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Music Media Businesses

17 Million People Stopped Buying CDs In 2008 375

Houston 2600 sends along an Ars Technica writeup on the continuing downward trend in the traditional music business: NPD's annual survey found that 17 million CD customers dropped out last year. Among the good news is that streaming services such as Pandora are growing fast. "While overall music sales were up 10 percent in 2008, the year saw a drop not only in CD sales, but also in the number of customers actually purchasing music. But according to a new report, the act of listening to music is actually on the rise. ... NPD's annual Digital Music Study found that there were 17 million fewer CD customers in 2008 than in past years. CD sales have been dropping for quite some time, and while 1.5 billion songs were sold digitally last year, the number of Internet users paying for digital music only increased by 8 million in 2008."
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17 Million People Stopped Buying CDs In 2008

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  • by smaerd ( 954708 ) on Friday March 20, 2009 @09:10AM (#27267781)
    ...to mortgage-backed securities -- they get a better rate of return.
  • I don't get the numbers. What made up the gap?
    • by Jurily ( 900488 )

      I don't get the numbers. What made up the gap?

      Higher profit margins? That would also explain why people stopped buying.

  • In related news... (Score:4, Insightful)

    by HerculesMO ( 693085 ) on Friday March 20, 2009 @09:12AM (#27267811)

    Retail sales in general are down because nobody wants to spend money on luxury items.

    I am surprised that people even bothered to do research on this. I could have told you this without looking at any metrics.

    • Re: (Score:2, Offtopic)

      No it's clearly soulless pirates who are worse than the scum that steal candy from crippled blind penniless orphaned cute puppies. Studies have shown that the total cost of piracy over $180 trillion dollars per day in North Dakota alone. Doesn't have anything to do with this "recession" the liberals keep trying to pretend is happening.

      But yes, when prices go up and/or willingness to spend goes down, people start cutting luxuries. For some, it's buying music. For others, it's obtaining new music. It's called

    • by Em Emalb ( 452530 ) <ememalbNO@SPAMgmail.com> on Friday March 20, 2009 @09:25AM (#27267981) Homepage Journal

      I work in a building near a mall. Several times a week I go over there and either eat in the food court or walk around during lunch.

      There are TONS of people at that mall every day.

      But hardly anyone actually has a bag, or is doing anything more than browsing.

      So far, if I had to spit-ball it, I'd guess 22-24 stores have either "temporarily" closed or just boarded their doors.

      No one is buying anything right now. The funny thing is, if you have the money, right now is such a ridiculously awesome time to buy stuff.

      In short, your assessment is 100% correct IMO.

      • by sesshomaru ( 173381 ) on Friday March 20, 2009 @09:30AM (#27268051) Journal

        No one is buying anything right now. The funny thing is, if you have the money, right now is such a ridiculously awesome time to buy stuff.

        This is actually a pretty good, simple way to describe a deflationary cycle.

      • by Anonymous Coward on Friday March 20, 2009 @09:57AM (#27268449)

        Pointless consumers whose lives are devoted to working and shopping discover they can't afford to shop any more, yet have no idea what to do with their free time other than going to the mall.

        It's like the end of a zombie movie with the zombies wandering around aimlessly with no uninfected brains left to eat.

        And we call this civilization.

    • by Lumpy ( 12016 ) on Friday March 20, 2009 @09:47AM (#27268279) Homepage

      Let's add in the metrics that the amount of utter crap has risen by 70%.

      I have not bought a new CD for 2 years because most out there are utter garbage. I have bought a lot of used classic (older than 3 year old release) ones and amazon.com non drm mp3's. but no new CD has interested me for 2 years now. One other thing that influenced this was I started my Sirius subscription over 2 years ago as well.

      • I second the Sirius issue. I have had mine for almost exactly a year now, and I love it! It is about the cost of one CD/month and it is worth every penny.
      • by Zerth ( 26112 )

        Agreed, better radio can put a dent in CD sales. Terrestrial broadcast drove me to an mp3 player, things like Sirius and Slacker for blackberry is grabbing my attention more lately.

      • by DerekLyons ( 302214 ) <fairwater.gmail@com> on Friday March 20, 2009 @11:58AM (#27270185) Homepage

        I have not bought a new CD for 2 years because most out there are utter garbage. I have bought a lot of used classic (older than 3 year old release) ones

         
        Sounds more like you have reached the same point in your life than many people seem to reach - their musical tastes freeze, and anything after that is just [crap|noise|meaningless].

