Authors Guild Silent Over iBooks Text-To-Speech 187
Last year we discussed news that the Authors Guild took issue with the Kindle's text-to-speech function, claiming it was illegal for the device to read their books aloud. Amazon disagreed, but said they were willing to disable the feature upon request from rightsholders. Now, jamie notes a recent article by David Pogue at the NY Times in which he points out that Apple's free iBooks app does the same thing, yet the Authors Guild has remained silent. Quoting: "... Now swipe down the page with two fingers to make the iPhone start reading the book to you, out loud, with a synthesized voice. It even turns the pages automatically and keeps going until you tap with two fingers to stop it. Yes, this is exactly the feature that debuted in the Amazon Kindle and was then removed when publishers screamed bloody murder. But somehow, so far, Apple has gotten away with it, maybe because nobody's even realized this feature is in there." That said, the feature was certainly noticed during the launch of the iPad, so perhaps the Authors Guild has other reasons for holding their peace.
so apple does not like blind people? (Score:2, Funny)
so apple does not like blind people?
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No, apple LOVES blind people, but the Author's guild may not love them as much
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No, apple LOVES blind people, but the Author's guild may not love them as much
I wonder if the Author's Guild can be pursued under any sections of the Americans with Disabilities Act or the Individuals with Disabilities Education Act. If a blind person needs a book to do their job or to learn in school and this book is unavailable in any spoken text version, if the Author's Guild has blocked access to the only means the blind person has of reading that book... it could be interesting.
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The touchscreen interface should have been a big clue.
As a general rule, touchscreen interfaces are not vision-impaired friendly.
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So that is why the National Federation of the Blind posted this press release [nfb.org] after the iPad's launch commending Apple for how accesible the iPad is to the blind ?
Re:so apple does not like blind people? (Score:5, Interesting)
I have a friend who's totally blind and is incredibly adept at technology. He runs his own web site, uses his iPhone daily, and compliments/complains daily to companies who don't have accessibility features on their apps and gadgets. He also plays video games and records himself playing and posts the videos on Youtube.
Here's his contacts if anyone is interested in reading stuff from him:
http://twitter.com/liamerven [twitter.com]
http://www.youtube.com/liamerven [youtube.com]
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Re:so apple does not like blind people? (Score:4, Funny)
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And yet we sighted people still can't connect a bluetooth keyboard.
You have been able to connect a bluetooth keyboard to an iPad since launch and you can even attach a USB keyboard if you want via the camera connection dongle. No jailbreak needed.
With iOS 4.x, you can connect a bluetooth keyboard to your iPhone.
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Do you have a special iPhone, iPad, or iPod Touch running the latest OS that doesn't work with BT keyboards?
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How does a blind person turn on VoiceOver?
The same way Billy Shears gets by.
("With a little help from [his] friends", for the confused.)
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So who thinks a _touchscreen_ is a decent choice for someone visually impaired? Something that relies on hand eye coordination, with no physical feedback?
I know I'm probably going to be proved wrong in a minute by the blind iPad fanbois.
Re:so apple does not like blind people? (Score:5, Informative)
So why not do a simple web search before talking about something you don't actually know?
"When it comes to embedding accessibility, Apple has set the standard in recent years," - Robin Spinks, principal manager of digital accessibility at the Royal National Institute of Blind People.
"The Apple iPad is one hundred percent accessible straight out of the box... Blind individuals can glide a finger over the screen, and as they glide their fingers, the options will be spoken aloud. When the users hear an option that they want to select, they can tap their fingers on that option twice, and the option will then be selected. There is no barrier to us blind folks using the Apple iPad's touch screen." - Waldorf PC
"Even though I have pointed out some access barriers that still need to be overcome, the overwhelming majority of features and functions on the iPad are accessible. I have to applaud Apple for once again producing a tremendous mainstream device with accessibility built-in, and at no extra cost." - Darren Burton, AccessWorld
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So who thinks a _touchscreen_ is a decent choice for someone visually impaired? Something that relies on hand eye coordination, with no physical feedback?
