Singularity Sky 416
Singularity Sky | |
author | Charles Stross |
pages | 313 |
publisher | Berkley Pub Group |
rating | 9.9 |
reviewer | Matt Grommes |
ISBN | 0441010725 |
summary | A semi-sentient space travelling information gatherer called The Festival comes to a backward planet and instigates 1000 years of technological change in a month. The rulers of the world are not too happy and will use any means they have to stop the Festival, even if it means incurring the wrath of the super-AI that watches over the universe. |
The main idea of the story, that a semi-sentient information-gathering alien system called the Festival comes to a backward farming planet and begins granting wishes -- in the form of advanced technology -- in exchange for stories and information, is only the seedbed for the larger exploration of the societally backward planetary system and what happens when the revolution you hoped to lead finally comes and it doesn't need you.
As a lifelong reader of science fiction, I hate that most SF is just as backward-looking as most Fantasy. Part of the problem with recent SF work is that we've come to a point in science where a lot of what made science fiction new has been done and what's coming is almost impossible to imagine, which I'll get to in a second. Space exploration can still be exciting but most new space stuff has been infected with the Star Trek Syndrome, as I call it, where everyone is boring and has no flaws, and the status quo rules. People just don't look to space exploration as exciting in real life so that translates to the SF work that people do. Real life science is changing so fast that it leaves even science fiction people in the dust. The result is the rise of 'Fantasy with robots and aliens' and 'Space Opera,' two facets of SF that seem to be dominating the landscape. Even Neal Stephenson, who was at the forefront of real technological future SF with The Diamond Age and Snow Crash has gone backward with Quicksilver and to a lesser extent Cryptonomicon.
The issue is The Singularity. This is Vernor Vinge's idea that technological progress proceeds at an exponential rate until there is a complete break with what came before. The End Of History, as people call it. This comes with the creation of a human-level AI that quickly proceeds past human-level, the invention of Upload technology that will allow us to live in computer systems and artificial bodies, something of that nature that we can't imagine. The problem with writing futuristic work in the time before a Singularity is that you can't see beyond it. Everything is different, so much so that all we can hope for is the fire up our imaginations to the point where we can begin to think in new ways.
One of the main goals of science fiction as I see it is to prepare us for the future. You can't hope to cope with the future if you've never been innoculated with new ideas. Singularity Sky is one of the first post-Singularity novels I've read that takes the idea seriously and examines it, allowing us to open our minds to the vast possibilities. Stross doesn't shy away from it like so many others. He uses the Festival's coming to show the speed of the change that comes with a technological Singularity and what happens to people in the aftermath. He also shows a culture trying desperately to hang on to old ways and the futility of doing that in the face of such rapid change.
There are problems with the book, mostly in the perennial bugbear of science-fiction, character development, but the rush of ideas glossed over that for me. This is only Mr. Stross's second book, I believe, the first being a collection of short stories called Toast: And Other Rusted Futures, that is high on my Must Read list. Charles Stross is a name that you will hopefully hear a lot more from in the coming years. His imagination is up there with the best and brightest and with his work as an accelerant my mind can't help but burn with new ideas. I hope more science fiction writers see this book and decide to move forward to meet him.
You can purchase Singularity Sky from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
Does it so well? (Score:5, Funny)
Re:Does it so well? (Score:2)
Not surprisingly, this works for porn as well.
Re:Does it so well? (Score:3, Interesting)
Re:Does it so well? (Score:3, Interesting)
Re:Does it so well? (Score:5, Insightful)
Don't live in the past. If you enjoyed the books at the time you were reading them, they fulfilled their purpose. What else exactly would you have done if someone had convinced you that you'd dislike them later? Probably nothing nearly as much fun as the reading you actually did.
Re:Does it so well? (Score:3, Interesting)
The whole industry is.
What we need is today's equivalent of a "2001" (though we can do without the incomprehensible plot).
By that I mean SF that makes a serious attempt at creating a plausible future about a generation ahead that puts so much effort into the details that the more you know about the subject matter, the more impressed you are. An intriguing, thought-provoking and informative preview of a world that well-informed people consider so well t
Re:Does it so well? (Score:3, Interesting)
Re:Does it so well? (Score:4, Insightful)
I think you missed the whole IMAGINATION part.
