BBC In Trouble Over Free Music 651
Take a Byte Out of Crime writes "According to this article, British classical labels are claiming that the BBC giving away the these symphonies, which were performed by the BBC Orchestra for free, constitutes unfair government competition. Apparently all free music really is illegal these days, or soon will be, public domain be damned."
Lets ask Beethoven (Score:5, Funny)
"First post!"
Hmmmm...
Re:Lets ask Beethoven (Score:5, Interesting)
Re:Lets ask Beethoven (Score:3, Insightful)
Maybe you're lost in the bullshit of an art marketplace, but don't assume the rest of us are. It
Re:Lets ask Beethoven (Score:5, Informative)
No it isn't. As you would realise had you read the link you provided.
The BBC is independent of the government (sometimes to the government's annoyance). It is (partially) funded by the License Fee which is collected by government and passed on, but it is most definitely NOT run by the government.
Re:Lets ask Beethoven (Score:5, Informative)
Re:Lets ask Beethoven (Score:3, Insightful)
Quite possibly, since a bus company is suing people who carpool [guardian.co.uk].
Re:Lets ask Beethoven (Score:5, Insightful)
Solutions. (Score:2)
Claim prior art. You know, by Beethoven/Mozart/Bach/whoever.
IF THEY DO NOT LISTEN TO REASON:
Claim parody. Like Wierd Al does. I know its british, but I'm making the assumption here that there's a law protecting parody works in the big UK.
Intellectual Property terms (Score:3, Informative)
Prior art applies to patent law, not anti-competitive behaviour. Similarily, parody applies to copyright works, and not anti-competitive behaviour.
Re:Intellectual Property terms (Score:4, Informative)
First, because the term 'prior art' doesn't even exist in the copyright world. Second, because copyrightability does not require novelty or nonobviousness, as patents do; instead it's originality that is required. This is a much lower standard.
The mere fact that there are multiple identical works is NOT a bar to the later of them being copyrightable. In that situation, the later one is only uncopyrightable if it was copied from the former. If they're coincidentally identical, however, copyright is ok.
A leading case on how this works is Nichols v. Universal, 45 F.2d 119 (2d Cir. 1930). You might want to read it.
In related news (Score:5, Interesting)
Guardian article here. [guardian.co.uk]
What is up with Europe these days? We were glad when they rejected software patents, but these sorts of legal actions? They make the US look like a country where nobody ever sues anyone without reason ever....
You should be glad, I call it civilization... (Score:3, Insightful)
Also it seems that the common citzen has easy access to the justice, and this is a wonderfull thing. And even better, it shows that the common people can relly on the public defensors when they're accused.
Here at Brasil justice is a thing for the elites, and the commom man, the poor one, don't really has access to it. Also, there is a lot of corruption in our judiciary system...
Groklaw called it (Score:5, Funny)
The Stupidest Lawsuit since the World Began (Score:5, Funny)
The court ruled in favor of the plaintiff, but in the remedy phase of the trial issued a symbolic judgment where it was arranged that the plaintiff would hear the "clink clink" sound of the defendant's money as it dropped into a bowl, in lieu of an actual settlement.
Re:The Stupidest Lawsuit since the World Began (Score:3, Funny)
Heh. My driving instructor's husband was a traffic cop, with a few stories to tell. One time, the enforcement guys he worked with sent the usual speed camera photo to someone who'd gotten himself caught well over the limit, with the usual official notice telling him he had to pay a fine.
Being a bit of a practical joker, the speeder sent them back a photo of three ten pound notes (the fine in question).
Being up for a joke themselves, the enforcement guys sent him back a photo of a pair of handcuffs.
I'm
Re:Groklaw called it (Score:3, Insightful)
In the UK, (and many parts of the USA and elsewhere), this can actually happen. If you are declared a vexatious litigant (ie, someone who issues spurious lawsuits), you can not begin proceedings in a court without specifically applying to the High Court for permission (and you pay the c
Re:Solutions. (Score:3, Funny)
British Classical music IS parody
*ducks*
Proving once again (Score:5, Insightful)
The next logical step (Score:5, Interesting)
Corporations = have rights.
