before. There's two likely strategies here:

      1. Bargaining chip with Google/YouTube

      2. They actually think their content is so desirable that everyone will come rushing to Joost when that's the only place you can get it.

      If they're smart it's #1, but we've seen them operate based on #2 before as well, so I'd say it's anybodies guess at this point.
  • If users can't upload, how then is it a p2p (as opposed to just having a metric ton of servers out there?) I couldn't find anything that said it was a p2p (or that users couldn't upload) on their website. www.joost.com
    • by jspayne ( 98716 )
      It is P2P in the sense that Joost gets to use you bandwidth so they can make money on their DRM laden crap.
      • So their going to control what I upload? Only color me stupid if I sign up for this. Thanks for the clarification.
        • Re: (Score:2, Informative)

          by R2.0 ( 532027 )
          You misunderstand - you don't get to upload anything, at least by the colloquial definition.

          Joost is basically a locked down Bittorent with some big ass servers to provide data when there are no peers available with the content you want. Content is only placed there by commercial interests, NOT users - that's the bid draw to the Viacoms of the world. Joost is using it's users' bandwidth and disk space; users get free content with 1/100th the advertising as regular TV (so the creators say).

          My opinion - it
          • by jspayne ( 98716 )
            Correct, but the confusion is over the term "upload". No, you cannot take a video on your PC and put it on Joost. However, Joost will be using your upstream bandwidth to send Joost licensed videos to other subscribers.

  • although the summary focused on the "guarantee" of security joost represented for viacom, i think the one-sided distribution model is the big difference. i think, fundamentally, google's business plan revolves around letting end users become the content providers, and google just indexes all of the content -- they make it possible to navigate. this is a view orthogonal to what we're seeing with the media companies, of course. they want to create the content, own it, and control it. they don't want to se
    • Your guess is certainly as good as mine, but my question is this: If googles plan was _really_ just to index YouTube as part of it's mission to blah blah all the worlds data, why would they need to BUY the site? I mean, they can index it without owning it. Witness: every other fricken site on the internet. ....So....

      My theory is that Google is going to use YouTube as it's platform for jumping into Video-based advertising.

      Everyone knows that they're an advertising company. Their purchase of dMarc last year c
    • Re: (Score:3, Insightful)

      I just don't seen the interest in commercial content on sites like YouTube. The quality is so sucky and/or the time to download is, one or the other. Plus, I would prefer to watch higher quality content on my TV, not my computer, but I ain't gonna buy some kind of YouTube->Tivo box, because my VCR/DVD player does fine in that regard as far as I'm concerned. I go to YouTube 100% for user generated content, because it's quirky, funny and/or amateurish, which I have been known to find quite entertaining.
  • ....start your Torrent Clients!! Did the xxIA not get the memo that Pandora's box was opened and the key flushed down the internet tubes?
  • At the moment is it quite easy to download and store video content from YouTube, but no such feature for Joost is known to exist
    Fixed that there for ya.
  • Something Lost (Score:3, Insightful)

    by JPMaximilian ( 948958 ) on Tuesday February 20, 2007 @11:12AM (#18082472)
    TA:

    Truth be told, Joost is nothing like YouTube. Joost is all about TV-length programming, although it can show shorter clips and even feature-length films. Most importantly, Joost is focused on commercial video content, not the user creations that have made YouTube so popular. To wit, you cannot upload content to Joost, making it a "secure" distribution medium in the eyes of many in the entertainment industry.
    The ability for users to upload their own videos onto YouTube is a large part of it's appeal. The article admits that user creations have made YouTube popular, why would you want to get away from that? I guess to appease the big shot content owners. Additionally, I bet joe-end-user hasn't heard of Joost, whereas YouTube is mainstream.
    • Well, no one knew about YouTube either couple of years ago. So that Joost is unknown is not that big a detriment. With bagfuls of cash they can get name recognition like Big Daddy. Again securing video content against the analog hole is impossible. Further all it takes is a software video driver that sits between the CPU and the hardware to create a T. With enough oomph in the CPU it can be done and nothing can be done to secure against it.

      That is why Vista is big on signed drivers and devices that compl

    • by elcid73 ( 599126 )

      The article admits that user creations have made YouTube popular, why would you want to get away from that?

