Posting Soccer Goals On Vine Is Illegal, Say England's Premier League 226
New submitter JonnyCalcutta writes: The football Premier League in England is warning about posting clips of goals on online services such as Vine and Twitter. The claim is that posting these clips is "illegal under copyright laws." I'm naturally dubious about blanket statements from rightsholders already known to push the truth, especially concerning such short clips, but I don't know enough about copyright law to understand the implications fully. Is it illegal? What can they actually do about it? Does adding commentary give the uploader any rights to post?
Pinch of salt needed (Score:2, Informative)
They have a history of lying about copyright (claiming the the fixture list was copyrightable - they even sued over it, their legal arguments bordering on the vexatious).
No doubt they hold the copyright to their footage of the matches, but whether they can claim copyright over all video of the match regardless of origin is dubious at best. Where's the creative aspect required?
Re: Pinch of salt needed (Score:3, Interesting)
They'll have to claim the fix the games to make them interesting, and that it's performance art and not competition perhaps.
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They'll have to claim the fix the games to make them interesting, and that it's performance art and not competition perhaps.
Of course it is. Just look at the way some of them fall over; sometimes it borders on interpretive dance.
Re:Pinch of salt needed (Score:5, Informative)
They are claiming copyright over their own footage.
The phenomena at question is that of people uploading mobile phone footage of TV footage, not of their own video of the match.
Re: Pinch of salt needed (Score:2)
Also, interesting to note, the interviewer specifically pointed out the NFL as going through the same type of frustrations. In typical British media form, the interviewer was pandering to corporate interest in focus and langu
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Also, interesting to note, the interviewer specifically pointed out the NFL as going through the same type of frustrations. In typical British media form, the interviewer was pandering to corporate interest in focus and language, and didn't make a single mention of the rights of the recorders, which seems perverse given that many Vines fit comfortably under the measures of Fair Use in the U.S.
IANAL, but while it seems Fair Use might cover a snip from a commercial broadcast or even arguing a private short clip of a performance (or game, if you prefer); assuming the actual playing of the game constitutes a copyrighted work, there is still the contractual issue that often forbids taping the performance. That would seem to me to be the way to prevent distribution of the clip.
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Re: Pinch of salt needed (Score:5, Insightful)
... under UK Copyright law there is no "fair use" exception
That is correct. There are some specific exceptions, commonly referred to as "fair dealing" over here, and there have been some recent developments that will expand the scope of the exceptions, but there is no generic limitation on copyright determined by a set of qualitative tests like the Fair Use rules in the US. However, if we're talking about someone's own footage of the goals, the more important issue might be what the contract was when they bought their admission ticket.
If the conditions of entry clearly say no recording is allowed and that if any recordings are made anyway then all rights are assigned to the organisers, then my expectation is that the uploaders won't have a leg to stand on here. It would be very surprising in this day and age if such terms weren't routinely included, and I fully expect that this is how any debate about legality will wind up being resolved.
On the other hand, if there's nothing prohibiting the use of recording devices and nothing claiming any rights over recordings made by spectators, it might be tough to argue successfully in court along the lines that someone's personal recording was a copy or derivative work of some official recording that the organisers sell to TV networks. It's not an unprecedented idea: publishing photos of major public landmarks like the Hollywood sign or Eiffel Tower can be legally hazardous, particularly if commercial use is involved. However, those restrictions tend to result from some carefully contrived/created edge cases in the legal position for specific places, and it's hard to see how anything similar applies to a football match.
(IANAL so obviously you shouldn't trust anything you just read if it actually matters to you.)
Re: Pinch of salt needed (Score:5, Informative)
There is something called a "fair dealing" excemption that is recognized for british copyright.
Theres a case that pretty much specifically shows the premier league hasn't a leg to stand on.
