Matrix Sequels To Get the IMAX Treatment 429
hondo77 writes "As if the two sequels to "The Matrix" weren't a big enough event already, it has been announced that both films will also be showing in IMAX theaters. "Although "The Matrix Reloaded" will open in Imax theaters two or three weeks after its general release May 15, "The Matrix Revolutions" will open Nov. 5 in both conventional and Imax cinemas..."."
Upgrade? (Score:4, Insightful)
I don't know if I could call it an upgrade when you have to use Pan & Scan. Sure it's bigger, and more exciting, but you're missing pieces.
Here's a mirror to the article:
Link 1 [martin-studio.com]
Re:Upgrade? (Score:5, Informative)
Re:Upgrade? (Score:5, Funny)
On the plus side, the opening scene rocked and Natalie Portman's 20 foot tall breasts weren't that bad either...
Re:Upgrade? (Score:2)
Re:Upgrade? (Score:5, Funny)
Worst part (Score:3, Funny)
Re:Upgrade? (Score:4, Insightful)
The difference here is that they use the DMR process to enlarge the frame, so it can be put to IMAX size 70mm film. To make a long story short, it analyzes each frame and enlarges it to IMAX proportions, maintaining image sharpness and detail along the way.
Since the aspect ratio of the IMAX screen is not widescreen, but closer to 4:3, a pan and scan is necessary to use the full screen.
Ocean's Eleven did not go through this process. What you saw, was a 35mm print, projected onto an IMAX screen, with a standard 5.1 or 6.1 Dolby Digital audio mix. A completely different thing. 35mm film projected to a screen that huge will go soft (lose sharpness).
I've seen many films projected that way (including Ocean's Eleven, Minority Report and Jurassic Park 3), and while they look huge, and have kick ass sound, the DMR looks so much better, and sounds so much better.
That's because the image is processed especially to take advantage of the bigger screen (grain removal, detail enhancing and more) and a new sound mix to take full advantage of the more powerful sound system.
Apollo 13 looked amazing, SWep2 look great, but the HiDef source materical wasn't really made to withstand this type of blowup (even though it was impressive, you could still see pixellation), it was designed for normal sized theatres.
Personally, I'll see the 35mm first, simply because I love and prefer widescreen. Then I'll see the IMAX.
IMAX is different cinematography altogether (Score:5, Informative)
My other beef is with the public's misconception of the IMAX film format. Traditional (non-dome) IMAX uses 15/70 film. That is, 70mm film with 15 sprockets per frame. This is not plain "70mm film, which dedicates only 5 sprockets per frame. 15/70 IMAX has 3x as much film surface area as plain 70mm and nearly 10x as much as plain 35mm. (Plus other benefits, such as double the framerate and generally better audio. Though 35mm is catching up with some recent films being available in 48fps and new 7.1 channel audio from Sony SDDS and DTS).
For more information on the IMAX format, check these out:
http://www.superspeedway.com/eng/imax1.html [superspeedway.com]
http://entertainment.howstuffworks.com/imax1.htm [howstuffworks.com]
er, other uses for imax theatres (Score:5, Interesting)
IMAX Porn
"Like-you're-there", motion enhanced nakedness. The perfect format, the only route porn can take other than virtual reality. Theaters all across the country and after a tricky patent, the profits in hand. One might say with the gnomes:
1. Invent IMAX Porn.
2. Profit.
3. Profit.
4. Profit.
No question marks needed. But I have come to realize that the gains would be ill-gotten, so I hand the idea to you, oh world.
Re:er, other uses for imax theatres (Score:5, Funny)
Re:Upgrade? (Score:2)
Re:Upgrade? (Score:3, Informative)
Re:Upgrade? (Score:4, Informative)
A 3:2 pulldown converts 24fps into 60 interlaced fields. With interlacing, the motion is kind of 'blurred' together, so the lower framerate is not a real problem. Film is not interlaced, so a 3:2 pulldown would not help the IMAX Experience[tm]. Either they will have to dupe frames, or maybe do some interpolation, but a 3:2 pulldown won't work.