I know I'm probably going to be proved wrong in a minute by the blind iPad fanbois.
lkdsrkjhskg! kflijaf fkjhskjh apple aj nnd kjhkdjsfg, rjj ok !
Re:so apple does not like blind people? (Score:5, Informative)
apparently the BLIND think it's pretty slick
this is the American Foundation for the Blind. ORG
http://www.afb.org/blog/blog_comments.asp?TopicID=6149&FolderID=25 [afb.org]
Yes, it's an all-touch-screen device. Yes, I've always said that touch screens and blind people don't go together -- it's suggested, usually by slightly dumb people, that I could just memorize where all the icons were and then I could touch the screen at the right spot and get the right thing to happen... Do they really think they could withdraw $100 from an ATM that way? Dial a phone?
But, the iPhone and iPad have an ingenious and delightful interface that actually makes the touch screen a pleasure to use.
There will be a proper, full-featured review of the iPad in AccessWorld soon. These are just the first impressions of a so-far-happy customer.
here's more.
http://www.afb.org/afbpress/pub.asp?DocID=aw110206 [afb.org]
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You'd think a multitouch device with no physical feedback wouldn't work well for vision impaired users, right? Fortunately, Apple has proved that wrong. Gotta love innovation.
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You do know that when people say "blind fanaticism" they don't mean it literally?
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There's Accessibility settings to allow for VoiceOver, Zoom, Large Text, Speaking auto corrections
Using zoom and large text for blind people is sort of like yelling at deaf people.
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One of my FAA coworkers was like that.
He had to blow text to gigantic size on his screen, and even then he still needed to put his face up to the monitor to read it. I was glad the FAA gave hi a job, but still felt sorry for him. Can't we invent a cloned eye yet, to make that kind of disability obsolete?
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One of my FAA coworkers was like that. He had to blow text to gigantic size on his screen, and even then he still needed to put his face up to the monitor to read it. I was glad the FAA gave him a job, but still felt sorry for him.
Hopefully he had an administrative job and wasn't an air traffic controller.
What's the problem (Score:4, Insightful)
Re:What's the problem (Score:5, Insightful)
Because of poorly written contracts. Most current contracts don't have a distinction between 'audiobook' and 'text-to-speech conversion'. If the authors don't defend their copyright on the text-to-speech conversion, it can be legally argued that they don't mind if the publisher has rights to produce audiobooks - or that they actually sold the right to the publisher in the first place, even if it wasn't explicitly stated in the contract. Considering that we're typically talking about significant amounts of money, that an author may have to live on for the next few years while they write their next work... yeah, it can hurt them, because the original contracts didn't take future technology into account.
Re:What's the problem (Score:5, Interesting)
I'm not sure that's the issue. An author is under no obligation to defend a copyright or risk losing it, the way he might be obliged to defend a trademark or risk losing it. He can sue for copyright infringement today, tomorrow, or 50 years from now (under the current regime).
I think the debate is more about whether a text-to-speech process actually produces a derivative work. Authors have argued in the past that it does. But one could also argue that a computer reproducing a work via text-to-speech is no different than reproducing it by displaying its text on a screen -- and therefore it does not violate copyright.
Authors, on the other hand, don't want to lose the ability to sell audiobook editions because devices exist that can read books aloud automatically. Audiobook sales account for a large amount of royalties.
Re:What's the problem (Score:5, Insightful)
Or....
Have you bought an audio book lately? Most the ones I have seen cost a lot more than a paper back book.
If I have the ability to buy a 10$ paper back book and have it read to me, why the hell would I buy the 40$ audio book?
Another example of industry not keeping up with technology and trying to use the courts and copyright laws to enforce their business model.
This is about greed, pure and simple. Considering the type of people that most buy audio books (blind and/or old people) I find it kind of despicable.
Before paying what you paid for a service you could really only get one way it was hard to feel bad about the premium. Now that it is available more readily for cheaper and for all titles, and they want to force you to still pay more for the privilege? Sick.
Re:What's the problem (Score:5, Insightful)
If I have the ability to buy a 10$ paper back book and have it read to me, why the hell would I buy the 40$ audio book?
