Learning To Profit From Piracy 275
I Don't Believe in Imaginary Property writes "Wired has an interview with Matt Mason, author of The Pirate's Dilemma: How Youth Culture Is Reinventing Capitalism, which discusses how businesses could make money off of piracy, rather than attacking people in a futile attempt to suppress it. And some of his ideas are gaining traction; work is underway on a TV show called Pirate TV, which he describes as 'two parts Anthony Bourdain, one part Mythbusters.' (Heroes executive producer Jesse Alexander is on board.) Also, Mason is pretty good about practicing what he preaches in that you can pirate his book on his own website."
Pirates Attacking People?? (Score:5, Funny)
Arrr, we know you're 'ere, poppet!!
Article summary (Score:5, Funny)
2. ???
3. Profit!
Re:Pirates Attacking People?? (Score:5, Funny)
"Arrr, we know you're 'ere, poppet!!"
Haha, it's SO funny when you use the literal term for pirate.
you must be gay (i'm using the literal term for happiness).
It's not piracy if it's OK (Score:5, Insightful)
Re:It's not piracy if it's OK (Score:5, Informative)
He's definitely practicing one thing that he preaches, though: Finding a way to profit from piracy. In his case, he's profiting by capitalizing on the media attention that talking about copyright piracy gets. If he makes even one dollar, he's profited more from piracy than I have, so I'll give him that.
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And therein lies the rub. Copyright should be less about people making copies, as it is (semi) controlling distribution. So I ask: Why don't we create a means of allowing to get stuff for free, but still force them through a distribution channel to get it. The channel can then generate revenue through ad supported, value-add supported, micro-payment supported, et all means.
The flip side is, how can you make money giving stuff away for free without control of its distribution?
Convenience (Score:3, Insightful)
You can easily make your own coffee at home for the price of a DVD-R, and some say better coffee. Why don't people do it? Convenience, habit/ritual, social.
Even if one day someone created a Star Trek like Replicator that could replicate Starbucks coffee, I think Starbucks would still be in business.
McDs are based on Location Location Location aka Convenience.
I think the cinema and movie business would still be around.
Teenagers aren't going to take th
Re:It's not piracy if it's OK (Score:4, Informative)
Re:It's not piracy if it's OK (Score:4, Insightful)
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Re:Anti-Piracy license!! (Score:5, Funny)
1994 to the rescue!!
"If you don't send this book to two of your friends and eleven of your enemies, you will be eaten by the Open Source Version of a Grue".
Re:Anti-Piracy license!! (Score:5, Funny)
it could still be piracy (Score:5, Funny)
if you make him walk the plank after you read it.
Re:it could still be piracy (Score:5, Funny)
if you make him walk the plank after you read it.
Omfg I clicked overrated rather than funny.. I'm so sorry.. (Posting to undo moderation .. ha!)
Re:it could still be piracy (Score:5, Insightful)
Carry on.
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Nitpick (Score:5, Insightful)
Also, Mason is pretty good about practicing what he preaches in that you can pirate his book on his own website
I dislike the use of the vague and slanted term "pirate" in place of the more exact "copyright infringement".
But the use in the summary is even worse. If he's freely offering the content, then those who download it are not pirating (even by the inaccurate, though generally-used, definition). Then are downloading it with permission.
(It's like someone giving out free food samples at a grocery store, and then saying "go ahead, steal another.")
Re:Nitpick (Score:5, Interesting)
If you read the article, he's using the word "piracy" in place of the more correct term "network effect". Redistribution is a secondary effect of P2P protocols, if it were a straight download the infringer would be the distributor while the "pirate" is the individual who first ripped and uploaded the "loot".
These things were expressed clearly over 5 years ago, the reason "pirates" don't like him is because he comes over like some PR shill employing reverse psychology. It's either deliberate or he doesn't "get it", which would extend to reading and understanding relevant work in the field.
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... print the book in China, then transport it by sea and lounge around in international waters.
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If he wants some real piracy... ... print the book in China, then transport it by sea and lounge around in international waters.