Oh wow! Yes! uh oh.. (Score:3, Funny)
The new Matrix films, awesome...
The new Matrix films in IMAX... whoa... oooh... ahh...
Uh oh.. underwear check.
Re:Oh wow! Yes! uh oh.. (Score:5, Funny)
Great. He just made a prequal.
Re:Oh wow! Yes! uh oh.. (Score:5, Funny)
Neo: What truth?
Underwear Boy: There is no underwear.
Re:Oh wow! Yes! uh oh.. (Score:2)
Re:Oh wow! Yes! uh oh.. (Score:5, Insightful)
The new Matrix films in IMAX... whoa... oooh... ahh...
I don't know, personally I wish films like this were given a chance to breath first. Hollywood puts so much wieght into financial success at the box office, it's almost like insider trading now. Bet on the success of whichever movie has the best marketing crew, and you'll get good returns on your money.
When the matrix first came out, it had very little fanfare. The experience of seeing the film itself is what drove people to tell thier friends and families. Word of mouth has always been the sincere means of measuring the value of a movie. The best thing to do with a film like this is wait. Maybe it doesn't belong on an IMAX screen because it's not worth seeing period. Or maybe, it's even better than the original. There's no way to know.
On waiting for the word of mouth (Score:3, Interesting)
It's happened to me. In at least one case, it was years before I had another chance to see the movie in some repetory theatre.
A dream is a wish your heart makes... (Score:5, Funny)
(slips in to geek catatonia)
I can see it now... (Score:2, Funny)
Yay (Score:5, Insightful)
The more these guys try to hype the Matrix, the more I want to distance myself from it. Anybody else worried they're over-marketing it?
Re:Yay (Score:5, Insightful)
Re:Yay (Score:5, Informative)
How do you know that? Name 3 movies in the last 20 years that recieved lots of hype before launch, and ended up deserving it. I can name a few *cough*Godzilla*cough*LastActionHero*Coughh*Episo
I'd love to sit back and say "Ah well I'm going to enjoy whatever I get" except all the signs are pointing towards me being out $20.
Re:Yay (Score:4, Insightful)
Name 3 movies in the last 20 years that recieved lots of hype before launch, and ended up deserving it.
Terminator 2
Jurassic Park
The Lion King
Re:Yay (Score:3, Informative)
There have got to be better examples then that!
Excuse me? "Jurassic Park" and "The Lion King" made over $300 million and "T-2" was #1 at the box office the year it came out (as was "Jurassic Park"--"The Lion King" was #2). All three are Academy Award winners. They'll do.
Re:Yay (Score:3)
I think if the past decade has taught us anything, its that gross (or awards) doesn't mean good.
Agreed. However, as far as living up to the hype goes, they're the only objective answer to that. Whether you or I liked "The Lion King" is irrelevant because Simba sold a helluva lot of tickets so, by that objective measure, he lived up to the hype.
Re:Jurassic ParK???? (Score:3, Informative)
Think A/UX, and that system was an SGI actually. The big-fat developer guy was using a Mac though (lets "teleconfrence" by playing a video in Movie Player, wheeee) :)
Re:Yay (Score:5, Insightful)
I don't remember much hype about Last Action Hero. I didn't even know what it was until TBS showed it a few years later, and thought, "Hmm.. the lows some people will go."
I'm dying to see the Matrix Reloaded. Matrix fills a role as "Damned Awesome Once a Year Movie" that Star Wars 4-6 never did for me. I don't want a Galaxy far, far away. I want people doing crazy shit in my world. The Matrix does this.
Did you even see the trailer for it? Reloaded has the best trailer for any movie to date. It puts the Ep1&2 trailers to shame. The Wachowski (sp?) brothers know what they're doing with the creative license, and they have a team to make it golden.
I've never been this excited over a movie, it must be like you're 11 and actually thought Star Wars was cool, something I never could experience.