  • see sig... (Score:5, Interesting)

    by night_flyer ( 453866 ) on Friday March 20, 2009 @09:13AM (#27267817) Homepage

    also, I want to know a breakdown of what era the music is being purchased from... the 60s, 70s, 80s, 90s or the current decade? Im guessing a big reason for the drop in CD sales is people have filled out their CD collections/replaced all their cassette tapes

    • Re: (Score:3, Insightful)

      by L4t3r4lu5 ( 1216702 )
      The last CD I bought was 10,000 Days by Tool. That was 2006.

      Since then, I've either listened to what I already own (as it's better than what's been recently released), I've listened to Creative Commons licensed music, or I've listened to streamed net radio for recently released music.

      I stopped buying CD's based on the attitudes of the record companies and their affiliates. I don't care who it harms; I'm not supporting that method of business, and anyone with links to it deserves to fail.
      • I stopped buying CDs when they started suing grandmothers and twelve year olds. Five years and counting. I *DO* buy cds at concerts, but I mostly only patronize small-venue artists.
      • Re: (Score:2, Insightful)

        by Benzido ( 959767 )

        > what I already own (as it's better than what's been recently released)

        Everyone starts to think that when they reach middle age. It's not actually true though - plenty of good stuff has come out recently, it's just that your mind has gotten narrow and you dislike change.

        Not that this gives you a reason to change your buying habits! If your mind is narrow, you should by all means buy records like a narrow-minded person would.

    • Yea, I was in this category. I humor myself as a TurboLuddite because I squeeze every last ounce of value out of something before upgrading, so I skip tech generations.

      I just got out of tapes about 2003. So some of those last-gasp sales were indeed me building out a $1500 CD collection.

  • by vishbar ( 862440 ) on Friday March 20, 2009 @09:14AM (#27267835)

    ...but this should show them that their previous business model has failed. It simply cannot function in an Internet-enabled society. How are they going to succeed? I have no idea...I don't have any idea. I have no problem paying for music if I like the band.

    I just hope their answer isn't "more DRM." That's shortsighted...the answer to this problem lies in their entire business practice rather than a heavy-handed technical solution. Or maybe, if we're really lucky, we'll witness the dissolution of the RIAA and the rise of smaller, independent record studios.

    • by the4thdimension ( 1151939 ) on Friday March 20, 2009 @09:25AM (#27267991) Homepage
      I think where the RIAA goes wrong is using CD sales as its only metric for profitability. In reality, CDs are essentially a dead technology. The only places CDs are still widely used are car CD players, home hi-fi systems, and DJ booths. Otherwise people are going digital. If I were to purchase a CD (I am one of the 17 million, except I dropped out years ago), I would buy it, open it, immediatly rip it to FLAC, convert those files to MP3 V0, and drop it on my MP3 player. From that point forward, if I am at my computer, I am listening to FLAC, and if I am away, I am listening on my MP3 player.

      CDs, at this point, are simply are not required to be purchased because if you can get the music in FLAC(whether it be through a legit source or not), you can just make your own CD. The music industry desperately needs to come to grips with the fact that no one is lugging around bulky CD players anymore, they want MP3 players that fit in half a pocket and hold 1000 songs and have 8 hours of battery life (all of which are advantages over the CD model). Factor in the cost of a CD vs. its digital counterpart and its really not a choice anymore. It's really not surprising at all that CD sales have declined, even while music sales are up.
      • Re: (Score:3, Insightful)

        by Dr. Hellno ( 1159307 )

        where the RIAA goes wrong is using CD sales as its only metric for profitability.

        I wonder; is this really a mistake? Either the music industry is truly ignorant and incorrigibly stubborn, or they've realized that they can make a better case for subsidies/bailout/public sympathy/whatever if they can be all "ohhh, my cd sales"

        • by the4thdimension ( 1151939 ) on Friday March 20, 2009 @09:52AM (#27268361) Homepage
          It's a bit of both: a CD is how the RIAA stays alive, as they make very little money on tours or merchandise sales (at least not if an artist has structured his contract correctly). If artists start recording their own music and releasing their music digitally, the need for a label to back CD pressing suddenly disappears, which, by transitive properties, makes the RIAA suddenly disappear. The RIAA needs to adopt a new business model based on these reduced recording costs and the digital age. Something tells me they could make huge amounts of money by offering their artists music, in FLAC, for a cheap price all in one repository, thats DRM free. However, its "cheaper to keep her" and changing their business model at this point is expensive. It's easier in the short-term to just try and litigate people into CD sales. Hopefully they will see that their bottom line is not improved by a business model thats based on litigation.
      • by Lumpy ( 12016 )

        only no talent no money hack DJ's use CD's.... Most real DJ setups use a software system that cant be beat.

