An anonymous reader writes: 390,127 Brits declared their religion as Jediism in their last census — many as a joke, but some are quite serious, the BBC reports. Cambridge University Divinity Faculty researcher Beth Singler estimates at least 2,000 of them are "genuine," around the same number as the Church of Scientology. The U.K. Church of Jediism has 200,000 members worldwide. Their belief system has expanded well beyond the Star Wars universe to include tenets from Taoism, Buddhism, Catholicism and Samurai. Former priest, psychotherapist and writer Mark Vernon finds real power in the Jedi story: "The reason it's so powerful and universal is that we have to find ourselves. It's by losing ourselves and identifying with something greater like the Jedi myth that we find a fuller life."

HughPickens.com writes: Arthur Obermayer, a friend of the Isaac Asimov, writes that he recently rediscovered an unpublished essay by Asimov written in 1959 while cleaning out some old files. Obermayer says it is "as broadly relevant today as when he wrote it. It describes not only the creative process and the nature of creative people but also the kind of environment that promotes creativity." Here's an excerpt from Asimov's essay, which is well worth reading in its entirety:

"A person willing to fly in the face of reason, authority, and common sense must be a person of considerable self-assurance. Since he occurs only rarely, he must seem eccentric (in at least that respect) to the rest of us. A person eccentric in one respect is often eccentric in others. Probably more inhibiting than anything else is a feeling of responsibility. The great ideas of the ages have come from people who weren't paid to have great ideas, but were paid to be teachers or patent clerks or petty officials, or were not paid at all. The great ideas came as side issues."

DCFC writes: The BBC is releasing a game to help 8- to 11-year-old kids get into coding. Based on Doctor Who, it alternates between a standard platform game and programming puzzles that introduce the ideas of sequence, loops, if..then, variables and a touch of event-driven programming. Kids will get to program a Dalek to make him more powerful. (Apparently the BBC thinks upgrading psychopathic, racist death machines is a good idea!)

An anonymous reader writes PBS' It's OK to be Smart made this interesting video showing us what is and isn't physically realistic or possible in the space battles we've watched on TV and the movies. From the article: "You're probably aware that most sci-fi space battles aren't realistic. The original Star Wars' Death Star scene was based on a World War II movie, for example. But have you wondered what it would really be like to duke it out in the void? PBS is more than happy to explain in its latest It's Okay To Be Smart video. As you'll see below, Newtonian physics would dictate battles that are more like Asteroids than the latest summer blockbuster. You'd need to thrust every time you wanted to change direction, and projectiles would trump lasers (which can't focus at long distances); you wouldn't hear any sound, either."

SchrodingerZ writes: In November of this year, the 42nd Expedition to the International Space Station will launch, and the crew has decided to embrace their infamous number. NASA has released an image of the crew mimicking the movie poster for The Hitchhikers Guide to the Galaxy, a film released in 2005, based on a book with the same name by Douglas Adams. Commander Butch Wilmore stands in the center as protagonist Arthur Dent, flight engineer Elena Serova as hitchhiker Ford Prefect, flight engineer Alexander Samokutyayev as antagonist Humma Kavula, astronaut Samantha Cristoforetti as Trillian, and flight engineers Terry Virts and Anton Shkaplerov as two-headed galactic president Zaphod Beeblebrox. The robotic "Robonaut 2" also stands in the picture as Marvin the depressed android. Cristoforetti, ecstatic to be part of this mission stated, "Enjoy, don't panic and always know where your towel is!" Wilmore, Serova and Samokutyayev blasted off September 25th for Expedition 41, the rest of Expedition 42 will launch November 23rd.

You might want to go back to Video 1 before watching this one (or reading the transcript). This video is the second part of our recording of a panel discussion at the recent science fiction convention in Detroit. Panelists include writer and forensic science expert Jen Haeger; professor and generally fascinating guy Brian Gray; and expert in Aeronautical Management and 20-year veteran of the Air Force Douglas Johnson. In this video, they continue running down a list of science fiction predictions, both successful and unsuccessful, and evaluating how realistic or far-fetched each now seems. (Alternate Video Link)

Science fiction is the domain of predicting future technology. But we rarely stop to account for which predictions come true, which don't, and which are fulfilled in... unexpected ways. A panel at the recent science fiction convention in Detroit explored this subject in depth, from Star Trek's communicators to nanotech and cloning. Panelists include writer and forensic science expert Jen Haeger; professor and generally fascinating guy Brian Gray; and expert in Aeronautical Management and 20-year veteran of the Air Force Douglas Johnson. In this video, they run down a list of science fiction predictions, both successful and unsuccessful, and evaluate how realistic or far-fetched each now seems.