Have you listened to a audio book read by a person compared to the same work done by a computer? The person doesn't even have to be very good to win that battle. It's an interesting conversation in light of the potential of future tech, and to be sure it's getting better, but there's a long way to go before professional book readers will be looking for work.
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I would agree totally. However who should make that choice, the customer, or the lawyers?
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Capitalism doesn't solve everything, but when you take choice away from the consumer, it solves nothing.
That is where things fall down. That is the current plight of all our woes in all our shared economies. All things being equal it works, problem is, rarely are things even remotely equal.
If audio books provide a service I want, and I am willing to pay that price, then I buy that product. If I am willing to settle for a lower price, and perhaps lesser quality for text to speech then I will pay that price.
W
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Have you listened to a audio book read by a person compared to the same work done by a computer? The person doesn't even have to be very good to win that battle.
It depends what your criteria are. It takes a freeking eon to listen to an audio book because it's read at a normal or below normal speaking pace, which is much slower than a reading pace. When people use screen readers they typically crank up the speed to the highest speed they can still understand the given content at. That means you don't have to listen for 12 hours or more for your average book. Most devices that can play audio books still don't have easy features for speeding them up, so text to speech
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I haven't used any of the text-to-speech applications, but I assume a voice actor would do a much better job. That might or might not be worth $30 to you.
Re:What's the problem (Score:5, Insightful)
To be fair, audiobooks do involve a degree of work. Most audiobooks are abridged, so you need to edit the book and get the edits approved by the author. You need to hire a celebrity reader. You need to rent a studio to record the reading in, with an audio person present to make sure everything is warm and punchy. A producer needs to edit everything together. None of that is cheap. And all of that is chasing a niche within a niche.
Of course, text-to-speech is basically free. And means the old audiobook process is obsolete for most titles. But charging more for the audiobook version makes sense.
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There is no need to hire a celebrity reader. I assume publishers do this in order to maximise profits and justify the vastly increased price of the audiobook.
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If you're not going celebrity, you need to at least go VAG. And VAG work ain't cheap.
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Re:What's the problem (Score:4, Insightful)
Your kidding right?
I was about to argue that shouldn't the customer have the right to make decisions about what they are willing to pay for? I mean it might not be as nice as a professional reader, but I might say I am willing to buy it because it is half the cost...
then... "should have a say in how a work is performed"
Your seriously telling me that the Author of a work has the RIGHT to tell ME how I READ his book?
I am pretty sure if I want to read it backwards, upside down, in Klingon, to my best friend, I have the right to do so. If I wish to have a computer synthesize voice for me, I think I have that right too.
Don't get me wrong, if it is going to be distributed in voice, or film or something, then sure. But I have the right to do what I want with it after I buy it so long as I don't copy it and claim it as my own or try to sell copies. Gah!
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Yeah, and what's the point of paying £50 for a theatre ticket to see a professional production, when me and my friends can buy a copy of the text for £5 and act it out in our garden shed for free?
Clue: audio books aren't just read out by computerised voices, there are actors involved who, gasp, want to be paid for their work.
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"Would you sit through a 3 hour movie where the main actor was a speak & spell?"
Well, only if it had spectacular cinematograhy set to something powerful like Richard Strauss. Nobody'd be crazy enough to do that, though.
Re:Speak & Spell (Score:5, Funny)
Well, I have seen Keanu Reeves films. I think that's a fairly close comparison. ;)
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I think the debate is more about whether a text-to-speech process actually produces a derivative work. Authors have argued in the past that it does.
It's a stupid argument though. Reading a book to your kids does not constitute the creation of a derivative work. There might be a point if you read a book into an audio recording device and then gave the recording to your kids to playback at their leisure, but in the absence of that there is no "work" being produced by a human or computer other than ephemeral audio waves.
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Yeah, like I said.
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I think you're confusing Trademark Law with Copyright Law.
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If the authors don't defend their copyright on the text-to-speech conversion,
It is not yet clear that text to speech copyright exists.