Anyone/thing else = "with the terrorists."
Re:The next logical step (Score:5, Informative)
Funny you should mention that.
Check This story from the Guardian out [guardian.co.uk]
Re:The next logical step (Score:3, Interesting)
There's certainly a sickening kind of ecstasy in realizing that logical extremes have become the unquestioned norm.
Re:The next logical step (Score:4, Informative)
And perhaps this comment [groklaw.net] on the lawsuit on Groklaw.
The next logical step has already been taken!! (Score:4, Interesting)
The world is badly, badly b0rken.
err!
jak.
Making food for useful people since 1972 [blogspot.com].
Re:The next logical step (Score:5, Insightful)
Says who? You deftly slide this by as though it's a statement of fact. How about:
Governments are put in place to do things that private citizens or corproations won't do, but that most private citizens wish somebody would do.
or:
Governments are put in place to make golf courses.
Just what "governments are put in place to do" is a central debate of modernity that has shaped much of the history of the twentieth century. It is what this entire story is about, and why it is so controversial.
I'd be just as happy with:
Governments are put in place to do whatever it is they do and to encourage and facilitate the near-free distribution of valuable works by long-dead people that can benefit the public at large.
Re:The next logical step (Score:5, Interesting)
I think it is brilliant that the BBC are using my money to hire musicians, play Beethoven, and give the result to the whole world for free.
Re:The next logical step (Score:5, Insightful)
Re:The next logical step (Score:5, Insightful)
My goodness, but what a small, greedy, mean-spirited world we've become if the BBC is attacked for giving to the public its performances of the great musical masters. Perhaps we should weed through university computers to make sure that there are no copies of Shakespeare or Chaucer (ala Project Gutenberg), because heaven forbid that a government-funded institution should ever compete with a bookseller.
Fuck the record execs. (Score:3, Insightful)
Gee, maybe I'm wrong, but aren't Beethoven's symphonies public domain? How dare the BBC introduce a great composer's copyright-free works to a larger audience! They're devaluing it! And by "devaluing the music", you mean "devaluing your stock value", right?
Re:Fuck the record execs. (Score:5, Informative)
Re:Fuck the record execs. (Score:3, Interesting)
Either the BBC is the copyright holder, or authorized by the holder, which if it is not the BBC it is likely the Philharmonic Orchestra, to host the digital files of
Re:No (Score:5, Informative)
1) the score is in the public domain (Mozart died centuries ago!), anyone can perform it
2) anyone who does perform it (or depending on the exact details of the agreement, commissions such a performance) owns the rights to that performance
3) the BBC commissioned such a performance, and owns the rights to it
4) it is this performance that the BBC is distributing
5) no-one is suing anyone; no-one has any legal grounds to do so
6) the idiot who's mouthing off is being a cry-baby about the government (the BBC is state-owned, but independently managed) giving away for free things that he and his associates are trying to sell, claiming that it's "unfair competition"
The BBC is perfectly within its legal rights to do what it is doing. What's more, as I help fund the BBC (through the licence fee), it could be argued that I have a moral right to access these recordings, as I helped pay for them. But then I tend to believe that anything that is produced by or on behalf of the government should be accessible to all (where appropriate - obviously there should be exceptions for security reasons, I don't want to know the details of troop movements, etc)
Re:No (Score:5, Funny)
Well there's the problem: these works are in the public domain and copyright law needs to be fixed. Let's extend the period that works stay under copyright to, say, 300 years, thus increasing the incentive for classical composers to write more ace symphonies and ensuring that the record labels get the megabucks they deserve.
Re:No (Score:4, Funny)
Re:No (Score:5, Funny)
I am a decendant of Ug, inventor of fire. Every time you light a cigarette you owe me a license fee for using my Intellectual Property. Pay me biatch.
-
Re:No (Score:5, Interesting)
What's more, people in his line of work have (had?) a habit of going to Iron-Curtain principalities to get their orchestras to record the classical works so they could just pay them a couple thousand dollars for all rights to the performances and then never pay royalties or share of profits, which western orchestras would require.