As the science consultant for The Big Bang Theory for the past seven seasons, Dr. David Saltzberg makes sure the show gets its science right. A few weeks ago, you had the chance to ask him about his work on the show and his personal scientific endeavors. Below you'll find his answers to those questions.

wabrandsma sends this article from New Scientist: In an experiment, Alan Winfield and his colleagues programmed a robot to prevent other automatons – acting as proxies for humans – from falling into a hole. This is a simplified version of Isaac Asimov's fictional First Law of Robotics – a robot must not allow a human being to come to harm. At first, the robot was successful in its task. As a human proxy moved towards the hole, the robot rushed in to push it out of the path of danger. But when the team added a second human proxy rolling toward the hole at the same time, the robot was forced to choose. Sometimes, it managed to save one human while letting the other perish; a few times it even managed to save both. But in 14 out of 33 trials, the robot wasted so much time fretting over its decision that both humans fell into the hole. Winfield describes his robot as an "ethical zombie" that has no choice but to behave as it does. Though it may save others according to a programmed code of conduct, it doesn't understand the reasoning behind its actions.

An anonymous reader writes: A few years ago, author Neal Stephenson argued that sci-fi had forgotten how to inspire people to do great things. Indeed, much of recent science fiction has been pessimistic and skeptical, focusing on all the ways our inventions could go wrong, and how hostile the universe is to humankind. Now, a group of scientists, engineers, and authors (including Stephenson himself) is trying to change that. Arizona State University recently launched Project Hieroglyph, a hub for ideas that will influence science fiction to be more optimistic and accurate, and to focus on the great things humanity is capable of doing.

For example, in the development of a short story, Stephenson wanted to know if it's possible to build a tower that's 20 kilometers tall. Keith Hjelmsad, an expert in structural stability and computational mechanics, wrote a detailed response about the challenge involved in building such a tower. Other authors are contributing questions as well, and researchers are chiming in with fascinating, science-based replies. Roboticist Srikanth Saripalli makes this interesting point: "If the government has to decide what to fund and what not to fund, they are going to get their ideas and decisions mostly from science fiction rather than what's being published in technical papers."

NormalVisual (565491) writes The original 11-foot U.S.S. Enterprise studio model from the original series has gone back into the shop again. The Smithsonian owns the model and has had it on display in a gift shop at the National Air and Space Museum for the last 13 years, but will be placed on display in the Boeing Milestones of Flight Hall in 2016, to coincide with the museum's 40th anniversary. In the meantime, the model will be undergoing its fourth restoration to address a number of issues. The last restoration in 1991 was performed by Ed Miarecki, a professional modelmaker well known for his work in "Star Trek: The Next Generation", as well as films such as "Event Horizon". This previous restoration had Trek fans up in arms owing to the paint job, which many feel doesn't represent the way the model looked originally. Hopefully this next restoration will bring her back to her former glory.

An anonymous reader writes "The Paris Review has an article about SF author Stanislaw Lem, explaining Lem's outlook on the future and his expectations for technological advancement. Lem tended toward a view that technology would infect and eventually supplant biological evolution. But he also suggested an interesting explanation for why we haven't detected alien civilizations: "Perhaps ... they are so taken up with perfecting their own organisms that they've abandoned space exploration entirely. According to a similar hypothesis, such beings are invisible because technological ease has resulted in a 'Second Stone Age' of 'universal illiteracy and idleness.' When everyone's needs are perfectly met, it 'would be hard, indeed, to find one individual who would choose as his life's work the signaling, on a cosmic scale, of how he was getting along.' Rather than constructing Dyson Spheres, Lem suggests, advanced civilizations are more likely to spend their time getting high.""

An anonymous reader writes with this report from Torrentfreak, excerpting: In just a few hours time the brand new season of Doctor Who will premiere, kicking off with the first episode 'Deep Breath'. There's been a huge build up in the media, but for fans who prefer to socialize and obtain news via a dedicated community, today brings bad news. Doctor Who Media (DWM) was a site created in 2010 and during the ensuing four and a half years it amassed around 25,000 dedicated members. A source close to the site told TF that since nothing like it existed officially, DWM's core focus was to provide a central location and community for everything in the 'Whoniverse,' from reconstructions of missing episodes to the latest episodes, and whatever lay between. But yesterday, following a visit by representatives from the BBC and Federation Against Copyright Theft, the site's operator took the decision to shut down the site for good.

Dave Knott writes: WorldCon 2014 wrapped up in London this last weekend and this year's Hugo Award winners were announced. Notable award winners include:

Best Novel: Ancillary Justice by Ann Leckie
Best Novelette: "The Lady Astronaut of Mars" by Mary Robinette Kowal
Best Novella: "Equoid" by Charles Stross
Best Short Story: "The Water That Falls on You from Nowhere" by John Chu
Best Graphic Story: "Time" by Randall Munroe
Best Dramatic Presentation (Long Form): Gravity written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón
Best Dramatic Presentation (Short Form): Game of Thrones: "The Rains of Castamere" written by David Benioff & D.B. Weiss, directed by David Nutter

The results of this year's awards were awaited with some some trepidation in the SF community, due to well-documented attempts by some controversial authors to game the voting system. These tactics appear to have been largely unsuccessful, as this is the fourth major award for the Leckie novel, which had already won the 2013 BSFA, 2013 Nebula and 2014 Clarke awards.