        Yes I Guerella DJ on the side as a hobby. I dont pay ASCAP or BMI fees and DJ in a gorilla suit with welder goggles. Ditched all the crap CD setups for a laptop with a great software package and 2 turntables with digital records.

        • by Miseph ( 979059 )

          Or they use, you know, real turntables with real vinyls. They still press those things just because the sound on them is so damned good.

          • by Zerth ( 26112 )

            And truly, sound quality matters when you are listening to 90+ dB music in a club.

            I mean, if you are ruining your hearing, you want it to be at least for high-quality reproductions of electronically distorted guitars and overly compressed cymbals.

    • by geekoid ( 135745 )

      This line from the artical is telling:
      "Convincing customers to buy complete albums, though, now relies on overall album quality, not on forcing people to buy full CDsâ"and that means overall industry revenues may not recover to the levels seen during the CD boom years anytime soon."

      In short: People won't buy your crap pieces of music anymore. Make an album a whole 'work', or make singles.

    • More people, smaller payments. There was a music industry exec talking about a service that allows people to listen to music jukebox style either for free with ads or with a subscription sans ads. He was encouraging this model because, while the payout per song was lower, it encouraged people to listen more often, and also encouraged them to listen to new music more often in stead of listening to an album, purchased once, repeatedly. This is something that should have been embraced a long time ago.
    • ...but this should show them that their previous business model has failed. It simply cannot function in an Internet-enabled society. How are they going to succeed? I have no idea...I don't have any idea.

      The solution is clear! The RIAA simply needs to shut down the internet permanently so hard-working folks like Kanye West and Britney Spears can maintain their well-deserved lap of luxury.

    • Re: (Score:3, Interesting)

      by mcgrew ( 92797 )

      They could give MP3s away as loss leaders to promote the sale of CDs, which could be "value added". There's nothing like getting a physical object for your money, much more satisfying than a string of bits.

      People are collectors and packrats by nature.

  • learn from it! (Score:2, Informative)

    by COMON$ ( 806135 )
    For pete's sake, now learn from it you idiots. People want to download music, people want it easily pushed to their media devices. What we DON'T want, not just geeks and the like, EVERYONE wants ease of use. Drop in CD sales shows this, we just want to listen to music. No fighting ITunes DRM to play on other devices, no tricky hacks, specialized software, rootkits and the like. We just want to listen to music and we will go the path of least resistance. Now that some of the major providers are going DR
    • Now your drop in overall sales is more likey due to the shoddy music that is out on the market today as compared to 5-10 years ago but that is just the music cycle.

      I have to disagree on the cycle thing. Using Internet radio I can listen to all kinds of music... click goth metal... click AOR... click Euro dance/trance... click progressive metal... click ...

      I can't do that with the **AA model of music distribution and advertisement. I don't need to go buy music if I can dial it up day/night for anything I want to listen to, including indie music, music from other countries that is not in the top 40 for the US etc.

      The simple fact is that you can't even buy much of this m

      • by COMON$ ( 806135 )
        The simple fact is that you can't even buy much of this music.

        Precisely, thus as I said, "music that is out on the market". Best music I have found the last 5 years? Some indi rock or a lone guitarist in a bar...

    • by dazedNconfuzed ( 154242 ) on Friday March 20, 2009 @09:47AM (#27268281)

      ...the retail store is.