But in his case he would be labeling the boxes (and the side of the ship):
"Rocket Launchers
and Tank Parts,
Please Steal"
Re:Nitpick (Score:4, Insightful)
Re:Nitpick (Score:5, Insightful)
The problem with the terminology is that words like "theft" and "steal" (which gain merit from the word "piracy," as this was one thing sea pirates did) are deliberately used by the powers that be to confuse people into thinking that the infringement of copyright carries exactly the same consequences as shoplifting or other deprivation of physical property. Only a moron would believe that you can receive spam (the food) through e-mail.
Re:Nitpick (Score:5, Insightful)
As it stands, you'd get in less trouble for stealing a CD then copyright infringement
Re:Nitpick (Score:5, Insightful)
Which makes sense if you think those in power mainly are interested in creating artifical scarcity to maintain control. A shoplifted CD doesn't decrease scarcity, while a copied one does.
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Which makes sense if you think those in power mainly are interested in creating artifical scarcity to maintain control.
Who's in power again? Is it the parliament or the MAFIAA? And does it matter?
But as the animals look from Napoleon to Pilkington, from man to pig and from pig back to man, they find that they are unable to tell the difference.
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That's exactly the issue. Stealing a CD is taking from the CD's owner. Copying a CD is taking value from the copyright owner.
Which is also why this is completely impossible to stop, imagine that we have two CD owners of different CDs. They can both be simultaniously be better off by copying CDs, then they'll both have both CDs. The copyright holder is far, far away and has no part in the act unlike a thief and its victim. To stop it, they need to stop two consenting people from doing something they want in private using their own private equipment. If you ignore for a moment that end users have a desire that more copyrighted work
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"As it stands, you'd get in less trouble for stealing a CD then copyright infringement"
Which is a good thing. Stealing a CD may result in some money lost to best buy..but when the entire album is shared to 1,000,000 it could put the label or artist out of business.
Re:Nitpick (Score:5, Insightful)
one downloaded song does not equal one lost sale. Many people that download would never purchase albums in the first place (i.e. they are cheap). So those people do not result in lost sales.
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"The problem with the terminology is that words like "theft" and "steal" (which gain merit from the word "piracy," as this was one thing sea pirates did) are deliberately used by the powers that be to confuse people into thinking that the infringement of copyright carries exactly the same consequences as shoplifting or other deprivation of physical property. Only a moron would believe that you can receive spam (the food) through e-mail."
well, is closer to counterfeiting than stealing (since we are deciding
Re:Nitpick (Score:5, Insightful)
Look people. Quit equating "piracy" as in "Arrrgh, matey. Ye be walkin the plank!" with "piracy" as in "I downloaded the latest Adobe Photoshop without paying for it!". They are spelled the same, but they aren't the same word (you know, a homonym).
It is the same word, but with two very different meanings. The word was chosen in order to create an association in people's minds between copyright infringement and one of the most despicable types of crime known at the time. If the phenomenon of copyright infringement were only now beginning, and in need of a catchy name, they'd be calling it "terrorism", and arguing that PATRIOT Act powers should be invoked for copyright enforcement. This matters. Arrrrr.
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But the use in the summary is even worse.
The intentional abuse of the word by the IPR proponents and industries have made it pointless to argue anymore. Better to just accept that 'pirate' has become a synonym of 'copy' and treat it like that, further debasing the expression, thus reducing the incentive for the intentional abuse.
I repudiated copyright, and recommend others do it (Score:5, Interesting)
I've produced a few bands' records, and asked them to repudiate copyright on their tracks. 2 of them have, and they've skyrocketed the amount of fans that come to shows (in the thousands, on their last tour), and the amount of personalized merchandise they sell. Anything easily duplicated is called "advertising" or "marketing." You don't charge others to receive a show flyer (which could take a few hours to design, plus hours to print and many hours to distribute), so why charge for music?
I repudiated copyright on all my writings over a decade ago. My blogs let others take the content I created, and republish it as their own if they want. The two e-books I've written also are freely distributed, with a request for $20 in the final chapter if the books help them.
My business newsletter used to cost over $1000 per year, but now it is free, and I tell others to photocopy it or email the PDF out to others. It generates traffic for my websites, and it also builds reputation to my expanding customer base.