      Seems pretty clear to me... to get get away from user creations that made YouTube popular and focus on something else that might make them popular. A different niche... like television length content. I wouldn't mind something like that. YouTube is fine for a quick clip of something funny, but I'd like to go to a place that had (legally) all the Saturday Night Live skits, or other TV content, some

  • by liam193 ( 571414 ) * on Tuesday February 20, 2007 @11:21AM (#18082594)

    It's also a 'secure' distribution medium in the eyes of many in the entertainment industry, since users can't upload content themselves


    Regardless of your position on the fair-use/control of content (by fair-use I mean being able to play content you legally on whatever device, etc. you wish), this statement smells of "monopolistic" activity. Unlawful activities do not start at users uploading content. They start with users uploading content they don't own (or even before that). The idea that an organization would believe it is appropriate to say a service is only 'secure' because we're the only ones who can submit content to it goes against everything that a free-market society believes. That one single quote does not say that users can't pirate content; rather, it says that we're the only organization with the rights to create and distribute our content.

    In my opinion, that is the big story here. Not the decision to choose one delivery method over another.
    • by T.E.D. ( 34228 )

      (by fair-use I mean being able to play content you legally on whatever device, etc. you wish)

      So by "fair-use" you mean something that has nothing to do with Fair Use [wikipedia.org]?

      The Fair Use clauses are all about allowing partial reproductions for the purpose of research, criticism, review, and/or parody. It has nothing whatsoever to do with your desire to enjoy a song off a CD you bought on your iPod. Not that this is a bad thing. It just has nothing to do with Fair Use.

  • ...since users can't upload content themselves.

    Of course. Only big content providers should be allowed to upload anything at all. Don't give these people a dime, please. "Don't feed the bears".
  • For the end user, Joost offers nothing he/she couldn't get otherwise. It even offers significantly LESS, since you can't upload and share your own videos. It will NEVER get even HALF the userbase of YouTube, which dooms it to failure as a "p2p" (more like b2pvr (business to peer via mafiAA, and god knows THAT's the wave of the future *rolls eyes*) network. So why exactly would anyone who currently "pirates" be interested in such a crummy service?
    • by hey! ( 33014 ) on Tuesday February 20, 2007 @12:00PM (#18083086) Homepage Journal
      Comparing joost and youtube is a bit of a apples and oranges scenario.

      IIRC, Joost is the diametric opposite of YouTube. The user experience in YouTube is P2P, but the technology is B2C. For Joost, the user experience is (I am guessing) B2C, but the technology is P2P.

      Again , I don't know a lot about Joost (I'm not a TV watcher), but it sounds to me like something that would be attractive to content providers because it offers a familiar business model. It's like Joost is a cable network that delivers over the Internet.

      • by jfengel ( 409917 )
        Your P2P/B2C analysis is spot on. The difference between Joost and a cable provider is that Joost focuses more in on-demand than cable providers. (Cable "networks" are realy content providers; Joost is a distribution and therefore more like a cable provider.)

        Despite the familiarity of the business model, it's a considerable change from the network's point of view. By playing, say, "Lost" on Wednesdays at 9 PM (or whenever it is) they can focus their marketing around an event, and a regularly scheduled even
    • LESS, since you can't upload and share your own videos. It will NEVER get even HALF the userbase of YouTube

      And has satellite/broadcast/cable TV lost subscriber base because they don't let you broadcast your own content? Nope...because they have exclusive content that people want, and can't get anywhere else.

      If anything, that's the model to compare Joost to; and it wins over conventional TV because it allows high-def, 100% on-demand content, with minimal delay between request and viewing. People go to YouTub
  • Viacom and CBS split up about a year ago. I believe CBS has a pretty tight deal [youtube.com] going on with YouTube, actually.
    • Re: (Score:3, Insightful)

      by SnowZero ( 92219 )
      Here's a link [cbsnews.com] backing it up.

      Frankly, I think CBS has the right idea with youtube; Short clips are a great way to advertise your TV shows, and also people will sit through 5-10 seconds ads in order to get the known quality of a specific uploader (i.e. CBS in this case). Right now, the only thing hurting them is that you can't do a youtube search limited to a specific user, and any random Joe can put "CBS" in his tags. I would expect google to fix that eventually.