      I'm serious. Kodak went thru the same process. Focused on selling physical high-volume goods (photo film & paper), they viewed the customer as the store buying stuff in volume - not the individual actually using the product. As a result, when digital photography started catching on, the manufacturer was faced with threats of retail stores dropping their products entirely. You see, the standard drug-store film-processing model required the end user to enter the retail store three times (buy film, drop off film, pick up prints), thus encouraging additional "well, while I'm here..." purchases resulting from the walk-in photo-processing model. Digital photography trashes that model: no longer must the end user come into the store so often ... which upsets the retailer, who then tells Kodak et al "don't go digital or we'll drop your products entirely". Thing is, by considering retailer = customer, the manufacturer doesn't see that the end user is going to go digital anyway and sales of film will eventually evaporate. Scared of losing the "customer" (i.e.: retailer), the manufacturer fails to serve the "real customer" (i.e.: end user), and isn't ready to handle the transition when it finally hits.

      Same problem with music. Big labels see the retail stores as the customers, who complain "if you go to digital distribution we won't have anything to sell, so stifle that MP3 stuff or we'll stop selling your product" - not seeing that the end user is, en masse, going all-digital-download. You're not the RIAA's customer, the retail store is.

    • by Lumpy ( 12016 )

      People dont want it PUSHED.

      They want it pulled. they want control not to be controlled. Push means they control it. Pull means I control it.

    • I don't think you can begin to attribute the entire drop in sales or come close to the losses claimed by the music industry. The points you make are correct. But I also don't think that the loss in sales from copying of music is as insignificant as it's made out to be by this community.
  • While reports like these are interesting, they often feel like they are done in isolation to everything else. For example how does that fit in the trend of the market in general, and if it is not fitting in with the buying elsewhere in the market, are other commercial sources like iTunes picking the slack?

  • by elrous0 ( 869638 ) * on Friday March 20, 2009 @09:17AM (#27267865)
    I was born listening to 8-tracks, and I will die listening to 8-tracks. And I'll NEVER give them up, dammit!!!
    • by MyLongNickName ( 822545 ) on Friday March 20, 2009 @09:20AM (#27267895) Journal

      I was at a white elephant gift exchange two years back. I actually found an 8-track of the Partridge Family's greatest hits. I can't even begin to describe the look on the recipient's face...

      • I was at a white elephant gift exchange two years back. I actually found an 8-track of the Partridge Family's greatest hits. I can't even begin to describe the look on the recipient's face...

        Oh perhaps you haven't seen it before that look is called absolute horror.

    • I prefer 9-track tape, where everything sounds like Kraftwerk.

  • by Yvan256 ( 722131 ) on Friday March 20, 2009 @09:17AM (#27267871) Homepage Journal

    because 8 million people finally understood that they could buy single tracks online and not have to waste 20$ to get the two or three tunes they really wanted.

    The other 9 million either went broke, discovered illegal file-sharing or simply got tired of the crap the industry is producing and moved to other things like books, movies, videogames or that new amazing thing called going outside. I hear the 3D is amazing.

  • by Alzheimers ( 467217 ) on Friday March 20, 2009 @09:22AM (#27267949)

    Really, I haven't heard a decent mainstream track in the past year. At least, not one that made me want to go out to the store and buy an entire album. Last year, I got most of the singles I wanted via Amazon spending Pepsi Points.

    New York just lost it's biggest rock station, which switched to be yet another top-40 "pop" broadcaster. Everything else is classic rock -- and really, how is playing Led Zeppelin twenty times a day going to boost record sales? The state of modern music is so bad that radio stations can't find enough songs to play to fill up an hour's commute with songs made in the last decade.

    • True story... the industry has become saturated through their own greed. To be honest, if I was an aspiring musician, I would be very afraid in this climate because labels gobble you up, force you to churn out 3 albums or so, and then spit you out never to be seen again. Every radio station plays the same handful of songs that all sound that same, with more air time dedicated to commercials or chit-chat than actual music. No wonder people have become so brutally hateful of radio and mainstream music. The in
    • by geekoid ( 135745 )

      "Everything else is classic rock -- and really, how is playing Led Zeppelin twenty times a day going to boost record sales? "

      Exactkly. I ahve been saying that for years. The music industry needs to take steps to support radio stations that play new music.
      I don't think you could legqally be a music publisher and own stations, but maybe if all the publishers got together to pay clear channel to only play music less then 5 years, regardless of who publishes it they could get new music into the ears of the next

    • Re: (Score:3, Insightful)

      by DerekLyons ( 302214 )

      Really, I haven't heard a decent mainstream track in the past year. At least, not one that made me want to go out to the store and buy an entire album.

      Seems I've been hearing that since about the Dawn Of Disco.