I see no reason for copyright any longer. For items that are costlier to create (TV shows, movies), product placement is a fine way to profit from the distribution of the product. Subscriptions also can work, just like a chapter-by-chapter written blook that continues as people fund the author's writing.
Those who hold onto the statist idea of intellectual property will be left behind. They'll find their market swamped by amateurs with the same amount of talent, and with more drive to distribute their creations as artists always have.
I like this idea, and I recommend others consider going that route when they create content that is easily duplicated. To support it, there are always ways to create value added items (t-shirts, in-person signings or shows, etc).
Re:I repudiated copyright, and recommend others do (Score:5, Funny)
For items that are costlier to create (TV shows, movies), product placement is a fine way to profit from the distribution of the product.
"Mommy.. why is Gandolf drinking a coke?"
"Never mind, dear."
Re:I repudiated copyright, and recommend others do (Score:5, Funny)
And cinematic gems like this one:
Elrond: The ring must be destroyed. It must be cast into the fires of Mordor whence it was forged! The path will be long and treacherous, but with the aid of Google Maps, you may find your way.
Aragorn: We will need supplies for our journey. Doritos, to replenish our strength. Adidas, to outrun the Nazgul. Skittles, that we may taste the rainbow of victory. A Honda, to travel long distances with above-average fuel efficiency.
Elrond: And these you shall receive.
Re:I repudiated copyright, and recommend others do (Score:4, Funny)
Re:I repudiated copyright, and recommend others do (Score:5, Insightful)
1. Recordings of your music
2. Merchandise with your logo on it
3. Attendance at your live performances
4. Promotion of other products (for instance, Miley Cyrus's music is mostly about getting you to watch her on TV and buy her lunch boxes)
For a music act whose real product is #3, giving away #1 counts as advertising. For an act whose real product is #1, giving it away, including giving up copyright protection of it, is bad management. It really does depend on your product and the market for it. That said, I wish more music acts considered live music to be their product and everything else to be promotion of the same.
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Re:I repudiated copyright, and recommend others do (Score:5, Insightful)
...we're not going to have time for many live performances, while recording can even be done long distance.
I'm not trying to be snarky here, and I'm also a musician who has played in a few bands and even recorded a few albums, but here's the thing: if you're not willing or able to put in the time to gig, maybe you don't deserve to make money at it.
You see, too many people think that just because they created something, they deserve to be paid for it. That's simply not true. Being in a band should be a job, not just something you do for a few weeks or months and then expect to sit back and let the royalty money flow in for the rest of your life.
You have every right to try to make money off your music. However, if it doesn't work, then too bad. Nobody owes you just because you decided to record an album.
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Re:I repudiated copyright, and recommend others do (Score:4, Interesting)
If you want to paid, provide something to people that is in limited supply. Digital music is infinite in supply. Current laws create an artificial scarcity, but that is no longer something that benefits society, and I believe those laws will not last.
Perhaps if copying their music freely was legal, they wouldn't be so heavily marketed, and other bands with comparable talent and less money would be able to compete for fame.
Copyright is not for the benefit of artists. It is for the benefit of society at large. It is to encourage the creation of new works, so that everyone has music to enjoy. We've reached the point where the supply is virtually limitless. If copyright was no longer valid, there would be no shortage of new bands and recordings. Therefore society at large benefits most from the right to freely copy music.
Besides touring, I think bands should retain rights to profit. They can sell tshirts and special edition recordings of their music, as well as sell CDs for any profit they can get from those people who want physical media. This creates avenues for the listeners to support the band even if they can't see them live.
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"You see, too many people think that just because they created something, they deserve to be paid for it. That's simply not true. Being in a band should be a job, not just something you do for a few weeks or months and then expect to sit back and let the royalty money flow in for the rest of your life."
To play the devils advocate for a moment... I apologize but the world does not work anything like that. There's plenty of people who make money doing damn near nothing of value, except looking good. If you'
Re:I repudiated copyright, and recommend others do (Score:4, Informative)
The thing is reason #1 is already a very small percentage of musicians. 10% of CD's are profitable [archive.org]:
On top of that, the percentage of musicians making much of a profit [ascap.com] on music sales at all is so low that this hardly matters.