Re:Yay (Score:2)
Twins
Total Recall
Kindergarten Cop
Terminator 2
Last Action Hero
True Lies
Junior
Eraser
Jingle All the Way
Batman & Ro
Re:Yay (Score:3, Insightful)
This is wrong. After Last Action Hero, most his movies have ranked in the top 15 for the year. True Lies, yup. Eraser, yup. Batman & Robin, yup. End of Days even made a lot of money, not sure if it's on the top 15. Arnold has never picked the "major" movies, except the Terminator series. Even Conan was more of a cult favorite, then a classi
Re:Yay (Score:5, Insightful)
Let me put it to you this way: It was hyped enough that a reference to it made it into an episode of Married With Children. It's not very often sitcoms admit to the existence of movies.
"Did you even see the trailer for it? Reloaded has the best trailer for any movie to date. It puts the Ep1&2 trailers to shame. "
The trailer wasn't that cool. It showed a few neat-o effects, no argument there. So did Episode 1. Only, Episode 1's trailer led you to believe that there was going to be some massive epic battle in the end, not some pathetic skirmish. What if Reloaded is that way? What if there's a couple of cool battle scenes, but it's tied together by a flimsy plot designed to place those characters into that situation?
"The Wachowski (sp?) brothers know what they're doing with the creative license, and they have a team to make it golden."
There was a time where the same would have been said about George Lucas. Who's saying that today?
Look, the movie could be good. I hope it's good, I'd like it to be good. What I'm reacting to is how hard they're trying to sell this movie on me. that should always send up a red flag. If this movie's so good, then how come they need Superbowl ads for it? How come they are trying to lure people into more expensive IMAX theaters for it?
The only thing giving me hope for Reloaded right now is the Animatrix. That's where the true creativity seems to be coming from. So far, from the first movie and what's been seen from the second one, it's an attempt to make anime-style editing into live-action. Fine. Just make the story interesting.
Frankly, I'm saddened that the first Matrix wasn't more like X-Men. I mean, who'd shed a tear of any of the characters from the Matrix was killed? Pretty flat.
Re:Yay (Score:3)
What do you mean *IF*? Its a 99% certainty that its going to be a shallow stupid story (like most commercial movies today) but its also certain it will have the wildest effects seen for a long time. Know that when you go in, and chances are you won't be that upset.
Re:Yay (Score:4)
They killed the expendible characters. Might has well have been red-shirts.
" I hope in Reloaded Trinity gets killed. That would make me wet my fucking pants. "
Won't happen. If the first movie is any indication, we will have little to no character development. And no, Neo and Trinity kissing is not character development. That's called cliche.
Re:Yay (Score:3, Insightful)
Lord of the Rings : The Fellowship of the Ring
Lord of the Rings : The Two Towers
X-Men
True Lies
Terminator 2
Goodfellas
The Abyss
Aliens
E.T.
The Fifth Element
Back to the Future
Austin Powers
Wayne's World
Rain Man
Good Will Hunting
Crouching Tiger, Hidden Dragon
Fight Club
L.A. Confidential
The Sixth Sense
Braveheart
Forrest Gump
Leathal Weapon 2
Pulp Fiction
A Few Good Men
Oh, and Schindler's List
Re:Yay (Score:3, Funny)
Re:Yay (Score:2)
...or Cartmans arse, it might just be big enough :)
Re:Yay (Score:2)
Re:Yay (Score:3, Insightful)
Re:Yay (Score:5, Funny)
NASA to Washington: "Mr. President, the Soviets have landed on the moon, and it looks like they're painting the whole thing red! What should we do?"
"Wait until they're done. Then paint 'Coca Cola' over it!"
Re:Yay (Score:2)
I hope they will do whatever possible to sink "Titanic" once and forever.
Re:Yay (Score:2)
Luckily most of the hype is avoidable. Hopefully, as the release date approaches, we will n
Yes. (Score:2)
Fortunately, I listened to my skepticism with Titanic and have not seen it, nor plan to, ever. Unfortunately, I didn't listen to my skepticism with LOTR, saw it, and blew 3 hours (and $4 for the matinee).
The Matrix itself was good though. Like someone
Re:Yay (Score:4, Insightful)
How is this different from Episode 1 or 2? Both had interesting trailers, both had news stories that pointed towards being an interesting movie, the movie posters were cool etc. The fact of the matter is that you can hide quite a bit about the true quality of a movie with trailers. "Wow, if 2 minutes of it is cool, imagine what all 90 will be like!"