    • "Decent" and "Mainstream" rarely belong in the same sentence.

    • by gsslay ( 807818 )

      The state of modern music is so bad that radio stations can't find enough songs to play to fill up an hour's commute with songs made in the last decade.

      Congratulations. You have successfully attained middle-age. You will now spend the next 20 years complaining the same things about "music these days" as the previous generation of middle-agers, who were saying what the generation before them said.

      However, some sad news that has to be broken to you; you haven't heard a decent mainstream track in the past year because you are no longer in the target market for mainstream music. Middle-agers simply don't buy enough music because they've already spent a quar

  • Comment removed (Score:3, Insightful)

    by account_deleted ( 4530225 ) on Friday March 20, 2009 @09:27AM (#27268015)
    Comment removed based on user account deletion
  • by koiransuklaa ( 1502579 ) on Friday March 20, 2009 @09:32AM (#27268079)

    TFA says 1.5 billion downloads happened last year. That sounds a bit fishy since Apple alone sold 2 billion songs last year (see e.g. techcrunch article [techcrunch.com]).

  • And how did they get this count? With the data changing so rapidly, they have no metric with which to measure how many CDs each person bought. They don't know that 17 million quit buying CDs, and they don't know that only 8 million started buying tracks.

    It could -easily- be that the 17 million who no longer buy CDs now buy twice as many single song MP3s as they used to buy CDs.

  • As my headline says if the new music doesn't interest people why by the CDs? Me. I prefer to have hardware (CD) back up for all my music.
    • by geekoid ( 135745 )

      People who want that are on the decline.

      Digital music is just too damn easy.
      Download, back up and keep forever.

  • Right now the entertainment conglomerates are transitioning their command and control structure.

    1. They control the distribution of entertainment media practically worldwide and earn above-average returns maintaining that control. DRM schemes are cheap enough and discourage piracy enough.

    2. Execs prosper in a political/corporate culture that has fleeced willing consumers for generations. Why would anyone want to screw that up?

  • When it's 1:00am the morning, the band is done playing, and the bartender shouts "last call," I don't really care what the band's website is. Just give me and my friends the standard deal: shirt+CD for $20. That'll get you the gas money to get to the next town. If CDs go away, you're fucked. What are you going to do, give me a piece of paper with your website address on it?
    • Well, I bought a band's DVD after their concert. It's a nicer deal than a CD.
    • by Zerth ( 26112 )

      USB stick/SD card with every live performance(including the one they just finished with you shouting in the background), studio take, or random noodling they just happened to record on the bus?

  • Comment removed based on user account deletion
  • by Tono_Fyr ( 1280182 ) on Friday March 20, 2009 @10:11AM (#27268635)
    As a business model, particularly for a small band starting out and trying to get tours going where they can actually make their money on their show fees and merch. you can't sell digital downloads as merch, and you also can't have digital downloads signed by band members (I actually have a few signed CDs myself, and it's really quite nice having them).

    Basically, from my perspective, digital distribution could lead to the end of music as we know it. So that's a bit extreme, it's really more like music will become harder to make and tour with.

    Record labels are something to be satiated and dealt with, in the eyes of an upstart musician who is still trying to get his first band started. They foot the start up bill for tours, which can often be too pricey to deal with, and they also pay for time in the recording studio. Studio time can be really expensive, and there's just not a lot anyone can do about that. There's always the option of at home recording, however, I don't know if any of you guys have ever tried to record at home, but without at least a few hundred dollars of equipment, you're going to have a hard time getting anywhere. Especially if you want it to actually sound good.

    You do have to have music available before you can put it up for download, and you have to money to record it before it can become available.

    Then there's also a certain factor of presentation. As a fan of progressive rock and heavy metal, I often find myself listening to albums as a singular entity, and when digital distribution has its way, there's no real uniformity to hold that experience together. The idea of the record as a whole rather than the single song is severely damaged by downloading just one song and not getting the rest of the pieces. I plan on writing a few concept albums before I die, and I know that I damn sure want them to be listened to as a whole. To me, the problem is that this artform of storytelling in music is going to die out because of a distribution method. That seems like a gigantic waste, doesn't it?