Further reading:
http://www.azoz.com/music/features/0008.html [azoz.com]
http://web.archive.org/web/20030313214407/http://www.riaa.org/PR_STORY.CFM?ID=491 [archive.org]
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Let's face it. Publishers and through them, artists, used CD distribution in order to make insane amounts of money. Whatever is the new system, they will make less money and success will be measured differently than by number of clients.
Re:I repudiated copyright, and recommend others do (Score:5, Insightful)
I see you're falling into the trench of "I have it figured out for $medium, therefore copyright is moot." Unfortunately, not everything falls under those banners.
And what about movies or TV shows where such product placement would be horribly out of place? A medieval movie with GM/GE/Pepsi placements? Hell even my favorite hobby, anime, was getting into it with Code Geass, which was packed FULL of Pizza Hut ads which were distracting and ended up being the butt of jokes there were so many.
I recall Stephen King trying this and giving up.
Or they'll give up, when they find that they can't recoup the costs of production, much less make a profit.
You can't eat drive and talent (well you can, but it's considered anti-social...) I don't see people making entire movies and TV series that they just toss up on the internet unless they've got some greater source of funding to ensure they won't go broke in the process.
Which is pointless, since if you repudiate the copyright on your works (ALL of your works) then someone else might as well hang at your shows and sell knockoffs of what you're selling. And signings have limited effectiveness beyond single authors/bands, I'd like to see how you would fund the creation of an entire TV series with that.
Copyright is a very effective tool to allow for the creation of easily duplicated works without sticking it to the creators and essentially punishing them for making the investment. It needs to be reworked and it needs respect. However, the internet audience is extremely insular, rude, and just as selfish and greedy as the MPAA/RIAA (and member companies) when it comes to these things.
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I recall Stephen King trying this and giving up.
And the Red Hot Chili Peppers shouldn't give their music away for free either, at least not in an attempt to make money. For people who are already extremely successful in the traditional methods, they're not going to see the same amount of money using this new technique. However, for people like Brandon Sanderson [brandonsanderson.com] who are just getting into it, letting out free works can be a good way to get entrenched and build good will.
Re:I repudiated copyright, and recommend others do (Score:5, Insightful)
That's not related at all to Stephen King's attempt. He tried doing the suggested pay-by-chapter method where readers could optionally pay if they liked it, and it ended up being a waste of his time. I don't know if he bothered to wrap the novel up and publish it the regular way or just gave up on it.
And I never said they shouldn't give their music away for free, that's entirely -their- call. My issue is with the OPs suggestion that they repudiate their copyright, which is needless self-punishment that opens the door for someone else to make use of it without ever acknowledging the source (thus defeating the point of said "promotion" entirely.)
On the contrary, they are the only ones who will likely see any sort of success from it as the hard part, promotion, is already paid for. Everyone knows who Radiohead is, so people flocked in server crushing numbers to their website for their new album. However for new artists like the one you linked, it'll give him goodwill among small circles but it doesn't have nearly the punch as getting on the radio (another jar of worms) or your music on some movie soundtrack (which is what the giant labels do.)
And again, releasing one's music has nothing to do with OPs suggestion of releasing without copyright. Said movie studio will just have some famous name cover your song and leave you out to dry.
waste of time == wrong motivation (Score:2)
That's not related at all to Stephen King's attempt. He tried doing the suggested pay-by-chapter method where readers could optionally pay if they liked it, and it ended up being a waste of his time.
My point was that he was only wasting his time if he was looking to make money on that one novel, and since he didn't he killed the project. If you're looking to make money off of that project specifically, then you're doing it wrong, especially when you've already got a proven vehicle to make a ton of money (which was my point with the red hot chili peppers).
Radiohead made money off of sales which were benefited by the free/donation release, and because of that it was a huge success. Cory Doctorow relea
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At $463,832 in profit on an unfinished novel, I would love to have such a "waste of time". http://www.theregister.co.uk/2001/02/07/stephen_king_reveals_the_plant/ [theregister.co.uk]
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A knight's tale had a product placement for Nike.