Back in 1991 the BBC sued British Satelite broadcasting for showing clips of between 14 seconds to 30 seconds of goals , sometimes in slow motion, and the like from the 1990 world cup taken from BBC footage. The BBC said it had exclusive rights from FIFA therefore the BSB had no rights to rebroadcast the clips.
The court disagreed and found that the short clips where covered under fair dealing provisions and that it was ok to take the small clips and rebroadcast it.
Further under the Restricted Practice Act its possible to show that such exclusivity deals can *sometimes* be considered invalid as anti-trust , particularly if the exclusivity is for pay-to-view events covered under scheduled Listed Events.
In a nutshell, I suspect this is an empty threat and the premier league would have trouble convincing a court that a contract between it and the exclusive broadcaster somehow binds a third party who never agreed to it and thus has recourse to normal rights associated with copyright fair dealing.
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To add to this, if you got a drone or helicopter with a *really* good telescopic lens, or perhaps a window with a view at a local skyscraper, sports games are not copyrightable, only a specific recording. But since you havent entered the grounds, its *clearly* a public space and you havent agreed to the ticket conditions, you can stream the whole damn event and theres not a god damn thing that can be done about it by a parasitic rightsholder.
Lawyers and judges (Score:2)
Correct. There is no such thing as fair use in the UK. But if the video/twitter feed is hosted in the US then I am not sure where the 'infringement' is considered to have taken place.
The lawyers and judges will be happy to spend hundreds of hours trying to figure it out.
Even in the US, it is arguable how much context, and what kind, you would need to give the video in order to make it fall under "fair use." Even major television studios avoid using game footage without permission, even when they know they have an absolute right to use it, in part because of reputation issues but really because they don't want to be sued. You also have the issue of breaking copy protection by using the
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They specifically pointed out the cases where people record or take photos of parts of the game from their phones and post to Twitter/Vine.
And said what about them? They're presumably covered there by the T&C's of admission/ticket holding.
Either assignment agreement or fixed matches (Score:2)
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They are claiming copyright over their own footage.
The phenomena at question is that of people uploading mobile phone footage of TV footage, not of their own video of the match.
I do not know what the premier league tickets say; but many venues, sports or otherwise, have limits on recording in the contact for the ticket. Realistically, most seem not to care about the iPhone clip posted to a web site; quite frankly it seems that fan clips wouldn't diminish the value of the venue's film. If I want a copy of a concert or game I buy the DVD, if available, because it is actually viewable in its entirety even if it lacks the shaking, background noise and random commentary of the iPhone v
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I see no way in which a ticket limiting recording automatically transfers copyright of the recording from the creator to the venue.
It might allow the venue to kick out the person doing the recording, but it certainly doesn't hand them copyright to the work.
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I see no way in which a ticket limiting recording automatically transfers copyright of the recording from the creator to the venue. It might allow the venue to kick out the person doing the recording, but it certainly doesn't hand them copyright to the work.
I would see two issues:
1. It is a contract violation and thus they could be forced by a court to delete or turnover the recording since it was made in violation of the contract
2. The venue owns the copyright to what was presented and thus even if you own the copyright to your recording you still cannot use it since you do not own rights to the performance.
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Same response as above. That agreement would enable them to kick someone out of the venue. It wouldn't cause a transfer of copyright.
PL = Honorable Institution. (Score:4, Funny)
Re:PL = Honorable Institution. (Score:5, Insightful)
"Blackie" in the UK is a racist and offensive term - he is employed and works in the UK, so he is subject to UK laws and levels of standards with regard to his actions in the UK. Oh, and he said a lot more than just calling Evra a "blackie" - I suggest you refresh your memory of the incident...
Besides, Luis Suarez should be permanently banned from professional football for his various issues over the years. He is uncontrollable and has absolutely no conscience with regard to his past actions.
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So because Suarez is in the UK, when speaking in his native tongue, he uses a word that sounds like nigger, he is automatically a racist? This word negrito, btw, a word Suarez's grandmother still calls him.