    Something else that's nice about physical media is that feeling of actually having something. I dislike paying for downloads because you literally have nothing to show for it in the long run, as hard drives get wiped and passwords get lost, not to mention that you usually end up paying for a low quality mp3 or a proprietary equivalent thereof. In closing, digital distribution could literally kill off certain parts of the music listening experience (if internet induced ADD hasn't already).
    • Re: (Score:3, Insightful)

      by DerekLyons ( 302214 )

      Studio time can be really expensive, and there's just not a lot anyone can do about that. There's always the option of at home recording, however, I don't know if any of you guys have ever tried to record at home, but without at least a few hundred dollars of equipment, you're going to have a hard time getting anywhere. Especially if you want it to actually sound good.

      The real problem, I suspect, is that while the cost of the right equipment and software for a home recording/editing studio (emphasi

  • Buying new music? (Score:3, Insightful)

    by Grimbleton ( 1034446 ) on Friday March 20, 2009 @10:18AM (#27268729)

    Shit, I don't even DOWNLOAD music newer than 5-10 years old. Nothing in the last decade has really caught my attention.

    I'm an old man already at 22. :(

    GET OFF MY LAWN!

  • by n3hat ( 472145 ) on Friday March 20, 2009 @10:19AM (#27268751)

    The sue-your-customer mentality of the **AA has put me off buying CDs. The last ones I bought were from a Goodwill store. And I don't download music, either. BTW much of the music I've bought over the years has been from the performer, at the concert.

  • by jjm496 ( 1004054 ) on Friday March 20, 2009 @10:24AM (#27268827)
    Sales of wax cylinders, reel-to-reel tapes, and 8-track tapes continue to drop. When questioned about the drop of new wax cylinder users from 9 to 7, the RIAA stated that the deaths of those two consumers were indeed not from thier advanced ages of over 100, but rather caused by "Pirates" attempting to hurt their profit margins.

    The RIAA was optimistic about the increase in clay pot recordings with the recent fad in "accoustic archeology" and hoped to once again start producing new releases in this format in Q4 2009. Questions concerning the validity of such archaic technology were pushed aside with "If the format fails, it because of the Pirates".
  • Paying $20 for a CD you can download for free or $.99 per track is the first thing to go when money gets tight. Why do you think Starbucks tanked last year?

  • by ElVee ( 208723 ) <elvee61NO@SPAMgmail.com> on Friday March 20, 2009 @10:39AM (#27269067)

    Let's compare buying a CD from a retail store versus downloading, shall we? Let's say you hear this rad Britney tune on some awesome Youtube mashup and you just have to have it, right freaking now.

    Retail:

    1) Get out of bed. Not something I do willingly.

    2) Shower. Or not. Depends on how offensive your personal aroma is. After 2 days without a shower, I smell like roses and candy.

    3) Get dressed. Okay, so I don't have any clean underwear. I'll just flip these inside out, nobody can see the skidmarks.

    4) Find car keys. For me, it's usually a 5 minute desperate search until I realize that they're already in my pocket.

    5) Drive to store. Traffic sucks, gas costs money and if I get another moving violation, I lose my license. No, Officer Friendly, I have no idea how fast I was going. Why don't you let me in on the secret?

    6) Park in big box store parking lot. It's a long freaking walk in direct sunlight, and my basement-dwelling geek-pale skin might just burst into flame. Lean against door to rest. Wheeze loudly.

    7) Go into store and find desired CD. Lookit that, they're out of stock and I came all this way. Shucks.

    8) Stand in long-ass checkout line behind Welfare Queen and her brood. Screaming kids are always a pleasure, the little darlings.

    9) Pay uncaring, minimum-wage clerk $14 for your purchase. For 6 bucks an hour, you KNOW she cares what you think.

    10) Drive back home. More gas, more traffic, more chances for that moving violation.

    11) Open CD. Break out Sawzall to cut through multiple layers of plastic and security tape. Cut finger open. Curse loudly.

    12) Rip CD to disc. Can't browse porn while it's ripping or it might mess up. Hunt through 433 cable channels for something to watch while CD rips.

    13) Upload to mp3 player. Rock out to Britney's latest. FINALLY!

    Elapsed time: 90 minutes, $14 plus gas, plus cost of speeding ticket (if any).

    Download:

    1) Roll over in bed, open laptop, brush Cheetos dust off sausage-like fingers, click on Amazon.

    2) Pay 99 cents for the one track you want.

    3) Browse porn for the 60 seconds or so it takes to download.