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and how did you arrive at this conclusion? did you do any research, or did you just assume that all internet users are rude/selfish/greedy/etc.?
actual studies have shown that P2P file-sharing boosts CD sales [michaelgeist.ca]. so P2P users actually spend more on music purchases than non-P2P users.
your post is a classic example of the reactionary mentality preventing t
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> I see you're falling into the trench of "I have it figured out for $medium, therefore copyright is moot." Unfortunately, not everything falls under those banners.
And I see that you forgetting that copyright was only formally _recently_ invented in the 17th century, by _publishers_. OMG! How did the world ever survive until that point!? :-)
The quality and distribution of art is not dependent on copyright, and in fact the reverse is true in that copyright is used a tool to restrict supply in the hopes
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You're implying that greed is bad.
But beyond that, the people who write, edit, print, ship, etc., textbooks deserve to eat too. (Nowadays there are textbook selling/trading sites, so you don't have to just sell it back to the campus bookstore for a tiny fraction of what you paid at the beginning of the quarter/semester.. I wish something akin to th
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Seems to work for PBS.
Re:I repudiated copyright, and recommend others do (Score:5, Interesting)
Subscriptions also can work, just like a chapter-by-chapter written blook that continues as people fund the author's writing.
I recall Stephen King trying this and giving up.
King's 'experiment' should be a lesson in how NOT to sell subscriptions.
He wanted people to pay for each chapter AFTER it was released, not before.
That was so stupid that it makes me wonder if his intent (or whomever proposed it to him) was to deliberately fail.
A good subscription based system will give away a few chapters/episodes/songs and then start requiring a minimum amount of money in the bank before the next chapter/episode/song is released because such systems are all forms of the 'ransom' business model - no kidnapper would be stupid enough to return the kid and then demand a ransom, but that's the equivalent of how King ran his experiment.
The 'ransom' model actually has a lot of benefits all around - it reduces the risk of losing money to nearly zero since the money is in the bank before production work even has to get started. For consumers, it takes the middle-man, the guy who treats all content as just another product to be packaged up and resold, out of the middle. It allows people to much more accurately vote with their dollar for what productions they want to see get made.
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You don't charge others to receive a show flyer (which could take a few hours to design, plus hours to print and many hours to distribute), so why charge for music?
While I'm with you on other ideas, this one is simply misleading.
The flyer is clearly a secondary/supportive item - the show is the main item.
The music, on the other hand, is the main item of a band. There's nothing that it supports. It is the thing.
So you can't compare them. Two different classes of things.
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Re:I repudiated copyright, and recommend others do (Score:4, Insightful)
You don't charge others to receive a show flyer (which could take a few hours to design, plus hours to print and many hours to distribute), so why charge for music?
I'm sure you'll get responders who tell you that's simplistic, but I want to explore that idea further. Nobody gets to profit from everything forever without operating costs. Corporation or individual, you have to put in time, effort or money somewhere to get more money out. If you want a profit, you don't charge for the show flier because it's advertising, aimed at making you money from something else. Maybe you sell the music, maybe the music is another part of the give-aways, and you sell ads, or controlled concessions, live tickets, or whatever, but if you want to sell anything, there will be investment costs associated. You can't even sell your work to an employer without committing to be there on time, a dress code, or simply eating breakfast to suit the employer's schedule.
For all the people who are pro the existing copyright laws, and especially the ones who love to throw around the violation=stealing line, what about the people on your side who seem bound up in the illusion of unlimited profit with no investment? Take a company which is making a profit selling tee-shirts with its logo and advertising on them, and is actually getting paid by people to let them become walking billboards - Is that a sustainable long term model, or will fashion doubtless change? Can anyone really afford to enforce copyright against people distributing movie trailers? If someone uses the law to control negative reviews, how can they avoid reducing free word-of-mouth advertising by the very same act? How can they file hundreds of cases in court and avoid people thinking they are sue happy? You've got organizations on the pro-IP side that seem to think the law will stretch to let them do all that, and more.
Even if you care deeply about creator's rights and feel the people doing illegal downloading are all thieves, how are you going to satisfy the IP holders who want unlimited profit with no investment, and think tougher man made laws are a way to somehow bend what are really laws of nature that stand in their way. IP law can't protect a creator from all risks associated with seeking a profit, it can't squeeze blood from a stone to actually get $250,000 settlements from violators who barely make minimum wage, it can't keep them from having to advertise if they want to reach a broad audience, it can't let them slavishly imitate a true leader in marketing and get all the benefits of coming up with something for the first time.