      Others will jump on the bandwagon when they
  • Consider: Viacom and others have little bargaining power against the huge number of ways that users can seed content so that it's difficult for engines to find. People would have to actually look at videos to find a 24hrs episode-- it's easy to mask content so that a trawler wouldn't find it. So each and every content owner, lacking a decent solution of their own, will try and position themselves against GooTube in anyway they can, including the Joost Ruse just announnced. It's incumbent on content provider
    • Actually, I would think a fuzzy match of various excerpts of the soundtrack could be pretty difficult to circumvent without undesirably changing the track, and would be pretty easy to search on as well. By chopping up and reducing the track ala speech recognition technology to a skeletal representation of the essential components of dialog, the resultant data wouldn't have to be all that large to store in a database. Neither pitch or time shifting could be done on it too much before the results wouldn't b
  • It's also a 'secure' distribution medium in the eyes of many in the entertainment industry, since users can't upload content themselves.

    ...which is exactly why it won't be nowhere as popular as YouTube. Viacom should understand that there's more to YT than evil hackers trying to steal their precious copyrighted material.
  • by abes ( 82351 ) on Tuesday February 20, 2007 @12:02PM (#18083122) Homepage
    Let me start of by saying, I don't mind paying for watching programs. If they're reasonably short, I don't even mind the occasional ad. But I also don't have unlimited resources. Buying content from iTunes still seems too expensive to me. I'd like to get The Daily Show, The Colbert Report, Battlestar Gallatica, Mythbusters, and possibly Psych. That very quickly comes close to just getting cable TV. Which I don't want for several reasons (one of them, is I'm unable to do a 1 year contract).

    So I've been waiting for IPTV. Technically, I don't understand why it would be so difficult to do. I mean, Comedy Central's Motherload already does it. Only crappily. You can't actualy get the full show, and the picture is *really* *really* small. But I guess there are other reasons that I may never fully understand. Though, in my naivate, I'm going to suggest greed as being on the top of the list.

    And as the article pointed out, Youtube and Joost serve two different purposes. I mean, I guess it would be nice to get anything I wanted on Youtube, but the clips I've seen are never the full show, and once again, that is what I'd like. Watching short clips of a funny show just aggrevate me.

    And so I'm actually excited about Joost. I mean, I still am not exactly sure how it will work, since the details seem to be a bit skimpy, but at least it has the potential. Then I skim over some of the shows that Viacom is releasing, and it all looks like crap. Especially since I don't see the Daily Show on their list. It's a 'will include' list, but that usually means what they don't list are only crappier crap.

    Perhaps it's something as simple as them testing the market, and not wanting to release their 'prized possessions', but that seems stupid to me. The shows they have listed, I, nor do I suspect most people, care to see. So they'll run it for a while, claim low viewership, and end the program. And then they'll cite the stats as to why they'll never do anything with the interweb again. Assholes.

    It's not that I think all their claims are invalid .. their sales model is based on the fact that with old-style TV, you have to watch the crap they want you to watch. You have to watch the ads, you have to watch a specific time, and if it's crap, you'll watch anyways.

    It's not that it's impossible to come up with a new sales-model. They just have no interest in doing so.
    • by RKBA ( 622932 )

      .. their sales model is based on the fact that with old-style TV, you have to watch the crap they want you to watch

      Actually I think pay-per-view in general and Joost in particular is just an extension of the movie theatre model. You pay each time you want to watch a movie, which is effectively "renting" a viewing and is in line with the overall movement to rent software in general by means of crap like so called "Product Activation" (as well as remote product DE-ACTIVATION), DRM, etc., rather than sellin

      • by abes ( 82351 )
        I'm not a fan of pay-per-view either, but if it's reasonably priced, I'd probably cave in. For most movies and TV shows, I actually don't have much desire to own them. The ones that I do, I'll probably buy the DVD set. Especially considering that HDs are limited in size, I'm going to start deleting files for the shows I don't care to watch again anyways.

        I would be a much more willing to pay a subscription fee to 'rent' an unlimited number of videos, somewhat like the Napster model. I should note, I think th

    • ---So I've been waiting for IPTV. Technically, I don't understand why it would be so difficult to do. I mean, Comedy Central's Motherload already does it. Only crappily. You can't actualy get the full show, and the picture is *really* *really* small. But I guess there are other reasons that I may never fully understand. Though, in my naivate, I'm going to suggest greed as being on the top of the list.