Check out the credits on the typical classical CD's in the record store next time you're in.
Re:Fuck the record execs. (Score:2, Informative)
As far as I know the symphonies themselves are, but specific performances aren't (depending on when they were recorded).
Re:Fuck the record execs. (Score:3, Interesting)
Re:Fuck the record execs. (Score:4, Insightful)
Re:Fuck the record execs. (Score:3, Interesting)
1. These files were played on the radio. I could have recorded them at roughly the same quality and owned them for nothing in first place.
2. As far as quality goes they are 128Kbit fixed rate encoded MP3. Any classical audiophile will puke at the idea of using it for anything but commuter or office noice supression. Further to that as far ast the 9th goes (I have yet tofind time to listen to the rest) the vocals are relatively lame and the conductor lacks the necessary level of fashism to conduct it t
Re:Fuck the record execs. (Score:4, Insightful)
I'm confused, what exactly does copyright mean? (Score:5, Interesting)
Or the protection of individual performances?
===
Can you play only public domain songs, sell it, and then have people trading your performances withouit purchasing them be pirates?
Does anyone know?
[I legitemately don't but would like to]
It's both (Score:5, Informative)
However the performance is seperate, and also copyrighted. While osmeone can do a cover of your song, they can't just copy your performance without permissions.
This also means that though a given song may be public domain, a particular performance isn't. So all Motzart's works are public domain, you can post the sheet music on the net freely, without fear. However a specific performance of that music may be copyrighted. You can, of course do your own performance, or comission to be done, but you can't just (legally) copy their performance.
Both are seen as creative works. It is a creative work to create a song, but it is also a creative work to play that song. The musicians have a lot to do with the rendition of it, espically with classical music and I can say as a former classical musician, it's not easy.
Now in this case, you are allowed to trade the specific performance freely as well. The orignal songs are of course long out of copyright, and the BBC has chosen to give their work in to the public domain, which is their right.
The challenge is from greedy labels, not over copyright, but over unfair competition. They claim it's unfair that the BBC, which is taxpayer funded, is giving away works that compete with ones they sell. However the status of the copyright isn't being challenged. The BBC Orchestra performed it, and the BBC chose to relinquish the performance to public domain, that's a done deal.
Re:It's both (Score:3, Informative)
Re:It's then copyright to the person that arranged (Score:3, Interesting)
I can't resist pointing out that if I also created a MIDI that I would own the copyright on my version. In fact my copy and your copy can be bit-for-bit identicial. If someone else then publishes that bunch of bits it is impossible to tell if that is perfectly legal or if it infringes your copyright or if it infringes my copyright until we find out where the got
Re:I'm confused, what exactly does copyright mean? (Score:4, Insightful)
force, as though a billion souls were suddenly
extinguished..."
That "Happy Birthday" song (you know the one I
mean) is protected, copyrighted material. It
cannot be commercially reproduced without pay-
ment of royalties to the copyright holder.
One may take this to mean that the song may not
be sung for profit (eg. singing telegram), nor
can it be written down (eg. birthday card).
This whole situation seems pretty ludicrous.
This is not merely a UK copyright issue, but
also a USA issue. Remember the Disney-sponsored
"Mickey Mouse" copyright legislation that
passed with flying colors? No doubt, this same
situation also exists elsewhere. (So, Mickey
has been enslaved for yet another 30 years!)
AFAIK, copyright was established in order to
reward the original artist/writer/composer
during his/her lifetime, and not a revenue
stream for the next 3 generations. Doesn't
the term "public domain" and "fair use" mean
anything anymore? It's a damn good thing that
these onerous copyright laws were not around
before the advent of the Gutenburg press -- we
would all still be in the Dark Ages, thinking
the world is flat. Each hand-copied manuscript
would have had to be paid for with a pound of
monk's flesh...
Kind of ambiguous... added questions (for anyone) (Score:3, Insightful)
WHAT IS NOT PROTECTED BY COPYRIGHT?