Comment removed (Score:4, Insightful)
Re:I repudiated copyright, and recommend others do (Score:2)
You don't charge others to receive a show flyer (which could take a few hours to design, plus hours to print and many hours to distribute), so why charge for music?
Really there are a couple different issues to talk about. The first question is, what's your policy toward consumers of your products? This question seems to be what your post is focussing in on, and I agree that there's probably a good business model for content with loose controls.
But that doesn't require that you actually repudiate your copyright claims, and copyright takes care of other issues too. For example, you talked about releasing your writings without restricting distribution, and requesting
Re:I repudiated copyright, and recommend others do (Score:4, Funny)
My business newsletter used to cost over $1000 per year, but now it is free,
Your ideas interest me, and I wish to subscribe to your newsletter (now that it's free, of course!)
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I've produced a few bands' records, and asked them to repudiate copyright on their tracks. 2 of them have, and they've skyrocketed the amount of fans that come to shows
Yeah, but how many of the increased fans were actually just /.ers that showed up to support an end to copyrights? And did they immediately leave when they realized the bands weren't running linux?
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Ironman was ruined for me by the relentless advertising which led my girlfriend to ask sarcastically at one point "does everyone drive an Audi in America?" No to product placement - it sucks massively.
O'Reilly does this sucessfully (Score:5, Informative)
The O'Reilly book, "Using Samba" was published using a free license, prohibiting only commercial large-scale printing for profit.
The book was then shipped with Samba, as the Samba Team's official reference, and people started reading it online, printing off small chunks and using it.
When they wanted a complete copy to mark up or to read in the bathtub, they went to O'Reilly and bought the nice printed copy on thin paper that you could actually carry in one hand (;-))
Net result: it jumped to the top of Samba book sales, and was very profitable for O'Reilly.
And all because my editor (Andy Oram) was smart enough to realize that he could try an experiment in new media with a little help from the Samba Team
--dave
Re:I repudiated copyright, and recommend others do (Score:2)
You can't steal from the willing (Score:2, Funny)
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I license this post according to the attached EULA. Usage of this post implies agreement to the specified terms: no other condition grants you the right to use this post in any way. All future work performed by me in refining or updating this post will fall under the same licensing terms. Try stealing it now bitches!
The most stolen book (Score:3, Interesting)
It's been said that the most stolen dead-tree-form book is the Christian Bible.
Things that make you go "hmmmmmmmm."
Plagiarism (Score:2)
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Someone should change the author of this book and re-distribute that way, then he will learn merits of piracy.
Oh yes, let's not forgot how JK Rowling's publishers also live in fear of the terrible damage it might do to their sales if copies of Harry Potter started being sold with the words "By Joe Freetard" written on them.
Seriously - since when has anyone (even the RIAA!) ever indicated that malicious mis-attribution of works was even remotely a problem?
Free != Piracy (Score:5, Funny)
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If he is such a strong believer in piracy, why is he allowing users to download it for free? Shouldn't he force them to pay for a DRM version while he secretly leaks a free torrent on the side? Now THAT would be hardcore.
Now that is funny!
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Is the Kindle version [amazon.com] DRM'd enough for you?
Microsoft is Communism! (Score:2)
Obviously, Microsoft is anti-free enterprise [slashdot.org] today [today.com].
They just don't understand that it's not a zero-sum economy, and others' freedom of enterprise with their enterprising efforts is good not only for everyone else, but for them.
Without the pirates, would they have known to sell Windows for $3 in China? Of course not!
Paper-based DRM. (Score:2)
"âoeIâ(TM)m convinced that Steve Jobs is currently working on a double-sided touchscreen laptop, which has a great screen density so you can hold it on its side and you can touch it and turn pages. When something like that comes along, then the e-bookâ(TM)s going to be a real threat. And I think the publishing industry is going to collectively crap its pants.â"
There's just one problem with this argument. Books aren't as easy as movies and music to pirate. Oh it's possible, but it's not a
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Re:Screw the pirates (Score:5, Insightful)
In college the biggest pirates I knew were the guys who had enough money to buy most of what they got illegally.