So much for the most cosmopolitan league in the world. It's no wonder that all the best players are leaving for Spain. I never thought the country of Wilberforce would be so racist in the 21st century as to make the USA look tolerant in comparison.
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When you are in another country, you abide by that countries rules. When you play in a football league, you abide by that leagues rules. Suarez abided by neither, and thus deserved his punishment.
And again I suggest you actually investigate what he said, because "negrito" is far from the sole term he used, and it most certainly was not used in the same manner as his grandmother apparently uses it.
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When you are in another country, you abide by that countries rules.
I agree with the sentiment in this case, but not the concept. Every country in the world has some fucked up rules better off ignored.
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Pulling out the excuse "my grandparent says that" doesn't work when we're talking racism. Lots of grandparents spout racist shit.
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Is there a barrister in the house? (Score:3)
EPL -might- be right. British law, particularly copyright law, is a little weird.
We're going to get a LOT of US Centric comments here, but I'm really hoping someone with an understanding of British law can help clear up this mess.
Re:Is there a barrister in the house? (Score:5, Interesting)
British copyright law really isn't that weird, perhaps the most weird things about it are the desperate attempts by police to take down piracy websites using fraud laws because it's the closest thing they could find - a tactic which has only netted them mixed success at best. British copyright law is actually fairly typical because it's based on the Berne convention like that of most countries. The Premier League is clearly arguing that Fair Dealing does not exist under UK law, which is patently false.
http://en.wikipedia.org/wiki/F... [wikipedia.org]
Posting short snippets of a match on Twitter could arguably fall under any of the fair dealing exemptions, though at least 3 of them it seems to clearly fall under - i.e. criticism, review, and reporting of current events. The argument that such posts are for research are tenuous, but not impossible to make, but the argument that they fall under criticism, review, and reporting of current events seem to be pretty bulletproof.
Provided there is no commercial gain in the posting, and provided people stick to small snippets of just the goals then it seems pretty clear that the Premier League is outright lying and should simply be told to go fuck itself. Fair Dealing also requires that the original work already be available to the public in the first place, but that's also a given given that the whole fucking point in such football matches is that they're a public performance - the guys on the pitch aren't playing for shits and giggles like kids in a schoolyard, they're playing to make money and entertain, that is after all why they have stadiums and cameras around them that also then make a fortune broadcasting the event across the globe to millions of people, so the Premier League clearly can't use that argument either.
Given that the reason people post goals in the first place is to say "What an amazing goal!" or "What a shit goal!", given that the performances are clearly available to the public to start with (anyone can pay to see one live or on TV), and providing no commercial motive then I don't see how the Premier League could ever possibly argue that this isn't a legitimate use of the criticism or review clauses against the performance in question.
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Do you refer to association football or US gridiron football? Serious question -- I can't tell which sport you mean
Then you are clearly an idiot, or entirely unfamiliar with any form of football other than soccer!
There are 3 recognized "kinds" of football -- European (aka soccer), North American, and Australian. Of those three, ONLY European football (i.e. soccer) could be reasonably conflated / confused with ballet...
-AC
Canadians beg to differ. Oh wait, they're just the 51st state anyway so you are correct. My bad.
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Hockey = Canadian football?
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Hockey = Canadian football?
Hockey = Life, the Universe and Everything
Football = Sport
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I can make that concession only because even war follows some rules, and Aussie football clearly does not.
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Laws vary by country. (Score:5, Informative)
In the United States, you are definitely allowed to show a short clip of the the guy starting at the kick and ending at the goal.
Merely putting a comment under the video is unlikely to help your legal case in any country. But burning a voice over into the video would add 'original content' to it, and that might give you more rights.
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So what may be illegal in England is not necessary illegal in the United States.
In the United States, you are definitely allowed to show a short clip of the the guy starting at the kick and ending at the goal.