Works consisting entirely of information that is common property and containing no original authorship (for example: standard calendars, height and weight charts, tape measures and rulers, and lists or tables taken from public documents or other common sources)
===
Technically those symphonies DO have original authorship but are now public domain, correct?
Is that original authorship a registered copyright, or is that ju
Re:Kind of ambiguous... added questions (for anyon (Score:5, Informative)
The score is public domain, the performance is not, thus:
should you desire you could re-construct the score from the performance and re-perform it yourself and be in the clear. You can not, however, distribute a copy of the performance without the performance owners permission (which has been granted de facto by its posting on the web by the performance owner).
-nB
It's not "free music" (Score:5, Insightful)
The complaint that this is unfair strikes me as being very nearly as absurd as the situation in the US where there are private companies complaining that only they should be allowed to have the data collected and generated by the taxpayer-funded National Weather Service, and that taxpayers should not be able to get the data directly from the government.
Re:It's not "free music" (Score:4, Insightful)
Re:It's not "free music" (Score:5, Insightful)
Of course it's unfair. One group gets to force the citizens to pay for what it has produced while another group must rely on their voluntary purchase.
I doubt you would like to compete against a government that can simply take whatever money it needs from it's "customers".
Re:It's not "free music" (Score:5, Insightful)
So the US Postal Service is in unfair competition against FedEx and UPS? Or perhaps the police are in unfair competition against security guards? How about public schools putting private schools out of business? (Note that there are examples of successful businesses in every one of the above.)
Like it or not, there will always be some overlap between the public and private sectors, and in a democracy, voters decide where that overlap ends. Perhaps you would like to rephrase your objections.
I doubt you would like to compete against a government that can simply take whatever money it needs from it's "customers".
What I don't assume to have is a God-given right to make a profit doing any particular thing. I think a pay-per-extinguish service instead of a public fire department might be profitable (especially when several neighbors bid for my services while the houses burn). That doesn't mean the government's fire department is unfairly competing against me, does it?
BBC Funding (Score:5, Informative)
- we still use Sterling, not Dollars or Euros
- the money is collected through a licence fee, not a direct tax,
- our elected representatives have no direct say in BBC funding because it works under a Royal Charter [bbccharterreview.org.uk], this keeps it independent of the government, and thus, free to report the government's business without bias.
The BBC has kindly summarised it's next 10 years here [bbc.co.uk].While I don't agree with them in this case (Score:5, Insightful)
Now I see this as very differnet. The government isn't competing, they are doing a public service. They aren't trying to have CDs put in stores next to other classical works but for a lower price, they are just releasing some electronic music to the masses. Private entities aren't precluded form competing, they can produce different/better versions of these symphonies (like a DVD-A or DTS CD or something). This is just record companies being whiny.
Personally I say distribute more classical music, or shut the fuck up. It's truly pathetic the selection of classical available. Record labels don't like it very much since it's fairly expensive to produce (an orchestra has a lot of musicians, all who need to be paid, usually up front) and it doesn't sell nearly as much as pop music.
Did they listen to the files? (Score:4, Informative)
Too bad - but made me take the time to rip a couple CD's for my MP3 player.
Re:Did they listen to the files? (Score:4, Funny)
I never tried that. I'm not sure that's going to work out all right.
Let's see: the grandiose and triumphant C major POM POM POM pom-pom-pom POM POOOOM ending of the 5th crossfading into the delicate F major string intro of the 6th... but then, why not ? Anything goes !
similar trends (Score:2)
Re:similar trends (Score:3, Insightful)
The interesting thing about this is that the UK newspapers are being forced to support their competition through taxes.
They're forced to pay the government to dig their own economic graves.
Sorry, bollocks (Score:5, Interesting)
And, as for tough competition, last time I looked The Guardian, a small circulation not for profit UK newspaper, had a website which has more page views than most of the rest of the UK newspaper industry put together, and competes with the BBC given far less resources. The truth is, Murdoch, Rothermere and Sullivan between them have reduced the UK newspaper industry to such low grade sensationalist crap that they cannot compete with anybody who does a half decent job, at least where the audience who can read and write are concerned.