They may have been *able* to pay, but how do you know they *would* have paid? This is the thing - you can't prove that a download is a lost sale any more than you can prove all the people that take free newspapers handed out at the station in the morning are depriving the broadsheets of sales. There simply isn't a 1-to-1 substitution going on. If it's there for free, most people will take it. But if it wasn't for free a great many would never bother to pay in the first place because it's not as if music (or news) is essential.
If the music and movie industries are so bad, stop downloading their shit. Ignore them, make them irrelevant. I swear, it's like a bunch of rich kids crying about exploitation, while they shop at the Gap and A&F.
Er, by your own logic, I think they ARE ignoring the music and movie industries. They are instead paying attention to the artists. Can you see the difference?
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Charge them with petty or grand theft as appropriate, if you ask me. If you want to change the youth culture it's really simple. Get all of this copyright infringement and DRM bullshit out of the picture and start hitting them with theft charges.
Yeah, because making something criminal totally removes the problem. It never causes it to just go underground or use alternative means to avoid detection. That's why there are zero illegal drugs in this country. Yep.
I'm just sick of the entitlement mentality that is wedded to a near Stockholm Syndrome among a lot of younger people. If the music and movie industries are so bad, stop downloading their shit. Ignore them, make them irrelevant. I swear, it's like a bunch of rich kids crying about exploitation, while they shop at the Gap and A&F.
Now here I agree with you. Crying "THEY DONT DSRV MONY BCUZ THEY R TCH SUK" and then downloading it anyway is hypocrisy in its simplest form. Even if the action was legal, you're still a hypocrite for saying a song is terrible but still enjoying it.
Re:Screw the pirates (Score:4, Insightful)
That's quite a strawman you've assembled there. Pirates are all just spoiled little rich kids, eh?
While there are a few of those, pirates come in many varieties. Some are young adults working full time at near-minimum wage to put themselves through school. Some are married with kids. Some *are* children. They're your friends, family, and neighbors. Rich, poor, young, old, spoiled, starving... They're everywhere, and everyone.
Need we differentiate theft from copyright violation yet again? Putting everyone who download an MP3 in jail is just absurd. The punishment does not fit the crime.
When you steal something, the owner is deprived of a physical good. They have less. When you violate copyright, the owner does not experience loss. And no, not every copyright violation is a "lost sale".
Even were this idea seen through, file sharing would just become even more anonymous. The technology is already here [wikipedia.org]. The only thing stopping adoption of even harder-to-trace protocols is the lack of real consequences for using the current, widely adopted ones. Should the consequences increase, darknets will become the p2p mechanism of choice overnight, and prosecution will become nigh impossible.
The file sharing cat is out of the bag, and no amount of legal strong arming will ever stuff it back in.
I thought (Score:2)
Matt Mason was a toy [wildtoys.com].
So, he's a journalist, too!
Couldn't download it, must pirate it now! (Score:5, Funny)
So, for those of you wondering how you can pirate a free book... if I get it in a torrent, well there you go.
But on the other hand, some people like myself can't escape the pirate label, since my great grandfather was in fact a pirate. It's like like the geico commercials, "so easy a cave man can do it."
Re: (Score:2, Informative)
http://thepiratebay.org/torrent/4335851/The_Pirate_s_Dilemma
dim-wit (Score:2)
This guy Matt Mason comes really close to thinking something original, and then completely misses it entirely. He sounds like a complete and utter knob!
It's amusing. You might think a pro-free-information ideology would go over well in the slashdot crowd. But this guy absolutely doesn't get it.
Re: (Score:2)
I don't know about any of that. Maybe some kids like to think they are rebellious, but I think most people who use pirated information do it because they can't afford the real thing. Understand, when i say "afford," i mean maybe your department at work doesn't allow you a budget, or perhaps the cost of the thing outweighs the benefit of the thing. Whatever the case, "pirating" is, I suggest, a monetary choice.