Fiction doesn't require the environment to be cartoonish or absurd, nor does a detailed and realistic environment rule out detailed and realistic characters.
Tom Clancy's Hunt for Red October has plenty of character interaction, and it's all played out in the amazing environment of real 1980s submarine technology and real 1980s international politics. When I was at the Naval Academy, midshipmen (the students) were required to read it for the many interacting issues of technology, politics, leadership styles, organizational structure, etc.
Now imagine something similar to Hunt for Red October but stretching to predict the technological, political, social, economic etc. circumstances of a generation or so from now. (And all of those aspects drive each other and provide real motivations for the characters.)
Assume a Clancy-like author who will put as much effort into his predicted details as the real Clancy does into his fiction. Despite the inevitable forecasting errors, a good, well-informed, careful Clancyish author who did a lot of interviews and a lot of study could create a story that would be far more interesting than just character interactions in the semi-void of a poorly developed environment.
Personally, I thought 2001 was incredibly boring.
I don't admire the plot, just the creation of realistic vignettes (based on what was known at that time) of a possible future. As soon as it got beyond Jupiter, it was just random noise as far as I was concerned, but those aspects aren't what I'm referring to.
If you want factually based forward thinking literature, go read NASA manuals.
I have, which is why I'm no longer satisfied with today's SF comic books. I think real life is far more interesting, and that goes double for realistic speculations on our future lives.
I was fortunate enough to be surrounded by NASA people when I was a kid, back when 2001 (movie) came out. I assure you that the NASA folks were entranced by the scenes from 2001 of the space station docking maneuvers, of the interactions of the human crew with the onboard computer (HAL) and other aspects of the movie. It spurred a lot of discussions.
Imagine such a movie or novel created today. Forget about aliens and hokey telepathic beings and other nonsense. If space is involved, it should just be a reasonable near-Earth industrial and scientific environment. The real thing is more amazing than any alien stories or other hokum. Or, just keep it on Earth.
Extrapolate today's infant technologies, social movements, economic changes, political changes, etc. with imagination and Clancy-like attention to detail, then (unlike 2001, but like Clancy) have a real plot with real characters against a background that seems even more plausible to the well-informed than to the general public....
Re:Does it so well? (Score:3, Informative)
Rama is perhaps the first SF book I read where alien technology is just incomprehensible to humans. Rama comes, Rama goes and we are not much the wiser at the end of the book about what it is. Far more likely than the Star Trek ubiquitous humanoid scenario.
Sadly the 4 follow-up books (which I seem to recall are co-written with someone) are a waste of paper.
Re:Does it so well? (Score:3, Informative)
Heh. Gottalove it. (Score:3, Funny)
You got to love a book that starts with it raining telephones.
Re:Heh. Gottalove it. (Score:2, Funny)
Play nice with Piers Anthony (Score:5, Insightful)
Re:Play nice with Piers Anthony (Score:2)
Re:Play nice with Piers Anthony (Score:2)
Re:Play nice with Piers Anthony (Score:3, Insightful)
With each further volume however he "progressed" more and more toward his standard goofey fantasy style, which is fine for a book or two of light reading, but that's about it. It gets old, in a hurry.
So, while in essence I agree with you, I nonetheless found the series as a whole dissapointing.
KFG
Re:Play nice with Piers Anthony (Score:2)
The one about Time is forgettable but inoffensive; however, Fate is quite good. War is slightly bad, Nature's a bit above mediocre. "For Love of Evil", in my book, is almost as good as "On a Pale Horse" though.
There was no seventh novel in the series. I refuse to acknowledge its existence.
Re:Play nice with Piers Anthony (Score:3, Insightful)
Personally, I liked his Tarot books as well, though.
Re:Play nice with Piers Anthony (Score:2, Funny)
Piers Anthony advocates DRM (Score:5, Interesting)
I had an email back and forth with him and he brushed off as completely unimportant:
Forced format changes
Locking independents out of the market
Forced choice of platforms
Retroactive changes of licensing terms
Rewriting history
Every other thing about DRM that is problematic.