It is not at set in law that reading aloud from a book is a performance, and therefore separately licensable.
A machine reading a book to the owner is not a performance (no fee charged, no money earned) and therefore there is no basis for authors or publishers to claim a copyright.
Authors made a big noise, but they had no legal leg to stand on and Amazon was busy at the time fighting other (pricing) battles. If course its Apple, the darling of the "c
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It hurts them emotionally
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How does this hurt them on books where there is no audio version available?
It hurts them a lot. The authors only made money three or four times for the work they did once, and this read it out loud feature is preventing them from being paid yet again for the same work done long ago.
Apologies in advance for the flame, and even more so to the authors who disagree with the guild and I unfairly lump in with them...
But the fact they offer no product to compete with it is beside the point. Authors in the guild have stated time and time again that it is their god given right to control
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Re:What's the problem (Score:4, Insightful)
Does Apple sell books? (Score:5, Interesting)
Maybe the difference is that Amazon is seen as more of a threat than Apple?
Not being rhetorical here, I'm genuinely asking.
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With a statement like that, you'd almost expect Amazon to be selling eBooks at a 60-to-1 ratio [boygeniusreport.com] compared to rival Apple.
Re:Does Apple sell books? (Score:4, Insightful)
Wow, a whole sample size of one author.....
Re:Does Apple sell books? (Score:5, Insightful)
I'd think it's because Apple is a scarier target. They were able to bully Amazon, but Apple has a top-notch legal team and a demonstrated disinclination to budge when pressures like this are applied.
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How the hell can they expect to make generic screen readers illegal? These generic screen readers should be able to read anything on the screen too via OCR, even if they're not legally allowed to read directly via the file format.
Damnit, the crazy reachings of rich entities facing the extinction of their outdated business models are so frustrating.
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These generic screen readers should be able to read anything on the screen too via OCR, even if they're not legally allowed to read directly via the file format.
Actually the DMCA provides an exemption specifically for DRM formats that block screen readers, in that those forms of DRM are NOT covered under the DMCA, so are fully legal to crack for that purpose.
The Authors Guild has learned a lesson? (Score:5, Interesting)
Re:The Authors Guild has learned a lesson? (Score:5, Insightful)
I find that an unlikely explanation. It's more likely that there's something going on between the Guild and Apple.
Re:The Authors Guild has learned a lesson? (Score:5, Funny)
It's more likely that there's something going on between the Guild and Apple.
Unlike Amazon, Apple stays out of the Guild's way. One Infinite Loop is crawling with Strangers. Who do you think arranged their contract with Foxconn? You think all those "suicides" were from worker stress? Keep dreaming. Guild work is clean, professional. It's surgical with them. In a way they're the only organization Steve Jobs still respects. And they don't get dames get in the way!
.
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And they don't get dames get in the way!
It's like you channel crazy dead people!
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And they don't let dames get in the way!
It's like you channel crazy dead people!
You think it's a cry for help?
.
Re:The Authors Guild has learned a lesson? (Score:5, Interesting)
I doubt the Guild has any special relationship with Apple. Unlike the MPAA and the RIAA, the Guild works directly on behalf of content creators who make up their membership. If the members don't make a fuss the Guild won't make a fuss. My guess is publishers, and therefore authors, are getting better terms from Apple since they're the underdog in e-books. With better compensation, publishers and authors aren't complaining.
Re:The Authors Guild has learned a lesson? (Score:5, Interesting)
Amazon did not negotiate audio rights for the book when they set up their contracts. They got into trouble because of it and disabled the feature until the could negotiate the audio rights. Apple saw this and, when they negotiated their contracts, made sure that they had the audio rights for all books in the iBook Store.
Apple, as the e-book follower, learned about this problem in advance from Amazon's leadership in the market and had the contracts set up to allow audio. There's no big conspiracy here.
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To be honest... this is only affecting a very small proportion of the population. It's not a big conspiracy, but it is symptomatic of IP protection nowadays. The original rights holders are aiming to profit off of a tiny segment of the market, which will provide little to no profit in actuality - they know this. The amount of money involved here will be very small.