Matt Mason seems to be conflicted, however. On the one hand, he is simply suggesting companies
emerging black markets and working business models (Score:5, Interesting)
Black markets emerge for commodity goods when there are significant discrepancies between marginal costs and market price. This is exactly the case for digital entertainment media, where technology has eliminated the ability of major media producers to (technically) control the means of distribution of their product, and the marginal cost of distribution is orders of magnitude less than the price to legally buy the good. The development of the black market / piracy is expected in this case.
But - there is a middle ground. There is not just "selling media" vs. "pirating media"...
We have built LegalTorrents to get around the "dilemma" we have a working business model that both incorporates emerging technology and ALSO provides financial supports to Content Creators. The answer is simple: give away what you can't control, and provide value when customers choose to pay.
All the media we host can be downloaded without paying for it, but Content Creators can ask for Sponsorship - voluntary payments. Why would a user pay for media they can get with out paying for it? The answer is give them more: Give them more. Give public credit and community props for those users who pay for the media they love. Give them access to the Content Creators. Give them extra material not easily found online. Give them early access to concerts, private events, etc. Enable the Content Creator to build up a community around their work that is available for those users who pay to support it.
What a dildo (Score:2, Insightful)
More drivel advertising.
How are you pirating his book, when he gives permission by giving access on his own website.
I'd suggest actually reading about pirace from someone that doesn't have a confused idea about it in the first place. /., please. Not so much do you have to do 100 percent due diligence in the stories you write, can you just do a basic sanity check?
Piracy is NOT downloading things you have permission for.
--Toll_Free
Piracy and Usenet Binary Groups (Score:2)
I knew they wouldn't be lasting that long (ours was turned off some time ago) but now I'm unable to browse Usenet mp3 and lossless genres and d/l stuff that I thought might be interesting. I found so much cool stuff that way and even went to a few concerts (and bought CDs) because I found artists that I liked. I also recommended stuff to friends.
Ever since the ISP terminated access to binary groups I don't try out new stuff any more. I even terminated my GigaNews account as I just used it as a fill-in serve
Capitalism (Score:2)
Meanwhile,on the real piracy front (Score:2)
Meanwhile, on the real piracy front, the MV Faina is still being held by Somali pirates. It was surrounded by US warships weeks ago. Now some additional NATO warships are surrounding it. The pirates want $20 million to release the mostly-Ukrainian crew, and Ukrainians have collected the money. [earthtimes.org] This sort of piracy happens frequently, but this ship is unusual because it's loaded with old Soviet tanks and other weapons.
This has been dragging on for weeks. Neither the US nor NATO wants to take the casualt
Reminds me of "Steal This Book" (Score:2)
... by Abbie Hoffman.
Calling it a "how to survive by dumpster diving and shoplifting" manual would not cover it.
Re:And the price of everything goes up... (Score:5, Interesting)
You seem to be confusing "produce art" with "make a living". That's a common fallacy. Artists have never been guaranteed a living solely on the basis of the art they produced. Many famous painters, composers, etc. have died as paupers even when they were famous in their own time.
For what it's worth, in a capitalist system nobody else is guaranteed a living for what they do either. You might be the world's best Parcheesi player but I doubt you could make a living doing just that.
Re: (Score:2)
True! Why, the mere idea that someone could provide their creative work for free and expect to make a living off of it is absurd to the highest degree.
OK, off to go read my webcomics now.
Oh. Wait a sec... Quite a few of the comics I read are the author's principle/sole form of income, aren't they? They release their creative works for free, and then people send them money out of thanks for their work, or buy merchandise or whatever. Sure, the vast majority of them do sink into obscurity, but there are
Re: (Score:2)
Re: (Score:2)
People don't always create to make a profit or a living. On the other hand, commissioned work is a good way for artists to make money. It's a complex issue, but as a comment a few posts up said, we will find amateurs of similar talent producing art and becoming famous for it because anyone can have a copy of their songs, books, etc. Effectively you are using the art or other material as a valuable advertisement for another service, e.g. live concerts, editing work, etc. Your advertising would be valuabl
Re: (Score:2)
Pirates and bankers are parasitic. Neither creates new technology or wealth.
Given the title of the /. post, the least you could do is provide some evidence for that statement. If you're going to post, you can be a bit lazy, but don't be a total slob.
Re: (Score:2)