Oh and he completely doesn't get that what one clever human can do another clever human can undo which ultimately makes the so-called benefits of DRM moot.
He seems to think that DRM is his only hope of getting paid in the future. I got the distinct impression that to him Disney and the *IAA are completely reasonable aggrieved souls. For all of his professed love of liberty and justice, he comes off like Jack Valenti when it comes to his wallet. His works emphasize his dislike of censorship. He hasn't seen anything yet and he has no idea that he is now an advocate of censorship. If he likes DRM then he'll have to like everything that comes with it.
This is fine. I won't misappropriate his stuff online but I won't fund him anymore.
Re:Piers Anthony advocates DRM (Score:5, Insightful)
What's that got to do with whether you enjoy his fiction? It's like the Seinfeld where Elaine refuses to eat at Poppy's pizza place because he's against abortion.
Hell, I like some of L Ron Hubbard's stuff, and we all know what a psycho he was (he invented scientology, in case you didn't know).
The fact that he was even willing to discuss stuff with you is pretty impressive, even if you disagree. You may have no idea what other authors feel about your pet political issues, because they never interact with the public. Piers should be punished because he does interact with his fans?
Re:Piers Anthony advocates DRM (Score:5, Insightful)
His favoring of DRM is completely counter to everything he claims to stand for. I also try to avoid funding DRM advocates on general principle. I'll grant that is difficult these days but I will boycott the more obvious ways of giving Disney money for instance.
I'll even still read his stuff but only if I can pick it legitimately without funding him. I'm thinking of things like libraries and used bookshops.
Re:Piers Anthony advocates DRM (Score:3, Insightful)
It's your right of course, and I agree with you on Disney, for more than just their DRM stance. The ironic thing with Piers is just that you would never know what his position was unless he had taken the time out of his day to answer your missives. Your sort of attitude is probably one reason many authors don't go to the trouble. They're bound to offend some people with whatever views they hold.
As far as DRM goes, I think you're putting the cart in front of the hor
Re:Piers Anthony advocates DRM (Score:3, Funny)
Re:Early Works by Anthony (Score:3, Insightful)
ttyl
Farrell
Oh for christ's sake (Score:5, Insightful)
Re:Oh for christ's sake (Score:3, Funny)
-
Re:Oh for christ's sake (Score:4, Interesting)
--trb
We seem a little tender today, don't we? (Score:3, Insightful)
But still I agree with you, partly: badmouthing is not needed to contrast praise.
Re:We seem a little tender today, don't we? (Score:2)
Re:We seem a little tender today, don't we? (Score:5, Insightful)
Re:We seem a little tender today, don't we? (Score:3, Funny)
Sorta agree with both points of view (Score:4, Insightful)
As far as space opera, I just finished David Weber's "Path of the Fury", and while it doesn't stand up there with Lois McMaster Bujold or C.J. Cherryh, or Weber's other works (comes off somewhat as though put together out of spare parts to turn a buck), it was a great way to spend a 6-hour airplane ride. Best thing I could have done with the time.
I've spent many an otherwise-wasted hour reading good and bad SF, and I cannot honestly say I regret ANY of it, even *shudder* half of Battlefield Earth (as a research project in "Gods below, surely the book wasn't THAT bad, the filmmaker musta taken liberties... Gaah, he didn't, it was, it was!"). Consider the alternatives, like Harlequin romances, USA Today, and broadcast TV. Even bad written fiction is better than most TV, and it lets us exercise our imaginations instead of rotting our minds.
Re:Sorta agree with both points of view (Score:3, Interesting)
Yeah, a lot of people have this issue. I persona
Re:Oh for christ's sake (Score:4, Insightful)
Anyway, if you look at the Ringworld cycle as juvenile, I have nothing but pity for you. If you disdain Manifold: Time and The Light of Other Days, I scorn you. And if you buy into the reviewer's hypothesis that a higher percentage of scifi sucks than ANY OTHER POP CULTURE FORMAT, I laugh at you.