Not exactly. It should be legal in the USA if the clip is really short, but there are no guarantees. Neither lawmakers nor courts have ever explicitly defined what "Fair Use" means, so if someone says "it's Fair Use" and a copyright holder disagrees, it takes a court case to rule on who is right. And as I always say, if you go to court in the USA, literally anything at all can happen. One court might rule that a 10 second clip is clearly Fair Use and another might rule that it's clearly a copyright vi
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Not to mention that going to court to defend your Fair Use rights will cost you time and money. So if Big Corporation X says "that video you posted including a tiny snippet of our material is violating our copyright. Take it down.", you have two options:
1) Take it down. Pro: You don't spend a lot of time and money fighting a lawsuit. Con: You've rolled over instead of defending your Fair Use rights.
2) Keep it up and fight for your Fair Use rights. Pro: You are defending your rights. Con: You can spend
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How to avoid sampling? (Score:2)
Music is at the far right end of the factual creative scale, and US judges have been especially strident and hard-line about music sampling in particular ("if you're going to sample, get license, period!").
So what steps should George Harrison have taken to prevent himself from accidentally sampling "He's So Fine" in his own song "My Sweet Lord"?
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Ticket ToS (Score:5, Insightful)
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as I mentioned elsewhere, they might have standing to eject you from the stadium over a breach of this contract, but that doesn't mean copyright law is applicable.
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In a similar fashion, you can enter any mall in America and start taking photos of everything in sight. The mall can toss you out and even ban you from ever entering again. If you do, they can have you arrested for trespassing. The photos you've taken while there, though, are under your copyright and they can't order you to delete them (or, worse, seize your camera and delete them). Whether you can use them commercially is another story, but simply posting a shot online would be fine.
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Not exactly. There is no freedom of panorama in the US, so sorry, but you are mistaken. Some photos of the inside might be ok, but anything that has arguably has artistic content (ie: more than text) would be fully copyrighted by the designer. You could argue "Fair Use", but the copyright still doesn't change hands, it isn't yours. Years of arguing with lawyers and such on Commons will teach you that.
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I suggest you read the Photographer's Rights site [krages.com].
There have been security guards who have harassed photographers for taking photos of buildings because the building designs are "copyrighted." You are allowed to take a photo of a copyrighted object. (If you couldn't, someone wearing a shirt bearing the likeness of any copyrighted fictional character could end all street photography in an area.) You may or may not be able to publish said photo (depending on the circumstances), but you can certainly take t
Ticket Copyright Ownership (Score:2)
Not necessarily. Suppose the back of the ticket agreed in advance to sell the copyright to any media you take, or to grant an exclusive, irrevocable license, or the like. Then you get to fight about whether that's a valid agreement, but you may not own the copyright.
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I think SCO taught us all that copyrights don't magically transfer because some bit of paper said it should. There has to be an actual transfer of copyright and the back of a ticket ain't that.
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Standard terms of copyright for a performance in the UK - if you video it, you own the copyright on the video, but the performer owns the copyright on the performance so you still cannot legally distribute your video without infringing on the performers copyright.
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That actually doesn't seem completely unreasonable, however, I think it's really petty to go after people who post goals to Vine, instagram, etc.
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What terms of service do you agree to when you purchase a ticket and attend the event? Do you agree not to take and post videos of the event?
The ticket ToS [talkphotography.co.uk] specifically forbids any posting of match content. In fact you cannot bring any dedicated "audio, visual, or audio-visual" equipment into the ground. You can bring your mobile phone with you but, if you use it to capture any of the action, nothing you capture "may be published or otherwise made available to any third parties including, without limitation, via social networking sites."
The copyright angle is pretty moot. By buying your ticket, you've signed up to these terms and conditions
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You're making an argument based on contracts, which is not the same argument the PL is making.
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The argument from the premier league is around videoing clips off the TV and posting online which is pretty clear copyright infringement.
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Read the actual story for once....