      ---And as the article pointed out, Youtube and Joost serve two different purposes. I mean, I guess it would
    • IPTV is here (Score:3, Interesting)

      by modeless ( 978411 )
      Have you visited ABC.com or NBC.com lately? Actually, I wouldn't blame you for missing it, because they haven't exactly been sounding the trumpets about this. They've buried it under piles of throwaway interview clips and crapisodes, I mean webisodes. But if you click around for a while, you'll eventually come across the fabled Full-Episode player, where you can actually, really, right now watch the entire current season run of all of ABC and NBC shows, free with ads.

      Ignoring the player app (a typical Fl
  • by Tmack ( 593755 ) on Tuesday February 20, 2007 @12:03PM (#18083132) Homepage Journal

    At the moment is it quite easy to download and store video content from YouTube, but no such exploit for Joost is known to exist.

    Sure there is. Its just not as direct as they are thinking. Since its digital media being displayed on screen, all ya gotta do is dump the video memory of the screen area where its displayed to disk. Instant saved video. There are numerous software packages out there to do this, some free, some not, but all designed specifically for this. Similar to using a tape recorder to record the music from the radio, or a camcorder to record a TV show, but in pure digital fashion, since its pulling the direct digital image from ram. Just another tech developed to fuel the pr0n industry, mostly used for people to record webcams ;)

    Tm

    • A very good point, sir. If anyone is interested, wikipedia has a very good article [wikipedia.org] on this. The jist of it is that as long as you are displaying content to the user, there is absolutely no way you can stop people making copies of it.

      This is the problem execs have, they're out of touch with the whole engineering side of their projects, and when it comes to "plugging the analog hole" they can't just say "stop people from downloading it". The moment you start streaming the content you're caching it, at lea
  • At the moment is it quite easy to download and store video content from YouTube, but no such exploit for Joost is known to exist.

    3... 2... 1...

    (Also: "exploit", huh?)

  • by evianhat ( 705045 ) on Tuesday February 20, 2007 @12:18PM (#18083316)
    So many people here are comparing Joost to YouTube. They're not the same. They're not *meant* to be the same. Joost is about high-quality (video and audio) content. Stuff that I can watch on my 70" HDTV with Bose surround sound. Not stuff to be played through my crappy laptop speakers. Do you all honestly think that the guys behind both Kazaa and Skype *don't* know what they're doing?
  • "no such exploit for Joost is known to exist" ...yet.
  • ... users can't upload content themselves.

    Exactly why Joost is destined to become irrelevant.

  • ...because no one will use it. They'll have full control. <crickets>

    zudeo is the only one that has it right: download quality clips, now that I'll do...when they get something actually interesting... streaming post stamps? I've got better things to do with my time...
  • This is all just totally Joostless! I am SOOOOOO pissed. Screw you Viacom. Like we care if you won't let us play in your reindeer games. There's some hot mares over here that look just fine...
  • At the moment is it quite easy to download and store video content from YouTube, but no such exploit for Joost is known to exist.'

    All of these shows are normal TV shows that are broadcast over the air/on cable. Any show on TV can be (and most are) digitized and uploaded to P2P sites after having all the commercials stripped out. In fact, since pirates usually digitize the HD streams of TV shows, they offer much higher quality than either YouTube or the iTunes store.

    It looks like the TV people are just as d

  • by Doc Ruby ( 173196 ) on Tuesday February 20, 2007 @05:09PM (#18088480) Homepage Journal
    This distribution deal is a move that is good for the Internet media revolution. For one, it establishes a real competitor to YouTube with content people will actually want to watch. Without bundling that content with the network: Joost is just the distributor, owning no rights.

    But more importantly, it puts copyrighted content into a YouTube competitor that can challenge YouTube if YouTube has the content. That means that YouTube's copyright enforcement doesn't happen in an vacuum of arbitrary claims and baseless decisions. When Joost complains, it will have a copy of the content and a copy of the contract with the content owner. The process to enforce copyright between the two corporations can take place in the well understood realm of corporate negotiations and lawsuits.

    Of course, it would be better for everyone (including Viacom, and especially YouTube and Joost) if copyrights didn't slow down every media transaction. But until copyrights actually are peeled back to a legitimate scope, duration and enforcement regime, getting competitors with paper trails to manage it is the best we can do, and better than nothing.

A committee takes root and grows, it flowers, wilts and dies, scattering the seed from which other committees will bloom. -- Parkinson

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