Don't knock Piers Anthony (Score:5, Informative)
Re:Don't knock Piers Anthony (Score:2)
Anthonology (Score:2)
Re:Don't knock Piers Anthony (Score:2, Informative)
Re:Don't knock Piers Anthony (Score:2)
Funny you should say that. I read and loved 'OX' and rushed out to read 'Orn' and 'Omnivore'. I couldn't believe so many amazing ideas packed into one story.
Then, looking for more from this amazing writer, I read a Xanth novel. Oh well, anyone can make a mistake. Then I read another Xanth novel. I haven't touched Piers Anthony since. Stupid stories and characters who's sole reason for being in the book is to make a bad pun. What a waste of my t
Re:Don't knock Piers Anthony (Score:2)
If you say that, then you don't realize that PA was parodying the entire Wizard of OZ/Land of OZ series of books, with an adult twist.
Re:Don't knock Piers Anthony (Score:2, Informative)
No, I "get it". It still sucked.
More to try (Score:2)
Anthony writes on three levels: at the bottom, there is Xanth. At the middle, there is Incarnations of Immortality. At the top, there is Macroscope and Chthon. He's been doing through all his career.
If you enjoy OX/Orn/Omnivore, you might like "Kirlian Quest". Yes, it is the 3rd book of a trilogy, but I read it first myself and had no problem from that.
Cool! (Score:2, Insightful)
Thanks!
Ecology of Slashdot comments (Score:2, Interesting)
Re:Ecology of Slashdot comments (Score:3, Informative)
-
Re:Ecology of Slashdot comments (Score:2, Insightful)
Piers Anthony? (Score:2)
Heinlein Doesn't Suck! (Score:3, Insightful)
Obviously I have a lot of respect for the authors stated above, since they all have stong scientific backgrounds and truly understand the human condition. I just had to respond, don't hate me for message.
Re:Heinlein Doesn't Suck! (Score:4, Insightful)
Pshaw! next you'll try to tell us that not all reality television is real, or that pro Wrestling isn't a sport.
Most of everything is not the Best of anything. Get a clue. It's reading the rest that makes the best such a treasure.
And lay off Piers Anthony. He ain't Heinlein or Asimov, but neither is William Gibson. Nobody is. That's why Heinlein and Asimov are important.
..the time spent reading anything by Piers Anthony (Score:2)
Groan.[embarrassed shudder]
Proust and Joyce? No, don't have the time. I'm reading another Xanth book, thank you.
I'll be skulking over there, for now.
1000 years of technological change in a month. (Score:3, Funny)
Speaking of bad... (Score:4, Funny)
Re:Speaking of bad... (Score:2)
I've sort of developed a "take it in small quantities" approach to his writing.
My biggest complaint about McDevitt (and others) (Score:3, Interesting)
But he can't write an ending to save his life. His books just sort of peter out, or end so abruptly you're left going WTF? Destiny Road is a great example of the latter: major plot points are still being resolved on the 3rd to last page. Stephenson, for all that's he's loved here, is another like that. I love
try again (Score:4, Insightful)
This is nothing new. The man you extol as being a fresh creative force for the beleagured sci-fi genre is doing the same thing every author has done for the bast 80 years.
Re:try again (Score:2)
Also, it would have been helpful if the reviewer named another author or novel that he felt stood the test of time. That would give us a data point so that we could have some idea if we could trust his judgment of fresh creative force.
And regarding the so-called singularity (Score:3, Interesting)
MOPI is even available as a free text at the website. And these are just the three excellent examples that spring to mind, I know I've read at least a dozen other decent explorations of this unimaginable future.
Re:And regarding the so-called singularity (Score:4, Interesting)
An interesting point to consider is that singularities have happened to humanity before, but on a greater time scale. Speech made it possible to convey information from one individual to another abstractly. Writing made it possible to convey information across distances and time. Each of these advances changed the nature of what is required for humans to acquire skills and knowledge and push beyond the boundaries of what is already known.
Try branching out.. (Score:5, Informative)
Re:Try branching out.. (Score:4, Insightful)
Baxter earned my unending adulation for whatever part of "The Light of Other Days" he contributed with Clarke, and "Manifold: Time" sealed the deal. Favorite writer of the 1990s for me.