Re:Sorry, bollocks (Score:4, Insightful)
Really? I'd like to know how it is they avoid paying UK taxes. Some proof would be nice.
And how are they being subsidised by the UK taxpayer? Do they collect tax money? Again, some proof would be nice.
And are they representative of all the newpapers in the UK? Even if they don't pay taxes, do all newspapers not pay taxes? It seems like you're providing what may be a single exception to suggest something in general. Again, how about some proof?
Re:Sorry, bollocks (Score:4, Informative)
quote: "Newscorp Investments is Rupert Murdoch's main British holding company. Although the group's profits over the past 11 years add up to £1.4 billion ($2.1 billion), it has paid no net British corporation tax."
He manages this by organising his companies into a complex web of subsidiaries incorporated in various tax havens such as the Cayman Islands. This also means he can get around the reporting requirements of financial regulators such as the SEC and the FSA.
Re:Sorry, bollocks (Score:3, Informative)
Huh? The Guardian is hardly what I'd call small circulation (average 368,337 copies [adinfo-guardian.co.uk]), and according to their corporate web site they made £32.7 million profit after amortisation and exceptional items [gmgplc.co.uk] in 2004. Maybe you're confusing them with someone else?
Oh, and you know why the Guardian's web site is so popular? Largely because they were the first British newspaper to set up an online edition.
I fthis keeps going.. (Score:2, Interesting)
Its time to get your handbaskets organised people, cause we're all about to go to hell..
-- Jim.
Please Sue! (Score:4, Funny)
Re:Please Sue! (Score:3, Informative)
Music as a commodity (Score:5, Insightful)
It seems very odd though that record companies dealing in classic music would be of the opinion that classical recordings are commodities or that even if they weren't of that opinion, that they would encourage people to think of it that way. It just seems like bad business.
Re:Music as a commodity (Score:5, Interesting)
In addition, there are so many variables for "classical" music, you would have a hard time labeling it a commodity. Not to berate pop music, but there is simply more to something like a Beethoven symphony than the latest $band single.
For example, I have three copies of Handel's Messiah. One is a great recording in the style of Handel's time period (the choir's enunciation is extremely distinct, for example). Another is an Americanized version with fewer instruments, mellowed diction, and a very clear recording. The third one has strong diction, full accompaniment, lackluster performance, average recording quality, and a few modern twists (for example the soporano is a male).
Each of these recordings sounds incredibly different. Everything from the dynamics to the recording quality itself significantly add to the experience. And I'm not even an audiophile. I intentionally bought different interpretations of the music because I enjoy Handel's work through the ears of different artists.
Whiners (Score:5, Funny)
Then they'd better not broadcast any music either (Score:5, Insightful)
If you have the right equipment (such as a Psion Wavefinder) and a reliable signal (not so easy for digital) you can record all the Proms at MP3 equivalent quality.
Unfair Competition? (Score:3, Interesting)
I don't understand how giving something away for free could be seen as competition. It's not like you can buy the exact same thing from a someone else. On the other hand, if this was something like Mozart/Bach/any|other|classic|artist where no one owns a copyright, then I guess giving it away while someone was selling it could be seen as an unfair buisness practice.
I still take the side of BBC on this one, though. They recorded the music with their own in-house orchestra and therefore should be able to distribute it any way they like. Period.
Re:Unfair Competition? (Score:5, Insightful)
Here's an analogy for the Slashdot crowd:
The BBC is like Microsoft, except its power to force consumers to pay up comes not from sleazy deals and market penetration but the well-polished heel of a bobby's boot. The classical recordings, then, are like Internet Explorer, which they are giving away for "free" (though in reality subsidized by the rents created from their power position), and this record industry exec is like Netscape, trying to protect a stagnant, failing product space while whining about how consumers are harmed by delivery of a free product.