The problem is that authors and companies now seek absolute control over all their works, and this was not the case (as much) in the past. T
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That sounds great, but is it true. No disrespect, but I have read too many scenarios like this around here only to find that they are just complete guesswork on the part of the writer and have nothing to do with reality.
So how do you know that Apple has negotiated audio rights for their works?
Re:The Authors Guild has learned a lesson? (Score:5, Insightful)
So how do you know that Apple has negotiated audio rights for their works?
I could tell you, but then I'd have to kill you.
Seriously, I don't know. It's guesswork. But it's based on Apple's track record.
First, Apple negotiated with the music companies to make sure that their customers could use their music in iMovie and iDVD. Second, Apple negotiated ring-tones with the music industry. Third, Apple encrypted music going to their Airport Express in order to protect the music companies. Fourth, Apple licensed Amazon's "One-Click" patent.
Apple has shown itself more than willing to license and protect the IP of it's Apple Store providers. So it would make sense that Apple would have considered this angle and made certain that, when they negotiated with the rights-holders, they had the right to play audio.
I mean, it makes no sense for the Author's Guild to castigate Amazon yet remain silent in regard to Apple. Since anything Apple immediately hits the airwaves, you would think it would be just the opposite. So if they're staying silent, it probably means that they have an agreement with Apple. It may be an Apple imposed one--"You want to be in the iBook Store, you have to give us audio rights"--but it's an agreement.
Remember the issue with Amazon was that Amazon was creating audio versions of books without having negotiated the right to do so, unlike companies like Audible.com. It wasn't that the Author's Guild was against this kind of software, just that they wanted to be compensated for it. Whether they deserved to be compensated or not is debatable, no doubt. But Apple won't bother with those kinds of arguments--they'll just give them some money no matter how ridiculous it is (see ring tones).
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In that case, it's worthless. A different guess, and no less reasonable, is that Apple has decided the iPad's TTS feature is no different than Acrobat Reader's "Read Out Loud" feature or the TTS software that ships with Windows. Do authors get to sue Adobe or Microsoft just because Acrobat Reader and Windows can read out loud any text the computer can recognize? If not, why is Apple any different?
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They had no need to do so as they were not reproducing audio copies. Having a book read out loud to you, whether by a person or a machine, does not impinge upon the exclusive rights of the copyright owner.
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Publishers Loves Their DRM (Score:5, Informative)
Since last year the LOC has made a rule [copyright.gov] that DRM breaks are legal if readers are shut out:
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Note that this means it is legal to distribute software that includes circumvention technology if the primary purpose of the software is reading aloud.
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Yeah, the new rule is pretty limited.
If you can get the ebook legally from Amazon, B&N, and iBooks, but only iBooks has TTS enabled, but you only have a Kindle, then breaking the DRM would technically be illegal, even though the only TTS-enabled copy won't run on your device.
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Yeah, and imagine if the books that are speakable are spread across all the available devices. Blind people will need to own a room full of readers.
Not quite the same... (Score:5, Informative)
FWIW, I had no idea the feature was there. The annoying thing is that you have to turn on Voice Over in the accessibility settings...for the entire phone. So the whole interface of the phone changes (you have to double tap buttons, etc) and it's quite annoying to have it on if it's not something you need. I guess you can turn voiceover on/off at will, but it's a decent amount of hassle.
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You can go into settings -> General -> Accessability -> Triple-click Home and set it to "Toggle VoiceOver".
So you're reading the book, you tripleclick the home button, swipe down with two fingers and it starts reading to you. Tap with two fingers to pause the reader. tripleclick home again to turn off VoiceOver.
Not something I'll probably ever use, but it works.
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So you're reading the book, you tripleclick the home button, swipe down with two fingers and it starts reading to you. Tap with two fingers to pause the reader. tripleclick home again to turn off VoiceOver.
Another great example of the ease of use of the iPhone. I can never understand why people keep claiming that it is user friendly when there are so many examples of these hidden features. The only saving grace in this case is that this is an obscure feature that few people will need to use.