Re:Try branching out.. (Score:5, Interesting)
That's also a lot of men. Try Octavia Butler.
Re:Try branching out.. (Score:4, Interesting)
Her vision of the future was dominated by amoral corrupt corporations, hypocritical religion, by a class/caste system and by drug syndicates.
Then again, maybe that was just observation.
Re:Try branching out.. (Score:2)
Ugh. Mainfold: Time was so damned depressing that I've vowed never to read another book by him. It started off so good too. "Man will get to space, even if he has to do it illegally." Then it degraded into franken-squids, everyone dies, and the Universe ends. Exactly how is this an entertaining read?
Re:Try branching out.. (Score:4, Interesting)
Re:Try branching out.. (Score:5, Insightful)
And just as an aside, Benford's Timescape was superb.
Is this a book review? (Score:4, Insightful)
The fact is: most x suck, where x can be anything you like (TV programs,
Re:Is this a book review? (Score:4, Funny)
Hookers only suck when you pay extra.
Re:Is this a book review? (Score:3, Funny)
And when you're older still... (Score:5, Interesting)
...you'll look back on your Slashdot submission and realize what a pretentious uptight snob you were, and you'll wish you had the time back you spend shunning things that were actually entertaining.
Based on your review, I'll take Anthony over Stross:
There are problems with the book, mostly in the perennial bugbear of science-fiction, character development, but the rush of ideas glossed over that for me.
I'm sorry, I prefer a few good ideas and good characters versus poor characters and many ideas.
A Colder War (Score:5, Interesting)
This story is one of the best I've ever read, and it's the only work of fiction I have ever encountered, on paper or on the screen, that actually managed to give me nightmares. Go read it if you haven't!
Re:A Colder War (Score:3, Informative)
"A Colder War" was a dry run for a novel.
That novel, "The Atrocity Archives", is due out in hardcover in the US this April/May.
You can pre-order it from Amazon.com here [amazon.com].
Piers Anthony (Score:4, Insightful)
Double edged sword (Score:5, Interesting)
Unfortunately, most Sci-Fi writers fall into two categories:
1. Taking the "human condition" to the extreme. Futures where sex is the only thing driving humanity. Of course, they're so much more advanced than us because everyone has sex with everyone.
I hate to break it to the authors, but this sort of society would quickly degrade due to a lack of scientific focus. Not to mention that human feelings on the subject are actually pretty immutable. (No matter what anyone says.)
One way or another, these books are no more entertaining than a porno flick.
2. Fantasy dressed up as Sci-Fi. I personally don't like Fantasy books all that much. But these books make it that much worse. Most of them have space travel as a background to get to a fantasy-like world. After that, forget about the Sci-Fi.
Once on the fantasy world, the laws of physics no longer apply. There aren't even social-political issues to work out. There's just some big quest for something. Or a, "look at how much better they are than humans." Blech.
Personally, I thought Heinlen's juveniles were the best examples of Sci-Fi. Rocket Ship Galileo, The Rolling Stones, and Time for the Stars inspired those of us who wanted to some day reach the stars. Which is amusing since so many of his adult books fell into the categories above.
Here's what I'd like to see: Someone should write a series of books on what space would be like if we developed nuclear engines. (Orion, NERVA, GCNR, M2P2, NSWR, etc.) Build a grand story around the concepts and push the public to make it happen. We always see space as far in the future. It doesn't have to be!
An even better bit of Sci-Fi would be a television movie showing the conflicts of developing the first nuclear launch methods. The struggle between the pro and anti nuclear groups. Showing how far people are willing to go for their beliefs. And the results of finally reaching the stars.
Re:Double edged sword (Score:4, Informative)
It's about, in extremely broad terms, how mankind goes from more or less current state to one where space travel is accepted as routine, unremarkable, and cheap, there's several large space stations in orbit, et cetera et cetera... basically, every space geek's dream of what could happen in the next 50 years.
For the love of God, though, stop after Rogue Star, the second book. The last two are a dramatic dropoff in quality.
Re:Double edged sword (Score:3, Funny)
Day 1: Set out on trip to nearest star (not counting Sun).