So the question for you is: are you consistent in your application of principles in these cases? Because I have a feeling that if you said:
Re:Unfair Competition? (Score:3, Informative)
This is just like Opera complaining that Mozilla is giving away Firefox for free.
Re:Unfair Competition? (Score:4, Insightful)
Re:Unfair Competition? (Score:3, Insightful)
Re:Unfair Competition? (Score:3, Insightful)
So in fact the whole existance of the BBC is unfair competition, then? It probably is. And in my oppinion the commercial companies will just have to manage anyway. The BBC has been giving away music over radio and tv for decades but now when its over the Internet is suddenly a problem?
Re:Unfair Competition? (Score:3, Insightful)
No, it's not. All over the nation there are paid orchestras and choirs singing public-domain works and doing just fine because the *performance* is what most people are interested in. My wife has several recordings of certain works, she herself regularly sings those same works, and she regularly pays to attend performances of the very same works.
The problem with the
Dead music for dead people (Score:5, Informative)
I subscribed to BBC music magazine for quite some time - just for the music. Three bucks a month and it came with a CD attached to every cover. This isn't the first time the classical music fuzzheads have shown their cluelessness - when Sarah Brightman first started gaining popularity many decried how she was "corrupting the form." And when classical compilation CDs produced by small publishers (usually recordings of performances by east euro orchestras) many of these dying purists attacked them - again - for "diluting the value of these works."
This really is pretty standard fare for those old school classical publishers. It's not about copyright, it's about fox hunts and cardboard people and preserving their "high end" market image.
Mod this how you see fit. (Score:5, Interesting)
First of all the music industry is consipiring to strangle the very human instinct of music. It is in us, and we are genetically programmed to appreciate it.
The reason this industry is fighting so hard is greed. Pure and simple greed.
They have a way of life/business model that can't addapt to the quickly changing digital world around them so like vultures they are clawing at their food supply.. namely your dollars.
So whats to do? Namely the copyright holders of each song/piece of music ulitmately control if it is placed in the public domain. Currently most are being greedy.. or are just clueless.
Its pyrimid ponzi scheme of artistic and corporate collusion, and its only getting worse.
They are the music nazis, and if you want it you must join their party and play their game.
We need to continue to encourage folks to step up to the plate. Bands, artists, songwriters of all flavors should make thier stuff availible online with one CC stipulation.. It can't be sold/profitted from unless the copyright holder changes the license.
Most of the stuff from the big labels is corporate shit anyway.. the only reason folks buy it is they are told its cool.
So those of who do make music cause you frelling love it, and not because you want a damn easy check fight on.
Live it, love it, make it real.
Even if you suck its better than canned spam coming out yer radio.
Peace, D
Put up or shut up... (Score:5, Insightful)
or could it be because they haven't got a leg to stand on and the BBC is perfectly within it's rights to have done this... having copyright anyway in the performance that they did, and therefore, they could dispose of it exactly as they wished, including making it available for free download so nya... nya...
I hate the BBC for this (Score:4, Interesting)
The argument about value for money is a can of worms I'm not going to touch, however, it smacks a little bit of unfairness if my US based cousins can enjoy what is arguably the best part of the BBC (BBC Online) without having to contribute a penny.
BBC Online should be protected in-line with the rest of the BBC, the content should be un-lockable via entry of my license number.
The same goes for the recent deal done to broadcast Radio 1 on Sirrius. Presumably the profit goes back in to creating the BBC, however, I'd prefer it to go back in to my already stretched pocket.
Re:I hate the BBC for this (Score:3, Insightful)
Well, last week's Live 8 concert was limited to the UK - except that some people managed to put up proxy servers that allowed people outside the UK to see it. So I got my fix of the Corrs - especially Andrea being very sexy (again) with Bono (again) on "When The Stars Go Blue". (Actually I didn't get it online myself, but other people did and
Re:I hate the BBC for this (Score:4, Informative)
BBC Online should be protected in-line with the rest of the BBC, the content should be un-lockable via entry of my license number.
Cry me a river. You don't lose anything having other have access to this music. While it might be officially setup as you paying for a 'licence', it's essentially a tax similar to all other taxes.