I did read the story. I was merely posing the same question from a differing angle in order to learn how the differing situation may affect the legality.
if you're just posting the good parts... (Score:2, Troll)
They may have a point.
Other than the goals and near-goals, soccer is pretty boring. If you post those, then there is no point in actually watching the game and consuming the advertising.
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That there are so few goals is what makes soccer so huge. I played a different sport where the result might be more like 10-4, nobody really cares about a bad referee call or a few missed chances or the lucky goal it's obvious the better team won anyway. In soccer the result might be 2-1 and there's no end to the bullshit fans will make up about controversial decisions, missed chances, lucky shots and whatnot that meant that they could have, should have, would have won or drawn. It's somewhere between sport
License (Score:2)
In pratice, that might be the case. The company is affraid of losing eyeballs (and thus ads revenue) from all the people who woould have wanted to only have a quick recap about the play and would only be interrested into seeing the goals.
BUT
The company has clearly bought an exclusive deal over THE WHOLE play. Absolutely whole 2 half-time, and any extra overtime and play-offs. They have paid an excluse right for perhaps *2 hours* worth of Soccer/Football.
The vines of the goals are only a few seconds-long GIF
probably BS (Score:2)
They would be within their rights to ban the usage of video recording devices inside the stadium, because it is ultimately private property and you've paid to see a performance. They would probably even be within their rights to sue you for breach of contract by making nonuse of recording devices a condition of your ticket price. But failing
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You still aren't allowed to distribute a derivative work without the original copyright owners permission outside of fair use or expiration of copyright.
Also note my other posts on performance rights in the UK.
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Derivative in what way? Did he take a video of a video or did he take a video of the actual game? I fail to see how anyone could claim video you shot yourself of live action belongs to them in the form of copyright because you are the one that took the video, they don't have a copyright on the live action and it's absurd to claim they do.
Now as someone else said, there may have been contract language on the ticket that you agreed to by attending the game that gave them copyright on all your recordings of th
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The story is about taking video of video.
Stop watching? (Score:3)
US Fair Use Exception rule, quote (Score:2)
(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
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In the US, they have no right to stop you from making a vine of it. But that may not apply to England.
It might not even apply in the US - "fair use" is a defence, not an exception, and showing only the goals or other significant action in a football match could violate the "substantial" clause depending on how well the arguments are made to the judge.
A violation of clause 4 is also a potential due to the resale value of goal footage for round up sports programs etc.
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Even if it did, again, a fair use exception would still apply, as a clip of one goal does not affect the sale value of the entire piece.
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Aren't goals a substantial portion of a football match?
Won't rebroadcasting goals reduce potential market (stadium and TV viewership) of the copyrighted work?
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Fans (the only real market for rebroadcasting) do not care about random goals. If you don't advertise which game etc. it came from it will not in any way affect resale value. Even if you do advertise the specific game, one goal in and of itself will not affect the
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Not so. There are other important (or substantial) portions of the match such as: the near goal misses, the clever dodges, penalties, free kicks etc. I do agree these are nowhere as important as goals, but they are of secondary importance (and still important).
I disagree. Nobody posts videos of boring or inconsequential th
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Yes, they are inconsequential, quantitatively. I meant, they are substantial, qualititatively, like the best parts or ending of a movie.
This is one of google's definition of the word substantial:
US NFL aggressively enforces copyright (Score:2, Insightful)
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Woe if you post any significant segment of a US football game.
Yes, even posting a single second of those 11 minutes [mediaite.com] could land you in jail!
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Not a problem (Score:2)
The silliest part of this... (Score:2)
As I understand it... (Score:2)
A football match is a commercial entertainment show - somebody has invested money (lots of it, in the case of football) in producing the show, and therefore has at least a legitimate claim to the content. I don't necessarily agree with the whole copyright thinking, but if it illegal to film in cinemas, theatres and at concerts, then the same holds for a sports match; why would it be different? It is not something that happens in the public space - these venues are privately owned.