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On the Kindle the Author guild can frame their argument as one of licensing since the voice over feature was promoted as a standalone feature for general use, which could of some use to those who had impaired visi
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No they can't. Reading aloud is not one of the exclusive rights of copyright owners.
Its getting ridiculous. (Score:5, Insightful)
A hard choice for many Slashdotters: (Score:4, Funny)
Hate on Apple for having the feature while Amazon can't/doesn't or hate on litigious media groups for selective lawsuits?
Two very touchy topics in the /. world!
Me? Oh, I don't discriminate.... I hate everyone! Then again... I'm an idiot ....
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Who knew? (Score:2, Interesting)
Who knew pissing off disabled folks (like me) wasn't a good idea to drive up business? All they accomplished with their little tantrum was to ensure that any books I buy in the future will be from the used market, to avoid supporting them.
We do seriously live in a society where (if everything could be magically made accessible tomorrow for free), some predatory capitalist goons would still try and charge us disabled folks $1500 for equal access... all the wile claiming to support the rights of disabled folk
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Who the fuck modded parent down? Seriously... this is very relevant and relatively pertinent. I've not complained about modding before, but you've got to be kidding me.
Writers love Apple (Score:4, Insightful)
Yes, I know there are still a few iconclasts who use Windows (or TeX for the hardcore) but all the published authors I personally know are Apple fanboys. MBPs, Mac Pros (for writing? I know, I know), iPhones, the works. I imagine they don't want to bite the hand that pets them... But I'll ask one why it's okay for Apple and not Amazon.
Amazon owns audio book company (Score:4, Informative)
Also, fwiw, Amazon owns Audible, the largest purveyor of spoken word books (or "books on tape" as they used to be called)...
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They're (generally) a hell of a lot better than text to speech.
Google Books/Scholar disputes over a decade (Score:2)
I suspect talking ebooks will take at least a decade to work out also.
The Kindle sells a lot more... (Score:2)
Anecdotal evidence from at least one author doing self publishing puts the Kindle selling 60x more than Apple's ibook: [blogspot.com]
Publishers might be looking at enriched or enhanced ebooks as their new big-ticket items to replace hardcovers. But the major ebook retailer, Amazon, isn't set up for video. Kindle isn't even able to do color yet. That leaves Apple, and according to my numbers Apple is a very small part of the ebook market. I sell 200 ebooks a day on Kindle. On iPad, I sell 100 a month.
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Erm... his evidence showed that “at least” one e-book’s Kindle version was outselling the iBook version.
What evidence did you give to show that “at most” one e-book’s Kindle version is outselling the iBook version?
Oh... you didn’t.
The idea was bad, they had no right (Score:3, Insightful)
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But we aren't talking about software that creates a copy in a different format or language. This is software that reads the book out loud to you. No copy is created and none of the exclusive rights of the copyright owner are infringed. The very notion that they could have a claim here is laughable.
Won't someone PLEASE think of the children!! (Score:5, Funny)
Removed? (Score:3, Informative)
feature that debuted in the Amazon Kindle and was then removed
No, it wasn't. It was disabled on select books if and only if the publisher specificially demanded it.
The guild doesn't care because it sucks so bad (Score:3, Interesting)
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Honestly, it wouldn't be much better than current text-to-speech. The problem isn't the computer voice...sure, its cheesy but I could get used to that. The problem is everything else. The phrasing, the intonation, the flow of the words. These are things that make TTS laughable. A database of some voice actor reading every word in the language wouldn't help this at all.
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They could provide you with Patrick Stewart to read your book to you, and they STILL wouldn't be violating copyright. No license is r
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Amazon gets sued for providing read-aloud technology on its reader, and Target gets sued, and loses, for NOT having read-aloud capability on its website.
Whose rights dominate?
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Copyright doesn't give authors exclusive performance rights to their work. It gives them exclusive PUBLIC performance rights. This is held to mean performances made in a public place. I can pay for a pay-per-view event, and invite friends over to watch with me, even though I never bought a public performance license. And, I can even tell them to bring wings or dip or something, and it's still not public. I can