You know the old saying, "Don't judge a book by its cover..." Well, don't judge a movie by it's marketing hype. These guys are trying a little too hard to get me to see it opening night. That's never a good sign. It means they're worried that the early goers won't convince their friends to see it.
Re:Yay (Score:2)
1. They involved much more of the plot
2. They were done much earlier before release
I agree that trailers are not a good indication of a movie's worth, and indeed I've no idea if the new matrix movie will be good. I also agree (generally) with the inverse relationship between hype and quality.
I certainly hope this instance will be different.
Re:Yay (Score:2)
If previous trilogies are anything to go by the middle episode will probably be the weakest of the lot, if only to make the third seem relatively exciting.
In fact, the Rolling Stones have made a living out of this sort of practice: one amazing album, followed by one lame one, follwed another amazing one... I've lost count but I beleive there next offering is on the lame side of the coin...
Re:Yay (Score:2)
Pat
Re:Yay (Score:2)
Stop drooling! (Score:2)
Then proceed to get in line.
It is NOT too early.
Whoa, dude! (Score:2)
OK (Score:3, Funny)
Forget IMAX! I want DLP (Score:5, Interesting)
Comparisons... (Score:5, Informative)
Episode II was projected at 1280x1024, stretched to the normal aspect ratio by a 1.9X anamorphic lens to stretch the image back to its correct resolution...
Thats not a lot of pixels for a full-size screen. Pixelation was very noticable. Color saturation and consistancy was somewhat better, but not enough to say its superior to the Imax experience.
Given the choice I'd rather see any action movie in the Imax format, seconded with DLP, and then film... Dramatic movies, I'd probably swap DLP and Imax in favor of not pan-n-scanning, but one could just as easily use the 70mm IMAX frame with cropped images, or an anamorphic lens to get the full-size image as well.
Re:Forget IMAX! I want DLP (Score:2)
Re:Forget IMAX! I want DLP (Score:2)
Re:Forget IMAX! I want DLP (Score:2)
Or, in other words, shooting on 70 isn't really cost-feasible. It's done from time to time for ego projects.
Also note that I'm talking about film 70 and not imax 70, which is even worse.
-Brett
DLP + IMAX (Score:2)
I hope they filmed it with higher res cameras (Score:5, Informative)
If they did that here too... IMax and most big screen would be a waste of space.
Re:I hope they filmed it with higher res cameras (Score:3, Informative)
By the time you get a piece of 35 mm film out to a cinema and project it, it has an effective resolution of about 800 vertical pixels.
A movie shot on vi
Re:I hope they filmed it with higher res cameras (Score:2)
It is about gosh darn time! (Score:5, Interesting)
I bet this won't be part of the Museum of Civilation IMAX in Hull though, where you can see all the IMAX movies shown in a year for only $35 Canadian.
Re:It is about gosh darn time! (Score:2)
Also, IMAX-specific films often use the IMAX screen size
Re:It is about gosh darn time! (Score:4, Informative)
First, film is expensive. IMAX will never be a cost-effective format to shoot on. Secondly, IMAX provides a tremendous amount of data to the viewer. So much so that traditional filmmaking techniques fall apart. People look ugly when 50 feet tall. Imagine if every person in the audience could see each pore of your skin. In addition, the visual depth of IMAX makes it impossible for traditional camera moves and technique. And finally, money. There's not enough IMAX theatres to support anything other than the occasional (basically) port of the latest hot movie.
Saw the first Matrix on an IMAX (Score:2, Interesting)
True this will be "upgraded" but I can't imagine that wouldn't be anything more than Pan&Scan, which on a 5 story screen would probably make me sick anyway. When filmed for the IMAX screen the movie experience can be amazing, however this does not seem like anything more than a gim
Re:Saw the first Matrix on an IMAX (Score:2)
I heard that while lot of James Cameron's stuff is shown at 2.35, but he actually films it on film with a 4:3 ratio and blocks the tops and bottoms to make it widescreen. That's why some "pan and scan" films actually "add" image to the top and bottom. Apparently this is how some of the DVD 4:3 versions were made. No pan and scan, just removal of
Sounds like something we joke about.... (Score:5, Funny)
DAMMIT! (Score:2)
Uh, that's great and all... (Score:2)
The other problem is that, since the master is on 35 mm film and IMax uses 70mm film at twice the framerate, there won't be any visual improvement quality
Re:Uh, that's great and all... (Score:3, Funny)
and your point is?