If the government wants to spend it's money providing it's citizens classical music, great. If it allows others outside it's borders access to it, that's great gesture of goodwill. It's not like you don't already benefit from the goodwill of others. Open source software is an obvious example of this.
I think it's about time that we get rid of crown (government) copyright altogether. Copyright as a rule limits who gets access to something, however when a government produces something their goals should be maximizing the public benefit, and that is not equivalent to maximizing their tax revenue.
Re:I hate the BBC for this (Score:5, Insightful)
Likewise, I'm sure you are aware that the Global Positioning System is funded wholly by an income tax levyed on my personal income and paid to the Department of Defense.
it smacks a little bit of unfairness if my US based cousins can enjoy what is arguably the best part of the BBC (BBC Online) without having to contribute a penny.
And likewise unfair that you can enjoy a precision navigation system paid for entirely on the dime of the U.S. taxpayer.
BBC Online should be protected in-line with the rest of the BBC, the content should be un-lockable via entry of my license number.
And you should have to use a smart card with a paid-up subscription to activate any GPS receiver you may want to use -- oh wait, isn't that what you have in mind for the Galileo system?
Re:I hate the BBC for this (Score:3, Insightful)
Next up, the BBC itself. (Score:3, Interesting)
Nevermind that they are essentially the vanguards of British culture the world over. That's not important at all.
So There are other places... (Score:5, Informative)
The moronic logic of the music industry (Score:5, Interesting)
Laughing aside the argument that giving away something provides a justification(1) for stealing, lawyers could argue the following:
So, is this like when Microsoft first gave away Internet Explorer, in an attempt to shut down Netscape, which ultimately succeeded. What happened to them? Well, the Justice department decided that Microsoft was a monopoly and was unfairly using its monopoly powers. In the end, in spite of being found guilty, no punishment was enacted and the give away of Internet Explorer continues to this day.
This argues that BBC should be allowed to give away music.
Your opponent might then argue that BBC is a government entity and that private music producers have to compete against an entity giving away product subsidized by taxpayers money.
You could then counter and compare it against the situation where a government gives away medicine in an attempt to wipe out a disease affecting its citizens. Correct me if I'm wrong, but I don't know of any cases where giving away medicine in such circumstances has been prohibited. There are even case of patent violations where countries have copied drugs (I seem to remember this has occured in South Africa and Brazil) in order to reduce the cost.
In this case you might argue that the drug is music and the disease is modern culture.. but let's not start up that old argument.
In any case, this also argues that BBC should be allowed to give away music.
-----
(1) Think about the free product samples you see in stores occasionally. Do you think that this makes people believe that they can take home large packages of the same product being offered for sale without paying?
A disease on capitalism? (Score:5, Insightful)
Indeed, what we are seeing is a disease on capitalism and the free market. Our capitalism has been infected with intangible goods that are being treated as if they were tangible by the forces of law. The free market is not being allowed to work, and trouble is the result. Indeed, one cannot have an effective capitalistic society without a free market. Our free market has become diseased with intellectual property legalities, and as such fails to work to the benefit of society.
No good deed goes unpunished... (Score:3, Interesting)
I mean, really...the Beeb does this to get people interested in Classical music. They certainly succeed, too...when this first appeared in Slashdot downloading was impossible for the next 48 hours after the article appeared. It was only thanks to archive.org and a few other sites that I was able to glom onto the whole set.
You can bet there won't be a "repeat performance" of something like this from the Beeb. Thanks a lot, pigopolists...
Well, It would be fair, except. . . (Score:4, Insightful)
Re:Well, It would be fair, except. . . (Score:3, Insightful)
That's not the same thing. I think car manufacturers would be very happy because the government has to buy those cars from someone -- it's good for business, it's good for economy. It's not good for the environment or for the ability to get to work on time, but that's anothe
Naxos lost New York expired copyright court case (Score:5, Informative)
Naxos issue low cost CDs of classical recordings. Three months ago they lost a court case brought by the Capitol label.