Personally, I think it is a
Dear Premier League, (Score:2)
Depends on many things (Score:2)
Are you reposting a taping you made from a private TV corp? Likely illegal. ... even if you have your own channel, you hardly can claim that it is for personal (inclu
Are you reposting a taping broadcasted on a public TV station, like BBC in UK or ZDF in germany: grey area. Actually not so grey. You may use it for personal purpose, if your facebook page or your twitter account is already beyond that, I don't know. I assume it would depend on the extend.
Did you post any of the above on youtube, likely illegal
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> Is written on it: no photons, no videos?
I hate stadiums that ban photons. I'm just trying to watch the game, dammit!
Their standard MO - sue first, ask questions later (Score:2)
The Premier League (and their legal strong-arming outfit Football DataCo) have plenty of previous for shakedowns with a flimsy legal basis. First it was fixtures, over which they claimed copyright and demanded extortionate licensing fees (see example: http://www.bsad.org/0506/repor... [bsad.org]). This claim was ruled invalid when tested in court, where in a rare outbreak of common sense it was ruled that fixtures have insufficient creative input to be copyrightable.
The main reason they're going after goal clips so mu
how was it recorded? (Score:2)
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If they made the goal posts wider, there might be more goals.
But seriously, rebroadcasting the interesting parts, such as goals, is definitely copyright infringement just as rebroadcasting all the light saber fights in Star Wars is copyright infringement.
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Hey, at least they're a damn sight wider than hockey goals. Whenever I see a hockey game I wonder why the goalie doesn't just lie down in front of the goal; he's wearing enough padding and gear that it's not like he'll even feel people bouncing pucks off him. And unless somebody can loft it like 1.5 feet in the air, it's not getting in.
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A league match is 90 minutes with 15 minutes for half time, plus any extra time for stoppages. As we are talking about the English Premiership you are not going to get to even two hours unless something rather dramatic happened on pitch which stopped play for an extended period. Something like the Fabrice Muamba indecent and they are exceptionally rare and in this case it was an F.A. Cup match not a Premiership game, and the match was abandoned as a result.
There have been a few compound fracture incidents,
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Your lawyers and their lawyers can argue about fair use, while your bank account is drained.
That's why we need crowdfunding campaigns in the 'free' world that are directed at collecting money to fight 'everything you see are belong to us' law suits like the one this bit of nonsense is just begging for. And while we're at it maybe we can crowdfund campaigns to convince people to boycott organizations run by shitheads who try to claim ownership of the whole world by raising their hind legs and pissing on everything in sight like dogs that need obedience training.
BTW, the irony of a crowdfunding camp
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... taking somebody else's content and reposting is l...
Your premise is wrong here. "Taking" is not the right word when the other still has their original. "Copying" may be the correct term, but "taking" implies the other party no longer has possession of something.
I know you were not trying to be a copyright troll, but it is the language they use. We must be careful to use the correct language because "taking" has much different historical implications than "copying".
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You're taking the word "taking" out of context: from the context it was clear what he meant, and it was never implied that the original owner didn't have the video any more.
Note that my use of the word "taking" does not mean the OP doesn't have that word any more.
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Yes, thank $Deity.
Fair use rights might actually apply to a short snippet - As a brief clip of semi-factual material ("This happened"), for noncommercial purposes and that doesn't at all diminish demand for the "original" product, it pretty soundly passes the "four factor" test in the US, though UK law no doubt differs on what they consider fair use.
However, a critical "fifth factor" exists that underlies the
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You're wrong. You're reducing potential profit from the copyright holders by rebroadcasting information for free. If you were a stadium ticket buyer, or watched the game on TV or DVD, would you be willing to spend the time or the money to watch the game, had you already seen the clips on the web? No.