3D (Score:2)
I was underwhelmed by IMAX (Score:2)
I remember seeing a movie on a huge roundish screen once when I was younger. It was awesome. It curved to the side and also above, like part of a sphere or something. I thought it was IMAX. I want to say that it was in Detroit somewhere, but I don't remember. It was at some Museum. Anyway, it rocked.
And then I saw "Beauty and the Beast" on IMAX at Chicago's Navy Pier. (Hey, my girlfriend wanted to see it. Lay off.) I was incredibly disappointed. Does the Navy Pier setup just suck, or is that indi
Re:I was underwhelmed by IMAX (Score:4, Informative)
Yup, you suck.
So, seriously, check out a real IMAX film, not one of these crappy transfers. You'll change you're mind, trust me.
Re:I was underwhelmed by IMAX (Score:2, Interesting)
In reality, as I understand it, OMNIMax is just an IMAX file projected on the curved screen. Whatever it is, I like it way better. Much more immersive because it includes your peripheral vision.
Re:I was underwhelmed by IMAX (Score:2)
Re:I was underwhelmed by IMAX (Score:5, Informative)
WTF, Icon? (Score:3, Interesting)
First predictive post (Score:5, Funny)
Re:First predictive post (Score:2)
Gah! (Score:2)
The result was an annoying blast of light and sound that was extremely nauseating.
I hope with The Matrix they actually put some effort into a good IMAX presentation.
Re:Gah! (Score:5, Funny)
I saw AOTC in IMAX, and it completely sucked.
Actually, you can remove the "in IMAX" from the sentence and it's still true.
GMD
Hmmm, what about the original? (Score:2)
WARNING! IMAX vs Omnimax (Score:5, Interesting)
Last fall, a local (Portland, Oregon) science museum advertised a super-large screen version of Attack of the Clones. WOW! I wanted to see the movie again, and here it was being presented in 70mm format on a BIG SCREEN! Golly, how could I lose? I gladly paid the ten dollars and . . .
Cripes . . .
It turns out that the Portland OMSI theater had an OMNIMAX screen. Not IMAX. The latter is a gently curved, huge, conventional movie screen. The former is basically hemispherical.
There was NO correction for the curvature. Everything was BENT. Ships travelled in curved lines.
It was SUCKY experience. To rub things in, it was a CUT version of the film. Nothing crucial was cut, but it was noticiable.
My experience might have been totally different in an IMAX theater.
So . . . beware.
Stefan
lots of 70mm formats (Score:2)
Hope they aren't jerks about it like Lucas.... (Score:3)
The Imax Theater [cosmo.org] near me couldn't show Star Wars because to show SW, you had to show ONLY SW - and they could not accept that - they wanted to show their other films as well.
That said, I just wonder how they deal with a 2 hour movie, given the size of the reel for a 40 minute movie....
(I cannot wait until DLPs are beefy enough to use them to feed Imax/Omnimax screens - Imax at 60 Hz would be quite nice.)
I have to ask... (Score:2, Flamebait)
Is it something you can show me, or do I have to experience it for myself?
Bah. (Score:2)
Wachowski smachowski (Score:2)
Dome or flat screen? (Score:2)
What an immersive experience.
Sniff. I miss it.
In IMAX-related news, (Score:2)
IMAX Theater Locator (Score:4, Informative)
http://www.imax.com/body.html?p=cgi-bin/theatre
Or just go to imax.com and start in if you want the full "experience"
The IMAX film system is dying.. (Score:4, Interesting)
The projection system that does all the work is costly and as indicated in several postings on here, has their limitations and disadvantages in both pre- and post-processing of the film.