Year 1: Still on course.
Decade 1: Still on course.
Century 1: Dead, but ship still on course.
Re:Double edged sword (Score:3, Funny)
There are lots of books about Europe.
m-
Re:Double edged sword (Score:3, Interesting)
Human feelings are mutable, because humans are mutable. I mean, if we're talking about Science Fiction, is altering humanity (e.g. genetic manipulation, cybernetic surgery, psychological brainwashing, etc) really that hard to swallow?
No, when it comes to human feelings in Science Fiction, I think jus
Re:Double edged sword (Score:3, Informative)
Two categories that I suspect you would define as crap. Always remember, 90% of everything is crap. [jargon.net]
It's a common technique in fiction to try and distill down something "pure" about humanity, to reveal things hidden by day-to-day life. Typically this is done by creating an unusual setting to eliminate reader's preconceived notions. You might do this by trapping children on an island [gerenser.com], sending someo [jaffebros.com]
Destination Moon (Score:3, Interesting)
Heinlein's "Destination Moon" (http://www.imdb.com/title/tt0042393/) had this as a plot element. 1950.
Comment removed (Score:5, Informative)
Re: (Score:2)
If You're Unhappy with SF... (Score:4, Interesting)
And as another person who has also read a great deal of Mr. Piers Anthony Jacob's works, he entertains well, and often slips in useful observations on life. (A certain RAH was also known for that once upon a time.) He entertained you well once, or you wouldn't have kept reading him.
To want those hours back now (or someday) is to say that time spent reading is not time well spent. I respectfully disagree, although time spent writing is even better time spent. What else would you have done during that time really that would have been better for you now? Split your time between reading the Encyclopedia Britannica and running cross-country to improve your health? I think not!
And if P.A. Jacob no longer meets your reading needs, it is not because he has changed, but rather you have. This is not a bad thing for either you -- or him.
Regardless, you have succeeded in interesting me in this book, and I'll add it to my list as well. However your reasoning behind it seems less than universal.
And consider reading some authors who only publish on the Internet. Some ideas are too leading edge to sell to editors and publishers. That's how I found this sig line.
Peace!
why knock down others in a "Review"? (Score:5, Insightful)
Your introduction slams other authors for no aparent good reason. If you are reviewing a book you can easily say it is better or worse, in your opinion, than some other works.
It is not necessary to drag in some other persons works and knock them down.
Re:why knock down others in a "Review"? (Score:3, Insightful)
I completely disagree. Having a reviewer state up front who they think rocks or sucks, let's you "calibrate" the review to your own tastes.
I totally agree with the reviewer about Piers Anthony, and so that makes me think that I will probably agree with him about the rest of his review. (of course, there are those who who will consid
Piers Anthony (Score:4, Insightful)
* Macroscope
* The Apprentice Adept (books 1-3 only)
* Incarnations of Imortality (books 1-4 only)
I'm omiting from this list books that were entertaining but not really good, and books that are clearly fantasy and not sci fi. Of this list only Macroscope is what I'd call pure sci fi, containing no fantasy elements, but it was really quite good, one of his first.
Most of his sci fi is really quite tollerable and an enjoyable read. When in doubt skim the first chapter, and if the word panties is mentioned skip the book.
I did of course also quite like his lighter fluffier stuff, it was a staple of my reading from ages 12-17 when I bought anything he wrote.
Sturgeon's Revelation (Score:4, Informative)
most science fiction sucked
Yes, of course.
May I refer you to Sturgeon's Revelation [catb.org].
SF for adults, please. (Score:4, Insightful)
My main problem is not the stories themselves, but the quality of the writing. That many of them are written for 14 year olds doesn't help (although this in itself doesn't make it poor writing).
We need SF book for adults, for people who have actually become somewhat literate in their dotage. I know they're out there, because I own a few.
Author website (Score:5, Informative)
Hi there.
If you want to read more of my stuff, there are some (older) stories on my fiction pages [antipope.org].
If you want to know when the sequel, "Iron Sunrise", is due out (and the other books I've got coming), see my books FAQ [antipope.org].