What's next - prostitutes suing (Score:5, Funny)
There is lots of free music out there (Score:3, Insightful)
All that it takes is people like him and, over time, more and more music becomes unencumbered.
I am surprised that the large corporations have not cottoned onto the idea of free music as an inducement to advertising. Think of the vast sums that they spend just to have their name put in front of people's eyes (think: adverts in football or formula 1 racing). Those cost a lot of money.
What would it cost to commission an orchestra to play Mozart/Beethoven/... and release the MP3s with a short message of the form: ''Beethoven's Moonlight sonata brought to you by XXX, purveyors of fine YYY'' ? If it isn't too intrusive most people would not skip it or edit it from the MP3. The licence could be personal use, no redistribution which means that everyone who wants it should go to their web site and see more adverts for YYY.
Re:There is lots of free music out there (Score:3, Interesting)
In the UK, Levi's used Haendel's Sarabande from his Suite in D minor for an ad back in 2002/2003. The piece was relatively unknown by the general public, but as a result of the ad the largest classical radio station kept getting huge number of requests for it for months, many of them just for "that song from the Levi's ad", and whenever they'd play it, they'd refer to Levi's as well.
To this day I'd expect most
Free Haircuts - A Real Story (Score:4, Interesting)
So anything you do for somebody else that could potentially make a profit for anyone who is in business is now illegal? You can't give a buddy a free beer, because that deprives the local bar of business. You can't have friends over for dinner because they might have gone to a restaurant for dinner. Heck, you probably can't even have sex with your significant other, because they might have gone to a prostitute!
I hate the 21st century. I think I'll to out and sue somebody.
Context: BBC has requirement not to stifle market (Score:3, Informative)
One of the things that has been forgotten here, is that the BBC has in its constitution, the requirement that it does not stifle the free market.
There is nothing in UK law [1] that prohibits the BBC nor anyone from releasing noncopyrighted music.
However, UK law isn't what's at question here. What's at question is whether the BBC broke its own rules.
The BBC is funded almost entirely by a tax on television ownership, and overall control belongs to an unelected body appointed by the government. Part of the BBC's responsibilities are to foster the broadcasting market in the UK, a small country that would otherwise be drowned in foriegn imports. This means balancing making more programmes to encourage the market in areas where it is deficient (for instance, classical drama), making quality programmes in areas where competition might otherwise drown the market with low-quality products (for instance, soap operas), and making no programmes in areas where the market already produces diverse quality (for instance, AOR).
[1] Actually there are hardly any UK laws, England, Wales, Scotland and Northern Ireland have different legal systems. Usually English and Welsh law is identical. Scottish and Northern Irish law frequently differs.
it's not "free" (Score:3, Informative)
Is it unfair? No. Contrary what companies want you to believe, they exist only because the public lets them. We can dissolve corporate charters, hand out monopolies, regulate companies, put companies under state control, and destroy business models. The only thing we can't do is disown people: people can get whatever their shares are worth after we, the people, are through with doing to a company what we think needs to be done to a company.
As a rule, we don't do a lot of unnecessary things to companies because it is bad. But people need to be reminded every now and then that corporations only exist for our benefit as a society, not for any other purpose.
Re:So I guess.... (Score:5, Insightful)
Re:Free from Copyright? (Score:5, Informative)
There is no private copyright here. The BBC is a unit of the British Government, and its musicians are thus Government employees. There's "crown copyright", but that's limited to certain types of materials.
In the US, you can download many performances by the United States Marine Band [usmc.mil]. There can be no copyright on those performances. Works by the U.S. Government are not subject to copyright protection Free, legal MP3 here! [usmc.mil]
If the RIAA doesn't like that, tough.
Re:The BBC is wonderful/terrible (Score:4, Informative)
That said, I find myself watching more and more BBC - partly because as their number of channels have gone up I've found more shows fit.
The upside is of course that since most shows on BBC are relatively free to experiment and not have to be commercial successes, there are often real gems to be found that doesn't get ruined by trying to target the lowest common denominator of a very diverse population.