The projector itself can be replaced by several digital LCD projectors operated by a stagemaster system designed to keep the individual units in sync, showing digital quality movies that were either converted from the standard format, letterbox, or IMAX/Omnimax format to a DVD or similiar format that would go thru a electronic lens program designed to "shape" the projection for maximum effect and quality for the curved screen.
The added onus to this is the ability to hold massive teleconferences with several different locations, or showing events from several different areas at once.
The advantages of this setup is next to no upkeep at all by a trained operator, aside from a system admin that is really there just to keep the system in tune or to replace any parts on the projectors that fail, most often it would be the bulbs.
Just my 2 cents worth..
Oh, and if anyone from the IMAX consortium is reading this, contact me.
SW:ATotC - pixelation issues (Score:3, Interesting)
- the films are basically getting blown up to Pan & Scan, like on TV, so you are missing a lot of the picture
- I guess the process is digital (or perhaps it was the Star Wars source material) so I saw a LOT of pixelization, to the point of distraction. Fleshtones and large swaths of color looked HORRIBLE depending on the lighting. It was like watching a poorly compressed MPEG--4 stories high.
- the films are not DIRECTED to be IMAX films. IMAX films tend to really immersive, one is often floating in water, in space, walking around the desert or the snow--the films use the format to create an experience, a realistic and true environment, where your eyes are tricked to see things "life size". Regular films are directed to be stories, the camera is usually an observer, not a participant.
- Your eyes adjust really, really quickly--the first few minutes of Star Wars were cool, but the whole IMAX effect kind of disappeared, again (I think), because the films are not designed to be IMAX films. Only a few other scenes (the meteor scene in particular) made me go, "oh, right! this is IMAX."
- The sound IS dope, but one must remember that the films need to be remixed--the vast majority of the sound comes from 2 speakers above and behind the viewers (they're super massive, though).
- One good thing, at least for Star Wars, is that the film apparently cannot be longer than 2 hours, so "Clones" was actually a LOT better in IMAX--a lot of the lamer scenes were cut and it felt like a much tighter film.
This will be cool, but mostly as a supplement to first seeing it in the regular theatre...
Not news to me... (Score:3, Interesting)
Seems like a lot of mainstream cinematographers are going more IMAX these days. James Cameron and Bill Paxton's recent IMAX documentary on the Titanic, for instance. (I can't help but think I'd find that documentary a little nervewracking, though. I mean, Bill Paxton in a submarine at crush depth in a James Cameron movie? I'd keep expecting him to die a horrible death about 3/4 of the way through the film.
Re:Whoa (Score:4, Funny)
Is it live or is it Mammorex? (Score:3, Funny)
You've been playing way too many video games and reading way too many "adult entertainment" magazines.
Those are normal size. You've just lost your scale of reference.
Hit the Reset button and you'll be fine.
Re:They're going to have to cut it. (Score:3, Interesting)
Unlike the Imax DMR releases last year of "Apollo 13" and "Star Wars: Episode II - Attack of the Clones," "The Matrix" films won't have to be shortened, as Imax reel units can now support film lengths of 150 minutes.
I read the press release [yahoo.com]. Did you?
Re:Length? (Score:2, Informative)
Unlike the Imax DMR releases last year of "Apollo 13" and "Star Wars: Episode II - Attack of the Clones," "The Matrix" films won't have to be shortened, as Imax reel units can now support film lengths of 150 minutes.
I read it in the press release [yahoo.com].
larger platters (Score:3, Informative)
RTFA! mods on crack (Score:2)
Re:Drive a truck through what? (Score:4, Interesting)
It does, it grows humans as crops and consumes their energy. Would it be possible to run a computer like the matrix off of human energy? Who knows, they even mention there is some sort of fusion going on, basically "future magic"", but as far as sci-fi plot holes go this is a very minor sin.
There are multiple reasons for this:
1) There are humans (children mainly) still inside the matrix they want to free.
2)Humans are at a serious disadvantage in the real world (as far as i've seen). They have to run and hide from 3 or 4 drones, let alone the entire machine army.
I think the real question is: How do they know the "real world" isn't just another abstraction to escape, and so on and so on.