In short, if you can see the good parts for free on the web, you won't visit the stadium for the match or watch it on TV thereby reducing profit for copyright holders. And copyright is all about preventing freel
Re:"Does adding commentary give rights" (Score:5, Informative)
Speaking for U.S. law, you understand copyright wrong. The fair use doctrine [copyright.gov] allows for use of copyrighted works for the purpose of "criticism, comment, news reporting, teaching, scholarship, and research".
Part of the criteria for determining if use of a copyrighted work is fair use includes the "amount and substantiality of the portion used in relation to the copyrighted work as a whole", so, for example, if I were to post a Vine video of a goal, along with commentary like "Manchester United played a great game today, with three goals including this exciting one by Bob Smith", then I am (your pick) commenting, critiquing, or reporting on the entire hour and a half game, while posting a five second clip of that game. In the U.S., that is clearly fair use unless the other side's lawyers have more money than you do.
I realize this story is about England, but I'm relatively certain that every Slashdot commenter including the parent is discussing this in terms of U.S. law, so I did as well.
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along with commentary like "Manchester United played a great game today, with three goals including this exciting one by Bob Smith"
Then you're not commenting on the footage. You're commenting on the activity depicted, not the depiction. /Devil's advocate
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So if I'm commenting on a movie, and I talk about the motivations of the character, it is infringement to show a clip of that character doing something? I'm talking about the actions of the character, not the angle and lighting at which they were filmed doing it.
By your logic, video would never be subject to fair use except when critiquing the cinematography. That is clearly not true.
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Those are all part of the same complete work. A sports broadcast could be regarded as an (almost incidental) recording of a separate performance.
It might be considered unfair use if, say, you were commenting on the life of Jesus with clips from The Passion of the Christ as illustration.
Again, Devil's advocate.
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Finding legal advice in the U.K. won't cut it either, it specifically has to be in England as there is a different legal system in Scotland and with a devolved assembly in Wales they are also very subtly different. Complicating matters is that some Welsh clubs play in the English Premiership and home matches take place in Wales.
That said I believe that Copyright is a reserved power, aka only the Westminster (aka U.K. wide government) can legislate on it.
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That said, as long as the clip is no longer than 3 minutes, it is not illegal in itself.
Where is that rule written down?
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Although it's not immediately obvious, the article is about posting (mobile phone or other) video of copyrighted video.
Being able to pause and rewind live TV has made it easier for anyone to film footage from a match.
It's Newsbeat, which might be where they stick the work experience kids. They scale the images on their HTML pages, for heaven's sake!
HTML image scaling because px != pixels (Score:2)
They scale the images on their HTML pages, for heaven's sake!
How else is one expected to handle high-DPI displays? In CSS, 1px doesn't mean a hardware pixel; it means 1/2688 of the distance from the eye to the display. On a high-DPI display such as Apple's Retina(tm) displays, 1px might span a 2x2 hardware pixel area. In order to make photos look their best on high-DPI displays, a site has to serve them with two pixels per px in each direction.
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How else is one expected to handle high-DPI displays?
By detecting them and serving different images.
By serving integer or at least rationally scaled images.
By not bothering and just assuming 1px=1 pixel, as most people normally do (including grown-up BBC News)
The point is somewhat moot, since the kind of scaling Newsbeat engages in is of the following form:
235px × 132px (scaled to 267px × 150px) (~1.1363x)
200px × 112px (scaled to 204px × 115px) (~1.02x)
625px × 351px (scaled to 645px × 362px) (~1.032x)
Which will look soft on any d
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Really what it comes down to is that national laws are starting to conflict with people who have never stepped foot in the country. We as a planet are in need of international law reform with regards to copyright and the variety of internet "crimes".
No thanks.
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[The NFL] own the idea, i.e. patent, for each broadcast.
What are the patent numbers or even patent application numbers? The only American football patent I'm aware of is the Arena Football League's rebound net patent.
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I think they actually get cut off at GOOOOOOOOOOOA--