And there is of course the obligatory weblog, but because it's CGI-mediated and my server's decidedly on the elderly side I'm not going to post the URL here. (If you want it badly enough and you're clueful you'll find it :)
Re:Author website (Score:5, Interesting)
I'm told I'm cited as the primary source for the verb "to slashdot" in the Oxford English Dictionary corpus. (They're after printed sources, not online ones, so this is rather unfair -- I didn't invent the verb-backformation, after all.)
I don't use /. reader personality traits in my fiction. But I do read /. daily -- as I have done for some years -- and use it as a fertile source of pointers to new ideas. (If I use any net personality types in my fiction it's from usenet -- which I've been reading since about 1989. All of human life is there, kinda-sorta, including both saints and the sorts who live under rocks.)
Added bonus factoid: Singularity Sky was written on Linux and MacOS/X boxen, using Vim. Formatting was done using POD macros, and the source was kept under RCS control (CVS is massive overkill for novels). The output files (in RTF and PDF) were finally generated using some command line tools and a makefile I knocked together ...
Please . . . less rant, more review! (Score:4, Interesting)
Other than avoiding the Sci-Fi Comfort Food syndrome, how was it? Was it well based? Were the characters interesting and believable? Was the technology well worked out, or just wish-fulfillment stuff?
While I agree with much of the reviewers ranting, I was really disappointed in this piece as a review.
Stefan "More about the Singularity here! [wholeearth.com]" Jones
Try reading (Score:3, Informative)
The year is around 2054 and rudimentary AI's are here. People have been digitized, but only run at the maximum allowed then at 1/17 time ratio.
The book deals with spam filters (baneysian and adaptive ai - if the spam filter acts as you, is it really avoiding what you want?), AI, duplication of the mind, evolution, government.. There's some pretty heavy theory in this book.
What I can tell is it's mainly sold in Australia and UK as mine's pried only as such. I got my copy at a 1/2 priced book store here in Indiana.
This is an example of how to ruin a discussion (Score:5, Interesting)
Why did this happen?
It happened because the submitter, timothy, decided to attack Piers Anthony in his post as a target of opportunity, and the
Why was this attack posted? If timothy had submitted a post entitled "Piers Anthony Sucks" it wouldn't have been accepted by
At this point it seems that nobody cares about Stross's novel, which is a shame.
For these reasons, I think that the
Re:This is an example of how to ruin a discussion (Score:3, Interesting)
I don't care about Piers Anthony either, and indeed, I don't care to rate him good or bad, precisely because I don't care.
I DO however, care about the same issue you care about; I find social patterns completely fascinating. Hence my commenting on your comment.
People discuss that which fa
Piers Anthony and science fiction? (Score:2)
Here are just some of his "pure science fiction" titles. I weeded out the "half-fantasy" ones like Apprentice Adept:
Macroscope
Prostho Plus
Race Against Time
Rings of Ice
Triple Detente DAW pb 74; Tor pb 88
Steppe
But What of Earth?
Total Recall
Chthon
Phthor
Battle Circle (Sos the Rope, Var the Stick, Neq Omnivore
Orn
OX
Cluster
Chaining the Lady
Kirlian Quest
Thousandstar
Viscous Circle
Refugee
Mercenary
Politician
Exectutiv e
Statesman
The Iron Maiden
Tarot series (Score:2)
However, I excluded "Tarot" from my long list that proved he was a science-fiction writer, because Tarot to me contains too much of a mystical/fantasy aspect to make it count as strictly science-fiction.
Same with Arthur C Clarke (Score:2)
Yes, this applies to Total Recall. It also applies to Arthur C Clarke's "2001" novel. Guess you'd better take that one off Clarke's science-fiction bibliography, ok?
Parent is an Amazon Repost (Score:2, Informative)
Re:Piers Annthony Science Fiction (Score:2)
He's written more than 25 science-fiction novels (yes, that is excluding all the fantasy novels), some getting important genre awards or nominations.
Re:this sounds familiar! NOT FLAMEBAIT (Score:2)
Satire or humor, absolutely!
Social commentary? I see it.
Geek humor? You bet!!