Lasrick writes: Yale's Jason Parisi makes a compelling case for fusion power, and explains why fusion is cleaner, safer, and doesn't provide opportunities for nuclear smuggling and proliferation. The only downside will be the transition period, when there are both fission and fusion plants available and the small amount of "booster" elements (tritium and deuterium) found in fusion power could provide would-be proliferators what they need to boost the yield of fission bombs: "The period during which both fission and fusion plants coexist could be dangerous, however. Just a few grams of deuterium and tritium are needed to increase the yield of a fission bomb, in a process known as 'boosting.'" Details about current research into fusion power and an exploration of relative costs make fusion power seem like the answer to a civilization trying to get away from fossil fuels.

Ars Technica reports that "J. Michael Straczynski will shortly begin work on a rebooted big-screen version of his 1990s sci-fi TV series [ Babylon 5]." From the article: According to JMS's latest announcement, the new script will be targeted at a 2016 theatrical release and will be a reboot of the series rather than a continuation. This is necessary for both dramatic and practical purposes—the series was in regular production from 1994-1998, and the cast has simply aged too far to credibly play themselves again during the series’ main timeline. Additionally, several of the foundational cast members — Michael O'Hare, Andreas Katsulas, Richard Biggs, and Jeff Conaway — have passed away. ... The movie rights to the Babylon 5 property remain in JMS's hands, but the creator is hopeful that this time around, Warner Bros. will choose to finance the film instead of passing on it. Nonetheless (at least according to TV Wise), JMS is prepared to fund the movie through his own production company if necessary — something that wasn't a possibility ten years ago — suggesting that B5 will in fact come to the big screen at last.

New submitter Wierzbowski85 (2852925) writes Indie Kickstarter-funded sci-fi short HENRi features classic visual effects and storytelling – with a twist. As detailed in Cinefex magazine (issue 134), the film itself utilizes a mixture of the old and the new — combining live-action sequences with puppetry, quarter-scale miniatures, and modern CGI. Speaking with Wired, the film's director said: "The goal was to seamlessly integrate these different techniques to create the world. My philosophy is that effects are merely a tool to help the story, and that in mind, we used pretty much every trick in the book." The film also stars genre legend Keir Dullea, of 2001: A Space Odyssey. In a making-of video for the film, Dullea says, "Having done 2001, [HENRi] was a wonderful homage to Stanley Kubrick and that film." The short is now available for free viewing online at Hulu.

hawkinspeter (831501) writes Amazon has given the green light to produce the Hugo award-winning "The Man in the High Castle". This is after the four-hour mini-series was rejected by Syfy and afterwards by the BBC. Philip K Dick's novel takes place in an alternate universe where the Axis Powers won the Second World War. It's one of his most successful works, probably due to him actually spending the time to do some editing on it (most of his fiction was produced rapidly in order to get some money). Ridley Scott has previously adapted PKD's "Do Androids Dream of Electric Sheep" as the film Blade Runner, so it will be interesting to see how close he keeps to the source material this time. This news has been picked up by a few sites: International Business Times; The Register and Deadline.

First time accepted submitter jIyajbe (662197) writes Two researchers from the Indian Institute of Astrophysics investigate the imaginary world of Kalgash, a planetary system based on the novel 'Nightfall' (Asimov & Silverberg, 1991). From the arXiv paper: "The system consists of a planet, a moon and an astonishing six suns. The six stars cause the wider universe to be invisible to the inhabitants of the planet. The author explores the consequences of an eclipse and the resulting darkness which the Kalgash people experience for the first time. Our task is to verify if this system is feasible, from the duration of the eclipse, the 'invisibility' of the universe to the complex orbital dynamics." Their conclusion? "We have explored several aspects of Asimov's novel. We have found that the suns, especially Dovim are bright enough to blot out the stars. Kalgash 2 can eclipse Dovim for a period of 9 hours. We also tested one possible star configuration and after running some simulations, we found that the system is possible for short periods of time."

camperdave writes Author Daniel Keyes has died at 86. Keyes is best known for his Hugo Award winning classic SF story Flowers for Algernon and the film version Charly. Keyes was born August 9, 1927 in New York. He worked variously as an editor, comics writer, fashion photographer, and teacher before joining the faculty of Ohio University in 1966, where he taught as a professor of English and creative writing, becoming professor emeritus in 2000. He married Aurea Georgina Vaquez in 1952, who predeceased him in 2013; they had two daughters.