    3) Upload to MP3 player. Rock out.

    Elapsed time: 3 minutes tops, 99 cents. No clothing, no shower, no speeding ticket.

  • by Dan Ost ( 415913 ) on Friday March 20, 2009 @10:41AM (#27269081)

    This shouldn't come as a surprise to anyone.

    The younger generation isn't interested in having physical copies of the music and older farts like me have already fleshed out our collections.

  • I never stopped buying CDs, and never will!

    One simple reason: I never started...

    I never baught a single piece of music in my entire life. Instead I relied on radio and tapes to listen back to the songs I liked.

    As for today's times, I barely listen to radio anymore, I rely on webradios and the few MP3 that i have, wich are mostly songs that can't be baught anywhere in North America legally anyways...

  • IT'S NOT THE MUSIC (Score:5, Insightful)

    by Ralph Spoilsport ( 673134 ) on Friday March 20, 2009 @11:31AM (#27269787) Journal
    If ONE MORE dumb ass says "music these days sucks", I will personally hunt them down and pee in their butt.

    FACT: lots and lots of great music is made all the time.

    FACT: human beings "bond" with music in their teens as music has an emotional component and the flood of hormones wreaks havoc with ones emotional make up and ordering. As a result: people "focus" on the music of their "coming of age" or maturation.

    FACT: there has been no decrease in talent, nor has there been a decrease in creativity.

    So, as people age, the hormone disaster retreats, and they lose interest in music as it is crowded out by careers, marriages, kids, and mortgages. Combine that with a multiplicity of technologies demanding one's attention (TV, Wii, XBox, Movies, Internet, etc.) and it thusly comes as NO SURPRISE that people think "music these days sucks" and "there's no good music anymore", when in fact, it is simply one's perceptions and hormonal predispositions have changed.

    I'm an Older Geezer - I saw Genesis with Peter Gabriel, Yes, and King Crimson with Wetton on bass. I saw the Gang of Four, and the Clash, and MX80, Blondie, etc. Then I graduate university and I continued being fascinated by music. I also got married, and I saw my (now ex) wife lose interest, and my friends lose interest, and in the mid 1990s one of them said "yah know, Ralphie - music pretty much died in 75 and 76 when Disco and punk came down the pike" And I responded, "No, dumbass - you graduated high school in 75, and got that soul-deadening job at the air conditioning factory that drained all the life out of you."

    I continue to listen to new music, even as I lose my hair and go ever grayer. I have thousands of CDs and LPs (most of which I have digitised or collected digital versions of) and I listen to music all the time and I am always listening for new good music, and I am never disappointed. There's TONS of great stuff gushing out of the world every single day. It's Art. It's WHAT WE DO because WE ARE HUMAN.

    so when you say "There hasn't been any good music in 10 / 20 / 30 / 40 years", I say FUCK OFF and OPEN YOUR EARS.

    Wanna learn more? get "THIS IS YOUR BRAIN ON MUSIC". Read it.

    nuff said.

    • Re: (Score:3, Interesting)

      by Just Some Guy ( 3352 )

      FACT: human beings "bond" with music in their teens as music has an emotional component and the flood of hormones wreaks havoc with ones emotional make up and ordering. As a result: people "focus" on the music of their "coming of age" or maturation.

      FACT: some human beings... I like a lot of new stuff more than the mid-80s music I grew up with. I'll see your fondly-remembered Peter Gabriel and raise you a Stacey Q.

      FACT: there has been no decrease in talent, nor has there been a decrease in creativity.

      The hell there hasn't. Prior to MTV, a good bit of a performer's success depended on whether they could, you know, perform. Now it's down to how pretty they are in the video, whether they're good sports on reality shows, and whether the autotuner can make them halfway on-key without distorting their tone too much. Turn to the standard C

    • Re: (Score:3, Insightful)

      by cayenne8 ( 626475 )
      I don't think the age thing is the complete picture.

      I liked music from WAY before my age too....the old blues masters. Hell, I like some classical and jazz stuff. I prefer blues based rock. I like predominate guitar as my preference.

      I just don't see that out today much though. At least, I don't hear it. I don't see the big supergroups that unite a generation anymore. Where is the next Who? Zeppelin?

      As I mentioned in another post...in the past, at least really for rock, one generation took from the preced

The "cutting edge" is getting rather dull. -- Andy Purshottam

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